Saturday, October 16, 2010

The Weekend Comments ... Part 1

More Comments than we can fit into just one Sunday Comments Page again this week ... so we're splitting up the load and doing a whole weekend devoted to what's been on your minds lately.

Here goes ...


re: RECENT ANNOUNCEMENTS:
Hey Kent,
Here's a bit of '60s in the 2000's!
Hope all is well!
Billy
Fillmore East / Capitol Theatre Innovator Pig Light Show
Resurfaces With Spectacular New Visuals
10/7/2010 – Gray, ME – The music world is turned-on once again with the resurfacing of psychedelic light show innovator Marc Rubinstein and his Pig Light Show, which thrilled and amazed concert goers of the Fillmore East in NY and the Capitol Theatre in NJ in the late '60s and early ‘70s. Behind legendary music artists and bands like the Grateful Dead, Mountain, Jethro Tull, Santana, Grand Funk, Chicago, Black Sabbath, Fleetwood Mac, the Allman Brothers and many, many others, Pig Light Show's visuals were like nothing ever seen before and since – as Mark Hudson, producer for Ozzy Osbourne and Aerosmith, exclaims, “I don't need drugs ... all I have to do is watch Pig Light Show and I'm as high as I want to be!”
“The Pig Light Show started in an attempt to give my band stage lighting in a time when most places and bands just didn't bother,” says founder Marc Rubinstein. “Theatre and spectacle were not a part of the concert or club experience at all. I made all these strip lights and dimmer / flasher boards to control them. Soon I got much more work with other bands just doing lighting. A friend, Larry Weider (now Berger), joined me and we started Saint Elmo's Fire. Then we saw our first 'light show' at a concert at The Anderson Theatre in New York (across the street from where the Fillmore East would eventually open). It was Moby Grape, Procol Harum and Buffalo Springfield backed by Joshua Light Show. I was blown away! Larry and I started playing with ideas the next morning, and soon I was experimenting constantly. No one could keep up with me. I bought Larry out as partner, but he stayed with me, mastering and leading our reflectives section. Soon other friends joined and we started playing parties, clubs, concerts ... anything and everything we could. After attending a concert at the intimate Garrick Theatre on Bleeker Street for a concert with The Mothers of Invention, I got the nickname Pig because of something Frank Zappa said to us in the audience, and the light show became better known as Pig's Light Show than Saint Elmo's Fire. So I went with it - Pig Light Show it became.”
Marc contacted Joshua White after his light show got the gig at the newly opened Fillmore East, and within a year or so became a sort of protegĂ©. “I was getting a pretty good name for myself, and was getting lots of work. During the Summer of 1969 I was often backstage with Joshua when I wasn't working and got to work with Joshua Light Show a few times on outside gigs. After Woodstock, the Fillmore East started a Tuesday Night Audition series, where every Tuesday night they presented a show with three groups and a light show all auditioning. The groups had to have a record out. There was no real restriction on the light shows. Joshua signed me up for the third one - Veterans Day, November 11th, 1969. After that business picked up even more and the venues got bigger and more important, as did the acts, till in the Spring of 1970, when Joshua told me he was breaking up his light show and starting Joshua TV. He said the guys from his show were buying the equipment to start Joe's Lights and going off to Montreal, and told me I was his personal choice for successor at the Fillmore East - if I wanted it. If I wanted it! Of course I wanted it! That year I also did a bunch of TV work with Joshua for a special (Midsummer Rock), a Summer series (Comedy Tonight) and a children's-show pilot (Super Elastic Plastic Goggles). The rest, as they say, is history.”
“I was there back then and I know what it was like. If you were there too or want to know what it was like, until they invent time travel, Marc's amazing light show is visually as close as you are going to get.” Mark Tullin of the Electric Prunes
When asked what differentiates Pig Light Show from others out there today, Marc explains, “How does Jeff Beck differ from Eric Clapton? That's how I differ from anyone else trying to do what I do. Also, I do most of my effects-creation in my light show studio at home. Then I video the effects and break them into clips which I may or may not do other things to. When I perform, instead of my effects being limited by the actual equipment I can afford to travel with, my only limitation is the size of my hard drive. And I am ALWAYS creating new clips. First and foremost, under it all I’m a musician not a film maker, videographer or whatever. Second, I always act as part of any group I work with while I’m backing them. Third, Pig Light Show was always an ‘East Coast’ light show.
There were two basic schools of light show: East Coast and West Coast. Although many East Coast light shows did 'West Coast' style shows and vise versa, the big difference was West Coast style shows were usually front projection, done by visual artists, mostly liquids and slides centered, could fit into a station wagon or two, were done at the same time as the music not necessarily ‘to’ the music. They were more a part of the 'experience' than the show. They grew in the San Francisco ballroom style of concert. East Coast style shows were usually by theatre, video or film people with different training and discipline. They were more hardware-based and larger (Joshua Light Show was once called the GM of light shows because of their touring size), with a much wider array of effects. They were tightly linked to the music they accompanied, were very much 'theatrical' utilizing dimmers and cues and headsets for moment-by-moment, overall control of the show. They improvised to the music and entertained between songs and acts. They WERE an ‘act’. They grew in the New York theatre-style concert.
Today too many people call stage lighting 'light shows'. That's no more true than saying a sound company is a band. One provides a technical service, the other shares their art and talent with an audience and is the reason the audience is there. Stage lighting companies don’t get billing ... light shows do.”
And now much to the elation of bands and concert-goers who missed the opportunity to witness Marc Rubinstein's pioneering and innovative visuals, Pig Light Show is back! Bands looking for more than your standard run-of-the-mill lighting can now hire the most innovative light show on the planet – anywhere and at any-sized venue! “One of the greatest things about the way I do the show is that it can be scaled to any size from a small club to the hugest stage,” says Marc. “All that's needed is a video projector of appropriate power and screen of an appropriate size for the venue (more and more often they are now owned by the venue) or video screens or LED curtain-screens drivable by a laptop. That and travel are the big budget items. Once that is taken care of, my fee is based upon Venue size, budget, expected audience size, publicity, etc., but I can usually work something equitable out.”
“If you want the real deal, the real light show that moves and swirls like days gone by, like days many people wish they were there for, but were not, then you need to go to Marc Rubinstein and his fabulous Pig Light Show.” - Michael Shrieve original drummer for Santana
Are the 2000's the new 1960s? With the resurfacing of Marc Rubinstein and Pig Light Show comes the reunion of psychedelic music and visuals once again! “Last Summer I got to work with The Electric Prunes, Love and The Blues Magoos,” recalls Marc. “I had never worked with them before, so it was something I looked forward to with great pleasure. We were doing a benefit concert for WPKN from Bridgeport at a theatre in Fairfield, CT. The show was being dedicated to Sky Saxon (The Seeds) who was supposed to be on the tour but died earlier that Summer along with Michael Jackson and Farrah Fawcett. We were lucky that it was a real theatre, with good stage lighting, a rear projection screen and powerful video projector. We were able to put on as close to a 'Fillmore East' style show as possible, and the audience was ideal. The show was a ball! The bands loved it, the radio station loved it. The audience loved it. Even the news loved it.”
“Marc put on a great show on the fly for an iconic band I'm in, The Electric Prunes,” says Jay Dean. “I enjoyed the show myself from the stage! The light show was indeed awesome!”
“Marc Rubinstein and the Pig Light Show stand the test of time. All others have faded away. The cream rises to the top!” Peppy Castro – The Blues Magoos
"Yesterday / Today / Tomorrow. The first 3 words that spring to mind at the mention of Pig Light Show and Marc Rubinstein. I've enjoyed the pleasures of having my music enhanced by Marc 'back in the day' of Bill Graham's legendary Fillmore East - live and in real-time! ...and having been recently reunited, and my mind blown yet again by Marc's present creative visual-to-musical works, it seemed only natural to ask him to collaborate on my upcoming "Couch Vid Sessions" ...and some other yet-to-be announced multimedia projects. It's such a great feeling to share the sensibilities of the 'classic' with the razor-edge technologies Marc and I enjoy today. And big respect to one of the true pioneers." Elliott Randall – Steely Dan
For more information visit the official website at
www.piglightshow.com

Hi Kent ...
Juma Sultan, best known as percussionist for Jimi Hendrix at Woodstock, will be appearing at the Beat Expo in Stamford, CT, in November on the 28th from 12 - 8 pm. To put the icing on the cake, the day before (or 11/27) is Jimi's Birthday. Hendrix was the first artist to cover "Sgt. Pepper" live on stage.
Juma is known for his part in Gypsy Sun and Rainbows at Woodstock and played the Dick Cavett show with Hendrix. He has been a part of numerous documentaries and interviews including "Jimi Hendrix; Live at Woodstock". Juma has also recorded with many Jazz greats including Archie Shepp and Noah Howard.
For more info on Juma Sultan you can visit ...
http://www.JumasArchive.org
and keep up with Juma on Facebook at
http://www.facebook.com/pages/Juma-Sultan/153000491392394
-- submitted by Michele Abrams

Tavo's Revolution with Denny Flannigan will be playing every Friday night starting October 8th at 6:30 pm.
The all new Name That Tune kicks off the season next Thursday, Oct. 14th. Teams form from 6-6:30 PM ... Show starts at 7.
Check us out for the most fun you can legally have ...



Kent,
For those of us who recorded reel to reels and cassettes in the 60's, maybe we are the ones with the lasting product? See below site.
http://www.loc.gov/today/pr/2010/10-194.html
Wouldn't be a shame if all those digital rap songs went away someday. :)
WLSClark

Darius Rucker, now a successful country singer, announced last week that he would be getting back together again with his Hootie and the Blowfish bandmates to record a new album and do a tour for the group's 25th anniversary. Country music audiences have been very kind to Rucker, embracing him in a field that typically doesn't see a lot of Black break-out stars. (Name two other than Charley Pride!) The reunion will also please '90's fans of the band who, despite celebrating their 25th anniversary, seemed to rise to "overnight" success" with their first LP "Cracked Rear View Mirror", which spawned four Top 20 Hits in 1994 / 1995, before the inevitable backlash hit. Victims of what many call "the sophomore curse", Hootie had a couple more chart hits before returning to the bar circuit. By the way, you can catch one of their tracks in this weekend's VIDEO CLIPS links! Biggest hit they COULDA had??? "I Go Blind" from the "Friends" soundtrack. Had that been released and pushed as a single, I think it could have been their biggest. (kk)
Click here: YouTube - i go blind hootie and the blowfish

Here's an upcoming show our FH Buddy Frank B WON'T be attending! (lol)
Kent ...
I'll pass on this show.
Frank B.
Disco Ball at The Taj Mahal « WCBS-FM 101.1
Hey Frank ... you send me about six links per week from the WCBS-FM website ... and it's all cool stuff ... but I cannot help but wonder if you send THEM six links a week from The Forgotten Hits Website, too ... 'cause, ya know, it would just seem to me to be the ONLY fair thing to do!!! (lol) Besides, as into the oldies as they seem to be again, I think they'd really dig all that we do here! (kk)

Streets being named after legendary deejays and recording artists ... and now a Post Office, too! Things have been REALLY interesting here in Chicago lately. (And, since I didn't get ANY takers on somebody naming the alley behind their house "Forgotten Hits Alley", I've moved on to my next campaign ... anybody got a DRIVEWAY they wanna name after us?!?!? Think about it ... The Forgotten Hits Driveway ... and then once a month we'll throw a Concert In Your Garage ... an OFFICIAL Forgotten Hits Garage Band Concert ... LIVE from The Forgotten Hits Driveway!!! (C'mon ... it's got a certain ring to it, doesn't it???) And we can bring back Garage Bands in the process! C'mon, any takers?!?!
Meanwhile, check out this latest story regarding another one of Chicagoland's Favorite Sons, Steve Goodman, sent into us by Ron Smith of oldiesmusic.com ...
RENAMED POST OFFICE CELEBRATES STEVE GOODMAN
BY
CHERYL V. JACKSON / Chicago Sun Times
The post office at 1340 W. Irving Park Rd. became a concert venue Sunday, as friends, family and the U.S. government delivered a tribute to folk singer Steve Goodman.
About 200 people attending the ceremony renaming the Lakeview Station the Steve Goodman Post Office Building were treated to performances of some of the late musician's work, including "Somebody Else's Troubles," "City of New Orleans" and "Go Cubs Go," the song that has been played after each victory at home since 2007.
" 'Go Cubs Go' represents the passion and the optimism of the Cubs fans," said Cubs Chairman Tom Ricketts.
U.S. Rep. Mike Quigley introduced the bill to rename the post office, near Wrigley Field, where some of Goodman's ashes are scattered.
Goodman's last day job was at a post office in Park Ridge, friend and master of ceremonies Ed Holstein said.
Goodman, a Grammy award winner, died of leukemia in 1984.
He was a regular performer at The Earl of Old Town and was involved with the Old Town School of Folk Music, which co-sponsored Sunday's renaming dedication. Paul Anka helped him get signed to Buddah Records. Arlo Guthrie and Willie Nelson each recorded a hit version of his "City of New Orleans."
"Steve had a real energy and spirit that you felt immediately in life and on stage," said singer Bonnie Koloc, who befriended Goodman when he was a teenager and just starting out in music.
"He would have written a really memorable song about this; probably something funny," she said following the program. "He just had such a great sense of humor. He would have loved it. He was so connected to Chicago."
Goodman also wrote "A Dying Cub Fan's Last request," and "When the Cubs Go Marching In."
"They're really part of our culture and part of our community," Ricketts said of Goodman's songs.
In keeping with the spirit of Cubs fans, hot dogs, nachos and popcorn were served, and most of the crowd sported Cubby baseball caps.
White Sox fans Joseph and Angela Holtzman opted out of sporting the caps.
The couple saw many live Goodman performances and supported the dedication.
"We love Steve Goodman dearly, but couldn't put on a Cubs cap," she said.
"There are certain lines you don't cross," he said.

re: AND, SPEAKING OF "BACK TO THE GARAGE", HERE'S A RECENT CONCERT REVIEW, TOO!:
Hey Kent:
I was just made aware of this review of our Reggies date last month ... pretty positive! Since it did not say we sucked eggs, I sucked it offline, put in a picture from Moe the Photog versus the one from the NC6 website that is in the online review (obviously being more representative of the "Back In The Garage Tour" line-up) and thought I'd share it with you ...
Ray Graffia, Jr.
After being "typecast" as a ballads band for DECADES, it's interesting to see the current affection being shown The New Colony Six for their garage band tunes ... they truly were pioneers in this area (and I'm hearing through the grapevine that there's somebody working behind the scenes to put together some sort of a Midwest Garage Bands Tour ... if anybody on the list might be able to help with such a venture, please contact me as soon as possible ... there are already some VERY interesting artists' names being attached to this thing and we'd love to help in any way we can to make this happen!) kk


Fans and newcomers alike were treated to a real rarity that, I hope, doesn’t STAY a rarity.
Depending on which side of the fence you're on, you either know and love The New Colony Six for their better-selling pop hits and ballads, or the pop-borne -- but Raiders, Them and Animals-bred -- Garage Rock of yore. If you happen to dig both, that's cool, too, but their recent appearance at former auto garage Reggie's found them parking the car in Garageland.
Decked in the Colonial garb that was once their stock in trade (like Paul Revere and The Raiders, who once had a good laugh during a chance meeting when BOTH bands were decked in similar finery), lead singer, Ray Graffia, made it clear the band would be staying in the Garage, and kept his word, offering heaping helpings of "Can't Get 'em Outta Yer Head," selections from their first two albums, and various early singles. The band were pro, delivering the goods with remarkable accuracy and rock hard energy. Their harmonies were tight, the drummer, Graffia's Brother, killed . For once a portable keyboard sounded like an organ, and the stuff was played RIGHT. Great guitar sound, even if a Leslie speaker couldn’t be procured for the gig.
A lot of times, bands like this go on, do a couple of their hits, then fill out the rest of the set with songs that you're really, really tired of hearing ... not these boys.
Brothers and Sisters, I Give You a Testimonial: The NC6!!!!!!
What songs DIDN’T they do? My God ...
"Last Night,” "Cadillac,” "Let Me Love You,” "You're Gonna Be Mine,” "At The River's Edge,” the unreleased monster, "Rap - A -Tap,” "I Like Awake" (which they performed in front of a screened DVD of the band performing said number on "Kiddie-A-Go-Go"), "Dawn is Breaking,” and even the killer hard rocker, "People and Me,” their one concession to their Mercury Records days ...
They did one relatively recent number that hasn’t been released. It sounded fine, it didn’t break the momentum, if you're waiting for me to say "And THEN there was a drawback to the show ..."
And THEN, they did a Blink 182 song.
Yes!
AND THE HELL OF IT IS, IT SOUNDED PRETTY GOOD, in an early 80's New Wave Rock sorta way.
Graffia simply stated they were one of his favorite Garage bands of recent years (No, I don't consider them a Garage Band, either, but, I feel the same way about The Strokes, The Hives, The Vines and The White Stripes, whom I once saw play to an audience about a third the size of this crowd). I did not have a problem with a Blink 182 song in exchange for so many classic NC6 Sentar sides.
It's been almost a week, and these songs are STILL in my head (They had a lot of space in which to settle comfortably).
Three words : PONDEROSA STOMP MATERIAL!
Posted by Roctober Magazine Reviews: at 11:59 PM
Copyright, John Battles, Roctober Magazine

re: ROCK AND ROLL ROOTS:
We just got the scoop on this year's Rock And Roll Roots CD Release Parties ... ALWAYS a fun event at our Chicagoland Borders Books Stores!
The first appearance will be Sunday, November 7th at the Oak Brook store ... and then again the following Saturday (November 13th) in Schaumburg.
Come out and cheer on some of our local heroes as the perform live in the store ... and congratulate Drive DeeJay / Master Of Ceremonies / and Congenial Hostest With The Mostest Bob Stroud on putting together another incredible collection of music! (kk)

re: SPEAKING OF COMING EVENTS ...:
And don't forget that next weekend (October 23rd) Micky Dolenz will be appearing with Peter Noone and Herman's Hermits at The Star Plaza in Merrillville, Indiana. Guaranteed to be one of the best oldies shows you'll see this year, check it out if you get the chance. (And special thanks again to Peter Noone for our Forgotten Hits Free Ticket Give-Away held earlier this year!) kk

What, no mention of Chubby Checker and others appearing in

Wildwood, NJ?!!! :-) $45 / ticket.
I think Kent should spring! LOL!

Jack
Chubby's actually got to answer one of my emails first before I pay to see THAT show!!! (lol) We've run ALL kinds of pieces on Checker in the past ... and been a avid campaigner for his inclusion in The Rock And Roll Hall Of Fame ... when I couldn't get a comment from Chubby himself, I went to his official fan club ... and explained to THEM that we were running a Rock And Roll Hall of Fame Series, asking them if they might like to participate and say a few words.
We got an email back that basically said, "Call your disc jockeys and ask them to play Chubby's music. Don't worry about The Rock And Roll Hall Of Fame ... it will take care of itself."
Oh well ... five years later and his name STILL hasn't appeared on the ballot. (I cannot help but wonder what an artist thinks of a fan club that DOESN'T want to put in a good word for them?!?!?) kk

re: CHECK OUT JERRY LEE LEWIS:
Kent,
Here's a video from Jerry Lee's 75th Birthday Party at The Warehouse in Memphis, October 3rd.
Henry Gross
http://www.gomemphis.com/videos/detail/party-line-jerry-lee-lewis-birthday-tribute/

Jerry Lee Lewis Memoir Coming in 2012 « WCBS-FM 101.1
Kent ...
I bet The Killer has a lot of stories to tell.
Frank B.
Jerry Lee has spent the better part of his career surrounded by one controversy after another ... from marrying his 13 year old cousin to possibly killing a wife or two ... it'll be interesting to see just how forthcoming he really is in his memoirs! (kk)

... and, speaking of memoirs, let's not forget Keith Richards' upcoming tome ...

re: KEITH RICHARDS:
At first I wasn't sure I'd be interested in reading Keith Richards' autobiography ... but after a glimpse of these excerpts (the London Times will also be offering a serialized version) I have to admit that I now can't wait to read it. Check these out:
Click here: Exclusive 'Life' Excerpt: Keith Richards on the Debaucherous 1972 Rolling Stones Tour Rolling Stone Music Phot

Richards: Mick Jagger was "unbearable" - Yahoo! News

re: RECORD SALES:
Hi Kent,
A perfect example of how messed up tabulations of records sales are, is the Elvis Presley catalog. Still, after all these years, his correct numbers are not represented by RIAA, with album sales versus overall record sales. It's an issue that is so confusing and has been reported so wrong by the media that after all these years, I don't even know what the correct remedy would be to get these sales figures correct.
Thank you for all you do with your website. Your work is so important to the music fan.
All The Best,

Cory Cooper

Elvis Historian, Consultant, Technical Advisor
ElvisExpert@aol.com
It WOULD be interesting to appoint somebody to sort through all the rubble and misinformation that's been circulating out there. As we mentioned earlier, several record companies falsified their sales results (or didn't publish them at all ... Motown was notorious for not accepting gold records on behalf of their artists) because they didn't want their artists to know how much money the record company was taking in as a result of their record sales. It was just one more way of screwing the artist out of his earned share ... and, unfortunately, it happened more times than not back in the day. Nearly every artist would still be in arrears to their record company, even after having a Top Ten Record.

Elvis' career is MOST interesting in this regard if only because he scored SO many two-sided hits back in the day ... and, quite often, BOTH sides of the same single would be certified with gold record status!
This is unusual in that, let's face it, ANY record that sold a million copies sold a million copies of BOTH sides of the record ... yet the B-Sides are rarely, if ever, even mentioned. But in Elvis' case the implication is that EACH side of the record was popular and significant enough to have earned a million sales in its own right. Now this certainly would be the case for MANY of his earliest hits, but the fact that so many OTHER Two-Sided Hits are listed seems to me to fall into the "that's a given" category. Simply put, if you listed the B-Side of EVERY record that ever sold a million copies, you'd simply DOUBLE the size of the list ... because you couldn't buy one without buying the other!!! (lol) This is why SO many artists and producers and managers tacked their names on to ANY tag-along "throw-away" tune and stuck it on the flip side of many a hit record back in the day ... because THAT piece of crap earned the same royalties as the hit A-Side did!!!
(For a complete list of The Top 200 Biggest Two-Sided Hits of All-Time, be sure to check out The Forgotten Hits Website here:
Click here: Forgotten Hits - The Top 200 BIGGEST TWO-SIDED HITS of All-Time
Checking the list, you'll find that Elvis has 26 records charted in The Top 200 ... 17 of which made The Top 100 ... 8 of which made The Top 50 ... three of which made The Top 10 ... and one of which ("Don't Be Cruel" / "Hound Dog" just happens to be the BIGGEST Two-Side Hit of All-Time! AMAZING!!! (kk)
(By the way, Cory Cooper is fairly new to our FH Family ... but check out these credentials:

Renowned Elvis Presley Historian Cory Cooper is a noted authority on the life and music of Elvis Presley, who regularly contributes to books, radio, movies and television projects. Cooper has appeared on countless nationally syndicated radio programs across the United States, Canada, England and Australia, including Coast to Coast with George Noory and MSNBC. Additionally, Cory has been a contributor to Internet and local radio, a variety of Elvis publications, print media and been a contributor to E! Entertainment Online. As a sought out authority on Presley, Cooper draws from his vast knowledge and his deep ties to others in the Elvis world. Included among his contacts are authors, band members, performers and members of the "Memphis Mafia," the close group of bodyguards, friends and employees that worked with and protected Elvis Presley.Cooper is available for radio, television, film as well as commercial and voiceover work. As a gifted speaker on the topic of Presley's life, he is available for corporate functions, special occasions and public appearances.
Wow ... pretty damn impressive!!! With noted collector / historian / Elvis Expert Jerry Osborne ALSO a regular contributor to our list, we should REALLY have things covered in the Elvis area here!!! As always, thanks for your input, guys! (kk)


... and, speaking of Two-Sided Hits ...

re: TWO-SIDED HITS:
Greetings, Kent,
It never ceases to amaze me how much time and effort you spend putting together "Forgotten Hits." There are so many 'great reads' on the site --- all the specials you've done -- it's hard to squeeze 'em all in :) Thanks for the labor of love.
I just read the special piece on "Greatest Double-Sided" hits -- a great read.
I knew that Elvis' "Don't Be Cruel" and "Hound Dog" was the chart topper --- I believe it was closing in on 8 million sales back in the 50's, but overall, it's absolutely amazing how many great 'double-sided' hits there are over the past 50 years or so.
What's also amazing is the legendary artists who had multiple double-sided hits that the Rock And Roll Hall Of Fame continues to insult with their lack of inductions, let alone a nomination. Obviously, Pat Boone and Connie Francis are two of the most snubbed (ignored or overlooked are too kind of words) singers.
I didn't count the exact number of double-siders, but Elvis, The Beach Boys, Rick(y) Nelson, The Beatles, Pat Boone, Credence and a few others certainly had their share.
Nashville's Brenda Lee, a member of both the Rock & Roll Hall of Fame and the Country Music Hall of Fame, had her fair share as well. An exhibit at the CMHOF highlighting her 50+ year career closed in June.
When you add that virtually every single one of these 'double-sided' masterpieces were done WITHOUT Pro Tools vocal tuning, it's further confirmation that pure God-given talent -- not marketing and sex appeal -- once ruled our industry!
Thanks, again, Kent. As I scrolled down the list, it not only brought back wonderful memories of the by-gone glory days of rock and roll, but was also a great tribute to so many of the artists on the chart that are no longer with us.
And to think that you could play ANY of those great songs for your kids and grand kids -- without having to explain the lyrics or have them cover their ears -- is, in itself, a tribute to their lasting legacy.
Fred Vail
Treasure Isle
"Music City, USA"
The Top 200 Biggest Two-Sided Hits of All-Time List (along with the companion piece, Top 200 Favorite, Forgotten B-Sides) are two of the most popular features on the other Forgotten Hits Website. The first is a mathematical ranking based on the over chart performance of BOTH sides of these records on the national charts ... the second, a fan poll conducted a few years ago that garnered over 65,000 votes, helping us to determine some of the Greatest B-Sides ever recorded. Both are VERY impressive lists (and make for EXCELLENT oldies radio programming tools or special weekend features, which have been airing ever since we first posted these results several years ago!)
If you haven't seen these yet, you can find them here:
Click here: Forgotten Hits - The Top 200 BIGGEST TWO-SIDED HITS of All-Time
Click here: Forgotten Hits - Your Top 200 Favorite, Forgotten B-Sides

re: TOMMY JAMES:
With Tommy James appearing this past weekend at a special outdoor stage at the Sands Casino in the former steel plant in Bethlehem, PA, the Morning Call newspaper the day of the concert ran an interview with James about a movie AND a Broadway musical being made from his book 'Me, The Mob, and The Music.'
Check it out:
http://ow.ly/2SC4W
-- BOB FRABLE, currently in Easton, Pennsylvania
Can't WAIT to see this film made ... and "Jersey Boys", too! (kk)

re: PAUL SIMON:
It was Paul Simon's 69th Birthday the other day ... and WCBS-FM pulled out some great, classic interview clips and posted them on their website:
Paul Simon Talks Words, Melody, And John Lennon In Vintage Interviews « WCBS-FM 101.1
-- submitted by Frank B.

Some good stuff here ... check it out! (kk)

re: JIMMY CLANTON:
Hi Kent,
Just wanted you to hear a song I found that Jimmy Clanton sang called "Am I". I 've never heard it until recently and thought it was a really pretty song. If you ever do anything on him you might want to keep this one to play.
Carrie

Not familiar with this one ... a non-charter ... but happy to feature it here today. (kk)



re: FREDDY CANNON:
>>>Thanks for the Freddy Cannon trivia. I'm a Music Trivia junkie, so it's never too much. One of my favorite shows I saw was back in the mid 70's when I was in college. It was Bobby Vee, Del Shannon, and Freddy Cannon. I was a big fan of them all as a kid and it was a lot of fun to see them together. It's funny I suppose, but even at the time I never thought of them as oldies artists. They were just performers that I loved and I was as thrilled as if they'd have been the current #1 on the charts. I think I'll finish my coffee, and go home and rock out to some Freddy. (Bill)
KENT,
THANKS FOR POSTING THIS NOTE.
BILL, YOU ARE A TRUE ROCKER!
FREDDY "BOOM BOOM" CANNON


re: OLD OLDIES NEWS:
I just read this!
July 7, 2010 - Harvey Fuqua dies at 80

Detroit - Singer, songwriter and record producer Harvey Fuqua, an early mentor of Marvin Gaye, has died. Fuqua was 80.
Ron Brewington of the Motown Alumni Association says Fuqua died of a heart attack Tuesday at a Detroit hospital. The Louisville, Ky., native founded the R&B-doo-wop group the Moonglows, which signed with DJ Alan Freed. The group's first single was the 1954 hit "Sincerely." Fuqua added Gaye and others in 1958 to a reconstituted group Fuqua called Harvey and the Moonglows. It had the 1958 hit "Ten Commandments of Love." He started Tri-Phi and Harvey Records in 1961, recording the Spinners, Junior Walker & the All Stars, and Shorty Long. Motown Records founder Berry Gordy later hired Fuqua to develop recording talent.
Carrie
Yep, here's our official Forgotten Hits posting (dated July 9th) and courtesy of Ron Smith of
www.oldiesmusic.com:
Legendary performer and writer Harvey Fuqua died from a heart attack Tuesday (July 6) in a Detroit hospital. He was 80. Born in Louisville, Kentucky (the nephew of Charlie Fuqua of the Ink Spots), he founded what would become the Moonglows after leaving the service for Cleveland in 1952. DJ Alan Freed found out about the group, which included Bobby Lester, Pete Graves and Prentiss Barnes, and recorded them on his own label. He changed their name from the Crazy Sounds to the Moonglows after his own on-air nickname, the "Moondog." With Bobby on lead, "I Just Can't Tell No Lie" became a regional hit in Cleveland, but failed to chart nationally. So the group traveled to Chicago, where they signed with Chance Records. With Alan Freed often listed as co-writer, theycontinued to find success in Cleveland and now Chicago, with tunes like "Baby Please," "Hey Santa Claus," "Just A Lonely Christmas," "Secret Love" and "I Was Wrong." The group moved across the street to Chess Records in 1954 and "Sincerely" became their first chart hit -- reaching #1 R&B but only #20 pop (thanks to a cover version by the McGuire Sisters). It was followed by "Most Of All" (#5 R&B - 1955), "We Go Together (#9 R&B - 1955) and "See Saw" (#25 pop, #6 R&B - 1956). Harvey was co-lead singer in the group with Bobby, usually on the up-tempo numbers. As Harvey asserted more authority over the group, Bobby left and the group became Harvey and the Moonglows. "The Ten Commandments Of Love" got to #22 pop and #9 R&B - 1958. But the next year, Harvey fired the rest of the group and instituted the Marquees (including young Marvin Gaye)out of Washington, DC, as his new Moonglows. Despite singing background on hits by other Chess artists, the Moonglows had no more on their own and by 1960 Harvey moved to Detroit. His Tri-Phi label introduced the Spinners and Johnny Bristol to America. He also married Anna Gordy, sister of Motown President Berry Gordy, Junior, and was there for the early years of Motown, eventually folding his label and moving his acts there. Harvey headed artist development at Motown and wrote such hits as "What Does It Take (To Win Your Love)" and "Someday We'll Be Together." In later years he produced Marvin Gaye's hit, "Sexual Healing" and is credited with discovering disco acts like the Weather Girls, New Birth and Sylvester. Harvey (along with the Moonglows) appeared in the AlanFreed movie, "Rock Rock Rock" in 1956. They were inducted into the Rock 'n' Roll Hall of Fame in 2000 a year after joining the Vocal Group Hall of Fame.

-- Ron Smith

Kent,

Would you believe just last night I played Solomon Burke's 1962 recording of CRY TO ME. Always did like that song. I remember that a singer by the name of Betty Harris had a much slower version a year later in 1963 on Jubilee Records. Hate to hear of his passing.
Larry Neal / The Wax Museum
"Cry To Me' was always MY favorite by Solomon Burke ... fell in love with that tune after hearing it used in "Dirty Dancing"!
Burke's records didn't do very well on the Chicagoland charts ... his first, "Just Out Of Reach", reached #6, far better than its national showing, but then after that, he only hit the charts here twice more ... first with "Cry To Me" (#28, 1962) and then with his version of "Proud Mary" (#26 in 1969).

Solomon Burke, the legendary king of rock & soul, passed away today. The great soul singer of the 60s gave us some amazing songs.

Who can ever forget: "Goodbye Baby" (Baby Goodbye), "Cry To Me", "Someone To Love Me", "If You Need Me" and "Everybody Needs Somebody To Love".
RIP King Solomon.
Bagawire
VERY cool to hear Scott Shannon feature "Everybody Needs Somebody To Love" by Solomon Burke on the air last Monday ... a song most-often associated with The Blues Brothers these days ... incredibly, while deemed an R & B Classic, this song failed to make The Top 40 on both the Pop and The R & B Charts when it was first released as a single back in 1964. Even "Cry To Me" (probably best remembered because of its inclusion in the film "Dirty Dancing") only mustered a #38 Cash Box showing in 1962 ... but Burke was inducted into The Rock And Roll Hall Of Fame in 2001. (kk)

re: TO QUOTE TOM KENT, 'WHAT'S THIS WORLD COMING TO?":
Kent ...
Tonight Rod Stewart will be performing live on the Home Shopping Network.
What happened to Madison Square Garden ?
Frank B.
Rod Stewart Going Back To Beck? « WCBS-FM 101.1
And, to quote Bob Dylan, "The Times, They Are A-Changin'". (I cannot help but wonder if Stewart wore womens panty hose under his outfit for the HSN gig!!!) kk

re: A FEW COOL VIDEOS:
Got this one from Frannie (by way of GoHawksGo, I believe) ... one of OUR favorite tunes ... done in three EXCELLENT versions ... it's "Can't Find The Time", recorded first by Orpheus (#72, 1969), then by Rose Colored Glass (#53, 1971, but a #15 hit here in Chicago), and finally by Hootie and the Blowfish, from the "Me, Myself And Irene" movie soundtrack. GREAT song ... and great to hear it again! (kk)
Can't Find The Time To Tell You Compilation

Kent ...
Is this the kind of wagon you had as a youth ?
Frank B.
RADIO FLYER CAR: Valley couple's Radio Flyer car turns heads - ktuu.com
I saw this on several news clips last week ... pretty cool! I was never much of a "wagon person" as a kid. My brother once hitched his wagon to a friend's bicycle and was being carted around town (probably thinking he was the coolest thing on wheels!) when all of a sudden the string broke, the wagon handle came crashing down, hit a curb and sent the wagon (and my brother) tumbling ... air-bound in fact ... when he landed, he knocked out a tooth and "deadened" another one which turned black just hours later. Funny how seeing something weird like this can conjure up a memory you haven't even thought about in DECADES!!!

Miss ya, Mark! (kk)

Kent ...
Check out this take-off on the Neil Sedaka Hit.
Frank B.
Not Totally Rad: Waking Up is Hard to Do
This is GREAT!!! We're calling it this week's "Clip Of The Week"!!! (Almost makes you wanna go in for a colonoscopy, no???) Ummm ..... No!!! (kk)

And here's another cool link I found while searching around for something else!
Click here: Dan's Garage: In Dan’s Garage…#26

re: THE FIFTH ESTATE:
>>>Hey there Kent - Ken "Furvus" Evans of The Fifth Estate here (Ken Evans)
Whoa!! ...
Impressive sounding demo they made in basement! Clever! ...
http://www.angelfire.com/empire/abpsp/images/ding-dong.mp3

Would like to know the name (title) of LP that was used in the demo.
Thanks!
Best,
John
Not sure I totally understand your question but if anybody can shed some light on this tune and its recording, Ken "Furvus" Evans can!!! (kk)

re: HAPPY HALLOWEEN:
In 12 years, we have never really done a Halloween tribute in Forgotten Hits ... but we've now received several requests to do so.
If you have something that you'd like to contribute ... other than the usual "Monster Mash" / Bobby "Boris" Pickett stuff ... we'd love to hear from you. If we get enough material, we'll run something over the Halloween Weekend. (kk)


re: TOMORROW IN FORGOTTEN HITS:
TONS more Comments coming your way tomorrow on the website ... and we truly have saved some of the best for last ... so don't miss it!!! (kk)