Me: I'm sorry, I can't tonight. I'm going to see Chicago.
Friend: You're going to Chicago? We have school tomorrow!
Me: No. Not the city, the band. Remember Chicago Transit Authority?
Friend: You're at the transit authority? I thought you just said you weren't going to Chicago?
Me: I gotta go. I'm late for my train.
I have no fears here. You ALL remember Chicago! (No, Chuck, NOT the musical)
I am now just being silly. Toyota Oakdale Theatre is presenting the touring Chicago band and I just have to go check it out.
There
are three founding members in the group: Robert Lamm, Lee Loughnane, and
James Pankow. Pankow and Lamm are both in the Rock & Roll Hall of
Fame and the Songwriter's Hall of Fame. The stage is set with a two-tier
platform that allows for fluid flow to mics, front of stage and top tier
instruments. As you read on here, there is constant change in vocalists
and change of instruments for our performers. Think of this ... when the
songs were recorded, extra musicians could be added, several instruments
could be played by one person, who would record with one and then record
again with others, and vocals added before or after. When you perform
live, it all has to be figured out as to which instruments will give you
the sound desired, when you will change to a second or third
instrument, and how and when you can jump on the vocal mic. Flower Power
Videos, romantic scenes and photo shots from the past all play on the
back screen throughout the show.
Here is a list of all the players:
Robert Lamm - keyboards, vocals, composer
Lee Loughnane - trumpet, Flugelhorn, songwriter
James Pankow - trombone, Horn section arranger, composer
Ray Herrman - saxophones, flute, clarinet
Walfred Reyes, Jr. - Drums
Neil Donell - vocals, guitar
Ramon "Ray" Yslas - percussion
Tony Obrohta - guitar, vocals
Loren Gold - keyboard, vocals
Eric Baines - bass, vocals
Whew!
Imagine all these players moving around the stage, up the tiers and
down, while songs that have become the groundwork of the Chicago sound
(YES, NOW I mean the city) blast out in joyous melody and harmony!
Dialogue / We Can Change the World Now
Together Again
Call On Me
Baby What a Big Surprise - AND a light show extraordinaire
If You Leave Me Now
Make Me Smile
Color My World
Now More Than Ever - the audience is up and running!
INTERMISSION????
(OK,
if I get to the ladies room quickly, do not stop to buy anything , especially a drink, I can make it back in time and enjoy the second
act in its entirety.)
I'm back, seated and eager for the second act.
Does Anybody Really Know What Time It Is - I could look, but I really don't care.
You're the Inspiration
Now
comes the introductions of everyone. Each player comes out, one at a
time, to hear their short musical biography. Then adding each instrument
to the play - WHAM! Here it comes!
I'm
A Man - A drum battle ensues that vibrates the theatre and gets the two
percussionists running from kit to kettle to kit to metal drum and back
again.
Flames shoot up on
the video screen heralding the excitement emanating from the stage to
the seats below and above. Five pieces of confetti start to float down from
the catwalk; obviously left over from some other event. Why do they
shake free now? We
don't know. One piece floats down toward me and suddenly when it is
just above my head, shoots to the left and disappears. I guess it was
not my time to receive it, or it is heralding a futuristic event.
Just You 'N' Me
Hard to Say I'm Sorry
Saturday In the Park
And we are (NOT) done....
The band leaves and returns and (of course) the night ends with:
25 Or 6 To 4
The
people around me have actively enjoyed the night: drumming their
fingers, patting their thighs, clapping their hands. The man to my left
has stories about his Chicago 8-tracks and constantly shakes his head
saying, "Wow!"
Time to sit
in the car and reflect while we wait our turn to exit the parking lot. A
Sunday night, so tomorrow is school and YIKES! Another concert
mid-week! What a November!
Shelley J Sweet-Tufano
NE Correspondent
Forgotten Hits