Thursday, February 9, 2012

Another "This And That" Thursday


re:  THIS AND THAT:
Big news this week ... it looks like we'll get our first glimpse of the reunited Beach Boys Sunday Night at The Grammy Awards!  (What a stellar line-up of performers this year!)  Surviving members Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks will be joined on stage by Adam Levine and Maroon Five and Foster The People, both Grammy nominees themselves.  More details can be found here:  
Click here: The Beach Boys to Reunite at The GRAMMYs with Foster the People and Maroon 5
 
By now you've probably already heard that Glam-Rocker Adam Lambert (he of American Idol fame) has joined Queen as their new lead singer ... without question, the role he was born to play.  (I've been saying this since the very first time I saw him perform on Idol!)  
While I think Lambert had hoped to launch a successful solo career under his own name, he's probably sparked more controversy than hits since his run on Idol ended.  But Adam has the look ... and the voice ... to pull this off.  It'll be a fitting tribute to one of his greatest idols.  While not so much replacing Freddie Mercury ('cause NOBODY can do that!), Lambert should help to keep the spirit of this great music alive ... and I, for one, can't wait to see and hear what they sound like!  (kk)    

Kent,  
The group Question Mark and the Mysterians was mentioned today. I don't know how it did in Chicago, it was a bomb here in OKC, but I always liked the ? version of DO SOMETHING TO ME better than Tommy James' version. In fact through the years just 96 TEARS is heard here in OKC.
Larry
We featured both versions of "Do Something To Me" a while back in Forgotten Hits.  The "?" version bombed nationally, too, rising to only #110 in Billboard back in 1967.  I don't show it ever charting here ... but their follow-up single "I Need Somebody" went to #22 nationally and to #33 here in Chicago.  I also like their original version of "Can't Get Enough Of You, Baby", a song that became a hit 32 years later for Smash Mouth. (In fact, I LOVE the Smash Mouth version ... that's one I ALWAYS crank the volume up for!)  kk 

I just by chance tuned in to History Channel a few days ago and a guy supposedly had Jerry Lee's first recording!  Sure enough, I think it sounded like him and is the real deal based on the show and that the recording company existed only from 1946-54 or so.  Pretty cool even if it is all before my main music interest time.http://katrinafilm.com/public/wordpress/?p=11853
Clark Besch  

Got this from FH Reader Tom Cuddy regarding an injunction / lawsuit over the use of The Platters' name.  Kinca ties into all the "Truth In Music" stuff we've been publishing these last few years, regarding "Bowser"'s efforts to maintain the legal rights to performing under the artists' name ... thus eliminating so many of the "imposters" out there posing as the original group (and duping the fans out of their hard-earned money in the process!) kk
Kent,
You are correct in that the Kingsmen had other songs besides LOUIE LOUIE. I always liked their version of MONEY and one of their 1965 songs ANNIE FANNIE held its own here in OKC. The song you posted JOLLY GREEN GIANT, even though it was not a number onesong, was always number one with a man by the name of Del Monte.
Larry Neal
We recently saluted Chubby Checker and his Twice-Number One Hit "The Twist" in our Sound Advice Column.  Now comes this article (submitted by FH Reader Dave Barry) pointing out the origins of this great song, first a B-Side of a Hank Ballard and the Midnighters single.  You can read all about it here:
Here's a quickie interview with Micky Dolenz:


Hi Kent,
I dug out the old autograph that I mentioned in a previous email.  A copy is attached.  It includes Pat, Les, Ray, Chuck, Chic, Ron and Jerry.  I haven't figured out who the Hank or Hawk is in the lower left corner.  I've researched the lineups and never ran into that name.  Any thoughts?  I've considered  donating it to the Iowa R&R Hall since the group had been inducted there.  There are a couple board members here in Sioux City but I've never gotten hold of them.
All this got me sentimental.  I dug out my NC6 albums and 45's this afternoon.  Even have a couple of the Sentar "DJ" promo copies.
Steve Hotvedt
Thanks, Steve!  As you already know, I passed this along to Ray Graffia, Jr., who has since offered to do a current-day interview on your show (if you have the means to do so.)  I've met most of the guys now and they're all really nice guys ... and VERY appreciative of how the fans remember them and how much their music meant to them.  These guys never got their real due on the national charts as far as I'm concerned ... another Chicago group like that is The Cryan' Shames, who made some of the BEST records of the '60's ... but they were ... and still ARE ... both local heroes here in Chicago ... and, believe it or not, both bands are still out there doing shows during the summer concert season!  If you ever get out this way, you should make it a point to check them out ... you won't be disappointed!  (kk)
From Ray Graffia, Jr.:
Clueless on who Hank or Hawk would have been; we did not even have a roadie with that name, so wondering if it might have been some hanger-on who was a friend of one of the guys??  Thanks for the copy! 
Peace to you and yours,     
Ray 

You can catch a brand new trailer from the upcoming Paul Simon Documentary "Under African Skies" right here:
Watch the new film trailer for "Under African Skies," the documentary from Academy Award-nominated and two-time Emmy and Peabody Award winning filmmaker Joe Berlinger. "Under African Skies" travels with Paul Simon back to South Africa 25 years after his first visit, chronicling the creation and lasting influence of Paul Simon's groundbreaking album, Graceland. Simon revisits the making of the record, surveying from the vantage of history the turbulence and controversy surrounding the album's genesis. 

Jon Anderson, former lead vocalist of Yes, has issued a public statement denying that he's reuniting with the band:
2/8/2012 - Asheville, NC - In response to recent rumors circulating about music legend and original YES vocalist / songwriter Jon Anderson being asked to re-join YES - these rumors are unfounded and false. Jon Anderson is busy with his solo career; he is currently on tour performing solo (tour dates and venues listed below), as well as recording new music. Jon also had this response to recent quotes in the news by Chris Squire that he is in regular communication with Jon: "I haven't spoken with Chris in four years, and the only e-mail I have received from him in the last three years was him asking for free tickets to my show in Mesa, AZ last week - very sad, but true." 
Anderson has several dates coming up on his solo tour, criss-crossing the USA right now ... for the complete itinerary, be sure to check out his website:
Click here: Tour - Jon Anderson Online 

Big thank you to Clark Besch for mentioning "Another Time" by Sagittarius!!!  One of the most beautiful tunes out of one of our favorite eras -- that's saying a lot!  January '68 was a special time for me at 11 -- my first month following Top 40.  Unfortunately, I was not in the habit of checking out the FM "underground" stations just yet, or I would have discovered the magical, mystical Boston Sound as it was happening, and not years later purchasing albums! 
Best --
Bobster 

Would an artist REALLY put out something deliberately bad???  Let's just say it HAS happened.  Here are a couple of interesting links sent in by FH Reader Dave Barry ...
First up:  Marvin Gaye's divorce-settlement LP "Here My Dear"
... and, in a related story, here's a Phil Spector urban legend ... covered in much greater detail in our Forgotten Hits Phil Spector Series a few years back ...
(Hey, Steve ... we'd still love to permanently post your Phil Spector piece on our website.  Let us know!!!)  kk  

>>>I happened to notice the top 40 dj records piece today and it reminded me of Curt Johnson, CJ the DJ, who I grew up listening to at WEAQ in Eau Claire, Wisconsin.  I never personally knew Curt but he's probably the person most responsible for my eventual radio career, which I just retired from last April.  It all began with listening to Curt in the early to mid 60's and expanding my horizons by tuning into WLS and KAAY in Little Rock.  Anyway, I dug out my old 45 of Curt (he was the lead singer) and his group "The Up Stairs" and their song "Operator Please."  It must have come out in the mid to late 60's and probably only got play on Curt's show ... which, of course, probably got it into WEAQ's top ten. It's on the "Cuca" label from the old Cuca Records out of Sauk City, Wisconsin.  I always liked the tune and thought you might get a kick out of it.  (Steve Hotvedt) 
Hi Kent,
For your reader Steve Hotvedt, the Up-Stairs record he mentioned is from January 1967. The band is covered, along with their predecessor the Jaguars, in my book, "Do You Hear That Beat".
Gary E. Myers / MusicGemhttp://www.music-gem.com/index.html
Thanks, Gary ... will pass this along.  (I forgot to include the track when this comment first ran ... so here it is today!  Definitely not one of MY favorites ... but a sentimental favorite, I'm sure, for those who grew up listening to it!)  kk
 

GOOD MORNING ...
KNOWING YOU'RE A HUGE BEE GEES FAN LIKE MYSELF, HAVE YOU HEARD ANYTHING ABOUT ROBIN GIBB'S CANCER SCARE? SOMETHING ABOUT COLON CANCER SPREADING TO HIS LIVER, BUT HE INSISTS HE'S FINE ...
MGB
Yes, we covered this a few weeks back ... my understanding is that he's out of the hospital now and recuperating ... says he wants to tour one more time with his brother Barry ... and Barry said that if that's what Robin wants to do, he'll do it ... we'll see ... as you know, Barry has had major back issues for years and I don't know if he could hold up for an entire tour.  (That's why they filmed that One Night Only Concert at the MGM Grand several years ago!)  Sure would be nice to see them one more time.  Did you happen to see that comment over the weekend about Burton Cummings opening for The Bee Gees as an "unannounced" opening act in the late '70's???  Now THAT would have been an awesome show to see!!!  (kk)   

>>>Wow! Thanks for posting the info about Rumer.  I think I'm in love!  Only one thing I can't figure out, why wouldn't Clark Besch buy this new artist if he likes her?  (Bill)
Sorry Kent.  I just don't need to hear someone other than Dionne sing "Alfie."  I just don't care about any artist from today's era.  I don't have time to listen to my faves anymore working 10.5 hour days.  When I have my MP3 player on in my car on "mix" I often hit replay 4 or 5 times because I love the song currently playing so much that I listen to it several times and then the next song comes up and I often do the same.  There's just TOO many great songs I already love and too few minutes to try out an unknown current artist that already has one thing against them:  they are from TODAY.  Odd, eh? 
WLSClark


>>>I remember ... The Beatles being shut out in the early days by some RIDICULOUSLY crazy balloting.  (1965:  Best Contemporary Performance (Rock And Roll) of the Year By A Group:  The Statler Brothers for "Flowers On The Wall" ... SERIOUSLY?!?!?)  kk
Kent -
And then in 1966, Winchester Cathedral beats out Good Vibrations ... the same year the Beach Boys were voted the #1 group in the world by the UK music press.  Unbelievable!
Phil
Posted by at

Wednesday, February 8, 2012

Freddy Cannon ... Available Now!


You've been hearing us talk about this one for awhile now ...
It's the brand new autobiography of Freddy "Boom Boom" Cannon!
And I'm happy to report that this book is now FINALLY available!!!
Full details are below (by way of their official press release!)
  
 
"FAMED SINGER FREDDY "BOOM BOOM" CANNON 
RELEASES HIS AUTOBIOGRAPHY "WHERE THE ACTION IS!" 
Bio Written with Best-Selling Author Mark Bego 
for Publish America 
Contains an Introduction by Dick Clark

Freddy "Boom Boom" Cannon, the talented singer of timeless hits of the '50's and '60's such as "Palisades Park," "Tallahassee Lassie," "Way Down Yonder in New Orleans" and "Action!," has just penned his autobiography, Where the Action Is! (Publish America). It is currently available internationally through book stores, on the internet and via Amazon.com and BarnesandNoble.com, both as a paperback and electronically as a Kindle and/or Nook book.
Starting with "Tallahassee Lassie," based on a poem written by his mother, Cannon charted more than 20 times on Billboard's pop singles chart between 1959 and 1966. He topped the U.K. charts with his debut album, was a frequent guest on the era's iconic music television shows Shindig, Hullabaloo and Midnight Special as well as becoming THE most frequent guest performer on Dick Clark's long-running American Bandstand show. Clark also tapped him to sing "Action!," the theme song for the popular '60 music series Where the Action Is that he was producing, and Cannon ended up with both a hit record and with featured performer status on the show. He also toured with Clark's traveling road show of artists called the Caravan of Stars. 
It is no surprise that Cannon's longtime friend Dick Clark penned the touching introduction to Where the Action Is! He writes: "I will always remember that 19-year-old kid from Boston who came to the Philadelphia studios where American Bandstand was taped. He was very excited to have his first hit song pressed onto a 45-rpm record, and he has never lost that enthusiasm. He has been a wonderful friend of mine since that very first day I met him in 1959."    
The early entry into rock 'n' roll by the Massachusetts-born (he is originally from Lynn, near Boston) Cannon gave him a front-row seat at the birth and growth of the medium itself, and the new book is his candid, informed account of what he saw, heard and felt. Earning the moniker "Boom Boom" for his frenetic energy, he appeared on shows promoted by the infamous disc jockey Alan Freed and performed on bills that included the biggest hit singers of the day: Frankie Avalon, Chubby Checker and Fabian, among others. He also writes about touring with artists like Bo Diddley, The Shirelles, The Drifters and Bobby "Blue" Bland during the turbulent era of segregation. He appeared in two films in the '60's, the 1963 musical film Just for Fun and the 1965 teen cult horror film Village of the Giants, and also saw himself portrayed by actor David Julian Hirsch in George Clooney's 2002 directorial debut Confessions of a Dangerous Mind. The film was based on the autobiography of Chuck Barris, who wrote "Palisades Park."   
Cannon's music has drawn accolades from famed music artists who cite him as an influence, among them Mick Jagger ("Freddy inspired 'Brown Sugar'"), Robert Plant ("I loved 'Tallahassee Lassie'!") and Bruce Springsteen (who opened his Tunnel of Love tour with "Palisades Park" as an homage to Cannon).   
Freddy Cannon is hardly less active today than he was decades ago, continuing to tour and make television and radio appearances the world over. Last year's deluxe reissue of the Rolling Stones' Some Girls album featured the legendary band's own version of "Tallahassee Lassie," and Cannon's classic hit song "Palisades Park" was prominently featured in the recent box-office smash film X-men: First Class. His most recent CD release, Boom Boom Rock 'n' Roll: The Best of Freddy Cannon, features 24 of his memorable hits. He has also been pursuing his hobby of pencil drawings of colleagues from the music industry as well as television, film and sports figures that he has been selling in recent years via his website.   
Co-author Mark Bego is a professional writer who is called "The Number One Best-Selling Pop Biographer" by Publisher's Weekly. With over 10 million books in print, he has written two New York Times best-sellers and a Chicago Tribune best-seller. Bego's books have included the international hit Michael! (Jackson), Madonna: Blonde Ambition, Cher: If You Believe, Billy Joel: The Biography, Leonardo DiCaprio: Romantic Hero and Elton John: The Bitch is Back. His own memoir, entitled Paperback Writer, was published last year. Bego will be releasing his newly updated and expanded version of Aretha Franklin: The Queen of Soul to commemorate the diva's 70th birthday-March 25, 2012.   Where the Action Is! is his 57th published book. 
Where the Action Is! includes Freddy Cannon's complete discography and 17 rarely seen photographs from his personal collection.

*****
                                                              
 AMONG THE TOPICS DISCUSSED IN WHERE THE ACTION IS! 
 
●  How Freddy Cannon turned a poem his mother wrote into a song called "Tallahassee Lassie" and how the pre-fame hitmaker for The Four Seasons, Bob Crewe, turned it into an international hit record in 1959.

●  How Freddy Cannon, on one of his recording sessions was backed vocally by both Danny & The Juniors AND The Four Seasons, and on another song he recorded with The Belmonts (of Dion fame).

●  How Elvis Presley climbed up a dozen floors of the fire escape of Memphis' Peabody Hotel to party with Freddy Cannon and friends.

●  How Freddy Cannon narrowly escaped death in 1960 by opting out of the cab ride that cost rock pioneer Eddie Cochran his life and seriously injured Gene Vincent.

●  How Freddy Cannon ended up being the most frequent guest star on American Bandstand.

●  How Freddy Cannon nearly became the king of "The Twist" before Chubby Checker.

●  How "Palisades Park" wound up in 2011's No. 1 box-office hit movie X-Men First Class.


Posted by at

Tuesday, February 7, 2012

New News


re:  MADONNA:
All I can say is "WOW!!!"  I don't know about the rest of you guys out there, but I thought Madonna absolutely KILLED IT at The Super Bowl last weekend ... one of the best half-time shows I've EVER seen!  (I don't know what I was expecting exactly ... but this performance blew away EVERY preconceived notion I had about how relevant and timely Madonna might seem in 2012.)  By incorporating contemporary artists like Nicki Minaj, LMFAO and Cee Lo Green into the mix, she looked and sounded TOTALLY "with it" on a few of her greatest hits as well as a brand new song from her up-coming CD.  Elaborate staging, effects and support from dancers, drummers, marchers, choir singers, et al, made for one of the most entertaining fifteen minutes I've seen on TV in a long, long time.  Kudos to Madge for showing us all how to do it right ... without question, she is still a relevant artist ... and Sunday Night she showed her contemporaries ... as well as some of her proteges that she in some fashion mentored through her music and hoopla ... that mama's still got it!  WTG, Madonna!!!  (kk)
 
And, hot on the heels of her Super Super Bowl Performance, Madonna has announced her World Tour plans.  Billboard Magazine reports ... 
Madonna Announces 2012 World Tour Dates -- 
Her Biggest Tour Yet
February 07, 2012
By Ray Waddell, Nashville 
Fresh of her halftime performance at Super Bowl XLVI (which was viewed by 114 million people) comes details of the Madonna 2012 World Tour. The trek will begin May 29 in Tel Aviv, Israel, and will be her most extensive tour ever in terms of number of dates, according to Arthur Fogel, CEO of Live Nation Global Touring, worldwide producers of the tour. The tour will take Madonna to Australia for the first time in 20 years, as well as many markets she has never played before.
This will be Madonna's fifth tour with Fogel and Live Nation, and second under her long-term multi-rights deal with the promoter. Her last tour, Sticky & Sweet in 2008-2009, grossed $408 million according to Billboard Boxscore, the highest ever for a solo artist and third-highest of all time. Prior to that, Madonna's 2006 Confessions Tour grossed $194 million, according to Boxscore, then the highest ever for a female artist.
The 2012 tour will follow the release of Madonna's new album "MDNA," due March 26 on Live Nation Entertainment / Interscope Records, which creates myriad cross-promotional opportunities, according to Fogel. Having the recording and touring (not to mention merchandising and other rights) under one umbrella "gives you the freedom to line up all the different elements to sell tickets and to sell records," he says. "It's as great a set-up as you could have. If this doesn't work, I'm going into plumbing."
The tour will play arenas, stadiums and unique outdoor sights, including the Plains of Abraham in Quebec. Fogel tells Billboard.biz that production for the tour is in the conceptual stages, but did say, "it will be big and can get bigger," depending on the venue.
The tour will play 26 European markets, including London, Paris, Milan and Berlin, before hitting North American shores beginning Aug. 28 in Philadelphia. Twenty-six shows are planned for North America, including a Sept. 6 show at New York's Yankee Stadium, and an Oct. 10  performance at the Staples Center in Los Angeles. Tickets are scheduled to go on sale beginning Feb. 10 in Tel Aviv and the U.K., with North American tickets going on sale beginning Feb. 13. Tickets for North America are available at Ticketmaster.com and LiveNation.com.
Madonna will play North America until just before Thanksgiving, then head to Latin America to tour until the holidays, then wrap the tour in Australia in early 2013, Fogel says. The entire tour will end up with close to 90 shows, which would be the most ever for Madonna; Sticky & Sweet ended up with 85 dates. When all is said and done, the upcoming tour will be one of the highest-grossing treks in history, potentially giving her two tours in the top five all time. Fogel says ticket scaling will be "almost identical" to Sticky & Sweet, though venue capacities will vary.
While Madonna's first headlining tour was in 1985, the upcoming run will only be her ninth. Sticky & Sweet was a monster by any measure. and included some blockbuster dates in a wide range of territories, 32 countries in all. Madonna sold 650,000 tickets in South America, 72,000 tickets at Zurich's Dübendorf Airfield-the largest attended concert ever in Switzerland-75,000 tickets in London, and four sellouts at New York's Madison Square Garden that sold 60,364 tickets. That tour wrapped where the next one begins, Tel Aviv.
As a touring artist, Madonna is relatively "fresh" compared to some artists with similar career longevity. "When I started working with her on the 2001 tour, she hadn't toured since the early '90s," Fogel points out. "The last tour was her biggest tour ever, it propelled her into the top-grossing tours of all time and was the top tour ever by a solo artist, and that was 25 years into her career. Whatever there is to be said, the facts speak for themselves: she's never been bigger, and she's a great performer with a great catalog and a great new record. She's one of those iconic legends at the top of her game."
Over the past decade, Madonna tours have moved into that elite status of the "event" tour, where the tour itself becomes a cultural touch point. And while there are other acts that are hugely popular on a global scale (Fogel works with a couple of them, including U2 and Lady GaGa) a Madonna tour remains a unique animal in terms of striking a chord with a passionate fan base and generating media coverage. "There are people out there who always want to set it up as her against other artists that have emerged, but the truth is they're all unique and great and have their space in the hearts and minds of fans," Fogel says. "I don't even think about that stuff, it's irrelevant."
In addition to her Super Bowl performance, last week also saw the release of Madonna's new single, "Give Me All Your Luvin." According to today's announcement, pre-orders for "MDNA" have already catapulted the record to No. 1 on iTunes in 51 countries, including the U.S., U.K., Germany, France, Spain, Canada, Italy, Sweden and the Netherlands.
U.S. residents ordering tickets online to a U.S. performance will receive their choice of a digital or physical copy of Madonna's new MDNA album with every ticket purchased. Citi is the official credit card of U.S. leg of the tour, and Citi card members will have access to pre-sale tickets beginning Feb. 8 through Citi's Private Pass® Program.
Lifetime Legacy members of Icon, Madonna's official fan club, will receive first access to tickets and VIP Packages starting today. Registered free Icon members will have the opportunity to purchase an Icon Live Pass, which gives them access to ticket and VIP Package pre-sales. Fans can sign up for a free Icon membership at Madonna.com today.
VIP Packages will are available through VIP Nation, including premium seats, exclusive merchandise and more. For more information please visit: www.VIPNation.com
MADONNA 2012 WORLD TOUR ITINERARY: EUROPE
29-May Tel Aviv, Israel Ramat Gam Stadium On Sale Feb. 10
3-Jun Abu Dhabi Yas Arena On Sale Feb. 27
7-Jun Istanbul, Turkey Turk Telecom Arena On sale soon
11-Jun Zagreb, Croatia Maksimir Stadium On Sale Feb. 17
14-Jun Milan, Italy Stadio San Siro On Sale Feb. 13
16-Jun Florence, Italy Stadio Franchi On Sale Feb. 13
20-Jun Barcelona, Spain Palau Sant Jordi On Sale Feb. 16
24-Jun Coimbra, Portugal Estadio Cidade de Coimbra On Sale Feb. 11
28-Jun Berlin, Germany O2 Arena On Sale Feb. 13
2-Jul Copenhagen, Denmark Parken Stadium On Sale Feb.
13
4-Jul Gothenburg, Sweden Ullevi Stadium On Sale Feb. 17
7-Jul Amsterdam,The Netherlands Ziggo Dome On Sale Feb. 11
12-Jul Brussels, Belgium Stade Roi-Baudouin On Sale Feb. 17
14-Jul Paris, France Stade De France On Sale Feb. 14
17-Jul London, UK Hyde Park On Sale Feb. 10
21-Jul Edinburgh, UK Murrayfield Stadium On Sale Feb. 10
24-Jul Dublin, Ireland Aviva Stadium On Sale Feb. 17
29-Jul Vienna, Austria Ernst-Happel-Stadion On Sale Feb. 24
1-Aug Warsaw, Poland National Stadium On Sale Feb. 17
7-Aug Moscow, Russia Olimpiski Arena On sale soon
8-Aug St. Petersburg, Russia SKK Arena On sale soon
12-Aug Helsinki, Finland Olympic Stadium On Sale Feb. 14
15-Aug Oslo, Norway Telenor Arena On Sale Feb. 20
18-Aug Zurich, Switzerland Stadion Letzigrund On Sale Feb. 24
21-Aug Nice, France Stade Charles-Erhmann On Sale Feb. 14
NORTH AMERICA
28-Aug Philadelphia, PA Wells Fargo Center On Sale Feb. 13
30-Aug Montreal, QC Bell Centre On Sale Feb. 18
1-Sep Quebec City, QC Plains of Abraham Site On Sale Feb. 17
4-Sep Boston, MA TD Garden On Sale Feb. 13
6-Sep New York, NY Yankee Stadium On Sale Feb. 13
10-Sep Ottawa, ON Scotiabank Place On Sale Feb. 13
12-Sep Toronto, ON Air Canada Centre On Sale Feb. 13
15-Sep Atlantic City, NJ Boardwalk Hall On Sale Feb. 27
19-Sep Chicago, IL United Center On Sale Feb. 13
23-Sep Washington, D.C. Verizon Center On Sale Feb. 13
29-Sep Vancouver, BC Rogers Arena On Sale Feb. 13
2-Oct Seattle, WA Key Arena On Sale Feb. 13
6-Oct San Jose, CA HP Pavilion On Sale Feb. 13
10-Oct Los Angeles, CA Staples Center On Sale Feb. 13
13-Oct Las Vegas, NV MGM Grand On Sale Feb. 27
16-Oct Phoenix, AZ US Airways Center On Sale Feb. 27
20-Oct Dallas, TX American Airlines Center On Sale Feb. 27
24-Oct Houston, TX Toyota Center On Sale Feb. 27
27-Oct New Orleans, LA New Orleans Arena On Sale Mar. 5
30-Oct Kansas City, MO Sprint Center On Sale Mar. 5
1-Nov St. Louis, MO Scottrade Center On Sale Mar. 5
3-Nov St. Paul, MN Xcel Energy Center On Sale Feb. 27
10-Nov Cleveland, OH Quicken Loans Arena On Sale Mar. 5
15-Nov Charlotte, NC Time Warner Cable Arena On Sale Mar. 5
17-Nov Atlanta, GA Philips Arena On Sale Mar. 5
TBC Miami, FL To Be Confirmed On Sale Soon
 
re:  EYE OF NEWT:
>>>Newt Gingrich Sued for Using Survivor's 'Eye of the Tiger' at Campaign Events  (Bill)
I'm missing something.
Wouldn't a candidate's organization go to BMI and ASCAP to obtain licenses?
Or, are they just (stupidly) ASS-uming the places they're appearing at,
have them or will obtain them?
That's putting a whale of a lotta trust in people with whom you at best
have dealings every four (or two or six) years.
-- BOB FRABLE
 
Hi Kent -
When you think of it, Newt could so easily have asked Trade Martin to write him a special song.
Best Wishes,
Mike Edwards 
 
re:  SOUL TRAIN:  
I can't get BOUNCE TV in the suburbs but I found a Soul Train marathon on "Centric", a black-oriented cable station, Saturday afternoon.  The show was from either late '75 or early '76.  Bloodstone and The Dells were the guests (in LA of course) and featured songs included "Turning Point" (Tyrone Davis) and David Ruffin's "Walk Away From Love."  I did get to see the exhibit in downtown Chicago last year, although the late, great Don Cornelius wasn't there -- he'd already spoken there the day before.  Great Chicago shows from '71-'73 were aired.
Bobster
We had a non-stop marathon running here, too ... Frannie had it on for a while on Saturday.  Personally, I just never really got into the show ... I was probably too old for it at the time (and felt it had already been done as good as it was going to be done on programs like American Bandstand, The Lloyd Thaxton Show, and evening programming like Shindig and Hullaballoo ... more of MY generation's music television.  That being said, there is NO question how much Don Cornelius helped advance Black Music in America ... I just don't think I appreciated it at the time.  (Frannie, on the other hand, is WAY more into '70's Soul that I am ... but I have most definitely come around these past 10-12 years or so!  Visiting the Philadelphia International Studios a couple of years ago was a REAL treat for both of us ... Forgotten Hits Readers Rich and Mamie set us up for a "private tour" and it was amazing and enlightening.  Love that music more than ever today!)  Honestly, the shows I watched Saturday Night look TRULY dated ... especially from a fashion standpoint ... but it is a part of our musical heritage and should be viewed that way.  (kk)


And Robert Feder reports this morning that Don Cornelius had just recently learned about his upcoming induction to The Illinois Broadcasters Hall Of Fame shortly before his death.  How sad that he won't be there to personally receive his award.  (kk)
Just weeks before his death, Soul Train legend Don Cornelius was selected for induction in the Illinois Broadcasters Hall of Fame.  Although the news had not yet been announced, the Chicago native was chosen shortly before the end of last year. Dennis Lyle, president and CEO of the Illinois Broadcasters Association, said the group had been in contact with Cornelius about setting a date for his induction, which now will occur posthumously. “It’s just tragic Don passed before entering IBA's Hall of Fame, but we're so thankful that he learned of — and accepted — our invitation for induction prior to his death,” Lyle said. “There's no rhyme or reason to the timing of our invitation to him for induction, but one need only read the passionate accolades being expressed of this talented icon since his passing to understand why a person of his caliber and talent was nominated and then received unanimous IBA board approval for induction. It certainly opens our eyes to the fact that, like Don, there remain many outstanding qualified candidates destined for IBA Hall of Fame consideration that are getting along in years." Oprah Winfrey and Bob Newhart were inducted last year.

re:  PAUL McCARTNEY:
Lots of press for Paul McCartney's new album of standards ... here are a few sent in to us by FH Reader Dave Barry ...  

Paul McCartney Blows 'Kiss' to Hollywoodby Piya Sinha-Roy
Reuters, January 20, 2012
Paul McCartney's new album "Kisses on the Bottom" will see the legendary Beatles' singer harking back to the golden era of Hollywood, bringing both old favorites and new compositions to his latest musical offering.
"Kisses on the Bottom," named after the lyrics on the album's first track "I'm Gonna Sit Right Down and Write Myself a Letter," will showcase the former Beatle on a "deeply personal journey" singing classic American songs that inspired McCartney and bandmate John
Lennon when they wrote songs for the Beatles.
"When we grew up, we had my dad's or in John's case, his mother's era that we were listening to, and then when we came to write rock and roll songs, this informed the rock and roll," McCartney told reporters in London on Thursday.
He added the Beatles' "Honey Pie" was one such track "harking back to Hollywood."
The ex-Beatle said he was inspired by some of Hollywood's best known actors and singers, including Frank Sinatra, Dean Martin and especially Fred Astaire, whose style and voice were a reference for McCartney throughout his career.
"Fred Astaire was just this fantastic character from that era, he's so elegant. Musically, his vocal style is very interesting ... he had this little voice that I kind of wanted to get near, so I tried that and that became a little bit of a signature with this album," said McCartney.
"It's this era that I love, it's a rich era for style, music and intelligent art."
Despite wanting to do this album "for a long time" through both his Beatles and solo careers, McCartney was forced to delay the record after British singers Robbie Williams and Rod Stewart released their own albums of big band classics. McCartney did not want to appear as if he was jumping on their "bandwagon."
"The album wasn't going to be the direction that everyone else was taking, so the songs are not quite as well known as some of the songs that Rod's been doing," said the singer.
McCartney teamed up with producer Tommy LiPuma and Grammy-winning jazz musician Diana Krall to record "Kisses on the Bottom" in London, New York and the famed Capitol Records studios in Los Angeles. He picked old favorites such as "More I Cannot Wish You" from the musical "Guys and Dolls" and a slow version of classic song "Bye Bye Blackbird."
McCartney also collaborated with legendary musician Stevie Wonder on "Only Our Hearts," a tribute to the music of the '30s and '40s, and Eric Clapton on "My Valentine," one of the singer's favorite tracks on the album and a love letter to his new wife, Nancy Shevell.
"The fact that I was working with great jazz musicians altered something. I don't know what's been altered, but it's really cool," the "Yesterday" singer said.
McCartney dropped hints that songs from the new album may be part of his upcoming performance at the London Olympics later this year, and also said that if asked, he would perform for Britain's Queen Elizabeth at her upcoming Diamond Jubilee festivities.
"Kisses on the Bottom" will be released on February 7.
___________________________________
Paul McCartney's New Album 'Kisses on the Bottom' Has Him Looking Back on the Old Daysby Amy Lee
Huffington Post, January 19, 2012
The sight of Fred Astaire in tails crooning "Cheek to Cheek" is hardly the first image that pops to mind when you think of the Beatles. But Paul McCartney's new album, "Kisses on the Bottom" will pay tribute to childhood songs that influenced him -- and the Beatles -- including
music by Astaire.
"My dad was the piano player at the New Years Eve dinner," McCartney said. "So he played these songs at home."
At an online press conference, McCartney reminisced about his early memories listening to songs like "It's Only a Paper Moon" and "Bye Bye Blackbird." His love of the standards was shared by another Beatle: John Lennon. McCartney says that when he and Lennon first got
together, they bonded over their shared taste.
"Those kinds of things drew us together," McCartney said. "And we'd be referencing those songs as we wrote the new songs."
The new album has apparently always been a project in the back of his mind. Former bandmate Ringo beat him to it on his 1970 album "Sentimental Journey," which also covers standards.
"I wanted to do it in The Beatles," he said. "I never got round to it because we were writing 'Sgt. Pepper,' 'The White Album,' the new stuff."
The influence of these standards is evident across Beatles records, as in the song "Honey Pie," which McCartney says "definitely hearken[s] back to pure Hollywood." And in the Beatles film "Magical Mystery Tour," the sequence set to "Your Mother Should Know" unfolds in the style of a 1930s musical, all four Beatles in tuxedos.
Pure Hollywood could also describe the content of his new album.  Recent film "The Artist" (which McCartney referenced, and called "great") takes place in the same era as the album's songs.
"I remember in the 60s when we were making 'Sgt. Pepper,' I used to say I really like Fred Astaire," McCartney said. "Fred's jackets are cut very close, with very slim sleeves, so I wanted one -- those kinds of stylistic things came from people like him."
The music came from McCartney's father, who was a self-taught musician. According to McCartney, his father wanted him to take lessons and learn "properly." But after three tries with a teacher, he gave it up.
"It wasn't what I was hearing in my head," he said, describing one last teacher who tried to assign him five-finger exercises. "I had already written 'When I'm 64' at that point. I couldn't go backwards."
McCartney wrote that song when he was 16. Now, he's 69. [But his perspective on age has changed quite a bit since those days.
"We thought thirty was like really old," he said. "Now I think it's amazingly young. There was a guy at John's art college who was 24 and we felt very sorry for him, he looked like a real old guy, he had a five -o-clock shadow, he looked really pathetic to us because we were like, 16."
Though some people might be content to rest on their laurels after the Beatles, McCartney just can't stop making music.
"I'm really just some kid from Liverpool still," McCartney said.
__________________________________
Paul McCartney's New Album: 'I Wanted to Do This with the Beatles'by Sean Michaels
London Guardian, January 20, 2012
Paul McCartney's new album is the album he always wanted to make with the Beatles, he has revealed. After bonding with John Lennon over 30s pop songs, McCartney said he dreamed of putting together a collection of old favourites. "I never got round to it because we were writing
Sgt Pepper [or] The White Album," he explained.
Kisses on the Bottom, due in February, is McCartney's first pop album in almost five years. Comprising 12 covers and two originals, it was inspired by the soundtrack of his childhood -- songs such as Bye Bye Blackbird and It's Only a Paper Moon, his father's favourite. "My dad
was a piano player," McCartney said in a webcast on Thursday. Like Lennon, McCartney grew up attending Liverpool sing-songs; this music, he said, "drew us together". "We'd be referencing those [classic] songs as we wrote the new song "I wanted to do [music like this] in the Beatles," he continued. But the Fab Four had too many projects, and after the band split, McCartney had too much competition. "Every time I came to this album someone else would do it," he explained, pointing to Ringo Starr's 1970 record, Sentimental Journey. "I kept saying, 'Well I can't do it now, it'll look like I'm jumping on the bandwagon.' But then I [decided] I'd just do it and not worry about the market."
The key to the new record, McCartney said, was "channelling Fred Astaire". With help from producer Tommy LiPuma, the 69-year-old experimented with a "littler voice". "We'd say, what song do you want to do? We'd pull up chords and lyrics … Kick it around and record it."
Unlike most producers, LiPuma sat in the tracking room with McCartney.
"It became more intimate." But they were also able to play and experiment -- slowing down Bye Bye Blackbird, for example. "I think that's why I had so much fun doing it Something much more staged is in store if McCartney wants to participate in this year's Olympic Games.
"If there is something they want me to do, they'll tend to dictate it rather than me," he said. The singer was due to meet a London 2012 official on Friday. McCartney could also "easily" be involved in the celebration of the Queen's diamond jubilee, in June. "[I'm] a big fan of the Queen," he said. "She does a great job." McCartney was one of the performers at the golden jubilee in 2002.
Kisses on the Bottom will be released by Hear Music on 6 February. Its cheeky title comes from the opening line of a song by Fats Waller, I'm Gonna Sit Right Down and Write Myself a Letter.


And this from FH Reader Frank B ...

Kent ...
I never knew they recorded this song.  It's The Royal Teens doing "Hey Jude".  I like to call it "In The Still Of The Night" meets "Hey Jude".
What do you think ?
Frank B.
 
 
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Sunday, February 5, 2012

The Hit Parade Hall Of Fame Nominees For 2012


The Hit Parade Hall of Fame has just announced their nominees for the 2012 ballot ...

(In fact, the names hit OUR website before they even hit THEIRS!!!)


Fans are encouraged to visit the site and vote for their favorites.

This year's candidates include: 

Aerosmith -- Bob Dylan -- Jimi Hendrix -- 
Jan and Dean -- Jefferson Airplane / Starship --  
The Lettermen -- Ronnie Milsap -- 
The Staple Singers -- Steely Dan --
Ray Stevens -- The Turtles -- 
and Dinah Washington


Our congratulations go out to all of the nominees!!!



The Hit Parade Hall Of Fame nominating committee has little difficulty in naming yearly recipients with so many from various genres of recorded music to choose from.

Once nominated, the vote of fans can propel an artist to be inducted into the Hit Parade Hall of Fame following any one of three years of eligibility.

New nominees are announced during the second week of February each year.  Inductees into the Hit Parade Hall of Fame are named during the second week of January each year.
--John Rook, President and Founder of The Hit Parade Hall Of Fame
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The Sunday Comments ( 02 - 05 - 12 )

If you can suffer through Blogger messing with all of my fonts and spacing again this morning, we've got a REALLY good Sunday Comments Page posted ...  been trying to edit it for going on two hours now but having no luck getting it to look right ... so please have patience as you attempt to read along!!!



re:  SUPER BOWL SUNDAY: 
>>>I guess there's no point in watching half - time show ... Madonna promises no wardrobe malfunctions  (Frank B)  


Or ... I guess there's no point in watching the half-time show because Madonna's PERFORMING!!!  LOL ... (did I say that??????  LOL) 
PeteySmoke 


You can relive some "not so great" Super Bowl Halftime moments here ...  Click here: Super Bowl Halftime Bloopers: 10 Huge Mistakes on the Big Stage - Spinner Canada  


Anybody else out there tired of hear all the cat-fighting going on between Divas Elton John and Madonna?!?!?  Check out the above link to see just how many artists lip-synced their "live show" at halftime.  (To hear them tell it, there just isn't enough time to set things up any other way!)  kk
And I guess I probably missed the chance to attend one hell of a big Super Bowl Party later today!  I got an invitation last week that I tried to read without my glasses ... and couldn't figure out why ANYBODY would want to go to a SUPERB OWL Party!!!  My first reaction was "What would one even DO at a Superb Owl Party?!?!?"  ... and then I sent what I thought was a clever response of "Sorry, but I really don't give a hoot".  Guess I'll stay home tonight instead, watch some of the game, catch Madonna's Halftime Show ... and then stick around for the Season Premier of "The Voice" instead.  (kk)


re:  BAD SPELL:  ADDING AN EYE OF NEWT DOES NOT EQUAL SURVIVOR:

I would suspect that you've received this already, but I wanted to make sure.
Bill

While it DOES seem a little petty (I am SO glad to see that Jim Peterik is not involved with this!!!), I think equally as bothersome as any copyright infringement is the fact that the use of the song could be misconstrued as to be taken as an endorsement of the candidate ... and I would probably raise my strongest objection for this reason.  (Guess we'd better not feature this one in Forgotten Hits any time soon!!!  lol)  kk 


Wasn't there a TV show where "eye of newt" was served as a tasty treat?

David Lewis


Here's an updated story (dated February 1st) as first published here by The Chicago Sun Times ...
Former Survivor member sues Newt Gingrich for using ‘Eye of the Tiger’
BY ALLISON HORTON Staff Reporter / ahorton@suntimes.com January 30, 2012 6:00 PM
Newt Gingrich might feel like Rocky Balboa when he takes the stage at campaign events to Survivor’s 1982 hit “Eye of the Tiger,” but it’s the co-writer of the song who is ready for a fight.  Chicago-born Frankie Sullivan sued Gingrich in federal court Monday, saying the Republican presidential candidate is using his “Rocky III” anthem in his campaign without permission.  Sullivan, who has a home in the northwest suburbs, insisted it’s not about politics. It’s about someone who should know better using his copyright material for free. 
“My legacy, my life, has been ‘Eye of the Tiger,’ ” Sullivan told the Sun-Times Monday. “Those copyright laws are there to protect people like me who are lucky enough to create a copyright. ‘Eye of the Tiger’ is an iconic copyright. It’s become a lifelong legacy — something you want to pass down to your kids.” 
Sullivan didn’t want to get into whether he likes Gingrich or his politics. His co-writer on the song, fellow Survivor founding member Jim Peterik, however, gave Gingrich a partial endorsement. 
“My wife is a big fan,” Peterik said. “I’m becoming a fan of Newt Gingrich. He has a mind of his own. He’s not a talking head. Originally, I didn’t like him, but look at the competition. He’s looking better and better.” 
Peterik is not a party to the suit that Sullivan filed in U.S. District Court in Chicago. They share the copyright, but tend to stay out of each other’s way when it comes to cracking down on infringers. 
”I hate suits,” Peterik said. “I hate being in court. I avoid that meticulously. When I [heard about the lawsuit on the radio Monday} I said I’m not surprised, but I’m surprised.” 
Peterik described himself as “very apolitical” — and wouldn’t draw a line on which politician should use “Eye” for events. 
“If someone is out there trying to make a difference, let him do it. ... Unless it was Adolf Hitler,” Peterik said. 
Sullivan and Peterik wrote the song in the music room of Peterik’s west suburban LaGrange home at Sylvester Stallone’s request in late 1981, four years after Survivor was formed. Stallone was looking for a theme song for “Rocky III.” 
Peterik said they wrote the piece in an hour and a half, and spent a week stretching out the lyrics. 
It rose to No. 1, won a Grammy and became a cash cow for the men as advertisers, sports teams and countless others coveted its rocking beat and underdog theme. Peterik told the Sun-Times last year the song can command a “quarter of a million for a good [ad] campaign.” For movie usage, it can bring in up to $100,000. For TV, $15,000 to $25,000, he said. 
According to Sullivan’s lawsuit for his Rude Music publishing company, Gingrich began using the song as early as 2009 during political conferences and public events such as the Conservative Political Action Conferences and the Southern Republic Leadership Conference. 
Gingrich has also used the song publicly during campaign appearances in Pennsylvania and a pre-caucus swing through Iowa, the suit said. A video on the Newt 2012 Inc. website features Gingrich entering a packed Moose Lodge in Doylestown, Pa., for a speech as the song “pulsed,” the suit claims. 
Gingrich’s campaign bus also “blared” the song during a stop at an excavation business in Walford, Iowa, and “Eye of the Tiger” also was played when he entered and exited an event in Des Moines, the suit claims. 
The suit claims Gingrich is “sophisticated and knowledgeable” about copyrights, both as a former elected official and as a business owner. 
According to the U.S. Copyright Office, Gingrich is author or co-author of 40 copyrighted works, the suit noted. And while he served as a congressman, the Copyright Act was extensively amended, the suit said. 
During a recent debate in South Carolina, Gingrich criticized the proposed Stop Online Piracy Act, saying, “We have a patent office, we have copyright law. If a company finds that it has genuinely been infringed upon, it has the right to sue,” the suit said. 
The suit claims copyright infringement and asks Gingrich to knock it off. It also seeks damages, any profits gained from using the song, attorney fees and court costs. 
Gingrich’s campaign could not be reached for comment. 
It’s not the first time Sullivan has taken on a politician over “Eye.” 
In a statement during the last presidential campaign, Sullivan said: “Survivor has no affiliation with John McCain or Sarah Palin. They have no right to use ‘Eye Of The Tiger’ in any way as part of their campaign. Using our music without our permission can give people the impression that we are supporters of their campaign — this is not the case.” 
Sullivan said dealing with McCain was no problem and the issue was quickly resolved. 
On Monday, he said he’s just exercising his rights with Gingrich — and encouraged other Americans to do the same if they feel cheated. 
“The laws are there to be enforced. And I happen to have a copyright that has been my livelihood. That’s all it’s about.” 

And speaking of politics ... and why Politics and Rock And Roll just don't mesh ... 


Kent ...
Here's a list of The Top Ten Songs Banned From Use In Political Campaigns
I say keep Politics out of Rock-n-Roll.
They screw up everything else.
Leave our music alone.
Frank B.

Click here: Top Ten Songs Banned From Use In Political Campaigns



re:  RUMER:  



>>>CBS Sunday Morning did a story about a British singer / songwriter named Rumer. I confess I hadn't heard of her before. I was blown away. I think she is incredible. They compared her to several other artists but what I kept hearing was Karen Carpenter. She has that same clear, pure sound. It's weird to hear her speak with her British accent and then not even a hint of that in her singing. The lyrics are so clear and lovely that you don't need to wonder what she is singing about. I immediately went on Amazon and purchased her CD entitled "Seasons Of My Soul" ... I love it.  (Stacee)
>>>I need to tell you about a new singer known as Rumer ... I have never been one to tout new talent because there is so much great stuff from my era, that I don't trifle with current screamer / fake backing music on a computer / singing with "goofy sounds" that don't seem real or is used constantly by EVERY current artist.  Yes, I love the old artists and music.  Yet, Sunday on CBS' Sunday Morning, I gotta say that an artist known as Rumer seems to have the Bacharach / David female song vocal to rival Dionne Warwick of the 60's.  The show opened with her cover of "Alfie" which was just great (as is the Warwick version).  If you added the echo effects of Dusty Springfield records, she might rival her sound as well, it would seem.  IF I were to buy a current artist's CD, it would probably be this one.  You can imagine my pleasant surprise at hearing this Rumer music.  Now, I will return to the 60's and you can judge Rumer as you wish.  Check out the CBS Sunday Morning video and story here: http://www.cbsnews.com/video/watch/?id=7396768n&tag=contentBody;cbsCarousel

In the end, "Rumer has it" (Clark Besch)  

Wow! Thanks for posting the info about Rumer.  I think I'm in love!
Only one thing I can't figure out, why wouldn't Clark Besch buy this new artist if he likes her?
I'm headed to Amazon right now.
Kent, if my wife divorces me it's because of all the great buying tips I find in your digest.
Bill   

re:  THE DAY THE MUSIC DIED:
Here's one we missed.  (This aired Friday Night, February 3rd.  Unfortunately, I've fallen about three or four days behind on emails again, thanks to working crazy hours this week!)  But fortunately, you will be able to still catch a broadcast of Stu Weiss' three hour tribute to The Day The Music Died ... we're still trying to work out the final details and will let you know shortly how, when and where!!!
I will be bringing you back 53 years as we remember that plane crash in 1959 that till this day has not been forgotten. Don McLean referred to it as "The Day The Music Died" in his song "American Pie". This night we will remember Richie Valens / Big Bopper / Buddy Holly. I will transport you back to that fateful time in our lives. As long as we can listen to this era of music I feel we should never forget three entertainers that left us their music.
Stu Weiss / The Pop Shoppe


Hello,
I thought you might appreciate a story about Elvis when he heard that Buddy had died.
In 2010, I participated in an event in Memphis honoring the soldiers who had been in the Army with Elvis. (There were twelve who were able to attend.)  Judge David Bailey and I were talking about them being in Germany in 1959.  He asked, "Do you remember 'the day the music died'?"  and then proceeded to tell me this story. 
He and Elvis were in the mess hall late in the afternoon having dinner when Elvis got the call from Tom Parker that Buddy, et al, had been killed.  David said Elvis sat there and cried like a baby; he was so upset and depressed about it for days. 
Thank you and please know how much I truly appreciate all of your "Forgotten Hits."   I would like to add that my most fav Buddy Holly song is "True Love Ways."
Jennie Carpenter
Huntsville, AL
Yes, "True Love Ways" is one of MY Holly favorites, too ... although (as I've mentioned before) I prefer the versions recorded by Peter and Gordon and Rick Nelson over Holly's original recording.  Holly's voice never cut it for me ... but there is NO denying the magic (or the staying power) of his compositions!  (kk)
 

Thank you for the contemporaneous article about the “real Donna.” It is a fitting observance.
It’s amazing how much the music of both Holly (especially) and Valens continues to influence rock and pop to this day, even if some of the practitioners have no clue as to who these people were.
Best regards,
Country Paul
Paul Payton


Kent,
In addition to the three versions of THREE STARS which were recorded back in 1959, here in OKC, there were a couple of other tribute records made upon the deaths of Holly, Valens, and Richardson.  Singer Hershel Almond had THE GREAT TRAGEDY on Ace and Ray Campi had THE BALLAD OF DONNA AND PEGGY backed with THE MAN I MET.  I am sure they were others made that I am not aware of.
Incidentally while I am thinking of it, but in the early to mid sixties the Crickets' recordings on Liberty seemed to make our local surveys How about Chicago? Their recordings of HE'S OLD ENOUGH TO KNOW BETTER and LONELY TOWN were big.
Larry Neal 

Crickets' recordings from the late '50's and early '60's would have had to chart on the old WJJD Survey as WLS didn't switch over to Top 40 / Rock and Roll until 1960 ... but I don't show ANY charted singles by The Crickets on either chart.  Guess these never made much of an impact here.  (kk)


THE COWSILLS:  
>>>THE COWSILLS?  Got to see them on the STEEL PIER in ATLANTIC CITY one afternoon.  The reward for a year of being a 'PATROL BOY (or girl)' -- kid crossing guards at schools.  (Renfield)   
Kent ...
I enjoyed the discussion about The Cowsills. They had some great hits.
We played a show with "The Cowsills" (Bob, Paul, Susan, and some close relatives) this past summer in Las Vegas, and I have to tell you they were absolutely amazing! Some of the best live performance harmonies I have ever heard, and the musicianship was very high. Susan gives their harmonies that signature "Cowsills Sound" that was so prominent on all of their records. And, they are really fine people, too. I had a chance to chat with Bob Cowsill for quite a while about their recording studio experiences. It was an amazing afternoon. I always considered "The Rain, The Park And Other Things" a small Rock Symphony, and he agreed that recording was special.
Here's a photo of me and Bob Cowsill backstage at the Cannery Casino in Las Vegas this past Summer during our soundcheck for the big show that night ... which was completely sold out, by the way ... almost 4000 people in attendance. Long live Classic oldies rock!!!
Mitch Schecter / The Rip Chords

re:  ETTA JAMES:
In the late fifties / early sixties here in OKC, our top  40 radio station would come out with a
special survey at the end of the year indicating what the top 50 songs for that particular year
was. In 1961 Etta James' SEVEN DAY FOOL was the number two record for that year, flip
being FOOL THAT I AM. 
Larry Neal


re:  PAUL McCARTNEY / RINGO STARR / AND THE BEATLES:
Watch for Paul McCartney to perform his new song "My Valentine" at The Grammy Awards Ceremony! (Now THAT'S a first!!!)  I remember Macca being in the audience and picking up The Grammy for "Let It Be" way back when ... and, of course, The Beatles being shut out in the early days by some RIDICULOUSLY crazy balloting.  (1965:  Best Contemporary Performance (Rock And Roll) of the Year By A Group:  The Statler Brothers for "Flowers On The Wall" ... SERIOUSLY?!?!?)  At least in 1964, when Beatlemania first invaded our shores ... and The Fab Four placed over 30 songs on the pop charts ... they were named "Best New Artist Of The Year"!  For a recap of how The Beatles have fared at The Grammy Awards over the years, check this out ... it's the VERY FIRST web posting EVER by Forgotten Hits.  (After publishing FH as an email-only newsletter for nine years, we were finally convinced to put these up on a website so the rest of the world could see and enjoy them, too.  This was our VERY FIRST POSTING!)  kk





And, speaking of Beatle Paul, it looks like Sir Paul will finally get his own star on the Hollywood Walk Of Fame!  FH Reader Frank B. just sent us this WCBS-FM clipping:


Frank also sent us this little piece of Beatles trivia ...


Kent ...
The Beatles are out of this world.
Frank B.


Here's a brand new Spinner Interview with Ringo Starr, promoting his new Ringo 2012 Album ...




re:  ON THE RADIO:
Hi Kent,

I discovered your site a couple months ago and have been checking in every few days.  Happened to notice the top 40 dj records piece today and it reminded me of Curt Johnson, CJ the DJ, who I grew up listening to at WEAQ in Eau Claire, Wisconsin.  I never personally knew Curt but he's probably the person most responsible for my eventual radio career, which I just retired from last April.  It all began with listening to Curt in the early to mid 60's and expanding my horizons by tuning into WLS and KAAY in Little Rock.  Anyway, I dug out my old 45 of Curt (he was the lead singer) and his group "The Up Stairs" and their song "Operator Please."  It must have come out in the mid to late 60's and probably only got play on Curt's show ... which, of course, probably got it into WEAQ's top ten. It's on the "Cuca" label from the old Cuca Records out of Sauk City, Wisconsin.  I always liked the tune and thought you might get a kick out of it. 

BTW...you're always talking about the NC6.  It was the first group I ever interviewed early in my radio career.  I still remember what a nice guy Pat McBride was ... he did the bulk of the interview.  In fact I still have the station letterhead that the entire group autographed. 

Steve Hotvedt
Another deejay tune that came to mind was Gary Burbank's "Who Shot J.R.", a salute to the popular tv series "Dallas" from 1980.  Burbank was a jock at WHAS in Louisville, KY at the time this record hit the charts.  And let's not forget Rick Dees either ... who drove us all completely insane with his "Disco Duck" hit a few years earlier!
Amazing to think that you held on to The New Colony Six autographs for all these years!  I passed your note along to Ray Graffia, Jr., one of the founding members who was most likely there that day.  He still fronts the band 47 years later!  (Pat McBride is the only member I haven't been in contact with ... either tough to find ... or doesn't want to be found!  lol)  If you scroll back to 4/30/2008, you'll find our first-hand account about a New Colony Six reunion.  (We once did a month-long series on the band, one of our local favorites!)  If you ever get down Chicago way, you should check them out in concert.  They still play most of the hits and rock out pretty good on some rockin' cover tunes, too!  (kk)

From Clark Weber (by way of Lyle Dean), here are some classic, rarely-if-ever seen photos behind the scenes at WLS, The Big 89 ...




Clark also tell us ...  


Hi KK:  
The moving of Dick Biondi to a later shift has nothing to do with his talent. It’s a matter of pure economics. His loyal audience is made up mostly of people over the age of 55. When the WLS sales person approaches a local new car dealer and offers him a sale price on radio time that made up of listeners over the age of 55 or 60, the car dealer is simply not interested. The car dealer wants customers ages 25 to 54 and that’s why you see all those car commercials on TV. Oh, I’m well aware that people over the age of 55 or 60 buy cars, but try telling the car dealer that. I also find it ironic that while Dick was on WLS-AM in the early 60’s, some sponsors balked at buying his show because they felt the audience was too young!  
That’s the same reason that Steve and Johnny got the boot on WGN. Commercials on their show were going for $35 where as the day rate was upwards of $400 a minute. Plus there is now only one WGN host on the overnight show cutting their overhead in half.  
The new owners of WLS-AM & FM are knee deep in debt and they must stem the flow of red ink and this is one way of doing it. Radio is in for a very rough ride so save your CD’s, LP’s and 45’s! 
Clark

Hi Kent,
I agree that it would have been great if Dick Biondi could have kept his Request Night Show on Friday nights. It offered the opportunity to hear records that are never played any more. In addition, Mr. Biondi has interesting stories about the records and artists.
Carolyn




Kent;
To the readers of these writings, be you my fellow Canadians or OUR friends in the U.S.
SHOULD you enter Toronto territory, your OLDIES stations are:
740 in Toronto, 1150 from Hamilton and 98.1 Toronto.
This'll help you dial oldies a tad quicker.
IFN you find another one, AM or FM, pulease let ME KNOW!
And remember ... "Show me a person with a song in their heart ...
And YOU found a person with an AM / FM PACEMAKER
Robert Black




Kent ...
Click to see what you missed Sunday Night.
And running this weekend on WCBS-FM ... it's The Super Battle Of The Bands ...
New York Artists vs. New England Artists
I'm sure it's no surprise when I tell you that the Rascals just beat the Cowsills.
Current standings =  New York Artists - 24, New England Artists - 6
I'm trying to figure out how New England Artists got the 6!
Frank B.

You guys need to follow the link and view some of these programmes. 
They are available until Friday.
George Van Win
Definitely a couple of interesting things on this list ... thanks, George!  (kk)




Our FH Buddy Randy Price (he of Super Charts fame) is doing his monthly radio show on Top Shelf Oldies next Wednesday Night ... and some of his past shows are now available for listening, too.  Here are all the details: 
Anyone interested in listening to my past radio shows for Top Shelf Oldies can find them archived here: http://ramtownlive.com/Wednesdayextras.html. Scroll about half way down the page to the archives for "Randy on the Radio." New shows are streamed the second Wednesday of each month, 8 - 9 pm ET (connection and chat room instructions at topshelfoldies.org). Each show includes many forgotten hits, mostly lower charting records from the '50s, '60s and early '70s (and non-charters that should have been hits). The next new show is this coming Wednesday, Feb. 8, and that one will go up on the archive page the next day.
-– Randy Price

Today at approximately 9:10 am our time, Scott Shannon on the TOC played Van Morrison's
BROWN EYED GIRL and intro-ed it as being one of your favorites songs, if not your favorite song of all time. I am curious if that is true. It used to be one of my favorite but I decided to divorce myself from it since in the last 45 years that is one of the songs that has been thrust upon the listening audience of oldies radio stations over and over again.
Larry Neal
lol ... I think Scott Shannon's just having a little fun at the expense of yours truly!  (lol)  Wish I could have heard that!  Over the years I've criticized how often this song has been played ... I have literally heard it as many times as four or five times a day (and sometimes without even switching channels!!!)  I, too, used to love this song ... but (like so many others) it's been beaten to death over the past twenty years to such an extent that it now constitutes an immediate "button pusher" for me to switch the station.  Still a great song ... but radio's oversaturation has RUINED it for me.  Funny stuff 'tho!!!  (kk)

By the way ... VERY special thanks to whoever it was that plugged Forgotten Hits on their program shortly after midnight on Saturday Night / Sunday Morning ... we had over 800 website visitors between 1 am and 2 am!!!  UNREAL for that time of night!!!  In fact, it boosted us up to a new all-time 24 hour high for last Sunday's issue ... and that was without a Sunday Comments Page!!!  (On Sunday we ran a special look back at "44 Years Ago Today" ... typically The Sunday Comments is the most-read page of the week, often with 3-4 times as many readers as a regular weekday edition.)  So thank you very much, whoever you are.  (Now hopefully these folks'll continue to come back from this point forward!)  kk

re:  BURTON CUMMINGS:
Kent: 
Does that blog say that you have never seen North America’s greatest rock / pop singer / songwriter / musician / stage presence live?
Right now his U.S. tour is limited to the very biggest of his radio hits.  Friday night March 23 in Windsor, ON he may open up the set list a bit wider. 
I’ve seen him close to 20 times since 1972, and I live in Wisconsin.  I have a stash of concert audio and video, and tapes of some of his Canadian TV specials. 
If you send me your mailing address, I will send you a few items.  It’s not the same as a live performance, but it beats whatever is sitting in third place.   
Duane Lee Fox
Actually, I've seen Burton Cummings live about a dozen times ... he's always been a major fave of mine.  I would love to see some of what you've got ... people don't realize that although the majority of this material hasn't been made available here in The States, Burton has continued to record and release albums in Canada for as long as he's been around!  (How unfortunate that we don't get a chance to hear it here ... but you CAN order copies of these CD's through Burton's website!  (kk)


Speaking of the great Burton Cummings, I agree with all of the comments I've seen ... he's an amazing performer!  I saw him as (believe it or not) an UNADVERTISED opening act for the Bee Gees in 1977 (or 8?) when his first solo LP was out.  He was GREAT and many of those around us did not know who he was and I would hear someone say "but hey, he does these great songs really well."  It was funny.  He and Mark Lindsay both have such great song ending rants on their 45s that are always cool ("Steppin Out", "Heartbroken Bopper" etc.) and both the Guess Who and the Raiders have no reason to NOT be in the RNR Hall of Fame.  (Please don't get us started on that again, Kent!)
In a related story, with this huge blizzard on its way, one of my fave stations to have on my TV is the Weather Channel, mainly because I like weather, but also because it allows me to work on other things without being distracted by the TV crap on other channels.  My problem NOW is that their bumper music in and out of almost every commercial comes in the form of the opening guitar licks of BTO's "Down to the Line."  I am SO sick of this riff now.  The song was so-so to begin with, but I just hate hearing this attempt at the ESPN Sports Center song sound-alike.  There are so many other BTO / Guess Who Bachman riffs that are better.  How about trying the intro to Guess Who's "Diggin Yourself"??  Or just about ANY other Bachman riff?!?  Just give it a break, ok? 
Clark Besch

>>>One of the strangest billings I ever saw was right after Burton's first solo hit, "Stand Tall", was released.  Cummings opened the show for Alice Cooper ... about as mis-matched a set as you could imagine.  Teaming Burton Cummings with Alice Cooper boggled the mind back then ... one of The Guess Who's best known album tracks was "Glamour Boy", a swipe at artists like Cooper and David Bowie, about whom Cummings sang, "for $37,000 you can look like your sister tonight".  (Add to this the fact that you wouldn't think that Alice's crowd ... the folks who packed the stadium to see the headliner behead dolls live on stage ... would hold any affection for Burton Cummings' music ... and it just sounds like oil and water to me.  But the music of The Guess Who is TIMELESS and crosses ALL musical boundaries ... and Cummings won the audience over with every performance.  (kk)
Kent,
I loved reading all about Burton Cummings. He has an amazing voice and I loved singing along with the Guess Who records when I was a kid. I actually saw him open for Alice Cooper. I was thrilled to death to see him live! One of the best shows I've ever seen!
Debe Welch
I've never seen Burton put on anything less than a great show ... his voice is incredible and the hit catalog his has to draw from is second to none.  Here's hoping we can get him back to Chicago real soon!  (kk)

Speaking of which ...


Hi Kent,
As a kid growing up listening to the Guess Who and always loving Burton, thanks for the piece on Monday.  I bought his first solo albums, and saw the Guess Who a couple times and also saw him with Bachman when they did their thing together.  It was great.
I grew up in Grand Forks, North Dakota, and before they were famous, they played around the area just like some of the local bar bands did.  I hope he decides to come to the midwest.  If you get him in Chicago, we'd better get him in the twin cities.
Bill 
Nothing would please me more.  (Are you listening, Sam???)  kk
And, here's a response from Sam Boyd, Burton Cummings' tour manager (and long-time FH Reader) ... about both Burton's pairing with Alice Cooper (mentioned above) and planning some upcoming tour dates!

Regarding the pairing of Burton Cummings and Alice Cooper ... Burton's manager at the time was the same manager as Alice (Shep Gordon) and with rocker songs like American Woman, Bus Rider, No Time, Heart Broken Bopper, etc., they figured he'd win over the audiences anyway. I've heard Burton tell the story a few times that "it was a real test of professionalism" looking down at face painted maniac Alice fans wasn't easy ... lol
Burton and Alice are good friends.  Two years ago when we were doing the whirlwind of promo meet and greets and press for "Above The Ground", we were in the lobby of the hotel ... Burton was doing interviews with the press and I see Alice enter the hotel and I say hello.  He asks who's taping, etc., and I told him Burton, so he said to please say hello for me.  I insisted we interrupt the interviewer and the two of them chatted for 10 minutes and exchanged new CD's that both had coming out. It was all real cool.
As for upcoming shows, were just now looking at events across America, hoping to slot one in the area when it all makes sense on a map ... lol
Sam
Please keep us posted, Sam ... the fans will want to turn out for this one!  (And if he DOES happen to come by Chicago way, please put us on the guest list ... that's a show I DEFINITELY want to see!!!)  kk
And all this talk about "Heartbroken Bopper" makes me HAVE to play that song today!!! It's a GREAT overlooked Guess Who classic that only got to #47 in Billboard Magazine back in 1972 ... but went all the way to #26 in Cash Box. (Go figure!)  Give it a listen and see if you think this might have been some early inspiration for Aerosmith!  (kk)
 


You'll find more Guess Who music in today's SOUND ADVICE Column ... a Two-Sided Hit from 1970 ... "Share The Land" / "Bus Rider".  (Speaking of GREAT, vocal ad-libbing during the fade out, be sure to check out the ending of "Bus Rider" ... it doesn't get any better than this!!!)  And yesterday we featured a Birthday Tribute to Alice Cooper ... man, this couldn't have timed out any better had I actually planned it!!!  (lol)  kk


re:  1968 ... and 1924!:
Kent -
I think we talked about before but here is the proof in the pudding, not "Whipped Cream" (although it might give you cause to run the album cover one last time.)
You mentioned the Small Faces' Itchycoo Park song in the edition of latest Forgotten Hits. There was a high frequency tone at the beginning of the 45 that rumor has it was to drive your dog crazy when you played the record. It was a sweep from 18 kHz - 14 kHz. Well, I put the record on the turntable and played it. I did not hear any high frequency at the beginning. I called my wife to see if she could hear it. Still nothing. My son came into the room and asked what was producing the high frequency, it was driving him nuts. Well I guess it was too many Who concerts that deadened my hearing in the high frequencies. So I put it in my audio editing program and went into spectral frequency display mode and viola it was still there. I  have  included both, the beginning of the song and the spectral view in the email. Careful if you play it if you have dogs!
Bill,
with "Too Much Time on my Hands"



VERY strange ... I played it five times ... with our dog laying right at my feet ... and she never so much as rose her head to see what was up ... and she hasn't been to ANY Who Concerts.  I've included the clip for other folks wanting to try this at home (or drive their dogs crazy) ... but nothing to report on this end.  (kk)

Ooops ... oh yeah ... I almost forgot ...


In your reference to the timeless music of 44 years ago -- 1968 -- you commented that while so many of the hits of 1968 are still on the air somewhere today, back in 1968 one would have not heard on the radio the hits of 44 years previous to that -- in other words, 1924.  
You're right, of course, but that brings up the question: what exactly WERE people listening to 44 years prior to 1968?   In his "Pop Memories" book, Joel Whitburn provided the following list of the #1 hits of 1924.  While you've probably never heard most or even ANY of these original chart-topping recordings, do note that a lot of these compositions have become enduring standards -- 88 years after they first climbed to #1.  If nothing else, what follows is a peek into the pop culture of 1924 -- an era in which movies were still silent, Disney produced his debut cartoon ("Alice's Wonderland"), Macy's offered it's first Thanksgiving Day parade, a first class stamp cost only two cents, Russia switched from one evil dictator to another (Stalin replacing  Lenin), Doris Day and Marlon Brando were born, the nation's #1 bandleader, Paul Whiteman, introduced George Gershwin's jazz classic "Rhapsody In Blue," Calvin Coolidge was in the White House, unemployment was at 5% and federal spending topped out at 2.91 billion.  (Wow -- that was a while ago, huh?)  Thanks to YouTube, here are video versions of most all the #1 hits of 1924, starting with Fred Waring's theme song -- which Little Willie John revived so memorably in 1960. 
1.  Sleep -- Fred Waring & his Pennsylvanians (#1 for 5 weeks.  Waring's outfit was then mostly instrumental.  Only later would it evolve into a mass chorale.)   http://www.youtube.com/watch?v=jioU2eioQa4
2.  Charleston -- Arthur Gibbs (#1 one week -- in fact, THIS week, 88 years ago.  THE dance craze of the '20s.) 
3.  It Ain't Gonna Rain No Mo', No Mo' -- Wendell Hall (#1 for 6 weeks.  A country classic.)  http://www.youtube.com/watch?v=EWQA2lcYbdo
4.  Linger Awhile -- Paul Whiteman & his Orchestra (#1 for 4 weeks)
5.  Somebody Stole My Gal -- Ted Weems & his Orchestra (#1 for 5 weeks.  This was early Weems, hinting at the the more whimsical, tongue-in-cheek jazz style he'd gain his greatest fame with later via hits like "The Man From The South," "Piccolo Pete" and "You're The Cream in my Coffee."  Weems later material sounds just like 1930s cartoon soundtracks!)
6.  California Here I Come -- Al Jolson (#1 for 6 weeks.  The #1 singing star of the pre-Crosby era.  Two decades later, Al cut a superior high fidelity version of this song for Decca.) 
7.  Spain -- Isham Jones & his Orchestra (#1 for 2 weeks)
8.  What'll I Do? -- Paul Whiteman & his Orchestra (#1 for 5 weeks)
9.  It Had To be You -- Isham Jones & his Orchestra (#1 for 5 weeks.  Jones, who led one of the most popular bands of the pre-swing era, wrote "It Had To Be You," "I'll See You In My Dreams" and many other hits.)
10.  Memory Lane -- Fred Waring & his Pennsylvanians (#1 for 5 weeks)
11. I Wonder What's Become of Sally? -- Al Jolson (#1 for 3 weeks.  Note that this expresses the same emotion as countless other "torch" songs written and recorded right up to today about unforgotten lost love.)
12.  Somebody Loves Me -- Paul Whiteman & his Orchestra (#1 for 5 weeks.  YouTube does not have the Whiteman version of this song, but here's a competing recording issued the same year by Cliff "Ukelele Ike" Edwards, who'd eventually supply the singing and speaking voice of Jiminy Cricket.)
One thing I should point out about the hits of 1924: all of those were recorded acoustically, which was the state of the art at that time.  Acoustic recordings, though, suffer from limited sensitivity and frequency range.  One could capture mid-frequency range notes fairly well, but those of very low or very high frequencies -- such as those produced by violins -- were lost.  That all changed in 1925 with the advent of electrical recording, which allowed for a far wide frequency range and dramatically higher fidelity.
Gary Theroux
>>>If you turned on your radio on January 29th, 1968 ... 44 years ago today ... you were likely to hear "Chain Of Fools" by Aretha Franklin, "Woman, Woman" by The Union Gap, "Nobody But Me" by The Human Beinz, "Hello, Goodbye" by The Beatles, "Daydream Believer" by The Monkees, "I Second That Emotion" by Smokey Robinson and the Miracles, "I Wonder What She's Doing Tonight" by Tommy Boyce and Bobby Hart, "Dock Of The Bay" by Otis Redding and "Baby, Now That I've Found You" by The Foundations.  (kk) 


Kent,
You are so right with saying this time 44 years ago was a great time for music.  1968 and 1966 rate right behind 1967 as my fave music years.  I will throw a few more FH songs that NEED to be remembered and played today.  The Montanas' "You've Got to be Loved" with FH member Tony Hatch at the controls is the most memorable for me.  This is also the early days of the Cryan Shames' second album being released.  "A Scratch in the Sky" is possibly the best album the group ever did and just one great moment of excitement for me in early 1968.  There were great tunes playing on my record player at the turn of February, 1968.  I would also call upon the Raiders' then new "Too Much Talk," First Edition's "Just Dropped in," the Outsiders' "Little Bit of Lovin," Etta James' "Tell Mama." Sagittarius' "Another Time," Balloon Farm's "Question of Temperature," Herman's "I Can Take or Leave Your Lovin," NC6's new "I Will Always Think About You," Monkees flip "Goin' Down" to name a few.  The Boston sound was emerging on Boston's WBZ and MGM Records through the Beacon St. Union, Ultimate Spinach and Orpheus.  WBZ was playing the Bee Gees UK hit "World" as the new single here (replaced instead by "Words"). 
We were just a year removed from the Chicago snow storm of late January, 1967 when the American Breed got their big break with Bill Traut's Dunwich getting them signed to Acta Records.  A year later, they have a million seller on the charts.  Traut's company is touting two new productions that are great but don't end with that success story.  The Will-O-Bees' "It's Not Easy" is getting play in my area as a Dunwich production as well as the Rumbles, Ltd. from Omaha with their biggest hit, "Jezebel."  The same song the Hermits had performed on the Sullivan show earlier.  The Rumbles were in Chicago about this time doing an interview on Chicago radio in conjunction with their new 45.  Their 45 would reach #3 here in Lincoln on KLMS amidst the biggest record to ever hit the Lincoln market.  Paul Mauriat's "Love is Blue" was number one for 12 straight weeks from December, 1967 through February, 1968 on KLMS!
Clark Besch

>>>This hasn't always been the case.  Imagine turning on your radio on January 29th, 1968, and having the deejay flash back to 44 years earlier to the songs of 1924!!!  (kk)
Well, maybe not 44 years earlier, but you might be surprised to know you might hear "Buttons and Bows' on an oldie weekend on WLS or other songs from the late 40's / 50's.  The Breakfast Club was still an early morning staple on the Big 89, too.  Just around the corner were all the changes in 1968.  Martin Luther King, Jr. would get killed on my 12th birthday, April 4, 1968.  Robert soon thereafter.  On Chicago radio, the magic Ken Draper brought to WCFL would leave in May when he left and they started taking WLS' jocks.  WLS would move away from the old guard of Riley and Roberts at night for Chuck Buell and Jerry Kaye.  "First of three in a row" was a Drake format sound on WLS now and the nightly "Instant Survey" at 8 replaced Art Roberts' 10 PM Top 3 requested segment.  But for February, 1968, things just seemed like they were "getting better all the time."
Clark

>>>All these hits played side-by-side with Forgotten Hits like "Skip A Rope" by Henson Cargill, "Tomorrow" by The Strawberry Alarm Clock, "Bottle Of Wine" by The Fireballs and "Zabadak" by Dave Dee, Dozy, Beaky, Mick and Tish!   (kk)
All great mentions as well!  The Cowsills' "We Can Fly," "Stones' "She's a Rainbow," Beatles "Magical Mystery Tour" Lp cuts, and Ron Riley's British Billboard pouring out Scaffold's "Thank U Very Much," and Dave davies' "Susannah's Still Alive." 
Clark Besch
 
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