Thursday, July 21, 2016

Thursday This And That

Gary S. Paxton, who sang lead on The Hollywood Argyles' "Alley Oop" and produced and played piano on Bobby "Boris" Pickett's "Monster Mash," (both hit number-one) died Saturday. He was also the uncredited producer of The Association's "Along Comes Mary." Moving into Christian music in the '70s and '80s, he produced several albums for Tammy Faye Bakker, with whom he denied having an affair. Paxton was 77. 
-- Tom Cuddy

Gary S. Paxton (born Larry Wayne Stevens), singer and co-producer of "Alley Oop" as the Hollywood Argyles (#1 - 1960) and the "Flip" half of the duo Skip and Flip -- who gave us "It Was I" (#11 - 1959) and "Cherry Pie" (#11 - 1960), died Saturday (July 16) at his home in Branson, Missouri. He was 77 and suffered from Hepatitis C -- which almost took his life in 1990.
Born in Coffeyville, Kansas, he was raised in Arizona where he started his first band at age 14, eventually dropping out of school to become a performer. After his brief career with Clyde "Skip" Battin in Phoenix, he moved to Hollywood where he produced such hits as "The Monster Mash" with Bobby "Boris" Pickett, "Along Comes Mary" and "Cherish" for the Association. He also produced "Sweet Pea" and "Hooray For Hazel" with Tommy Roe. Moving on to Country Music in Bakersfield, California, he was shot three times by hit men reportedly hired by an artist he was producing (dying twice, he said, on the operating table before pulling through). He left the music business for eight years before returning to produce and perform Gospel Music (having converted to Christianity), winning the Best Inspirational Grammy for a 1975 album. Gary was inducted into the Country Gospel Music Hall of Fame in 1999.
-- Ron Smith



 
Hey Kent,
After reading today's FH, I decided to learn more about Bobby Fuller. Someone commented that the demo of "I Fought the Law" was better than the hit recording. What do you think? Oh, and for those of you who still believe Bobby committed suicide, man, do I have a bridge to sell you!
- John LaPuzza
https://www.youtube.com/watch?v=u3lSg19Z37U

Kent, 
A word or two about today's FH and your piece on Bobby Fuller.
First, the great majority of the time I like the original recording of a song as opposed to a remake later on by an artist or group. One of my exceptions is the song LOVE'S MADE A FOOL OF YOU. I always did like Bobby Fuller's version better than the Crickets' earlier version in 1958 on Brunswick. Second, with this week and next being the two national conventions of both political parties, it reminded me of a couple of records I hadn't heard in years. And this is something you may have done in the past, I can't remember.
Remember the novelty break-in record out of 1972 called CONVENTION '72 by a group known as the Delegates? Also, four years later a record called CONVENTION '76 by a group known as CREEP (Committee to Rip off Each and Every Politician). There were a few others somewhat similar with ELECTION '84 by Dickie Goodman being one.
Larry Neal
"Convention '72" was a big hit here in Chicago, going all the way to #5.
I try to stay clear of all the political stuff ... although it's virtually impossible to avoid as it's every where you turn these days.  (Odds are you're offending half your audience no matter what you say!  lol)
The one thing that DID crack me up was this photo of The Trump White House ...
 
(kk)
 
The third (and sadly FINAL) edition of "Where Have All The Pop Stars Gone" is now available.  


This time co-authors Marti Smiley Childs and Jeff March talk with ... and tell the complete stories of Anne Murray, Billy Joe Royal, B.J. Thomas, The Atlanta Rhythm Section, Love, The Standells and Three Dog Night ... with EXCLUSIVE interviews with all of these artists.
We have the complete collection ... and these are always a joy to read ... we learn SO much about these artists and what it was like at the time when all this great stuff was happening.
You can pick up your copy here: http://editpros.com/bookshelf/WHATPSG_Vol_3.html
And be watching Forgotten Hits in the not-so-distant future for a complete review.  (Hey, I've gotta read it first!!! lol)  kk

Speaking of brand new books, we've received quite a few entries for our latest Joel Whitburn / Record Research / Top Pop Singles give-away ... (we'll be picking the winner tomorrow).  Throw your name in the hat by sending me an email TODAY with the words POP HITS in the subject line ... or you can order a copy (and save ten bucks through July 31st) via the link below.

kk, 
Please include me in the drawing for the new Top Pop singles book.  I use my current, older copy so much that it's slowly eroding into sawdust and paper shreds!
Tim Kubat
Grand Junction, CO  81504

Gary Theroux echoes the sentiments of many on the list ... these books get a LOT of use at my house, too ... I swear I refer to at least a couple of them every single day!!!

I'd love to win the new "Top Pop Singles" book ... my exceptionally dog-eared copy of the 12th edition of Joel's "Top Singles" book is never more than a foot or so away from me at my desk -- as are eight of his other chart books on shelves I assembled expressly to hold them.  In the other room I have five shelf feet of earlier Joel Whitburn chart books, dating all the way back to his first -- the red-covered volume -- which I bought via a small ad in Billboard circa 1970. 
Another that is equally worn out -- the binding's loose and the cover keeps falling off -- is the 1986 edition of his "Pop Memories 1890-1954" book. None of my Whitburn books have ever been misused. They've simply been consulted to the point where I have most of them almost memorized!  
I am currently completing the materials for a college course I'll be teaching in September which explores in depth more than century of pop music history.  Joel's volumes have proven essential in that project and countless others.  The output of his Record Research firm over the years constitute the heart and soul of my extensive research library. 
Gary Theroux
I have a complete collection of the Pop Singles books dating back to the first one you could buy. (I remember finding a copy from 1969 ... with a 1970 addendum ... at The Rosary College Library many many years ago and I was hooked immediately!  I would LOVE to add that library edition to my collection ... because I've got EVERY subsequent volume!) 
My 1972 (paperback edition ... I don't think there even WAS a hard cover version available at the time) has completely come away from its binding but I just can't bear to throw it away.  I have SO many notes scribbled on the pages ... and have seen countless collectors carry this edition with them to record shows over the years (most often rubber-banded together to keep THEIR pages from falling out, too!  lol)
There are SO many great books available through the Record Research Website ... Joel truly did revolutionize the way we look at music ... he's got to be one of the most quoted sources out there today!)  kk

Kent ...
You mentioned Mille Small ... this brought back a funny memory for me.
Back when I was working, I always played the radio (LOUDLY) at my desk.
My Jamaican friend Earl would always tell me to turn the radio volume down, with one exception. When "My Boy Lollipop" by Millie Small came on the radio, Earl would say "Frank, turn up the volume."
Frank B.

Hey Kent,
Very interesting story on the "My Boy Lollipop" / Rod Stewart-on-harmonica caper! This is the first I've heard of it, but I know you discussed it years ago, probably before I became a reader of your site. Another rumor out there was about Mary Robbins' great country crossover hit, "El Paso". It was going around by word and print that a seventeen-year-old, Glen Campbell, played lead guitar on the track. Other than the fact that Glen was really six years older than that at the time, I thought it could be possible, but really didn't know who it was, inserting those wonderful fills. Turns out it was Grady Martin, a well-known Nashville studio guitarist, who played on sessions for many of the greats, as well as his own solo recordings. I saw some photos of him, and noticed one silly looking double-neck electric that he cherished playing. I wonder how much that baby's worth today! Of course, on "El Paso", he used an acoustic.
- John LaPuzza



Glad you had the chance to say hello to Gary Griffin at the Brian Wilson concert last weekend, Kent!
That's one very long tour those guys are on.  
I haven't seen one of the shows yet, but I'm looking forward to it.  
As you noted in your review, there's a lot of joy at those shows, both in the audience and on the stage.
Bob Greene
Thanks, Bob ... for anyone out there who doesn't know, Bob did a fair amount of touring himself with Jan and Dean and The Surf City All-Stars back in the day ... and still makes an occasional appearance with the band when time permits.
For one of the best "road trip" books you'll ever read ... and some TREMENDOUS insight into the workings of Jan and Dean, pick up a copy of "When We Get To Surf City", Bob's 2008 book.  (You can order a copy here:  https://www.amazon.com/When-Get-Surf-City-Friendship/dp/0312375298/ref=pd_sim_14_5?ie=UTF8&dpID=51VvOZ9q46L&dpSrc=sims&preST=_AC_UL320_SR210%2C320_&psc=1&refRID=9CP70872H6NTWYGJJ36V)
By the way, yesterday was the 53rd Anniversary of the day that Jan and Dean's "Surf City" reached the #1 spot on The Billboard Hot 100 Pop Singles Chart.  (I don't think Murry Wilson EVER forgave Brian for giving away a #1 Hit to the competition!)
And, while you're at it, relive some OTHER great '60's memories with Bob Greene's excellent books "Be True To Your School", "All Summer Long" and "And You Know You Should Be Glad" ... links for each at the Amazon link below ...

Kent ...
Look Out Old Mackie's Back!
Frank B. 
 
2017:  The 50th anniversary of the WORLDWIDE #1 Hit ... 
one of the BIGGEST songs of the 60s decade!!!  
"THE LETTER"
from the Memphis blue eyed soul band THE BOX TOPS, now with founding members Gary Talley (guitar / vocals) and Bill Cunningham (bass / keys / vocals) ...
joined by music industry veteran Rick Levy (guitar / vocals)  https://www.youtube.com/watch?v=hAvrCgvtr_U  
Avail INTERNATIONALLY, all year round ...
Rock, Soul, Rhythm n Blues ... presented in the way that only the BOX TOPS can do it!
USA code:  347 - 262 - 2430
 
Kent - 
I checked out Tommy's Dick Richards video.  
This story reminded of my early childhood exposure to Rock and the Comets.
I lived in a row house development in Chester, PA ... in the same block as Ralph Jones, Dick's immediate replacement drummer for the Comets. He had two sons ... as did my parents.  The older boy was my brother's friend ... the younger, my friend.
Thanks for posting Tommy's message. It conjured up fond memories of the Comets and the Jones family.   
Here's a link to Ralph's home movie footage of the Comets:  
Best wishes,
Bob Lee
 
FYI -
Here are a couple of posts I did on Barry McGuire ...
Phil
We've talked to Barry several times over the years ... he's always been a great supporter of Forgotten Hits. 
Years ago he was doing a Tribute to the '60's show called "Trippin' the '60's", taking in not only the music of this era but the social and political climate as well.  (Not sure if he's still doing this or not, but I always wished I had the chance to see it.) 
A quick glance at his schedule shows a show coming up in September:  http://www.trippinthesixties.com/
He's done quite a bit of writing of his own, documenting this part of our country's history.  You can check it all out at his website:  http://barrymcguire.com/  (kk)
 
Thank you, Clark, for typing all that out about the Kansas City Survey Convetion. You have no idea how long it took to type out the similar info, and send it to you!
Anyways, let me confirm that there is no charge if you are just going to attend the survey event. I had to make triple sure about that, as I was very hesitant to bring it up, if there was going to be a $55.00 admission fee. As much as I would want to go, there's no way, could afford it, for just a couple hour event. But as Clark pointed out, there's a lot more going on, plus that $55.00, gets you some free meals, and if you've ever eaten at a hotel restaurant, that alone could cost you the $55.00. Some of you out there, in FH land, must live within reasonable driving distance. I'd love to meet some of you, as I'll have a table there, with all 41 binders of surveys (I counted). It's how I met Kent, a couple lifetimes ago. Should I find out any more specifics, I will let you know. If you want, you can contact me thru Kent. Thanks.
Jack Levin
 
Kent,
You were right when you said that the music of 50+ years ago resonates with the youth of today. I remember back in the late 70's I went to one of those rock and roll revivals put on by promoter Richard Nader here in OKC. One thing I noticed during that concert was the number of younger people there listening to and enjoying the music that originally came out in the late fifties / early sixties.  They actually were getting in the aisles and dancing.
This past week I have seen on television a commercial (whether local or not I don't really know) about an app one can get for his or her phone. I believe that's the product being pitched but I don't really know. What I noticed, of course, was the song by Little Richard TUTTI FRUTTI being played in the background. Maybe you've seen it.
Kyu Sakamoto's 1963 recording of SUKIYAKI has got to be one of my all time favorite foreign language songs of all time.
Tom Hanley mentioned his band from the sixties called the Penetrations. First thing I thought of was the instrumental PENETRATION by the Pyramids out of 1964. In fact there are those who would say that the Penetrations record was the Best one they ever made.
Bob Lee mentioned he was a member of a Facebook group called:" I WAS A DJ WHEN DJ'S JOCKIED DISCS ... AND I DON'T MEAN CDS". How true and good that was. Believe it or not, I always liked to cue up a record.
Larry
 
Hey Kent.
Entertainment Weekly deems "Eye Of The Tiger" the Top Cat in their 1982 chart flashback. Always happy when this song (co-written by our friend Jim Peterik) gets further recognition and continued airplay.
Be Well,
Carl Wiser


Wednesday, July 20, 2016

One More: Eric Burdon And The Animals

Yesterday we ran a few reviews from concerts that happened last weekend ...
 
And then this one came in from East Coast Forgotten Hits Correspondent Shelley Sweet-Tufano ... 
 
A free outdoor concert with Eric Burdon! I booked off as soon as July came up on the request calendar. I had some interesting reactions from others before the concert. My DJ coworker: Are you going? I think we are planning on going. I asked D***** (person who attended Zombies concert with us) and he said, "No. Last time I saw him, he was terrible." Not much encouragement there. My son? "Do not miss seeing Eric Burdon! You gotta see him! You don't know when or where you can see these great people."

Well, I was going no matter what anyone else said, and no matter who else was going.

Gorgeous summer night. I arrive around 6:00 pm and sit and read till show-time (7:30 for opening act; 8:15 for Eric and the Animals) The field is already well inhabited, but as my promoter friend, Mimsie, is playing Beatles outtakes and live recordings over the sound system, I select an area straight back from the stage and in front of all well-placed speakers so I am pretty sure I will hear the stage well. I may not see anybody's face clearly but I am here to hear tonight.

As The Animals take their spots the crowd surges into applause of anticipation. They begin a loooong intro of 'Spill the Wine'. Applause explodes as Eric Burdon ambles onto the stage, bopping in time to the music. This man can't lose at this point. This is an extremely receptive, eager audience. And WOW! He hits it from the start. The verbal script of the song sounds fresh and has inflection. Let me go quickly through the set-list with comments for those who want to know what his show is bringing on this tour.

Next is 'When I Was Young' and I can't help but wonder how a sound like Eric's that fills up the outdoors can ever be contained indoors. Yes, of course, the sound system helps, but GIVE THE MAN CREDIT. Whew, he is powerful. 
 
"Here's a song about Monterey" ... No explanations, no apologies, no talk. Just ... this is what is next. 
 
He is open about his bands' participation and introduces them as they do solos throughout the show ... 
 
Davey Allen on keyboards, Johnzo West on guitar, Dustin Koester on drums, Justin Andres on guitar (electric and acoustic), Ruben Salinas on saxophone and woodwind and Evan Mackey on trombone and brass.  (My apologies for any mistakes!)
 
It is sunset, but Eric wears dark glasses. Very bluesy, very R&B, very early jazz. 
 
"This song is called 'Anything'. I want you to figure it out." I hear a twang added at times so that 'anything' becomes 'anythang'.  'Bo Didley Special' and Leadbelly's 'In The Times'. Aha, you are expecting Leadbelly's 'House of the Rising Sun' next ... wait for it ... because right now 'Momma Told Me Not To Come' needs to be sung with sax, trombone, drums, keyboard AND guitars.

David Bowie? Pronounced "David BOWie" by Eric gets a deep, gritty 'Space Odyssey' presentation where, I can honestly say, is the only time I hear him slightly off-tune as he started the first chorus. He is very active on stage, as are his band. I saw some youtubes of this concert and he was jumping around more than I realized. If you watch the youtubes, you will be disappointed with the sound. It was so much better than represented there.

Let's speed this up! 
 
'Hit Me With Your Stick' (ended up as my DJ friend's favorite), a slightly new arrangement of 'Please, Don't Let Me Be Misunderstood', 'Don't Bring Me Down' (I have video of this one from the Ed Sullivan Show), and 'House of the Rising Sun' with solo acoustic guitar for first verse ends the show. NO! COME ON PEOPLE! You know and I know it does not end here. Unfortunately, the man behind me screaming "MORE" in our ears, over and over does not. When Eric and the Band return, he feels obligated to point out, "That did it!" OK then, sir, thank you.

They had already received a standing ovation, which on a large hilly field must feel terrific when they continued their encore with 'We Gotta Get Out of This Place', 'It's My Life' and 'Hold On! I'm Coming'. On that last song, the band totally lets go and dances around, hair flying, without missing a note on guitar or keyboard. Whew! Another standing ovation ... a steamy July night ... the stars emerging in the sky to compliment the stage ... and a drive home that was filled with contentment and the knowledge that this after-concert high is why I keep going.

An after concert reaction from my DJ friend? 
 
"I am shocked at just how good he was."

Shelley J Sweet-Tufano
 

I've never had the pleasure of seeing Eric Burdon live in concert ... but I hear it's one hell of a show.  
 
He has performed here several times over the past few years and his concerts typically sell out.  (A spot he seems especially partial to is The City Winery, where he is booked again September 26th and September 28th.  Tickets are still available for both shows through The City Winery online box office:  http://www.citywinery.com/chicago/tickets/eric-burdon-the-animals-9-26.html 

Tuesday, July 19, 2016

Weekend Concert Review


It was a VERY busy weekend for music ... and, for the most part, the weather cooperated beautifully.

Here are some of the reader reviews we received ... along with a couple of our own.


BRIAN WILSON - Pitchfork Festival  (Saturday, September 16th)
Brian Wilson may not seem to be the most likely candidate to be performing at Pitchfork Festival, a concert series that seemed to be more geared to the Indie Music crowd in their 20's ... but as Billy Hinsche explained to me after the show, Brian represented the iconic act the festival was looking for ... and it certainly upped their street cred by having an artist of this stature perform at their concert series.
That being said, this young crowd seemed to know every word of every song ... all the more surprising when you consider that Brian first performed the entire "Pet Sounds" album start to finish before knocking out a few more Beach Boys Greatest Hits to round out his 75 minute set.  The whole crowd spent the concert on its feet, dancing and singing along every step of the way.
Truth be told, Brian seemed to be struggling a little bit vocally Saturday Night ... but his incredible back-up band (including Hinsche, Al Jardine, Matt Jardine, Blondie Chaplin, Gary Griffin and others) filled in all the gaps and put on a show they can all be proud of.
It was after "Pet Sounds" ended that the show really came alive ... the band exploded with great Beach Boys classics like "Good Vibrations", "Help Me Rhonda", "Wild Honey", "Sail On Sailor", "Surfin' USA", "Barbara Ann" and "Fun Fun Fun".  (A nice bonus treat occurred during the "Pet Sounds" performance of "Sloop John B" when John and Joan Cusack joined the band on stage to sing along.  John, of course, portrayed the older version of Brian Wilson in the recent biopic "Love And Mercy" so this had to be a real kick for all of them.)
We got to visit with Billy and Gary backstage after the show and Billy tells us he's on the tour through October, which will take them thru parts of The United States, England and (in Billy's own words) "Iceland if you can imagine!"
This is some pretty sophisticated, intricate stuff (and Billy says he's worked his ass off to learn it all!) but the end result is something that brings a tremendous amount of joy to all who experience it ... from BOTH sides of the stage!  (kk)   
 

FELIX CAVALIERE'S RASCALS - Hoover Auditorium / Lakeside, Ohio  (September 16th)  
The crowd at Hoover Auditorium at Lakeside, Ohio, was not disappointed with Felix Cavaliere's Rascals on Saturday night.  The Rock N Roll Hall of Fame Inductee had the audience singing, laughing and dancing the whole show. Starting the evening with Mustang Sally, Felix went thru all the hits and sounded great.  I saw him a month ago in Akron as part of an Oldies show, so this evening was much nicer, experiencing his entire show. 
Felix sang lead on all the songs - Groovin', It's A Beautiful Morning, Good Lovin', Been Lonely Too Long, A Girl Like You, People Got To Be Free - with the exception of the drummer singing on Ain't Gonna Eat Out My Heart Anymore and Orleans bass player Lance Hoppen on How Can I Be Sure. 
And after the show, Felix was very accommodating to meet with fans for photos and autographs. 
A great evening 
Tm Apathy 
Here are some photos of the show, including one of Lance Hoppen from Orleans playing bass and doing How Can I Be Sure.





All photos courtesy of Tom Apathy

RITA COOLIDGE - The Arcada Theatre  (July 17th) 
We had several concert options this weekend and, based on a sketchy weather forecast that indicated thunder storms may be headed our way ...plus the fact that we LOVE her music and had never seen her before ... we opted for the sultry voice of Rita Coolidge at The Arcada rather than the rockin' sounds of Foreigner Sunday Night.  (Besides, Lou Gramm, the guy who sang all those great Foreigner hits, is coming to The Arcada in a couple of months anyway, so we figured we'll just wait a little while and then hear the same stuff there!!!) 
Rita's show was very laid back and she looked stunning fronting her four piece band that I can probably best and most accurately and descriptively describe as a jazz combo of highly accomplished musicians.  (At least that's what it felt like to me ... and they filled every gap perfectly throughout Rita's set, offering a wide assortment of material and styles not necessarily keeping with what one might expect to hear at a Rita Coolidge show.) 
That being said, it was an unusual mix of material to be sure ... in fact, we were 50 minutes into the show before she performed her first hit record, the Boz Scaggs song "We're All Alone", which, after the lengthy wait, seemed almost anti-climatic when she altered the phrasing of the lyrics, singing a note or two behind her musical accompaniment.  (Why do artists feel a need to do this?  It adds absolutely NOTHING to the overall sound and, instead of conveying any type of dramatic effect, actually just serves to annoy your faithful fans who came out specifically to hear you sing their favorites.)  Taking nothing away from Rita's voice ... she sounded great ... it just made what should have been a stand-out concert highlight a ho-hum moment instead. 
She talked at great length about her "favorite ex-husband" Kris Kristofferson and then proceeded to give us health updates and perform three of his songs. 
Rita's long career has allowed her to cross paths with some pretty legendary performers along the way ... as a background singer and part Delaney and Bonnie's band, she once shared the stage with Eric Clapton, George Harrison and Dave Mason, all on the same night! 
She next hooked up with Joe Cocker's Mad Dogs And Englishmen tour ... had romantic liaisons with both Stephen Stills and Graham Nash ... and then finally hit pay dirt as a solo artist in 1977 with a remake of the Jackie Wilson classic "Higher And Higher".  (She closed her show with that one Sunday Night and really emphasized the Booker T sound of that record.)  The only other hit she performed during her regular set was her remake of "The Way You Do The Things You Do", which was worked into a medley with "How Sweet It Is" ... everything else was either less familiar material or reworkings of other tracks best known by other artists.  (That's not to say it wasn't enjoyable ... she brought the house to its feet when she sang The Cherokee National Anthem in Cherokee ... lyrics put together to the tune of "Amazing Grace".  And her versions of the Leon Russell / Carpenters hit "Superstar", the Ry Cooder song "Tattler (Do The Best That You Can)", the show opener "Hallelujah I Love You So", "Born Under A Bad Sign" and "Fever" were all stand outs.)  
For her encore, she came out and sang my all-time Rita Coolidge favorite "I'd Rather Leave While I'm In Love", followed by "Lover Please", the old Clyde McPhatter song.
Coolidge has a new CD out (basically the live show we saw Sunday night) as well as a new book where she looks back on her lengthy career and the tragedy of her sister's recent murder. 
Once again we caught her on the final stop of her current tour so it sounds like she'll be off the road for awhile.  Still, if you get the chance to see her (I honestly don't know that she performs all that often), do yourself a favor and check her out.  It was disappointing to see such a small crowd on hand at The Arcada Sunday Night ... she deserved a bigger turn-out and had more people attended, I feel confident they would have really enjoyed this show.  (kk) 



 All photos courtesy of Luciano Bilotti - thanks, Lou!

FOREIGNER - Lion's Park - Elk Grove Village, IL
We had been looking forward to this show ... I saw Foreigner perform on a PBS Concert a couple of years ago and they put on an outstanding show.  
And just last week they were one of the featured guests on that new ABC Music Show "Greatest Hits", performing "I Want To Know What Love Is" with Nate Ruess of Ffun.
I wore the grooves off the first four Foreigner albums.  I remember that the first Foreigner LP came out right around the same time as the first Boston album, both INCREDIBLE debut releases from two brand new bands who quickly dominated the airwaves ... and have been doing so ever since.
So yes, it was a bit of a disappointment to miss their outdoor show Sunday night.  (Turns out it didn't rain till afterwards)
I had hoped we might receive a review or two from some of our readers ... but the little bit that we got didn't offer up much more than the acknowledgement that the band put on a great show to an absolutely packed house.  (One video that was sent to me for posting was "unavailable" when I went to do so this morning ... but it looks like a live stream of the complete concert is also available.)
https://www.youtube.com/watch?v=5Rvc2PzTwBU

Hey Kent - 
I was there - really crowded but they sounded awesome. I was never into them and didn't realize how many hits they had, and they did them all! Apparently not the original members, but a great show either way!
Marlene

Meanwhile, here's Foreigner performing with Nate Ruess on ABC's "Greatest Hits".