Thursday, September 19, 2019

Who Played The First Beatles Record In America? (Again) A HISTORY LESSON

I received the email below on Monday of this week ...

Purely by coincidence, I am heading out to film an interview for the new Dick Biondi Documentary this evening, where I am certain to be asked about the article we first published in 2002, proving conclusively WHO PLAYED THE FIRST BEATLES RECORD IN AMERICA ... so this seemed a most appropriate time to address this question once again.  

First the email ... 

After just reading a Beatles book, I decided to do some web research and fortunately found your amazing website.
I am just coming up to 80 years old and now live in Ontario, Canada.  I emigrated to Canada in 1966, originally hailing from Birkenhead, across the River Mersey from Liverpool.  I lived through the Beatles era, and had close contact through my Grandfather with the McCartney family.
After graduating from Sheffield University, I spent the summer of 1962, initially as a counselor, at a boys' camp, Camp Lenape,Tafton, in Pike County, PA.
After my approximately three month stint there, I traveled with my British Pal, Roger Jones (no relation), across America by Greyhound Bus to Seattle, Washington.  Roger had a relative there who worked as an announcer for the largest radio station in Seattle.  The timing was late September, 1962.
Roger's uncle asked me to pick two requests that he could play on his radio station.  I picked Frank Ifield, I Remember You, and the Beatles, Please Please Me.
He said that he had never heard of the Beatles.  I replied,  "You soon will."  
However, he did manage to find the Beatles record and played it for me along with Frank Ifield's hit.  This was definitely late September, 1962.
Shortly after, Roger and I returned by Greyhound to New York City and flew back to the U.K the first week of October, 1962 .
What I would like to point out through this e mail was that the Beatles were played by a Seattle radio station in late September, 1962, prior to your findings in your extensive research. 
Thank you for reading this. 
Dennis Jones 
Now as most of you already know, nearly twenty years ago we did an intensive study to determine, once and for all, Who Played The First Beatles Record in America.  The point of this research was to dispel, conclusively, that all but one of those disc jockeys out there laying claim to having done so, in fact, did not.  (Let's face it ... there can really only be one "first.")   It was this article (now often quoted in reference to this topic in nearly all of the Beatles journals published since) that really put Forgotten Hits on the map for the very first time.

http://forgottenhits.com/who_played_the_very_first_beatles_record_in_america

As you can imagine, our findings have been challenged numerous times over the years ... and I have always promised to amend my article accordingly if anyone out there could provide concrete, conclusive proof to the contrary ... and I can show several reasons why this story falls apart.  (Please don't take it personally, Dennis ... like I said, I've had to address these claims numerous times before.  I'm not disputing any of the circumstances that you're telling me ... it's just that my best guess is that your timeline is off ... by possibly as much as a year.)

And here is why ...

NOBODY in America (or Great Britain either for that matter) could have POSSIBLY played "Please Please Me" in September of 1962 because The Beatles didn't even record the song until November 26th of that year ... and then it wasn't officially released as a single in the UK until January 11th of the following year ... four months AFTER you say it was played on Seattle radio.  (The other reason I think your timeline is off by a year is because in September of 1962, their first record, "Love Me Do," hadn't even been released yet ... that wouldn't happen until October 5th of that year.)  And if you were already here three months PRIOR to that, (putting us at roughly June of 1962), there is virtually NO way you could have been a Beatles fan of this stature (short of seeing them, perhaps, at The Cavern Club???), enthralled enough by their chart performance and success in the UK to push their records to an American DJ and promise how big they would become ... because at this point in time, NOBODY within the world of radio and records knew who they were because NONE of this had happened yet.  (Yes, they had a huge local fan base before they made their first record ... but they had absolutely no track history at this time because they hadn't even released their first record yet.)  Taking it one step further, John Lennon claims to have written "Please Please Me" on June 8th, 1962 ... while you were here in The States ... so even with a Paul McCartney family connection, how could you possibly have heard it?  They didn't record it until November!

Now as for "I Remember You," it premiered on the US Charts on September 8, 1962 ... so that's a bit more believable because it had already been a hit in Great Britain in July of that year.  But once again, in July of that year, you were here in The States ... and wouldn't have heard it being played in The UK ... so again, I think your timeline is a bit suspect. (Like I said, don't take it personal ... but the facts are the facts ... and they're indisputable.)  Your friend's uncle might have been able to lay hands on a US pressing of "I Remember You" ... but NO pressing of "Please Please Me" (British or otherwise) existed in September of 1962, so it was more likely 1963 when these events took place.  (This makes me think that your trip to Seattle took place in 1963 ... because in THIS time frame, you were still home in Jolly Ol' England in '62 and would have seen the first measure of success The Beatles were enjoying there.  Their "Please Please Me" album came out in January of 1963 and a third, follow-up single ("From Me To You") would have also been released that spring ... so you would have come to The States fully armed with tales of Beatlemania on at least a local level in the UK.

Now in all fairness, even in September of 1963, nobody here in The States were playing The Beatles yet anyway ... "Please Please Me" wouldn't become a hit here in the US until March of 1964.  (For the record, the first US pressing came out on February 7th, 1963 ... so again, this DJ could not possibly have gotten his hands on a copy some five months earlier.)  

And the truth is, it tanked ... America wasn't ready for four mop tops from Liverpool.  (The record company, Vee Jay, was so disinterested they misspelled the band's name on the label as The Beattles!  And that's the way it came out.)



Other than the two weeks it spent near the bottom of The WLS Silver Dollar Survey, we have not found it charting on any other US Chart during this time frame.  It would take "I Want To Hold Your Hand" and a series of appearances on "The Ed Sullivan Show" to launch Beatlemania into full tilt here in February of 1964 ... and the rest, as they say, is history.  But history ... which is determined by matters of FACT ... cannot be denied ... and a disc jockey in Seattle playing "Please Please Me" in September of 1962 simply isn't possible.  (kk) 

Wednesday, September 18, 2019

A Couple Of Quick Updates

RIC OCASEK:
Kent - 
Thanx for your great story on Ric Ocasek!  Only correction is that the age of Ric was 75 not 70.  He graduated  from Maple Heights High School (in suburban Cleveland, Ohio) in 1963. I know many famous celebrities like to shave years off their age (heck, lots of regular people do, too!)
If he really was 70, he would have been like 14 years old when he graduated.  My friends in Ohio told me about his school and graduation. 
Thanx
Joe Studnek
Most of the reports I saw put his age at 75.  (I even saw one that said 77 ... but for the life of me I couldn't figure out how Ric could have possibly been as old as Paul McCartney, who reached his first level of success some fifteen years earlier!) 
But then I also saw a couple of reports (by very reliable sources) that said his age was 70, "erroneously reported as 75 by other sources," which made a little more sense to me since that would have put Ric at about 29 when The Cars broke through.  (Knowing that they had toiled around the bar scene for several years prior to making it, this seemed the most logical scenario to me.)
But ... just to be sure ... I went to MY music bible, Joel Whitburn's "Top Pop Singles" book ... which showed Ric being born in 1949, making him 70 when he died ... so that's the one I went with.
Since most of the reports do show him at 75, I'll amend my piece ... and hopefully Joel will as well when his next revised edition comes out (which, sadly, will now also show Ric's date of death.)  kk 
 
We can also update Ric's cause of death ... it sounds like he was dealing with several major health issues at the time.
New York City's Medical Examiner put the official cause of death as hypertensive and atherosclerotic cardiovascular disease and said that he was also suffering from pulmonary emphysema.  Ric had also had a recent surgical procedure from which he was expected to make a full recovery, so his death was described as "unexpected and untimely" by his estranged wife, model Paulina Porizkova, who he met on the set while filming a Cars music video.  (She was the one who found him unresponsive when she went to bring him coffee Sunday morning.)

In a Facebook post, she wrote:

Ric was at home recuperating very well after surgery.  Our two sons, Jonathan and Oliver, and I were making sure he was comfortable, ordering food and watching TV together.  
I found him still asleep when bringing him his Sunday morning coffee.  I touched his cheek to rouse him. It was then I realized that during the night he had peacefully passed on. 
We appreciate the great outpouring of love.  We, his family and friends, are completely and utterly devastated by his untimely and unexpected death and would appreciate the privacy to mourn in private.
-- from the Ocasek Family
 
We appreciate the great outpouring of love.  We, his family and friends, are completely and utterly devastated by his untimely and unexpected eath and would appreciate the privacy to mourn in private.-- from the Ocasek Family

Read More: Ric Ocasek's Cause of Death Revealed | https://ultimateclassicrock.com/ric-ocasek-cause-of-death/?utm_source=sailthru&utm_medium=referral&utm_campaign=newsletter_4572276&utm_source=tsmclip&utm_medium=referral
He'd recently undergone an unnamed surgical procedure; she described his death as "unexpected and untimely," as he was expected to make a full recovery.
According to the Daily News, New York City's medical examiner has determined that the cause of death was hypertensive and atherosclerotic cardiovascular disease. Ocasek also suffered from pulmonary emphysema, which also contributed to his death.


Read More: Ric Ocasek's Cause of Death Revealed | https://ultimateclassicrock.com/ric-ocasek-cause-of-death/?utm_source=sailthru&utm_medium=referral&utm_campaign=newsletter_4572276&utm_source=tsmclip&utm_medium=referral
He'd recently undergone an unnamed surgical procedure; she described his death as "unexpected and untimely," as he was expected to make a full recovery.
According to the Daily News, New York City's medical examiner has determined that the cause of death was hypertensive and atherosclerotic cardiovascular disease. Ocasek also suffered from pulmonary emphysema, which also contributed to his death.


Read More: Ric Ocasek's Cause of Death Revealed | https://ultimateclassicrock.com/ric-ocasek-cause-of-death/?utm_source=sailthru&utm_medium=referral&utm_campaign=newsletter_4572276&utm_source=tsmclip&utm_medium=referral
He'd recently undergone an unnamed surgical procedure; she described his death as "unexpected and untimely," as he was expected to make a full recovery.
According to the Daily News, New York City's medical examiner has determined that the cause of death was hypertensive and atherosclerotic cardiovascular disease. Ocasek also suffered from pulmonary emphysema, which also contributed to his death.


Read More: Ric Ocasek's Cause of Death Revealed | https://ultimateclassicrock.com/ric-ocasek-cause-of-death/?utm_source=sailthru&utm_medium=referral&utm_campaign=newsletter_4572276&utm_source=tsmclip&utm_medium=referral
As expected, there was also an outpouring of love, respect and appreciation from fans and fellow musicians after Ocasek's death was announced.  Coming right on the heels of losing Eddie Money on Friday, this was a very powerful one-two blow in the world of Classic Rock legends.  (kk)  

And, speaking of Classic Rock Legends ...
 
CLASSIC ROCK UPDATE:  I am VERY happy to announce that ALL of the votes have now been tabulated ... and we are in the process of putting together the final countdown ... and by that I mean the DEFINITIVE countdown ... of THE TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME.
I am even optimistic enough to announce a new target date of Friday, October 4th for the launch.  (If everything goes according to plan, we'll even run a little "pre-show" series earlier that week to help set the stage for the big unveiling.)
So please stay tuned for more details ... and, if you haven't already done so, bookmark this site for your upcoming daily visits! 
https://classicrockessentials.blogspot.com/

TOMORROW IN FORGOTTEN HITS:
Who Played The First Beatles Record In America? ...
Again
(A HISTORY LESSON)
Don't miss it! 
 

Monday, September 16, 2019



Ric Ocasek of The Cars died yesterday ... as of this morning, no official cause of death has been announced.  He was 75.

The Cars first burst on the scene with their self-titled debut album in 1978.  It spawned the hits "Just What I Needed" (#24), "My Best Friend's Girl" (#35) and "Good Times Roll." (#41)

Not quite punk, the band was part of the up and coming "New Wave" movement ... and quickly became the most successful in this new genre.  They didn't sound like ANYBODY else ... and Ric's voice in particular was quite distinctive and unlike any other.  They were fittingly inducted into The Rock And Roll Hall Of Fame last year.

Several other Top 40 (and "just-missed" Top 40) Hits followed including "Let's Go" (#12, 1979), "It's All I Can Do" (#40, 1979), "Touch And Go" (#37, 1980), "Shake It Up" (#3, 1982), "Since You're Gone" (#41, 1982), "You Might Think" (#7, 1984), "Magic" (#12, 1984), "Drive," the band's biggest hit, written and sung by bassist Benjamin Orr, who passed away from pancreatic cancer in 2000 (#3, 1984), "Hello Again" (#19, 1984), "Why Can't I Have You" (#33, 1985), "Tonight She Comes" (#7, 1986), "I'm Not The One" (#32, 1986) and "You Are The Girl" (#17, 1987).  Ocasek also scored a solo hit with "Emotion In Motion" (#15, 1986).  (Of course, another favorite for the teenage boy in all of us would have to be "Movin' In Stereo," if only for the classic Phoebe Cates scene in "Fast Times At Ridgemont High"!!!) 
https://player.vimeo.com/video/93648782?cjevent=4705d002d87111e980c706d00a240610

As you can see, they regularly crossed over to the pop charts with ease.  Not a day goes by, some thirty years later, when you don't hear at least a couple of their songs on the radio each and every day.  In fact, 21 of their songs were nominated for our TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME List, as were both above-mentioned solo hits.

We'll miss you, Rick ... but the music of The Cars will live on forever.  Many of their recordings are considered iconic tunes ... and rightfully so.  (kk)

Sunday, September 15, 2019

September 15th



"Sugar Sugar" notches its third week at #1 on The WLS Hit Parade this week ... but other tunes are closing in.

The Temptations continue to climb with "I Can't Get Next To You" (up from #14 to #5) and Bobby Sherman's got a sure-fire hit on his hands as "Little Woman" jumps from #23 to #9.

And don't rule out "Easy To Be Hard" by Three Dog Night ... if this one is able to displace The Archies next week, it'll give this new start-up group their second #1 Hit on WLS this year.

"Jean" by Oliver climbs eleven places (from #28 to #17) ... it comes from the popular hit movie "The Pride Of Miss Jean Brodie," currently playing in theaters.

Other favorites climbing the chart this week include "I'm Gonna Make You Mine" by Lou Christie (#20 to #14), "When I Die" by Motherlode (#29 to #20), "Carry Me Back" by The Rascals (#31 to #23) ... as well as last week's two featured premiers, "Hot Fun In The Summertime" (#40 to #30) and "Tracy" (#39 to #35).

A couple of great premiers hit the chart this week, too ... including "Ruben James" by Kenny Rogers and the First Edition, "Jesus Is A Soul Man" by Lawrence Reynolds and "Make Believe" by Wind (featuring Tony Orlando on lead vocals!)


 

THIS WEEK IN 1969:  

September 9th – Two planes collide in flight near Fairland, Indiana, killing all 83 persons aboard the two aircrafts 

Also on this date, The Rolling Stones’ second Greatest Hits album, “Through The Past, Darkly, Big Hits Volume 2” goes gold. 

September 13th – John Lennon and Yoko Ono perform with The Plastic Ono Band (consisting of Eric Clapton on guitar, Klaus Voorman on bass and Alan White on drums) at The Toronto Rock And Roll Festival.  Also on the bill:  Chuck Berry, Jerry Lee Lewis, Little Richard, Chicago, Bo Diddley, Fats Domino, Gene Vincent, Alice Cooper and The Doors.  

Also on September 13th, the very first episode of “Scooby-Doo” airs on CBS television … and Actor, Director and Screenwriter Tyler Perry is born


September 14th - A television critic for The Los Angeles Times calls ''Hee Haw'' ''the most irrelevant, stupid and ghastly program in recent history.''  Few would disagree … but despite this fact, it will remain on the air for more than two decades, making household names of hosts Buck Owens and Roy Clark.

September 15th – Ed Sullivan releases his own rock and roll record titled “The Sulli-Gulli,” credited to The Ed Sullivan Singers and Orchestra.  (We featured this one as part of our Ed Sullivan Tribute several years ago.)
http://forgottenhits.com/forgotten_hits_remembers_the_ed_sullivan_show__from_both_sides_of_the_screen

Friday, September 13, 2019

UPDATE: EDDIE MONEY DIED THIS MORNING

We just got word that Eddie Money passed away this morning, just hours after we had posted today's Friday's Flash. 

A statement issued by his family said:

“The Money Family regrets to announce that Eddie passed away peacefully early this morning. It is with heavy hearts that we say goodbye to our loving husband and father. We cannot imagine our world without him. We are grateful that he will live on forever through his music.”

While we knew the prognosis wasn't good, we are still saddened by this loss.  (We saw Eddie in concert a few years ago and he was outstanding.)  Our sympathies to his family and legion of fans.

Eddie has ten songs nominated for our TOP 3333 MOST ESSENTIAL CLASSIC ROCK TRACKS OF ALL TIME survey, all of which have been assured a spot on the final countdown.

Here's our original review to the show we saw back in 2014:
https://forgottenhits60s.blogspot.com/2014/04/we-had-one-hell-of-rock-and-roll-weekend.html

THE FRIDAY FLASH

Welcome to a very special FRIDAY the 13th Edition!

Have you heard about this tape that has surfaced of a business meeting between John, Paul and George? (Ringo was in the hospital at the time ... so the meeting was recorded at John's suggestion so that they could communicate any new information to him in this way.)
What makes this tape so special is that it was held AFTER the "Abbey Road" album was recorded ... and just a couple of weeks before the LP was released.
Now the legend has always been that The Beatles went into the studio to record their "swan song" ... something that would allow them to go out on top.  (As most of you already know, the "Let It Be" album was actually recorded BEFORE they started their sessions for what became "Abbey Road" ... but the group was in such disarray with on-going squabbles and dissension after having their every move filmed for the theatrical release that those tapes sat dormant for a year, primarily because NOBODY wanted to be bothered to sort them out.)
Paul rallied the troops to record one last album "like the good old days" and even persuaded Producer George Martin to helm the project.  (Several producers were involved at various stages of "Let It Be" before John Lennon turned the project over to Phil Spector to see if he could assemble something worth releasing ... and when he did, Paul absolutely HATED it!)
Martin, too, was fed up with all the bickering back and forth ... and only agreed to come back if the band would work together in unison in a much more disciplined environment. 
They all agreed and the results were amazing ... most would agree that "Abbey Road" is the best album The Beatles ever recorded ... and the time spent on assembling the medley that takes up the bulk of Side Two was nothing short of extraordinary.
Anyway, this has been the myth for the past fifty years.  After "Abbey Road," they would all go their separate ways.  John, George and Ringo had each quit the band at various times ... but all were persuaded to come back and finish whatever project they happened to be working on at the time.
The Beatles clearly meant more to Paul than any of the others ... he wanted to continue to set the bar high and maintain the high standard they had achieved throughout their career.  (His little line to John in "Too Many People" drove that point home ... "You took your lucky break and broke it in two.")  He had become the dominating (some would say overbearing) force in the studio that kept driving the band to do better and the success (and excellence) of  "Abbey Road" (much like "Sgt. Pepper" before it) can be attributed to Paul's perseverance in the studio. 
Well, this new tape shows that John, Paul and George were meeting to discuss their next album ... to be released AFTER "Abbey Road" ... the album that never happened ... that never was SUPPOSED to happen ... yet all were harmonious enough to sit down with each other and discuss their next, future project.  (Maybe it's the fact that "Abbey Road" went SO well, they thought they could continue to heal the wounds and do it again ... and again.)
In any event, John again assumes control of the group and says that he feels that on the next album, each of them (John, Paul and George) should contribute four songs ... and that Ringo could have two "if he wants them" ... thus laying out a strategic game plan that he hoped would make everybody happy.  (Years before, when the White Album was first released, there was talk about how The Beatles should do another double album with each of them taking an entire side ... thus taking the lead and having the others work as their "side men" for those sessions, but reversing the roles for each leader.  Interesting as that may sound, it never happened ... and maybe it's just as well ... after "Don't Pass Me By," I don't know that I could have taken an entire side of Ringo tunes at this point in time!!!)  
Anyway, after John makes the democratic offer of divvying up the real estate of their next LP, Paul immediately assumes the asshole role that ultimately drove the band apart by basically saying "Well, I don't know that George's songs are good enough yet to warrant four on the next LP," to which George replied, "All down the line people have told me that they really like my songs!"  (Keep in mind that George's two most recent contributions to the "Abbey Road" album were "Something" and "Here Comes The Sun," two Beatles standards that rank right up there with the best material they ever recorded.  In fact, in our Top 3333 Most Essential Classic Rock Tracks list that we're compiling, George has the top TWO Beatles songs on the countdown with "While My Guitar Gently Weeps" and "Here Comes The Sun," which also happens to be the most-downloaded song of their entire catalog. 
Anyway, the matter was never settled and John and Yoko went off and did their Plastic Ono Band / acorns for peace thing while Paul and Linda formed a new band together that eventually found their place at the top of the charts, often outselling The Beatles themselves.  In the meantime, all "considerably less talented" George did was score the first Beatles solo #1 Record ("My Sweet Lord"), the first Beatles solo #1 Album ("All Things Must Pass") and organize and headline The Concert For Bangla Desh!  Kinda makes you wonder how Paul feels about all of this in hindsight, doesn't it?!?!  (Especially now that this tape has "gone public.")  kk
More here:   
https://www.rollingstone.com/music/music-news/beatles-audio-abbey-road-final-album-882988/

What is also particularly interesting about this conversation is that John Lennon suggests that the long-standing songwriting team of Lennon and McCartney (on paper) should finally be abolished as they rarely wrote anything together anymore at this stage of their careers.  He felt that each of their solo names should appear if they were the key writer of the track.
This is significant because for DECADES now Paul has been trying to get the copyrights to properly credit the main writer.  (A song like "Yesterday," for example, written 100% entirely by Paul, still bears the Lennon-McCartney songwriting credit.)  He has pointed out where, in some cases, there simply isn't enough room to list BOTH names in a publication or radio identification so only Lennon's name appears ... on songs he had virtually nothing at all to do with.
But Yoko Ono has adamantly refused to grant Paul this concession.  McCartney even suggested that they then list the primary writer first ... thus keeping the Lennon-McCartney "brand" alive, but showing some of Paul's key compositions as McCartney-Lennon.  Yoko nixed this idea, too.
But now that there's documentation that John ALSO wanted individual credit acknowledged, perhaps Paul has a stronger case.  (Of course Yoko's immediate response will be that John wanted this only for the songs written from that point forward.)  If you think about it, it's a bit ridiculous to see Lennon-McCartney credited on John's "Give Peace A Chance" anthem ... or on Paul's "Magic Christian" soundtrack contribution "Come And Get It" for that matter.  (On the tape, John even suggests that Paul should have given "Maxwell's Silver Hammer" to Mary Hopkin instead of putting the group through the ridiculous paces he put them thru in order to get The Beatles to record it.)  kk

Interesting, too, that John (who has always seemed the most adamant member wanting to dissolve the band) was the one organizing and chairing the meeting.  And that NONE of this information has EVER come to light before in the past fifty years.  (No mention by ANY of the former Beatles at any point nor discussed as part of the "Anthology" series.)  Perhaps they had forgotten all about it?  Seems unlikely since virtually EVERYTHING they did was examined under a microscope.  Perhaps Beatles history will be rewritten from this point forward to better reflect "what might have been."  (kk)

Speaking of Badfinger, Joey Molland has a brand new album coming out. Produced by Mark Hudson, the LP also features a number of special guest performances.
It's currently part of a Kickstarter campaign (and all contributors automatically get a free download of the new album!)
You'll find more information here:
https://www.kickstarter.com/projects/fourchordconsulting/new-album-joey-molland-of-badfinger  

Eddie Money's Stage 4 esophageal cancer treatments had to be put on hold after the singer contracted pneumonia, forcing him to cancel his chemo.  Money spent three months in the hospital for heart valve replacement issues and now this ... but he keeps battling back.  All concert plans have been cancelled for right now ... but a new album, more episodes of his television series "Real Money" and a resumed tour are all in the plans for early next year ... so don't count this guy out quite yet.  He's a fighter!  (kk)

HELPING OUT OUR READERS:
Hey Kent,
Carl over at Songfacts referred me to you ... wow, you are a find for me!  I am always trying to find answers about forgotten music, forgotten songwriters, etc. Carl said if anyone can successfully dig up a past song, it's you! 
In either the 1960s or early 1970s, my friend Larry Laufer was in a band whose name I can't remember.  He played me a "45" vinyl of their record so I know it exists, but obviously it was not a big hit, and it was called either "Gimme, Gimme Good Lovin'" or perhaps "Gimme Good Lovin'" or maybe "Good Lovin'."  (It was not by The Young Rascals nor the other by Slim ... but it was under a band's name, not Larry's name.) I dont recall the name of the band, but if you find it, I WILL recognize the name instantly!! 
Larry passed away at the age of 35 from multiple sclerosis and I just wish I could remember the lyrics and frame them as a remembrance of him. He was a great pianist and music was his life.
Any chance you could dig a little somewhere and find it? 
He always referred to it in those days as "bubblegum music."  It was a fun song to dance to and cute lyrics, but never a huge hit, and it was bought by some company and produced as a single 45 vinyl.  I think it began with "Gimme, Gimme Good Lovin' ehv-a-ry nigh-ah-ight," sung loud and fast!!!
I have my fingers crossed that maybe you can find the lyrics.
Thank you for the opportunity to possibly solve this puzzle, with your help!!!
Sue Cooper
Boy, I wish they were all this easy!  (lol)  You have got to be talking about "Gimme Gimme Good Lovin'" by Crazy Elephant from 1969 ... a MUCH bigger hit than you give it credit for, going all the way to #4 in Record World (but stopping at #12 in Billboard.)  It was a Top Ten Hit (#6) in Cash Box, too ... and went all the way to #3 here in Chicago, too.  (Looks like you had everything you needed except the name of the band!)
When you say "bubblegum," you're not kidding ... the brains behind this one were Kasenetz and Katz, the same guys who orchestrated hits for The Ohio Express ("Yummy Yummy Yummy"), The 1910 Fruitgum Company ("Simon Says") and The Lemon Pipers ("Green Tambourine).  Their success at Buddah Records put bubblegum music on the map.  (They even had a hit of their own in 1968 called "Quick Joey Small.")
Many of these featured session singer Joey Levine on lead vocals ... and this record, too, was done as a studio creation.  When it took off, a band was quickly assembled to hit the road and cash in on the success of their Top Ten Hit. That's when your friend Larry joined the band. 
Although they never had another hit (their next four releases only managed to "bubble under" in Billboard ... but did chart in the 70's and 80's on the Record World Chart), it was the "road" band that went back into the studio to make the subsequent 45s and album.  (Larry is clearly shown as the keyboard player on their self-titled LP released in 1969.)
I asked our FH Buddy Frank Jeckell of The 1910 Fruitgum Company if he ever had any interactions with Crazy Elephant ... 
Hi Kent,
I never had a chance to interact with anyone from the band but I suspect you’re totally right about what happened. However, I do have a friend who was very involved in the K&K operation so I may be able to find out more. I’ll give it a shot and let you know what I find out.
I’m now part of another oldies act, The Royal Teens. We just completed a promo video. Check it out:
Frank

Happy to pass this along ... and give another listen to "Gimme Gimme Good Lovin'," another one of those real good, feel good songs ...



Thank you, Kent, you've found them!  What fun to be able to HEAR them singing it, too. 
Thank you so much ... you're the best!
Sue Cooper

>>>When Sugar, Sugar came out and I was in like the 8th or 9th grade, we had a sock-hop at our grade school, with a great live band. Well, lo and behold, they played Sugar, Sugar, as well as some other songs and, being a drummer, I stopped dead in my tracks to listen ... and I'm like No Way, the Archies!?!?!  In Rogue River, Oregon!?!?! So, after the crowd settled down, I asked a few teachers who were working that nite keeping us in line if that was, indeed, The Archies ... and our track coach, a nice young lady, (it was '68 or '69) nods her head yes and gives me the shhhh sign.
Evidently she was friends of one or more of the members of the band and they were visiting her that week so they played incognito for our sock hop...what do you think?
They rushed out after the party so I couldn't talk to them.  (Curt)
I think the odds have got to be a zillion to one ... The Archies were not a real band and they didn't do live gigs (although it wouldn't surprise me to find out that bands PRETENDING to be The Archies were out there scamming club owners trying to make a buck!)  But I have learned over the many years of doing this that ANYTHING is possible ... so I reached out to Ron Dante, lead singer of The Archies, and asked him to please comment on this (if only to give you a little peace of mind after 50 years!!!  lol) 
I mean, who knows ... maybe Toni Wine was friends with this high school track coach and happened to stop by to put on a surprise free concert that night for a bunch of eighth graders!  (kk) 

Anyway, here's what Ron told me ... 

Hello Kent -
Sorry to say this was not the Archies group.
No group was ever sent out on the road to perform ... but there were many bogus groups out on the road pretending to be The Archies.
The Happy Together Tour was a blast all summer.
I met so many fans at the shows. 
All the best to you bud,
Ron
People are already talking about next year's show!  The Turtles, The Association, The Cowsills, Mark Lindsay, Chuck Negron and "newcomers" The Vogues.  Should be quite a fun night of music.
Thanks, Ron!  (kk)

While researching something else the other night I came across an album credits list that showed that Forgotten Hits Member Henry Gross played on a few tracks on Jim Croce's albums!
I had to know how all of this came about ...
Hi Kent!
Jim Croce and I shared Cashman and West as producers. They liked my guitar playing and so they had me play on some songs. It was a real honor to be asked as I loved Jim’s writing and he and the great Maury Muehleisen really made a magical combination on guitar. Their complementary styles were to the guitar what The Everly Brothers accomplished with their voices. I really was delighted to be invited into that club!
Henry 


From our FH Buddy Bob Lind ...   

To My Florida Friends and Fans -- and Those Who May Be in Florida Next Month:
October is a sweet-looking month for me. 
Two good-news items:
October 4th, Friday: I'm playing my favorite South Florida venue: The Luna Star Cafe in North Miami. It's been more than year since I played there and I'm eager to get back at you. Details are on my Website gigs page (see the link at the bottom)
October 26th, Saturday: My one-act play, "A Good Night," will be featured in the Delray Beach Playhouse Playwrights' Project. It's one of eight plays selected for the festival which runs both Saturday evening AND Sunday afternoon. This one isn't up on the Website yet, but it will be soon, and I'll send out another email or two, closer to the time. It starts at 8 at the Delray Beach Playhouse.
Here are the Luna Star details: http://boblind.com/gigs/ 
Yers,
Bob Lind

And a fitting, Friday finale ...
 
Kent,
You're about due for another excuse to show "that certain Herb Alpert album cover" ...
Tim Kubat
http://coolalbumreview.com/?p=32426
You know, now that you mention it, I think I HAVE seen this cover somewhere before!  (kk)


  
 

Wednesday, September 11, 2019

The Grass Roots At The Apple Fest

Another guest concert review from Shelley Sweet-Tufano ...

The band is setting up and testing their equipment. At 9:00 PM, the announcer says, “It’s about a half hour before The Beatles come out.” REALLY? THIS I WANNA SEE!

OK, I know it’s The Grass Roots who are here, but he wanted to get a reaction from the crowd, and he did! He wanted to break through all the crowd chat quickly. When 9:30 PM arrives, he gives a killer introduction of fact and glory bestowing garlands of praise on the group and bringing the crowd to a near frenzy as The Grass Roots break into ‘I'd Wait A Million Years.’

The next few seconds are inspirational to me. I can visualize Rob Grill’s face hovering over the pavilion, smiling in affirmation. I also feel a friend of mine, who unexpectedly passed away on the first, poking me. When I was afraid of writing and concerned about others’ reactions to my reviews, Judy gave me loving advice: “DO IT!” Maybe that’s what Rob said to The Roots when he told them to keep singing his songs.

And here we all are. I am squeezed into the crowd on stage right, pen in hand, while The Grass Roots jump into their roles as talented musicians and again bring the past to life. I have to stop saying that. BRINGING THE PAST TO LIFE. Music is the past, present and future. It is timeless. To the person here listening for the first time, it is their present and they will look for it in the future. It becomes their past later.

This is The Apple Fest in East Haven, CT. I have not seen The Grass Roots perform in almost a year, and I will be seeing them twice this month. Just how it rolls. This crowd is really loving their show. They know the songs, as they are cheering when each one starts and they are singing along …with the correct words.

Don’t Pull Your Love Out On Me Baby
Heaven Knows
Sooner or Later
Things I Should Have Said
Baby Hold On

Top Songs, great guitars, keyboards and percussion. Rock music is NOT simple music, and these four guys can truly play! Also they own the best heads of white hair - bar no other band. As the heads bob and Mark Dawson’s hair swings back and forth, it visually completes their talented performance. When Dawson’s joke that the number one question asked is “What conditioner does he use on his hair?” I almost fall for it tonight. Must have been the lights.

‘Love Grows Where My Rosemary Goes’ is an ironic next selection. Like The Grass Roots,  Edison Lighthouse began as a studio band, that one headed by Tony Barrows. After their #1 hit, they no longer existed. After The Grass Roots had a #1 hit, the studio decided they better develop a live band to continue recording under that name. It’s a good song for The Roots. It compliments their style.

A darker song, Let's Live For Today’ is dedicated to our American Veterans. For those who returned to cheering crowds, and to those who are serving now, we thank you. To the Vietnam Vets who are the only ones to return home from a war and not receive a hero’s welcome, we give it to you now.

Where Were You When I Wanted You
Lovin’ Things
The River Is Wide
Come On and Say It

And then … it is Drummer’s Request time! 
Joe Dougherty, what song do you want?
What song, Joe?
Joe … hey Joe … what song?

Dusty Hanvey: Joe wants to do ‘It’s Raining Men’

JOE … PICK A SONG!

Mark Dawson: I think we’re going to revoke Drummer’s request.

Joe: TWO DIVIDED BY LOVE

Finally! Thank you Joe.

Did you know that The Grass Roots appeared in the movie ‘With Six, You Get Eggroll’? 
In the lava lamp first date sequence, it is The Grass Roots who are performing in the club. They sing a song named ‘Feelings.’  I have never seen nor heard it performed live till tonight. And although Dusty wanted them to appear in Gone With The Wind (nah, that would require acoustic) or Ben Hur (THAT would require lutes), I must say that I came home and listened to THIS song after the show and relished its distinctive style and slight departure from the other songs of Grass Roots fame.

Because I was being asked questions by those around me, I missed the next song, but it is for sure that I shut my mouth as they finished the show with ‘Temptation Eyes’ (my favorite) and ‘Midnight Confessions’ (everybody else’s favorite).

I drove 12 minutes to get to the East Haven, CT Apple Festival for this free concert and, for my first time, saw The Grass Roots as an entire show. Just them, a crowd of fans and fanatics and the required blooming onions, sloppy sandwiches, and assorted paper cup drinks. They were great. They were animated. They were happy to be there. Or at least made us think so. 

Next week I see them again, driving two hours, spending cost on a hotel, ticket, tolls and gas. Isn’t life wonderful!? If it’s really like a box of chocolates, I am being indulged. When, where and cost is of little importance. 

See you next week, Larry, Joe, Mark and Dusty.

Hey there! Where were the apples????

Shelley J Sweet-Tufano

We haven't seen The Grass Roots in a couple of years ago ... hard to believe it's been two years already since I guested on Mark Dawson's radio show to count down our favorite songs from 1967!  And now our salute to 1969 is nearly over!  Time flies.

Great music ... great times.  Thanks for sharing, Shelley!  (kk) 

Tuesday, September 10, 2019

Tuesday This And That

Totally random bits and pieces ...

Episodes of that new Brady Bunch reunion program, "A Very Brady Renovation," began airing last night and curiosity got the better of me.  It's actually pretty interesting at the attention to detail (and the number of modifications) they're having to make to full restore The Brady Bunch House to all its 1970's glory.
HGTV paid $3.5 million ($1.6 million over the asking price!) for the original home used in the exterior shots only of the popular TV series.  NONE of the scenes were filmed in the real home ... they were all shot on a sound stage ... yet the goal is to renovate the actual real structure to match the look of the rooms shown in the long-running series. 
The fact that the original cast of Brady Kids have all reunited to participate in all of this is amazing in and of itself.  (Sadly Mom Florence Henderson, Dad Robert Reed and beloved maid Alice, Ann B. Davis have all since passed on.)
Check it out if you get the chance ... it's actually better than I thought it would be.  (kk)

And, while watching A Very Brady Renovation, I saw back-to-back commercials that featured Jackie Wilson's "To Be Loved" and Brenton Wood's "Oogum Boogum Song" ... talk about your strange choices in musical advertising campaigns!  (kk) 

>>>I swear there was a week where WLS showed the artist as Sweden Heaven And Hell ... but I can't find it anywhere.  Yet I still seem to clearly remember seeing it (even some 50 years later!)  kk
The original Billboard Hot 100 charts showed the artist for "Mah-Na-Mah-Na" as "Sweden Heaven And Hell" Soundtrack, which is a paraphrase from what was shown on the original Ariel Records label [attached]; Piero Umiliani was shown as the songwriter, not the artist. (The original Cash Box charts listed just the label and number, without an artist.) Following Billboard's example, I show "Sweden Heaven And Hell" Soundtrack as the artist on the SuperCharts (#50 with a bullet on the SuperChart dated Sept. 20, 1969). 
– Randy Price

You've really gotta wonder who came up with the marketing idea to release this as a single back in 1969.  (It performed best nationally in Record World, who listed the artist as simply "Soundtrack," where it peaked at #38.  Cash Box ranked it at #44 while Billboard showed it at #55.)
I sure hope Piero has been able to collect his royalties over the years ... this goofy little melody has probably been heard more times than "Yesterday," "You've Lost That Lovin' Feeling" and countless other "ranked hits over the past 50 years combined!
Hard to imagine, too, any of these publications listing it WITHOUT an artist's name ... certainly not the norm ... but great information to know.  Thanks, Randy!  (kk)
 
Rock Author Mark Bego was honored with another book release party last week in Los Angeles for his new book "Living The Luxe Life" (Skyhorse Publishing), written with hotelier Efrem Harkham.  Appropriately, the event took place at Harkham's Luxe Sunset Hotel ... where guests included Mary Wilson (who arrived directly from the set of Dancing With The Stars), "Band Of Gold" singer Freda Payne and actress Rebecca Holden from TV's Knight Rider.
Bego's book with former Supreme Mary Wilson comes out later this month in the US.  (It's already a best seller overseas!)
PR Guru David Salidor sent us this picture of Freda, Mark and Mary to share EXCLUSIVELY with our Forgotten Hits Readers. (Thanks, David!)  kk
 
 
Forgotten Hits is giving away FIVE copies of the new Mary Wilson / Mark Bego book "Supreme Glamour" ... and will be drawing the winners later this week!  (kk)
 
 
Hot on the heels of opening for Steely Dan for two nights at Ravinia last week, Dinosaur Exhibit has just been booked to perform at Ron Onesti's Evanston Rocks on Saturday, October 12th.  (We heard from both Quent Lang and Jerry Smith of Dinosaur Exhibit on this one ... sure to be a very hot ticket!)  kk 
 
Hey Kent:
As you know, we opened for Steely Dan two nights this past weekend, and had a wonderful time. The crowds were enormous!  We received standing ovations both nights, hung with Donald Fagen and Company before the shows (some of us have crossed paths before), made a ton of new musical friends, and signed a boat load of autographs. Truly a magical weekend.
We will be doing Ron Onesti's  EVANSTON ROCKS on Saturday, Oct 12th, and we will be bringing back Jerry Goodman for this show. 
Here's more info ... hope you can make it out.
Quent Lang 
 
Just off the heels of two nights with Steely Dan at Ravinia, we are proud to announce that we will be performing at Evanston Rocks on Church Street in downtown Evanston on Saturday, October 12th.  
This is a very cool club that holds about 300 people and they have a fun Italian restaurant next door named Rock N' Ravioli.  Jerry Goodman will be with us on electric violin and I promise you a great show!  
This will be our last appearance in 2019, so it would be great if you could come out and support us.  
Tickets are now available and there will plenty of seating for everyone.  
We do expect a sellout, so please purchase your tickets early.  
Here is the link:
Hope to see you there for a great evening of music, drinks, etc.!!
Thanks,
Jerry Smith
 
And check this out ...
ZZ Top is coming to The Genesee Theatre!  (I've got to admit that THIS is a pairing I never expected to see!  lol)
The concert takes place on Saturday, November 2nd ... but the ticket presale starts today ...
(just use the special presale code GENESEE)
This should be a killer night of music.  (We're going to the Genesee this weekend to see The Alan Parsons Project, one of our all-time favorites!)  kk 
 
From Forgotten Hits Sunday September 8th ...
>>>September 2nd – The very first ATM machine in The United States is installed.
An “ATM Machine?”  Wouldn't that be an “Automated Teller Machine Machine?”
Yep, it would!  Redundantly redundant!
CB CB
Would you believe that about three weeks ago I used an ATM (machine) for the very first time in my life?!?!  It's absolutely true ... but in order to activate my new bank card, I HAD to use one.  (Crazy, no?)
I'm just dreading the day when I have to update my cell phone ... gonna miss that rotary dial and roman numerals!  (kk)