Thursday, June 30, 2016

Thursday This And That

Reminder ...
That brand new six-week summer music series "Greatest Hits" premiers tonight on ABC.  Check it out!  Rick Springfield and REO Speedwagon are among the first guests. 
http://abc.go.com/shows/greatest-hits/about-the-show
 
Some great music here in the Chicagoland area over the Fourth of July Weekend ...

Catch The City Lights Orchestra at Centennial Park West in Orland Park on Sunday, July 3rd, from 5 - 7 pm.  Bring a chair and enjoy a very enjoyable evening of music.  Bruce Mattey is a regular member of this 32-piece orchestra / ensemble and this weekend you can catch a special appearance by him and the rest of The New Colony Six performing their Chicago Gold Medley as part of the festivities.

And, speaking of The New Colony Six, thanks to all the buzz about The Cornerstones Of Rock shows (the September 3rd show at The Arcada Theatre is yet another sell-out), the group has pressed another run of their A Live And Well CD, available at their live shows as well as through their website.
http://newcolonysix.com/main.html?src=%2F
 
And then on The 4th, Peter Cetera, formerly of Chicago (although you wouldn't know it by his refusal to be inducted into The Rock And Roll Hall Of Fame with the rest of the band) will be appearing in Elk Grove Village for a free Fourth of July Concert at Lions Park, 200 Rev. Morrison Blvd., with a fireworks display after the concert.  Yes, he's been QUITE the dickhead! ... but that's OK, we're still going!  (kk)

Think about this ...
Jim Peterik has written two songs that can be recognized anywhere in the world by just the first four or five notes.  The five notes that open "Vehicle" and the four that kick off "Eye Of The Tiger" can literally be played anywhere, worldwide, and people will know immediately what song is playing.  That's quite an accomplishment for a young kid from Berwyn!
Steve Sarley
It's absolutely true ... most songwriters would make a deal with the devil for just ONE song of this magnitude ... and Jim has created two ... plus countless other gems we all know and love over the years.  He is quite the musician and songwriter.  (kk)  

Last weekend on Long Island, fans attending a Big Shots concert (a Billy Joel tribute band that features three members of Joel's real touring band) were treated to a surprise appearance by Joel himself, who took the stage to perform three songs ... the Joe Cocker version of "With A Little Help From My Friends", The Rolling Stones classic "Honky Tonk Women" and his own "You May Be Right".
(video here): 
http://www.vintagevinylnews.com/2016/06/watch-billy-joel-surprises-billy-joel.html

Speaking of Billy Joel, FH Reader Tom Cuddy sent us this article ...

BILLY JOEL: The Ballad of Billy the Kid and Captain Fantastic   
Five years ago, Elton John made some negative comments about Billy Joel and his drinking. Many assumed that ended their habit of touring together, but Joel says that's not what happened. He told The Daily Mail, "I got tired of doing the same show over and over again and I think his agent told him we were going to do more dates that I never agreed to.  I kept seeing in the press, ‘Billy canceled the tour.’ I didn’t cancel it; it was never booked. I asked him, ‘Why didn’t you call me? Don’t talk to my agent, talk to me.’” Joel says he also needed to have hip-replacement surgery. “The last few gigs I did with Elton I could barely walk. I had canes. And canes on stage is not good.” 
He admits, "I have had drinking issues in the past. So did he. I think at heart he meant well. Elton had a terrifying lifestyle when he checked into rehab. I didn’t have that problem. My drug was booze. A couple of years ago I went to a fundraiser for his AIDS Foundation and I said, 'Don’t throw your friends under the bus.'" 
He also has something to say about Elton's criticism that he doesn't write or record new music any longer. "I guess he wants to remain relevant, but if they don’t sell, what’s the point? I hate to think I’m a nostalgia act, but we all are, anyone who’s going to sell out arenas." 
Billy is back on stage Friday in Pittsburgh while Elton does shows in Norway on Thursday, Friday and Saturday.


>>>Don't miss today's SWEET 16, Lonely Hearts Club Edition  (kk)
Where's Eleanor Rigby?
Hil
Hadn't you heard?  She died in the church and was buried along with her name.  Then again, maybe not ... nobody came.
Unfortunately there is a major down side to our new SWEET 16 feature ...
There's only room for sixteen tracks!  (lol)  kk
Good reason. Sweet Seventeen is just wrong!
Hil
We declared 2016 "Sweet Sixteen" and have been celebrating ever since ... twice a month on the 16th and 29th (since, being a leap year, EVERY month has a 29th this year!)  kk

Don'tcha just love it when all this stuff ties together ... right before we got Hil's email we received this from Gary Pike, formerly of The Lettermen ...

Even when you've listened to Eleanor Rigby a million times, this is still very interesting ...
[CLIP WOULD NOT LOAD - SENT AS AN ATTACHMENT INSTEAD]


Hya Kent  
Here's my entry for your Forgotten Lonely Hearts Club.
It was the first one that came to mind when I read your headline. 
This classic pure do-wop song by the Dubs has always been one of my favs and we finally got to see them four years ago at the Keswick Theater in Glenside PA.        
Rock on Bud! 
Rich 
RVB442  
Click here: Don't Ask Me to Be Lonely by the Dubs 1957 - YouTube

We lost another legend this week ... Scotty Moore, Elvis' first guitarist (and an inspiration for millions), passed away on Tuesday.

Winfield "Scotty" Moore, the original guitarist with Elvis Presley who -- along with bassist Bill Black -- were known as the "Blue Moon Boys" (after the B-side of the King's first single, "Blue Moon Of Kentucky") died Tuesday (June 28) at his home in Nashville at the age of 84. Born in Gadsen, Tennessee, Scotty led a country group called the Starlite Wranglers (that included Bill) when Sun Records' Sam Phillips asked him in 1954 to work with Elvis on establishing a "sound". Though initially unsuccessful, it was an impromptu jam between Elvis and Scotty during a session break that caught Sam's attention and led to their first single, "That's Alright (Mama)". Scotty continued playing with Elvis through his move to RCA Records and million sellers like "Heartbreak Hotel", "Hound Dog" and "Jailhouse Rock". He appeared on TV with Elvis in the '50s and on his celebrated "comeback" TV special. Scotty also appeared in four of the King's movies. As a producer he is best known for Thomas Wayne's version of "Tragedy" from 1958. Scotty was inducted into the Rock 'n' Roll Hall of Fame in 2000 and the Memphis Music Hall of Fame in 2015.
-- Ron Smith 

Kent ...
Elvis -- The early days.
Frank B.

http://scottymoore.net/interview_by_Douglas_Green.html


SCOTTY MOORE: Fellow Musicians React  
Scotty Moore, the guitarist on Elvis Presley's early recordings, died yesterday, and other musicians have offered their thoughts about him.  
Keith Richards: "It’s with great sadness we say goodbye to Scotty Moore, my first inspiration. The work he performed on those incredible early Elvis tracks stays with me forever. Farewell old friend."  
Graham Nash: "What a player, what a sound ... he helped create a revolution in the early days of rock and roll. His work with Elvis, Bill Black and D.J. Fontana changed my perception of the power of music ... May he rest in peace." John Lodge (Moody Blues): "Scotty Moore was THE inspiration for a generation of English rock guitarists. I remember ears to my transistor radio listening to Radio Luxembourg and thinking, 'Where on Earth did that guitar solo come from?' There was no one in England who could play like that. Thank you, Scotty."  
Tommy Shaw (Styx): "Scotty Moore will live on in the music he left behind. Music that changed the world."  
Sammy Hagar: "I had the opportunity to play with him at the old Sweetwater in Mill Valley, California in 1988. It was a jam session with Scotty, Elvis Costello and Jerry Garcia. His guitar tone was amazing. We played 'Going Down.'"
Bryan Adams: "RIP Scotty Moore. I had the privilege of playing with Scotty in 1994 at the Elvis Now or Never tribute. What a legend." 

In other Elvis-related news, daughter Lisa Marie announced this week that she is divorcing her fourth husband.  Meanwhile, Elvis' grand-daughter continues to show her titties on "The Girlfriend Experience".  (kk)

Yo Kent! 
Greetings from Philly! 
Thank you for an exceptional interview with Bobby Rydell.  Besides being a local boy here, he's always been one of my faves with, in my opinion, the best voice by far of any of the teen idols.  His recording of "Sway" served me well as a DJ when I needed a cha-cha song.
Also, here's my late entry for the biggest tear-jerker song ... "I Can Never Go Home Anymore" by the Shangri-Las.  When foxy Mary Weiss cries "momma"! it's all I can do to keep from sniffling.   
I hope you're well, Kent :)
Rich   ^5
RVB442 
 
Hi Kent,
Funny ... I’ve sung “Roses Are Red (My Love)” at many weddings.  I guess the song’s feeling overwhelms the lyric:  "Then I went far away and you found someone new.”  ;-(
Paul Evans
PS  My first manager, Stan Cooper, who sure knew his Sinatra (he was responsible for “Learning The Blues”) passed away over the weekend.  We stayed friends all these years.  (He was also responsible for “When” in 1957.)

Hi Kent, 
I've been very busy and missed a few days, but its good to be back where my cares melt away. 
I was told that the Beatles 'Butcher Album' had various values in its original state, with the overlay solidly attached, and partly detached, but the most desired piece of trivia was the letter issued by Capital to dealers to withhold from sale the original issues. 
And I know I'm late to the party but two of the songs I find the most heartfelt are country classics.  Carson Robison: 'There's A Bridle Hanging On The Wall' 
Another is Jim Reeve's: 'The Blizzard' 
Certainly our childhoods were filled with Westerns and we all loved our Cowboys and their Horses so maybe that is why I find these song to be tearjerkers of note. Or then again 'maybe I'm crazy, it keeps me from going insane' ha ha 
Have a great 4th of July, crank up the Oldies.
CharlieOFD 

Joel Whitburn's latest edition of his "Top Pop Singles" book is now available and starting to ship.  (Hey, I think that's MY copy that Paul Haney is holding!!!  lol)
Joel has extended his $10 off offer thru July 31st ... so be sure to order your copy today!

IT'S HERE!
TOP POP SINGLES 1955-2015

http://cts.vresp.com/c/?RecordResearch/7c30e6d501/698b321b8e/a203b2c470
We are so excited with yesterday's arrival of the BEST EVER TOP POP SINGLES!  It's fresh off the press and LOADED with information.
Paul, Mason and Jeff above, along with Jeanne and Brent (not pictured) are busy filling all pre-orders, some of which may reach their homes before July!
Our $10 off sale extends through July 31, 2016, so it's now $69.95 and will be $79.95. ORDER TODAY!






































FH Reader Tom Cuddy has sent us all kinds of goodies this week!   

Barry Gibb will release his first solo album since the deaths of his brothers.
Just days after his newsworthy appearance at Britain's Glastonbury Festival, the last surviving Bee Gee has signed with Columbia Records and announced the album In the Now. The project will be a family affair, as he wrote all the songs with his sons Stephen and Ashley. Expect it this fall.
The 12-track album was recorded in Miami with the same musicians Barry assembled for his acclaimed 2014 Mythology tour.
Saying it's "a dream come true for me," Gibb calls In the Now "a new chapter in my life... I will never forget my brothers, they will always be a part of everything I do. Our dream came true."
Just a few nights before, Gibb closed the show at a Coldplay concert by performing "To Love Somebody" and "Stayin' Alive".  Looking forward to hearing some new music from this legendary performer real soon!  (kk)
https://www.youtube.com/watch?v=Oe4nZwOyasg
(Check 'em out quickly ... these links are disappearing as quickly as they hit the site!)

Randy Bachman talks about the origins of "Takin' Care Of Business" and "American Woman", two tracks born out of necessity while filling in a gap on stage.  (Read all about it via the link below ... and then listen to Scott Shannon interview Randy on his WCBS-FM Morning Show!)
http://radio.com/2016/06/23/randy-bachman-wild-origins-american-woman/

DON HENLEY: Back to Work 
He started his summer tour Monday in Sweden.
Don Henley returned to the road this week, starting his summer tour in Stockholm, Sweden.
Despite him sometimes being a bit of a curmudgeon, he appeared to be in a good mood, even thanking the audience for not filming or using cellphones. He prefaced it by saying that if they promised, he would let them film "that hotel song."
It was his first show since the death in January of his Eagles bandmate Glenn Frey, but he never mentioned his late friend during his 20-song set, 19 of which he sang on. He turned the stage over to his female background singers on "I Don't Want to Hear Anymore."
Henley is in Europe through July 3rd. The North American leg starts on July 13th in Penticton, Canada. The U.S. dates start on the 17th in Washington State.
Don Henley's Stockholm Set List:  
Seven Bridges Road
Dirty Laundry
That Old Flame 
Sunset Grill 
Last Worthless Evening  
Words Can Break Your Heart  
New York Minute 
When I Stop Dreaming  
Bramble Rose  
It Don't Matter to the Sun 
One of These Nights 
The Last Resort 
Heart of the Matter 
Everybody Wants to Rule the World 
Boys of Summer 
All She Wants to Do Is Dance 
Train in the Distance 
Life in the Fast Lane 
Hotel California 
Desperado

Hey Kent,
Your reader, Steve Sarley, said that his favorite tear-jerker is O. C. Smith's, "Daddy's Little Man". The song was written by Mac Davis, and is included in his great debut album I discussed earlier, "Song Painter". The title of the album comes from a quote by Glen Campbell, who stated, "Mac Davis doesn't write songs, he paints them". What a nice compliment from Glen!
Speaking of tear-jerkers, I forgot one biggie. It's Gene Pitney's "I'm Gonna Be Strong". His explosive vocal ending is simply amazing. Gene could have been an opera star. 
Oh, and one more thing about Bobby Rydell. He said one of his heroes is Steve Lawrence. I caught Steve's show in Lake Tahoe many years ago. He was teamed up with Don Rickles, of all people, but it was a terrific evening in the ballroom! You really can't appreciate Steve's vocal quality until you hear him in person, and not on TV. Then you can experience the wonderful baritone resonance he has. 
- John LaPuzza
https://www.youtube.com/watch?v=7VoWTXUQaQM


Susan Cowsill and Etta James -

What would these two ladies have in common? Nothing probably, but I saw The Cowsills on last year's Happy Together tour and they stole the show then, too. I even got to meet them and tell Susan that I had a crush on her when  I was 10 or so. I believe we're about the same age.

They couldn't have been more fun and nice.
Next, I'd Rather Be Blind by Etta James ... somebody put that on their tear ierkers list. I never understood that one. After all, I'm bBlind and it's not so bad.
Look at it this way ...
If you're on a date, the woman has to drive, and when you're in high school and she wants to park she gets to make that decision.
It's really not a bad thing. <grin>
Bill   

>>>Mike Vale sent me a copy of their "Legacy" CD, where they recreate a dozen of the best known Tommy James and the Shondells hits.  The musicianship is outstanding throughout but they've got a big challenge in front of them in that whenever you hear a song like "Crystal Blue Persuasion" (best track on the cd, by the way) or "Crimson And Clover" or "Mirage" start, there is a certain special sound you expect to hear next once the vocal starts ... it's just been engrained in you after nearly fifty years of airplay ... that doesn't come across on these new recordings.  Folks will look at this two ways ... these guys were the heart and soul of the band (think Creedence Clearwater Revisited, featuring Stu Cook and Doug Clifford) but the guy who wrote and sang all those hits isn't there to sing them.  Some will say it's a wise decision to stay as far away from that sound as possible ... others will say they should have gotten a sound-alike vocalist to head up the troops ... and still others would complain that "all they did was get a Tommy James clone."  It gets even tougher when the lead act is still out there performing these hits as well.  That being said, I'd love to hear some of the new material you mentioned.  I think having been The Shondells gets your attention ... and will get them some immediate bookings ... but showing folks that you've still got the creativity and the chops to back it up is what's really going to help sell this band.  (Hey Mike, if you've got a couple of these new tracks laid down, I'd be happy to share one with our readers and see what they think.) kk   
Hey Kent,
In response to your comments regarding The Crystal Blue Band and the Legacy CD (which I agree with by the way), and your invitation to share a new song, I thought I would send you this MP3 of a song I wrote which will be on the next album we release. The Title is "Lo Que Queiras" (whatever you want)
Though it is not quite final, it is close enough that we have no problem with you sharing it with listeners to gauge response.
Just by way of info, we experienced a great deal of soul searching regarding whether to have a remake of our hits be our first project or to go directly to new material. We finally came to the conclusion that since our individual names had been detached from the Shondell brand for so long a period, it was necessary to make that re-connection in the minds of both former fans and new ones. After all, it was the three of us along with lost drummer Peter Lucia who recorded, co-wrote and, in the case of the Crimson album, co-produced many of the songs and we felt that legacy was important in launching our new effort. You hit it on the head when you pointed out the pros and cons we had to face no matter the option.
I continue to appreciate your help in spreading the word!
R & R,
Mike
Here's a brand new, unreleased track by The Crystal Blue Band ... yet another Forgotten Hits worldwide exclusive ... showing what the band is capable of today in the way of new material.  Thanks, Mike ... I like it!  (kk)




Beach Boys Examiner / Endless Summer Quarterly guru  David Beard just ran a column celebrating the 40th Anniversary of The Beach Boys' "15 Big Ones" album ... a big step in the "Brian Is Back" campaign at the time ... and an LP that yielded the group their first Top Five Single in ten years thanks to their remake of the Chuck Berry classic "Rock And Roll Music" ...
http://www.examiner.com/article/the-beach-boys-15-big-ones?CID=examiner_alerts_article

Speaking of The Beach Boys, watch for a brand new release next month featuring every take of every track they recorded for Hite Morgan back in 1961.
More details here ... along with a link to listen to the earliest known version of their future hit "Surfer Girl" ...

This fall will mark the 55th anniversary of the Beach Boys' first-ever recordings together, and in honor of the occasion, Omnivore Recordings will release a new two-disc set collecting their early demos. The set, Becoming the Beach Boys: The Complete Hite & Dorinda Morgan Sessions, due out August 26th, contains every take of every song the group – which was originally known as the Pendletones – recorded between September 1961 and March of the following year with producer Hite Morgan.
http://www.rollingstone.com/music/news/hear-beach-boys-rare-somber-surfer-girl-from-first-sessions-20160628


Wednesday, June 29, 2016

SWEET 16: One Is The Loneliest Number

Consider today to be the Grand Opening of The Forgotten Hits Lonely Hearts Club ...

Gather 'round and sing away the blues!

































Monday, June 27, 2016

JIM PETERIK - The Songs - Live at The Raue Center For Performing Arts


Saturday Night, June 25th, we ventured out into new territory to see Jim Peterik perform selections from his brand new CD, "The Songs", a "reimagining" of some of his best known work.  (Special thanks to Jim Peterik for allowing us to bring a couple of Forgotten Hits Readers with us to the show!)   

Forgotten Hits Readers may remember that I initially gave the CD a "less than favorable" review a few months back ... http://forgottenhits60s.blogspot.com/2016/04/jim-peterik-songs.html (for those who didn't see it) ... not so much a bad review as more of a "constructive criticism" as to why some songs worked better than others in this new, reinterpreted manner. 

As such, I was anxious to see how the songs would play live, in concert.  (And Jim wanted me to see them, too, as he felt I would come away with a whole different opinion once I saw the crowd's reaction to these Peterik classics.)   

It's going to be awesome, Kent!  Rehearsal sounded great last night. See you there.  
Jimbo     

The show kicked off with a VERY lengthy duet of Gershwin's "Rhapsody In Blue", performed by pianists Danielle Cairoli and Mike Muggli.  It was part of The Raue's annual salute to The National Piano Conference and the stage was stunningly set with two full-sized BLUE grand Baldwin pianos.  (They were beautiful ... and our host that evening, Richard Kuranda, assured us that tonight at The Raue was the ONLY place in the world where "Rhapsody In Blue" was being performed as a duet on two blue grand pianos.  I gotta believe him on that one!)   

While beautifully performed, it went on for nearly twenty minutes (must have been the album version), a bit more than necessary, even as a means to highlight the talents of each individual pianist.  (At one point Frannie said it was like being on hold with United Airlines for 15-20 minutes ... and I had to suppress every fiber of my being not to yell out "Free Bird!!!")  The duo received a long, standing ovation afterward and I heard from several audience members afterwards how much they enjoyed the performance (obviously FAR more highbrow patrons than me!)  But I will admit that it did provide the perfect opening for a night  of music dedicated to The National Piano Conference.   

After a very brief intermission, Jim Peterik and his son Colin took the stage to wake up the audience ... I mean open their set with the drastically slowed down version of "Vehicle" that also opens Jim's new CD.  This new arrangement provides a haunting, stripped down opening that is even more powerful in concert ... but I've still got to go with my original analysis of this track ... it's a GREAT opening ... but it needs to continue to build into something ... each progressive verse should grow in accompaniment until it reaches its ultimate climax finale.  I believe it would be far more effective that way ... and still hold on to some integrity of the original piece forever ingrained in our hearts and souls.

As stated in our original review, some treatments work better than others ... and I still maintain that a big part of this is our own personal attachment to this music.  ("Hold On Loosely", for example, is NEVER going to sound any better than it did on that original recording, plain and simple.)    

That being said, Jim's voice is as strong ... or stronger ... than ever ... and the sound was absolutely perfect at The Raue, in some part thanks to fellow Ides member Larry Millas helming the control board.  I cannot stress enough just how perfect the overall sound was.  This was our first visit to this venue and I am looking forward to coming back for other concert events.  (Already booked and catching my eye are The Buckinghams in November and Amy Grant next April.)  
https://rauecenter.ticketforce.com/ 

There is also a very interesting-looking downtown Crystal Lake area that we want to explore in more depth next time out ... unfortunately by the time we got there virtually everything was already closed for the night.




Interspersed with video footage taken down in Nashville during the original recording sessions for the album, Jim's special band put together for this evening's performance (Andrew Ohlrich on fiddle and vocals, Pete Smith on Banjo, Guitar, Vocals and Percussion, Aaron Smith on Upright Bass, and Jim's son Colin Peterik on Piano, Keyboards and Vocals), then proceeded to work their way through the entire CD in random order.   

All of the songs came across much more powerful in this live setting than they do on the CD ... in fact Jim's performance of "That's Why God Made The Radio" (and the story he told that preceded it) were outstanding.  "Caught Up In You" was a concert highlight (with the emphasis on the "Eleanor Rigby" strings used throughout ... a totally unique and captivating arrangement of the .38 Special classic.  (In fact, Jim told us that they were filming a video for this song on Sunday which would soon be available on YouTube as the first single from the LP.  Look for it here on Forgotten Hits, too, as soon as it's available.) 
[EDITOR'S NOTE:  Check out the photos below ... Jim sent these to us right from the video shoot on Sunday ... you're seeing them here in Forgotten Hits for the first time ANYWHERE in the world!]

Other concert highlights included LA Goodbye (which was also considerably stronger than the recorded version ... I cannot help but feel that perhaps Jim listened to our advice to bring more of the guitar-sound back into this track rather than relying on the piano to drive it as it was a near-perfect rendition in this new format.)  Still I missed the whole da-da-da-da-da, da-da "hook" portion of the song.  Another was the very stirring rendition of "The Search Is Over", featuring just Jim alone at the piano.  (Talk about your "tear-jerkers" ... this one actually caused me to choke up on a couple of occasions.)  Some of the lines are just a bit outside Jim's vocal range comfort zone ... but the way he toned his voice to compensate for this brought that much more emotion into the overall performance.  It TOTALLY got to me.)

Two brand new tracks written specifically for the album, "Miracle At Ground Zero" and "The Same Muse", were especially powerful ... and the dubbed in (via pre-recorded tape) gospel chorus background on "Ground Zero" made the track swell with passion and emotion.

His version of "Heavy Metal" (a song he wrote with Sammy Hagar for the animated film of the same name) was another concert highlight, bringing the crowd to its feet ... definitely the rocker of the evening.  (Jim has to be enjoying the opportunity to perform some of the songs he doesn't typically include in an Ides Of March or World Stage concert ... which proves to be a real treat for the audience as well.)  Several times during the night audience members were surprised to hear just how much incredible music this man has actually created.


If "Caught Up In You" is their pick to click as a single, I think they're overlooking the most obvious ABSOLUTE hit single on the album ... this new arrangement of "I Can't Hold Back" has all the makings of an absolute smash, especially if marketed properly as Jim Peterik remaking one of his old Survivor tracks for a new audience.  The new arrangement (kind of a Jamaican feel with a twist of Jimmy Buffet thrown in for good measure) is catchy as hell and takes the song to a whole new level, from power ballad to a fun track you can't help but respond and sing along to.    

I've probably seen fifty Jim Peterik concerts in the past fifty years and he has never put on anything but an outstanding performance.  He's the consummate entertainer and it is clearly very important to him that every member of the audience is having as much fun as he is.  When he closed the show with the new hoe-down version of "The Eye Of The Tiger", it was clear that the audience had had an absolute blast. He left the stage to rounding applause ... and then most audience members hung around to say hello in the lobby afterwards and pick up a copy of Jim's new book and/or CD.

Overall, a great show ... and even if these were not the arrangements you might typically expect to hear, he still did the songs justice with his inimitable style. 
kk
Kent Kotal
Forgotten Hits



A shot of me and Jimbo (who gave a special shout out to FH Reader Clark Besch by the way) and then another of the three of us ... Frannie, Jim and me (cracking up because after his assistant Chris May had Frannie and I hold up copies of Jim's new book and cd as "product placement", Jim said "Hey, thanks for whoring me out!!!"  lol)

Here are a few words from our two FH Concert Ticket Winners, Steve Sarley and Gary Blau ...

Kent,  
Thanks to you and Forgotten Hits for the free tickets to see Jim Peterik at the Raue this past Saturday night.  
It was a strange evening that started off with two talented people doing a duet version of George Gershwin's "Rhapsody in Blue" on twin blue Baldwin grand pianos in honor of national Piano Week or something like that. We weren't expecting this, but they were very good.  
Then it was time for Jim Peterik. The lights went down and a screen showed the beginning of a documentary video of the making of Jim's new album, "The Songs," down in Nashville. Then Peterik hit the stage, guitar in hand, accompanied by a keyboard player who turned out to be his 26-year old son, Colin.  
They played "Vehicle." Only two instruments and a totally long and drawn out slow ( I mean really, really slow!!!) version of this classic made this something I'd like never to have to hear again. Why mess with perfection? My wife, Joyce, leaned over to me and whispered, "Oh my God! This is awful. It's going to be a long night."  
A really strong performance of "L.A. Goodbye" balanced off the bad version of "Vehicle" and that is the way it went for the evening.  
I have no idea why Peterik felt it necessary to re-record classic hits in different styles and genres of music, but, hell, he owns them and can do whatever he wants with them, I guess.  
Earlier in the evening, he did string-laden, "Eleanor-Rigby-like" version of .38 Special's "Caught Up In You", which really showcased how excellent the violinist was on his instrument, but when he got around to doing his new arrangement of "Hold On Loosely," I told Joyce, "Condell is the name of the closest hospital. I'm starting to have palpitations over what he's doing to one of my favorite songs!"  (I'm a very big .38 Special fan and have seen them several times, including performances where Jim Peterik has joined them on stage to perform some of these same hits.)  
To me overall it was a very uneven performance.  
The band was quite tight and Peterik's son is very talented on keyboards and background vocals.  
That said, it surprised me how tight the band was because Peterik seemed like he was having a problem with their names, as if they had just met at the theater that evening. On the positive side, Jim Peterik is an excellent showman. He has a charming personality and interacts with his crowd well and does a great job telling stories and sharing anecdotes. Jim's voice is absolutely incredible. I think it may be even better than it was back in his younger days.  The highlight of the show was the performance by his fiddle player whose name I did not catch. [Andrew Ohlrich - kk - and yes, he was outstanding!]  This young man totally stole the show with some incredible artistry, the likes of which I have never seen. I think Peterik was amazed when the fiddle player received a standing ovation in the middle of a song after he finished an extremely dazzling solo.   
On a five-star scale, I give this show a two-and-a-half.
Thank you   
Steve Sarley

Kudos to the Raue Center for the Arts. What a great venue. I have never been to it or the downtown area of Crystal Lake.  Would love to go back when the stores are open and walk around. 
Back to the Raue Center ... 
What a clean, upscale and intimate place for a concert. The sound was the best I have heard at any indoor concert venue I have been to. What a pleasure. 
I was not sure what to expect from the concert after remembering an earlier posted review. I have seen Jim in concert now for over 40 years.and I was blown away how fresh it was to hear his songs presented in the way he did last night.  I noticed he played every song on his new CD ... no more and no less ... and with short documentary video clips and commentary in between songs, his part of the show lasted a hour and a half exactly.   
The best review I can give was from my buddy who got to go at the last second due to a late scratch who said, after the concert, "Ïḿ going to buy The Songs  CD right now in the lobby ... and I never buy one at a concert.¨ That is how much he loved it. And I felt exactly the same. 
Thank You, Fogotten Hits and Jim Peterik for the tickets. Gary  

And this, just in from Jim Peterik from today's video shoot of "Caught Up In You" ...





Here are a couple of exclusive shots for you, Kent, taken at the jam lab during the video shoot for 'Caught Up In You."  With John Dykas and Mark Voss.  
Jimbo 

All concert photos by Frannie Kotal,
including the photo of Jim and me
group shot of me, Frannie and Jim by Chris May - 
video shoot photos courtesy of Kristie Schram

and ALL are Forgotten Hits exclusives!