re: NEW
RELEASES:
"WINGS" ... THE BRAND NEW SINGLE FROM RINGO 2012 IS AVAILABLE FOR
DOWNLOADING TODAY!Ringo talks about
WINGS:"This is a song I first recorded on Ringo The 4th back when
an album meant vinyl. These are different days, and it's one of those songs I
always wanted to revisit. I wrote "Wings" with Vinnie Poncia in New York, and he
doesn't know I've done this yet. I'm going to surprise Vinnie and send it to
him. I had Joe Walsh come over and play, and nobody can top Joe. Joe is the best
and he plays all over "Wings." Joe was always family, even before we became
related, but now he can't say no. I'm on Joe's next record too if he ever
finishes it. For the last two years, I've been listening to a lot of reggae, so
this album has a reggae feel to it. What can I tell you? I'm a product of my
environment. I always loved the sentiment of this song, and I'm glad we finally
got it right."
Meanwhile, the official track list for Paul McCartney's
new album "Kisses on The Bottom" has also been released:
“I’m Gonna Sit Right Down And Write Myself
A Letter”
“Home (When Shadows Fall)”
“It’s Only A Paper Moon”
“More I Cannot Wish You”
“The Glory Of Love”
“We Three (My Echo, My Shadow And Me)”
“Ac-Cent-Tchu-Ate The Positive”
“My Valentine”
“Always”
“My Very Good Friend The Milkman”
“Bye Bye Blackbird”
“Get Yourself Another Fool”
“The Inch Worm”
“Only Our Hearts”
Bonus
Tracks:
“Baby’s Request”
And now comes word that Mel Carter (who
recorded a "standard" of his own when he recorded "Hold Me, Thrill Me, Kiss Me"
back in 1965) ALSO has a new CD's of standards coming out! (What?!?!? You
thought Rod Stewart had a corner on this market?!?!?)
Here's the latest:
MEL CARTER RELEASES NEW CD
OF ‘OTHER
STANDARDS”
Mel Carter, who delivered one of
the most memorable ballads of the 60s, “Hold Me, Thrill Me, Kiss Me,” has just
released a new self produced CD titled “The Other
Standards.”
The Cincinnati born singer-actor says the 12 tunes
included on the new release “is a collection of standards I grew up listening
to. I have always admired the artists who made these songs popular.” Among the
tunes “Carterized” are “Goody Goody,” the Frankie Lymon 1958 smash; “Crying in
the Chapel,” having been popularized by everyone from the Orioles in the 50s to
Elvis Presley in the 60s and “Cry Me A River,” a Julie London
favorite.
Carter was discovered by the
legendary Quincy
Jones and first signed to Mercury Records. From there he was recruited by the
singing sensation Sam Cooke. Mel recorded his first hit on Cooke’s Derby Records in 1963 “When
A Boy Falls in Love.” The composition was co-written by Cooke and hit # 44 on
the Billboard charts. Mel’s other releases that earned him Top 40 status on the
Billboard charts:
-- (All of A Sudden) My Heart
Sings (# 38)
-- “Band of Gold” (#
32)
-- “Hold Me, Thrill Me, Kiss Me”
(#8)
Carter’s latest collection of his
favorites was recorded in Los
Angeles in about six months. He’ll be shooting a video
of “Crying in the Chapel” in later this month and it will be available online
shortly thereafter. The CD is available at his
website:
Through his website he will
autograph the CD on request. It also can be ordered through www.cdbaby.com
and its downloadable via
iTunes.
Mel’s 1965 version of “Hold Me,
Thrill Me, Kiss Me,” continues to be heard daily on the radio. Some 46 years
later his rendition is one of the most played songs from the 60s on oldies and
classic hits radio stations. A few years back PBS-TV invited Mel to perform on
stage for one of their on-air fundraising drives. His dramatic rendering of
“Hold Me, Thrill Me, Kiss Me,” received one of the longest standing ovations in
the history of the PBS series. One reason for that is, Carter, almost five
decades later, can still sing his most popular tune in the original key he
recorded it in. Since then, Mel has been invited back three more times to
perform on PBS-TV.
Carter has plans to tour in 2012
and still works as an actor. Over the years he’s been seen on “Sanford and Son,”
“Magnum PI,” “Marcus Welby MD,” “Chips,” “Quincy,” “Trapper John,” “Good Times”
and “227.” Plus, Dick Clark hosted him on “American Bandstand” nine
times.
Okay, you knew it was bound to happen ...
John Parr (WHO?) yeah remember him, he did "St Elmo's Fire" BUT, redid it to
"Tim Tebows Fire". If this already makes you sick, stop reading immediately! If
not, it's a pretty good tune, and I'm psyched for Saturday!
Hey, it's not "Make Those Miracles Happen"
by Jon Keyworth from the Bronco Team of '77 (damn, why do I remember that but
have no idea where my keys are)?
It's tough getting old ... but GO
BRONCOS!
Wild Bill
Musician John Parr updated his 1985 #1 hit
"St. Elmo's Fire" to honor Denver Broncos quarterback Tim Tebow.
Tim Tebow’s Fire (Lyrics)
by John Parr
Growin' up
Gotta keep your eye on the ball
Gotta keep your eye on the ball
Make it fly,
Give it everything, give your
all
But maybe sometimes if you feel the
pain
You'll find you're all alone
Everything has changed
Play the game
You know you can't quit until it's won
Soldier on
Only you can do what must be done
Everything has changed
Play the game
You know you can't quit until it's won
Soldier on
Only you can do what must be done
You know I’m out there
Down on one knee a prisoner
And I’m tryin' to break free
And I’m tryin' to break free
CHORUS:
I can see a new horizon
Underneath the blazin' sky
I'll be where the eagle's
Flyin' higher and higher
I can see a new horizon
Underneath the blazin' sky
I'll be where the eagle's
Flyin' higher and higher
Gonna be a man in motion
All I needs my Broncos team
Take me where my future's lyin'
Tim Tebows Fire
Take me where my future's lyin'
Tim Tebows Fire
Oooh ...
Burnin' up
Don't know just how far that I can go
(Just how far I go)
Soon be home
Only just 4 downs to go
I can make it
I know I can
You broke the boy in me
But you won't break the man
(CHORUS)
Don't know just how far that I can go
(Just how far I go)
Soon be home
Only just 4 downs to go
I can make it
I know I can
You broke the boy in me
But you won't break the man
(CHORUS)
I can see a new horizon
blazin on the Mile High
I'll be where the eagle's
Flyin' higher and higher
blazin on the Mile High
I'll be where the eagle's
Flyin' higher and higher
Gonna be your man in motion
All I needs my Broncos team
Take me where my future's lyin'
Tim Tebows Fire
Take me where my future's lyin'
Tim Tebows Fire
I can climb the highest mountain
These Broncos cant be beat
I can feel St Elmo’s Fire burnin' in me
Burnin' in me
These Broncos cant be beat
I can feel St Elmo’s Fire burnin' in me
Burnin' in me
Just once in his life
A man has his time
And my time is now
And I'm comin' alive
A man has his time
And my time is now
And I'm comin' alive
I can hear the music playin'
I can see the banners fly
Feel like a man again
I can see the banners fly
Feel like a man again
I’ll hold my head high
Gonna be a man in motion
These broncos can’t be beat
Take me where my future's lyin'
Tim Tebow’s fire
Gonna be a man in motion
These broncos can’t be beat
Take me where my future's lyin'
Tim Tebow’s fire
(CHORUS)
I can climb the highest mountain
Cross the wildest sea
I can feel St. Elmo's Fire burnin' in me
Burnin'
Burnin' in me
I can feel it burnin'
Oooh, burnin' inside of me
I can climb the highest mountain
Cross the wildest sea
I can feel St. Elmo's Fire burnin' in me
Burnin'
Burnin' in me
I can feel it burnin'
Oooh, burnin' inside of me
Bill Cody
Well, it's no "Superbowl Shuffle" either
... but a pretty clever idea nonetheless! Thanks, Bill! (kk)
Michael Rozansky from the Inquirer just called me - Charlie Gracie
"Baby Doll" is the #1 CD Single in Philly & #51 Nationwide in Billboard
Magazine.
REPORTED IN THE PHILADELPHIA INQUIRER,
THURSDAY JAN 11TH!
CHARLIE GRACIE - The First Rock & Roll Guitar Player - Back after 50 years
Philly area veteran on Music Chart -- Crooner and Drexel Hill resident Charlie Gracie, 75, who helped define rock-and-roll in the 1950s, is back on the charts. Gracie's new single, "Baby Doll," is the No. 1 single in the Philly area, according to Billboard. (It's No. 52 nationally.)
Charlie Gracie's "Baby Doll" started getting played on WXPN in Philadelphia and has already spread to over a Dozen Radio Stations in the US - mostly at AAA Radio. Even one Top 40 Station, WDAY in Fargo, ND. He recently played WXPN's "World Cafe."
http://itunes.apple.com/us/album/baby-doll-single/id473386678
Back Story:
Charlie Gracie's "Butterfly" knocked Elvis out of the #1 position in May of 1957 and sold three million copies. He appeared on the Ed Sullivan Show and had several appearances on American Bandstand. After his second hit, "Fabulous," he was censured in this Country. That story is covered in the made for PBS DOCUMENTRIES Wages of Spin & Charlie Gracie: Fabulous!
Fabulous.
In England, where Charlie received continued exposure, he had a dozen hits and is still regarded in the same way as Bill Haley and Elvis Presley. He continues to tour the UK every year to large audiences.
Paul McCartney has covered Charlie's music and credits "Fabulous" as a favorite childhood song. George Harrison once cited him as his favorite guitar player - "Brilliant." Graham Nash and many other British Rockers hold Charlie in the highest esteem.
Recently he recorded a new single, "Baby Doll," which is getting the first new airplay for him in the US in 50 years. Now his stature is in the infancy of being exposed in the US - the first Rock and Roll Guitar Player - he started recording in 1951.Charlie Gracie, Jr.
CHARLIE GRACIE - The First Rock & Roll Guitar Player - Back after 50 years
Philly area veteran on Music Chart -- Crooner and Drexel Hill resident Charlie Gracie, 75, who helped define rock-and-roll in the 1950s, is back on the charts. Gracie's new single, "Baby Doll," is the No. 1 single in the Philly area, according to Billboard. (It's No. 52 nationally.)
Charlie Gracie's "Baby Doll" started getting played on WXPN in Philadelphia and has already spread to over a Dozen Radio Stations in the US - mostly at AAA Radio. Even one Top 40 Station, WDAY in Fargo, ND. He recently played WXPN's "World Cafe."
http://itunes.apple.com/us/album/baby-doll-single/id473386678
Back Story:
Charlie Gracie's "Butterfly" knocked Elvis out of the #1 position in May of 1957 and sold three million copies. He appeared on the Ed Sullivan Show and had several appearances on American Bandstand. After his second hit, "Fabulous," he was censured in this Country. That story is covered in the made for PBS DOCUMENTRIES Wages of Spin & Charlie Gracie: Fabulous!
Fabulous.
In England, where Charlie received continued exposure, he had a dozen hits and is still regarded in the same way as Bill Haley and Elvis Presley. He continues to tour the UK every year to large audiences.
Paul McCartney has covered Charlie's music and credits "Fabulous" as a favorite childhood song. George Harrison once cited him as his favorite guitar player - "Brilliant." Graham Nash and many other British Rockers hold Charlie in the highest esteem.
Recently he recorded a new single, "Baby Doll," which is getting the first new airplay for him in the US in 50 years. Now his stature is in the infancy of being exposed in the US - the first Rock and Roll Guitar Player - he started recording in 1951.Charlie Gracie, Jr.
Congratulations, Charlie! (kk)
Kent ...
Kent ...
Good review for Dion's new CD, to be
released January 24th.
Frank B.
Click here: Something Else! sneak peek: Dion – Tank Full Of Blues (2012)
Frank B.
Click here: Something Else! sneak peek: Dion – Tank Full Of Blues (2012)
It's a good CD. Scroll back to December 27th to see
our review ... and hear a clip of "Bronx Poem", the closing track from Dion's
new album. (kk)
I agree with you, Dion is
best at singing the Blues.
You're right - I do like "
Bronx Poem. "
One of my Christmas gifts
was a I-Tunes download.
I think I'll use it on this
album.
Frank B.
Good choice, Frank ... you'll be pleased
with your decision. (In fact, hearing this new CD makes me want to hear the
complete Dion blues trilogy!) kk
Wanna hear for yourself how good it really
is? Promoter Bob Merlis just sent me this link:
Check out Dion's self-written liner notes for the CD:
If you’re serious about rock music, the name
Dave Marsh means something to you. He defined rock journalism the way Red Smith
and Roger Angell defined baseball journalism. He was the great voice of Rolling
Stone Magazine in its heyday. He remains one of the most authoritative
commentators heard on rock-talk radio. His opinions and observations are well
worth reckoning.
So Dave knocked the wind out of me, one day in 2010, when he and I
were talking on camera for an oral-history project at the Rock and Roll Hall of
Fame. Out of the blue, he offered the opinion that yours truly is the only
first-generation rock 'n' roll artist, on the charts in 1958, who has remained
creative and relevant through the intervening decades, right up to the present.
Yes, in 1958 I had three top-forty hits, and in 2007 I was nominated for a
Grammy. But that’s just me doing what I
do, so I tried to argue with him. (A pointless exercise – don’t try this at home
or anyplace else!) Then, Dave went and
upped the ante and said my last three albums had been my
strongest.
When I got home, as you might imagine, I was feeling pretty good
about all this. So I told my wife,
Susan, who is almost impossible to impress.
Her response: “So what are you going to do
next?”
I wanted to accept Dave’s words as a laurel and to rest on it, so
to speak, but Susan re-packaged them as a dare.
All this took place around the same time I was writing my memoir,
Dion: The Wanderer Talks Truth. So I was spending a lot of time thinking about
my deepest roots and influences — in the blues, classic country, and early
rock.
It’s hard for me to describe what happened next. I can only tell
you that these small conversations launched the most creative period of
songwriting in my life. Every morning, it seems, I woke up with a new tune
running through my head — and the music wouldn’t leave me alone. What’s more,
the tunes rocked in a very real way. Yeah, they were rootsy, but not with a
“Golden Oldies” kind of nostalgia. They were relevant. Some of them — like
“Ride’s Blues,” my tribute to Robert Johnson — scared me, they seemed so
timeless.
I drove the crew at the studio crazy. I had planned an album that
was maybe half originals and half covers. But I kept ripping things up to make
room for the new material as I wrote it. I had planned to work with a band, but
I found that the guitar work in my head needed to get out through my fingers,
and not someone else’s.
So that’s what you’ve got here, in your hands or on your hard
drive. It’s the work I consider the crown of my career. It’s work I couldn’t
keep inside. It’s work that was burning in me till I got it
out.
Thanks to Dave for getting it started. Thanks to Susan for making
it a dare. Thanks to all of rock and roll’s better angels who inspire us
artists. Thanks be to God, who gave us bodies that respond to a
backbeat.
Now what am I going to do
next?
Dion
And, speaking of Dion ...
And, speaking of Dion ...
re:
DION:
>>>Dion says he
thinks this is the group's last TV appearance. Notice only three members of the
group ... there should be four. (Frank B.)
Click here: *Dion and The Belmonts*- Swingin On A Star - YouTube
>>>Strange ... only three in the 1958 Dick Clark clip, too. So who's missing??? (kk)
Click here: *Dion and The Belmonts*- Swingin On A Star - YouTube
>>>Strange ... only three in the 1958 Dick Clark clip, too. So who's missing??? (kk)
Kent ...
Mystery Solved regarding the clip I sent you of Dion & The Belmonts' last TV
appearance.
There were three group members instead of four. Wild Wayne answered the question for us.
There were three group members instead of four. Wild Wayne answered the question for us.
Group member Angelo D' Aleo was in the Navy at this time.
Angelo also missed the "Winter Dance Party" tour. Wild Wayne went on to say
that the song in the clip ("Swingin' On A Star") was the reason Dion split
from the group. The record company wanted the group to continue
bringing back old standards like "Where Or When" and "That's My Desire."
The Belmonts didn't care. Dion wanted to record "Newer" Rock-n-Roll.
Frank B.
And with Martin Luther King Day coming up on Monday, how could we not run this great clip of "Hippie Dion" performing his #2 Hit on The Smothers Brothers Comedy Hour! (kk)
bringing back old standards like "Where Or When" and "That's My Desire."
The Belmonts didn't care. Dion wanted to record "Newer" Rock-n-Roll.
Frank B.
And with Martin Luther King Day coming up on Monday, how could we not run this great clip of "Hippie Dion" performing his #2 Hit on The Smothers Brothers Comedy Hour! (kk)
Check out Dion, without a hat.
Frank B.
Click here: Dion - Abraham, Martin And John (so great!) - YouTube
Frank B.
Click here: Dion - Abraham, Martin And John (so great!) - YouTube
re: HONEY:
I never cared for HONEY but a big record
never the less. Here in OKC former
member of the Kingston Trio Bob Shane had a cover version which also made the
local weekly survey. His was on Decca.
For some reason when I read some of the comments concerning HONEY, it reminded me of another record which I never did
like and was played a lot here in OKC. From 1964, remember Pete Seegar's LITTLE BOXES? I believe a group called
the Womenfolk had a shorter cover version on RCA.
Larry Neal
Kent,
All this nay-saying over "Honey"
reminds me of one of the funniest bits ever on TV. The Smother's Brothers' skit
called the "Honey House". ANYONE who hates "Honey" has got to LOVE "Honey
house". Watch it here:
Clark Besch
It's funny 'cause I had forgotten all about this bit
until I saw the clip ... and then I remembered it instantly. (Weird how
something you saw ONE TIME on TV 44 years ago can have THAT kind of a
memory-impact on you! Just goes to show you how intently we absorbed every bit
of this stuff back then!)
"Honey", of course, was an across-the-boards smash ...
one of the biggest records of the entire decade ... but, like Frannie just said
when we watched this clip, they were even making fun of it back then!!! My
guess is Bobby Goldsboro and writer Bobby Russell laughed all the way to the
bank! (kk)
And, speaking of cringe-worthy musical fare, FH Reader Frank B. (who is ALWAYS patrolling the WCBS-FM website) just sent us THIS link to The Ten Worst Songs of the'70's:
And, speaking of cringe-worthy musical fare, FH Reader Frank B. (who is ALWAYS patrolling the WCBS-FM website) just sent us THIS link to The Ten Worst Songs of the'70's:
re: CARLY
SIMON:
REGARDING THE "YOU'RE SO VAIN" STORY, JIM RYAN (YES, FORMERLY OF THE
CRITTERS, WHO WAS ONE OF THE STUDIO MUSICIANS ON THE TRACK) TOLD ME IT WAS
INDEED ABOUT WARREN BEATTY, AND THERE WAS SOME UNRULY BEHAVIOR BY HIM IN THE
STUDIO THAT WAS NOT APPRECIATED ... HOPE THIS HELPS.
MICHAEL G. BUSH
This was it ... the story behind Carly
Simon revealing the identity of who "You're So Vain" was actually written
about.After 40 years
of guessing and wondering, Carly Simon
has revealed who her iconic "You're So Vain" song is written
about.
We almost don't want to tell you. The mystery is what makes the song!
Ah well, it's out there already. The song, which was rumored for years to be about one of her ex-boyfriends (like Warren Beatty or Mick Jagger), was actually written about gay record label boss David Geffen.
The answer came to fans after Carly admitted the name of the Vain person was whispered in the new acoustic version of the song off her upcoming album Never Been Gone. After listening to it, sources say the singer whispers Geffen's name backwards on the track.
So while for years the speculation was that song was intended to be an angry-bitter break-up song, now the lyrics take on a new meaning. Some suggest that Carly is signing about her resentment towards Geffen when he allegedly put more effort into promoting rival star Joni Mitchell.
And there you have it! Not as exciting as you thought it would be, huh?Except my daughter said that Carly was super-jealous and angry because Geffen put her on the back burner while plugging and pushing his new conquest ... Joni Mitchell ...
We almost don't want to tell you. The mystery is what makes the song!
Ah well, it's out there already. The song, which was rumored for years to be about one of her ex-boyfriends (like Warren Beatty or Mick Jagger), was actually written about gay record label boss David Geffen.
The answer came to fans after Carly admitted the name of the Vain person was whispered in the new acoustic version of the song off her upcoming album Never Been Gone. After listening to it, sources say the singer whispers Geffen's name backwards on the track.
So while for years the speculation was that song was intended to be an angry-bitter break-up song, now the lyrics take on a new meaning. Some suggest that Carly is signing about her resentment towards Geffen when he allegedly put more effort into promoting rival star Joni Mitchell.
And there you have it! Not as exciting as you thought it would be, huh?Except my daughter said that Carly was super-jealous and angry because Geffen put her on the back burner while plugging and pushing his new conquest ... Joni Mitchell ...
For years there
has been debate about which of Carly Simon's ex-boyfriends could have inspired
the hit song You're So Vain.But while former lovers Mick Jagger, Kris
Kristofferson, Cat Stevens and Warren Beatty were left wondering whether 'this
song is about you', they have been proved wrong.For the Seventies singer has
finally revealed the real inspiration behind her hit track wasn't a boyfriend at
all - it was openly gay record producer David Geffen.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-1253964/Carly-Simon-finally-reveals-subject-Youre-So-Vain--record-producer-David-Geffen.html#ixzz1j7BuWTiR
Read more: http://www.dailymail.co.uk/tvshowbiz/article-1253964/Carly-Simon-finally-reveals-subject-Youre-So-Vain--record-producer-David-Geffen.html#ixzz1j7BuWTiR
Simon, 64, ended
the 38 year guessing game by whispering the name backwards on a reworked version
of the song for her new album Never Been Gone, out next week. Previously Simon
had always claimed the song was a 'composite' of people she knew.In 1972 when
she wrote the song billionaire Geffen was the head of her Elektra record label.
It is thought she was inspired to write the damning lyrics after Geffen put all his time and energy into promoting her rival, Joni Mitchell, over her.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-1253964/Carly-Simon-finally-reveals-subject-Youre-So-Vain--record-producer-David-Geffen.html#ixzz1j7Bek1M0http://www.dailymail.co.uk/tvshowbiz/article-1253964/Carly-Simon-finally-reveals-subject-Youre-So-Vain--record-producer-David-Geffen.html
I've seen Geffen's name linked to this song a few times over the years ... and, probably just as many times, comments that Carly Simon didn't even KNOW him yet back then. Remember, her career was really just starting to take off around this time ... and it was "You're So Vain" that pushed it way over the top. I dunno ... if CARLY says it's so, then it must be so. (And if she whispered his name backwards on the new CD then that's good enough for me ... I guess!!!) Honestly, I still believe it more of a "compilation" of a few of the key figures in her life ... and, despite what she says, I think there was a certain unspoken irony in having Mick Jagger sing on the record.
It is thought she was inspired to write the damning lyrics after Geffen put all his time and energy into promoting her rival, Joni Mitchell, over her.
Read more: http://www.dailymail.co.uk/tvshowbiz/article-1253964/Carly-Simon-finally-reveals-subject-Youre-So-Vain--record-producer-David-Geffen.html#ixzz1j7Bek1M0http://www.dailymail.co.uk/tvshowbiz/article-1253964/Carly-Simon-finally-reveals-subject-Youre-So-Vain--record-producer-David-Geffen.html
I've seen Geffen's name linked to this song a few times over the years ... and, probably just as many times, comments that Carly Simon didn't even KNOW him yet back then. Remember, her career was really just starting to take off around this time ... and it was "You're So Vain" that pushed it way over the top. I dunno ... if CARLY says it's so, then it must be so. (And if she whispered his name backwards on the new CD then that's good enough for me ... I guess!!!) Honestly, I still believe it more of a "compilation" of a few of the key figures in her life ... and, despite what she says, I think there was a certain unspoken irony in having Mick Jagger sing on the record.
Did you check
out some of those other interviews and clips we sent along last time from her
website? This has been a hot topic for nearly 40 years now!!! (Makes whatever
Billy Joe McAllister threw off the Tallahatchie Bridge seem like small potatoes
in comparison, doesn't it???) kk
re: THE WRECKING CREW:
Looks like you're up to speed on the whole
Carol Kaye / Wrecking Crew thing. I was surprised that she hated the term so
much, but it comes down to the idea of being misrepresented. Listen to this clip
from our YouTube channel to hear her explain:
Be
Well,
Carl
Wiser
Speaking of
"The Wrecking Crew", here are some upcoming screenings of the film. If you
haven't had a chance to see this yet, do yourself a favor and check it
out!
January 22
- WINTER NAMM / Anaheim, CA
January 29
- Indian Wells Country Club / Indian Wells, CA
January 30
- El Portal Theater / North Hollywood, CA
February 8 - 2012 Mobile Beat DJ Show and Conference / Las Vegas,
NV
re: THE MONKEES:
Gary Pig
Gold's obituary last month for Bert Schneider, one of (New) Hollywood's
pioneers,
incorporates my review of his Monkees work, newly available on DVD.
Be Sure to Follow the Links for even more Monkeeshines ...
incorporates my review of his Monkees work, newly available on DVD.
Be Sure to Follow the Links for even more Monkeeshines ...
And I found this while looking for something else:
re: ON THE ROAD AGAIN:
PIONEERING BRITISH BLUES-ROCK BAND THE YARDBIRDS HIT
THE ROAD
New York, NY -- The Yardbirds, the band that
spearheaded the British Blues Boom of the 1960s, the band that brought the world
Eric Clapton in 1963, Jeff Beck in 1965 and Jimmy Page in 1966 (who played in
the band with Beck for four months), the band that continues to inspire artists
worldwide, will tour the Northeast starting February 1 in Buffalo, New
York.
The lineup includes critically-acclaimed original
drummer/composer Jim McCarty, guitarist Ben
King, who has garnered a reputation as one of hottest,
most tasteful young guitar players around, bassist David Smale
(a much-respected and admired UK-based musician) and vocalist Andy
Mitchell, whose sound is straight out of the mid-'50s Chicago school of
blues. Chris Dreja, guitarist and co-founder, is
recuperating at home after a recent illness and regrets that he won't be able to
be a part of this short tour. He thanks all his fans for their good wishes and
looks forward to seeing them again when he re-joins the band later in the year
for a more extensive tour.
Known as much for their strict allegiance to the blues as for their
international chart-topping hit "For Your Love," The
Yardbirds have never lost their drive and jet-propelled beat, due
mainly to Mr. McCarty. Their "Train Kept A' Rollin'" inspired
Aerosmith to tackle the same song. Their early forays into heavy rock inspired
Page to form his own band, originally named The New Yardbirds, but ultimately
named Led Zeppelin.
The
Yardbirds, electrifying, eclectic
and way ahead of their time, melded heavy rock, wild
jams, and an improvisatory feel, and continue to influence generations of
bands. Go to a Yardbirds show and you'll find crowds filled
with 20-somethings to baby boomers all thrilling to this band's legendary power.
Watching The Yardbirds in action is experiencing rock'n'roll
history.
The
Yardbirds will co-bill with Vanilla Fudge at the following
venues: *
2/1/12 - Buffalo, NY - The Tralf *
2/2/12 - Nichols, NY - Tioga Downs Racetrack
2/3/12 - New York, NY - Irving Plaza *
2/4/12 - Glenside, PA - Keswick Theatre *
2/6/12 - Alexandria, VA - The Birchmere
2/8/12 - Tarrytown, NY - Tarrytown Music Hall *
2/9/12 - New Brunswick, NJ - State Theatre *
Now this is a band I wasn't expecting to see
reunite!!!
On
the other hand, we've been anticipating THIS announcement ever since the 50th
Anniversary Reunion tour was announced:
Original YES Vocalist / Songwriter Jon Anderson To Play Select
US Dates
1/11/2012 - Asheville, NC - Music legend and original YES vocalist
/ songwriter Jon Anderson will be playing a series of select solo concert dates
in the US starting in February.
Jon
Anderson, who has one of the most recognizable voices in music, and is best
known for his work with YES, Vangelis and Kitaro, as well as his innovative solo
efforts, recently completed a successful tour of the east coast in the US with
fellow YES member Rick Wakeman and a solo tour of South America. Jon's solo tour
promises to deliver an exciting mixture of material from his prolific solo
career, collaborations with Vangelis and classic YES songs, along with new
compositions from his new CD 'Survival & Other Stories'.
Jon Anderson US 2012 Tour
Dates:
2/02/2012 - Mesa Arts Center - Piper Theater -
Mesa, AZ - www.mesaartscenter.com
2/04/2012 - Wheeler Opera
House - Aspen, CO - www.wheeleroperahouse.com
2/17/2012 - American Music
Theater - Lancaster, PA - www.amtshows.com
2/19/2012 - Newton Theatre -
Newton, NJ - www.thenewtontheatre.com
2/24/2012 - Ovation Green
Valley Ranch Resort & Spa - Henderson, NV -www.greenvalleyranchresort.com/entertainment/ovation.php
2/26/2012 - One World Theatre -
Austin, TX - www.oneworldtheatre.org/home.html
2/28/2012 - Kessler Theater -
Dallas, TX - www.thekessler.org
3/01/2012 - Carolina Theatre -
Durham, NC - www.carolinatheatre.org
3/03/2012 - Parrish Auditorium
Miami University Hamilton - Hamilton, OH
3/05/2012 - World Cafe Live - Wilmington -
Wilmington, DE - www.worldcafelive.com
3/07/2012 - Theatre of Living Arts
- Philadelphia, PA -
3/08/2012 - Baltimore Sound Stage
- Baltimore, MD - www.baltimoresoundstage.com
3/10/2012 - B.B. King Blues Club
& Grill - New York, NY - www.bbkingblues.com
3/14/2012 - Infinity Hall -
Norfolk, CT - www.infinityhall.com
3/15/2012 - Wilbur Theatre -
Boston, MA - www.thewilburtheatre.com
3/17/2012 -
Narrows Center For The Arts - Fall River, MA - www.ncfta.org
Jon recently released an
epic musical work entitled "OPEN." A return
to the long-form composition that Jon Anderson is best known for, (“Close To The
Edge”, “Gates of Delirium”, "Revealing" and “Awaken”), OPEN is a 21-minute
exhilarating musical journey; a pioneering effort that weaves intricate melodic
and harmonic themes within a classical music framework whilst showcasing
Anderson's iconic vocals and timeless melodies throughout. In many ways OPEN is
a return to Jon Anderson's musical roots, as YES music continually flows through
his veins, making it only natural to revisit now and again. Coupled with
wonderful orchestration by his neighbor and good friend Stefan Podell, messages
of peace, love, light and freedom are further explored within OPEN, making
listening an uplifting and joyous experience!
" 'Forever taken to that place of
understanding,' are the first lyrics of 'OPEN', as though I am always
remembering my true musical journey. To create this work, I sat with my 19th
Century guitar and strummed ideas last spring 2010. Songs just poured out of me
that week, and before I knew it I had created a long form musical idea, and with
the help of Stefan Podell's powerful orchestration, we put together what is now
'OPEN.'
It has
4 movements all intertwined, and seems to have a life of its own. For those who
love this kind of music, I feel so happy to present it as one of many I hope to
create over the coming years. My love 'Janee' has helped in production with her
unique musical observations and her angel voice. I am so happy and thankful...
Many Blessings."
Jon
Anderson - October 2011
Jon
Anderson's OPEN is available as a digital download and can be obtained
at:
In other news, Jon
Anderson and fellow former YES member Rick Wakeman have released 'Anderson /
Wakeman - The Living Tree In Concert Part One' CD on Gonzo MultiMedia. The
legendary duo performed a series of successful concerts in the UK in 2010 in
support of their critically acclaimed CD release 'The Living Tree', and recorded
several of the performances.
The CD can be
obtained at www.gonzomultimedia.co.uk
For more information on
Jon Anderson's upcoming tour go to
Jon Anderson 'Survival & Other Stories'
available through Voiceprint Records
re: THE LEFT BANKE:
I
thoroughly enjoyed the you-tube video of the Left Banke and the Kids Khorus
singing WALK AWAY RENEE.
Larry
Isn't it a GREAT clip?!?!? We've watched it several times now ...
a great rendition (and the vocals are spot-on!) kk
re: COOL LINK OF THE WEEK:
re: COOL LINK OF THE WEEK:
Actually, this one
came from Frannie ... a GREAT, commemorative site remembering Gloria Stavers of
16 Magazine ... TONS of cool stuff to be found here. Check it out when you've
got some time to spare ... my guess is you'll be here for awhile!!!
(kk)
re: ON THE
RADIO:
I can only observe
the trends in radio that I hear and see. Certainly, that RIAA Top Selling list
that you recently ran has a great affect on music that (still) does receive
airplay. I'm sure radio stations spy on one another. For example, both Philly
stations, between WOGL and WMGK, I'm not really sure which one I'm listening to.
Common songs, some I don't classify as Classic Rock, end up on WMGK. Just the
opposite with WOGL. Are they ashamed of what they play? Well, for example, WOGL
removed or hid their playlist (maybe same with 'MGK)! Every "Classic Rock"
stations, PA & NJ, heavily focuses on Led Zepplin. Both 'MGK and 'OGL has a
Beatles show, just about the same time, same day! At one time, it was difficult
to compete with the big $$$ radio stations, such as those who have money to
spare. But it's neat to find an independently owned station kicking butt in
Philly. As you know, I enjoy hearing new music, but seldom catch the song title
and / or artist. WBEB, so simply, announces the artist / tile AFTER the song!!!
WBEN "We Play Anything We Feel Like", seems to have no DJs!!!
http://wogl.radio.com/
http://www.wmgk.com/
http://www.b101radio.com/
http://www.ilikebenfm.com/Best,
John
http://wogl.radio.com/
http://www.wmgk.com/
http://www.b101radio.com/
http://www.ilikebenfm.com/Best,
John
The whole "we play anything we feel like" concept was a neat and
novel idea when it first came out with Jack-FM ... and a number of stations
around the country jumped on the bandwagon (as they so often do) and then, just
as quickly, bled it dry of any new and novel feel it once had. (In major
markets like Chicago and New York, the hot prospect of Jack-FM actually knocked
the oldies stations off the air ... a few years later, they're back and doing
better than ever ... and Jack is just a bad memory.)
Problem is (as is so often the case) Jack-FM wasn't enough ... we
had to go with Jane-FM and Bob-FM and Ted-FM and Tom, Dick and Harry-FM to the
point of complete saturation again. (Too much of a good thing is no longer a
good thing!) And despite what they may have said promotion-wise, they really
had a pretty limited playlist, with a heavy concentration on the
'80's.
But I DO like the concept ... I suggest a '60's Oldies Station
called Bob And Carol And Ted And Alice - FM ... and then every hour one of these
four deejays plays four songs that they actually really like and want us to hear
... not something that's been pre-programmed by a computer with no live air
talent in the building! Imagine how fun it would be to hear four knowledgeable
music fans try to out-do each other by playing something more surprising than
the last!!! (kk)
Hey Kent,
Had to get this out there cause
it's been driving me right up the wall.
Last night (1/11/12), I had WLS on during the 11 PM hour
and recalled hearing an eerily similar playlist during the 11 PM hour on 12/30/11. I remember
this 'cause I was coming home
from the Hawks - RedWings game that night. Anyway, sure as you know it, the playlist was nearly identical.
For some odd reason "He Don't Love You" by Tony Orlando and Dawn is not listed on the list for 1/11 but
they did play it ... in fact, that's the song that made me get the whole "Groundhog's Day"
feeling. I remember it going
from "Teenager In Love" to Tony Orlando - Barry Manilow - Mel Carter, etc.
Anyway, this is not the first time
I heard a repeat playlist.
The week of Thanksgiving (I
believe) there were 4 nights that
I heard the SAME EXACT SONGS, in the SAME EXACT ORDER, within ONE WEEK!!!!!!!! Driving me right up
the wall. It's always been during the 11 PM hour ... I hadn't noticed it any other time.
**I don't know why that playlist
doesn't pick up every song, you can sometimes tell by the massive gaps that are obviously not all commercials.
But I can tell you that they have
definitely repeated the same set list**
So Here's to A++ Level
Programing!
AJK, The Youngest Oldies Freak
Around
You are not the first one to write
in with a similar complaint lately about WLS-FM's programming (or lack there
of). I'm not sure what's going on ... but, based on the other mail we've
received, it doesn't sound like this is just happening in the 11 PM hour ...
you'll find it in the early AM hours, too. (One reader, who asked to remain
anonymous, told me that his alarm clock went off to the same song four times
in eleven days!!!) kk
Meanwhile, we've heard from a few
Forgotten Hits Readers who are diggin' the new Twin Spin tie in that Mr. C is
doing on his Radio Free Nashville "Flip Side" Show on Tuesday
nights.
Like what you're hearing? Drop him
a line at: mr.c@theflipsideradioshow.com
We're still hoping to get a few more deejays on
board with our new "Sound Advice" feature ... all we keep hearing is how, as
much as they'd like to do it, their radio stations simply allow ANY form of "new
creativity" to be programmed into their format. (Gee, how many times have we
heard THIS one before?!?!?) Therefore, we're counting on your internet jocks to
help incorporate this feature into your programs. Let me know what you're doing
(and when) and we'll add your "Listen Live" link to our FH Website!
(kk)
Kent ...
Kent ...
Check out what's happening on
WCBS-FM this weekend.
Click here: Super Soul Sets from the ’60s, ’70s, & ’80s in the Hall of Fame
Click here: Super Soul Sets from the ’60s, ’70s, & ’80s in the Hall of Fame
Frank B.
re: THIS AND THAT:
re: THIS AND THAT:
A Friday Good
Morning,
I’ve
been a frequent visitor to your site and have enjoyed it for quite some time.
I was pleased to
see your posting of a link to American Bandstand Regular Eddie Kelly’s YouTube
interview. Shortly after it uploaded, I was given the exclusive to use it on my
website, Bandstand’s Best, which can be found at www.theprincesandprincessesofdance.com
Ed was
kind enough to post a link on the video itself.
Ed,
along with many of the American Bandstand Regulars, is featured there and you’ll
find many rare photos of the likes of Buddy Holly, Paul Anka, plus many high
resolution photos of the studio and the period and a heap of history and more on
the music and dance of the day.
My
website also functions as a portal to my forthcoming book, The Princes and
Princesses of Dance / The Follies of Fame.
Should
you get a chance, I hope you and your readers will drop by and visit Ed and his
friends, possibly post your comments, suggestions and ideas; but most of all
enjoy your stay.
Thanks
for the great work you are doing in helping to keep the memories of that seminal
period of rock ‘n’ roll alive and fresh in our minds. I am an avid fan of
Forgotten Hits.
My very
best to all for a very happy holiday season.
Charles
Charles
W Amann III
Very
happy to pass your information along, Charles. We've got a LOT of readers in
the Philadelphia area ... and a lot of list members who are BIG fans of
Bandstand and the Golden Philly Era. (kk)
Even though I have never seen any works that he did for television, I am familiar with the name of Svengoolie. I guess he was to Chicago as Zacherley was to New York as Count Gregore was to OKC. Someone said a long time ago that rock and roll music goes hand in hand with horror movies, aka monster movies as they were known when I was a kid. Rock and roll being my number one form of music, I have always liked the so-called "monster movies", especially those that came out of Horrorwood during the 1930's-1950's. Still have my monster magazines I bought as a kid, including the complete set of FMOF. I wanted to type and comment on one more thing but I have to quit now. I notice the moon is full outside and I have a tough time typing when this hair starts to grow on my hands.
Even though I have never seen any works that he did for television, I am familiar with the name of Svengoolie. I guess he was to Chicago as Zacherley was to New York as Count Gregore was to OKC. Someone said a long time ago that rock and roll music goes hand in hand with horror movies, aka monster movies as they were known when I was a kid. Rock and roll being my number one form of music, I have always liked the so-called "monster movies", especially those that came out of Horrorwood during the 1930's-1950's. Still have my monster magazines I bought as a kid, including the complete set of FMOF. I wanted to type and comment on one more thing but I have to quit now. I notice the moon is full outside and I have a tough time typing when this hair starts to grow on my hands.
Larry Neal
There seems to
be a genuine affection for horror films (and, quite often, the campier the
better!) amongst rock and roll collectors. (Not me, so much ... but check out
our FH Buddy Charles Rosenay, the guy who puts on all those Liverpool Tour and
Beat Expos ... he's even STARRED in a couple of 'em!!!) kk
And, speaking of Svengoolie ... (or Jerry G. Bishop) ...
And, speaking of Svengoolie ... (or Jerry G. Bishop) ...
Kent,
Speaking of Jerry G. Bishop, if you want a forgotten song, though not necessarily a hit, find a good copy of "She's Gone" by Jerry G. and Company. Apparently it was made while he was in Cleveland, and from what I read, somewhat of a hit there. My Ron Smith WCFL chart book does not show it ever charting in Chicago. However, a copy of the song from vinyl is posted on You Tube. Also, there is a WCFL aircheck posted on You Tube from 1967 that proves that WCFL at least played it a few times, if for no other reason than to promote their new DJ.
Take a listen to the aircheck, and see if it jogs any memories for you, Kent. Personally, I find it a rather catchy tune. The links are below.
http://www.youtube.com/watch?v=94oOA-LzkCY&feature=related
Speaking of Jerry G. Bishop, if you want a forgotten song, though not necessarily a hit, find a good copy of "She's Gone" by Jerry G. and Company. Apparently it was made while he was in Cleveland, and from what I read, somewhat of a hit there. My Ron Smith WCFL chart book does not show it ever charting in Chicago. However, a copy of the song from vinyl is posted on You Tube. Also, there is a WCFL aircheck posted on You Tube from 1967 that proves that WCFL at least played it a few times, if for no other reason than to promote their new DJ.
Take a listen to the aircheck, and see if it jogs any memories for you, Kent. Personally, I find it a rather catchy tune. The links are below.
http://www.youtube.com/watch?v=94oOA-LzkCY&feature=related
This is the WCFL Aircheck featuring
the song posted on You Tube.
http://www.youtube.com/watch?v=DTMMF30sS8k
http://www.youtube.com/watch?v=DTMMF30sS8k
This is a vinyl copy of the song
posted on You Tube.
Ken Durkel
Actually, I
think it's a GREAT song ... and Jerry G. used to play this one quite often once
he landed in Chicago. (I'm not so sure any of the other 'CFL jocks played it
... but Jerry G. sure did!) We've featured it a couple of times before in
Forgotten Hits and many of our readers agree that it's quite a find. Check out
the links above to hear it for yourself! (kk)
MUHAMMAD ALI'S 70TH BIRTHDAY PARTY:
MUHAMMAD ALI'S 70TH BIRTHDAY PARTY:
HOMETOWN CELEBRATION AND LINE-UP OF SPECIAL
GUESTS
LOUISVILLE, KY (January 13, 2012) Muhammad Ali, who once said, “Old age is just a record of one’s whole life,” will be turning a landmark 70 years young on January 17. In Louisville, on Saturday evening, January 14, Muhammad will be celebrating seven decades of accomplishments with special guests and entertainers in his hometown of Louisville, Kentucky. This private event, a fundraiser for the Muhammad Ali Center, includes a guest list of friends, supporters, luminaries, celebrities, and great people who have made a true difference in his life.
LOUISVILLE, KY (January 13, 2012) Muhammad Ali, who once said, “Old age is just a record of one’s whole life,” will be turning a landmark 70 years young on January 17. In Louisville, on Saturday evening, January 14, Muhammad will be celebrating seven decades of accomplishments with special guests and entertainers in his hometown of Louisville, Kentucky. This private event, a fundraiser for the Muhammad Ali Center, includes a guest list of friends, supporters, luminaries, celebrities, and great people who have made a true difference in his life.
The four hour dinner
event will include entertainment and production by David Foster, 16-time Grammy
Award-winning musician; a very special solo
performance by John Mellencamp, Grammy Award-winning singer-songwriter,
musician, Farm Aid Founder, painter, actor, and life-long resident of
neighboring Southern Indiana; Australian singer-songwriter Michael Johns, from
the seventh season of American Idol and Pia Toscano, an American singer from the
tenth season of American Idol.
Also in attendance will be those who make the news and those who
report it: NBC news icons Matt Lauer, Ann Curry and Bryant Gumbel; ESPN
commentator Michael Wilbon; American hikers held in Iran: Josh Fattal, Shane
Bauer, and Sarah Shourd.
Sports figures will be there, too: Ali's longtime trainer, Angelo
Dundee; Three-time heavyweight boxing champion and Celebrity
Apprentice contender, Lennox Lewis; University of Louisville coaches: Rick
Pitino and Charlie Strong; and University of Kentucky Coach John
Calipari;
Artists of many disciplines will be in attendance including: Las
Vegas magician Shimski; photographers Neil Leifer and Howard Bingham; screen
writer Greg Howard; and Academy Award-winning director
Leon Gast.
Finally, Commonwealth of Kentucky Officials will be in Louisville
to honor "The Champ" on this hometown celebration: Governor Steve Beshear; Ltd.
Governor Steve Beshear; Congressman John Yarmuth; and Mayor Greg
Fischer.
This momentous birthday celebration kicks off a week-long series of
activities -- Seven Days for Seven Decades -- at the Muhammad Ali Center, that
celebrate the incredible life and legacy of "The Champ", whose life has inspired
millions of people around the world.
For more information, please visit the Ali Center's web site at www.alicenter.org.
The
Muhammad Ali Center is a 501(c)3 cultural attraction and international education
center that is inspired by the ideals of Muhammad Ali. Featuring an
award-winning visitor experience, educational and public programming, and global
initiatives, the Ali Center reaches beyond its physical walls to fulfill its
mission: To preserve and share the legacy and
ideals of Muhammad Ali, to promote respect, hope and understanding, and to
inspire adults and children everywhere to be as great as they can
be. For more information, please call (502) 584-9254 or visit
www.alicenter.org.
Of course that's MY cue to play the 1975 Johnny
Wakelin hit "Black Superman - Muhammad Ali"! (kk)
Kent ...
News about the
upcoming Jersey Boys motion picture ... screenwriting duties go to John
Logan.
Click here: ‘Jersey Boys’ will Make Move from Broadway to the Big Screen
Click here: ‘Jersey Boys’ will Make Move from Broadway to the Big Screen
Frank
B.
We can't wait!!! We've been hearing about these movie plans for
two years now ... and I totally get that they don't want to take any attention
away from the stage production (now playing literally all over the world) ...
but I want a copy to permanently call me own ... so this is VERY good news.
(Still no anticipated "in theaters" date ... but I'm hoping by next year for
sure!!!) kk
re: COLLECTIBLES:
re: COLLECTIBLES:
>>>At least you have
your Elvis Mr. Potato Head Collection to help raise your spirits!!!
(kk)
Is there a Michael Jackson Mr. Plastic Face Collection? :-)
Jersey John
Is there a Michael Jackson Mr. Plastic Face Collection? :-)
Jersey John
You may have just hit on the marketing idea of the decade!!! Just
imagine the "various noses" accessories kit!!! (kk)
re: DIGGIN' FORGOTTEN HITS:
re: DIGGIN' FORGOTTEN HITS:
Thanks
for the great job that you do in keeping Forgotten Hits
going.
Best wishes,
Mike
Edwards