Wednesday, November 11, 2026

More Mid-Week News

This Saturday (November 14th) is the Rock And Roll Hall Of Fame Induction Ceremony, which will air this year on YouTube.

The 2026 inductees include (in the Performer Category) Phil Collins, Billy Idol, Iron Maiden, Joy Division / New Order, Oasis, Sade, Luther Vandross and Wu-Tang Clan.  “Early Influence” awards will be given to Celia Cruz, Fela Kuti, Queen Latifah, MC Lyte and Gram Parsons while Musical Excellence awards will be presented to Linda Creed, Arif Mardin, Jimmy Miller and Rick Rubin.  And, at long last, Ed Sullivan will be inducted with the Ahmet Ertegun Award.

The live stream begins at 7:30 Eastern Time.  (Is it wrong that the ONLY induction I care about this year is Old Stone Face, Ed Sullivan???  Not that some of the other inductees aren't noteworthy ... but Phil Collins is already in and to my mind, NONE of the "Performers" did anything revolutionary enough to qualify them as Rock And Roll Hall Of Fame material.  I get that Queen Latifah and Gram Parsons have become legends over time ... and certainly Arif Mardin, Jimmy Miller and Rick Rubin have produced lifetime achievements ... even Fela Kuti, who has been referred to as inspirational by so many artists ... but the rest of this list just leaves me flat.  Hate to say it, but I may just watch the Ed Sullivan clip the next days as a "stand-alone" on YouTube.)  kk

Kent:

With the passing of the last original Lettermen, Tony Butala, last week, I got a great deal of enjoyment from the re-posting of your three part series on the three man group.  

As a kid in middle school, I used to listen to the Lettermen all the time.  I bought their albums, enjoyed their radio hits, and went to see them in Boston when I wasn’t old enough to drive (my parents drove me and dropped me off). At that time it was Jim and Gary Pike, along with Tony.  They consented to doing an interview for me while I was in my teens.  I had a radio show every weekend on my hometown AM radio station in Attleboro, Massachusetts.  The three of them couldn’t have been nicer.  

Plus back in the 70s, they were popping up on TV all the time (everything from the Hollywood Palace to the Mike Douglas Show.)  

I know Gary Pike has been a long time reader of FH.  Have you considered reaching out to him for some final thoughts on Tony Butala?

Thanks for the Lettermen memories!

- Tom Cuddy

  New York, NY

I haven't talked to Gary in a long time but, at your suggestion, I reached out to him earlier today.  Let's see if we get a response.  (I'm not even sure the email address I have for him is still valid!)  kk 

And next, as only Forgotten Hits can do ... here we go from The Lettermen to Jimi Hendrix!!! 

"JIMI PLAYS BERKELEY” RETURNS TO THE BIG SCREEN FOR A SPECIAL THEATRICAL ENGAGEMENT

Newly Restored Legendary Concert Film of the Jimi Hendrix Experience’s Two May, 1970 Performances Will Roll Out On Select Screens

Featuring Exclusive Content Never Seen In Cinemas

Magic Boy: The Jimi Hendrix Experience Live At Berkeley (First Show) Album Available Now 

 



Experience Hendrix, L.L.C., in association with Evan Saxon Productions, is launching a theatrical run of the film Jimi Plays Berkeley. The film features footage from the Jimi Hendrix Experience’s two concerts at the Berkeley Community Theatre on May 30, 1970, as well as anti-war student riots which had roiled the city and campus community two weeks prior to Hendrix’s performance. 

The first dates in this new roll out will be at Rialto Cinemas Elmwood in Berkeley on November 14 and 17, followed by screenings in Sebastopol, Cape Cod, London, Cleveland, Santa Fe, and Salina, KS with more dates and venues to be announced. Screenings will also come to Hungary, Israel, Belgium and Canada, with additional countries coming on board. As part of the grand opening of the Jimi Hendrix: West Coast Seattle Boy exhibition at the Museum of Pop Culture (MoPOP) in the music legend’s hometown of Seattle, Jimi Plays Berkeley will screen on November 21, followed by a Q&A with producer/Experience Hendrix CEO Janie Hendrix.

Watch the trailer for Jimi Plays Berkeley

This special, expanded edition of the 1971 film Jimi Plays Berkeley showcases some of Jimi’s finest ever performances juxtaposed against the political unrest and student uprisings in Berkeley. Hendrix’s set list not only encompassed older favorites such as “Purple Haze” and “I Don’t Live Today,” but also exciting renditions of new songs such as “Straight Ahead” and “Hey Baby (New Rising Sun)”. Jimi’s riveting, high velocity take of Chuck Berry’s “Johnny B. Goode” stands as one of the hallmark moments of his career, as does his breathtaking, extended reading of “Hear My Train A Comin’”. 

This expanded edition was first released  in 2012 on DVD/Blu-ray, but it has been newly restored this year with a 4K transfer from the original 16mm negative. Initially released theatrically in mono, Hendrix’s engineer Eddie Kramer newly mixed the soundtrack in stereo. More than fifteen minutes of additional documentary and performance footage never before shown in cinemas of such classic songs as “Voodoo Child (Slight Return),” “Machine Gun” and “Hear My Train A Comin’” are now included in this special theatrical presentation.  

“Jimi’s performances were never simply concerts; they were experiences,” said Janie Hendrix. “His music, his energy, and the way he connected with an audience were extraordinary. More than 56 years later, that magic is still there. I’m happy that longtime fans and a whole new generation will have the opportunity to experience Jimi on the big screen.”   

As a bonus, screened together with Jimi Plays Berkeley is the 25 minute short film Jimi Hendrix: Miami Pop Festival. This film, directed by John McDermott, showcases the original Jimi Hendrix Experience at the May 1968 pop festival organized by future Woodstock promoter Michael Lang. The film features an interview with Lang together with dramatic performances by Hendrix that include “Fire,” “Foxey Lady,” “Purple Haze” and the only known footage of the guitarist’s rendition of “Tax Free.”

This is Evan Saxon Productions’ fifth collaboration with Experience Hendrix. ESP has also overseen the recent global theatrical distribution for Jack Johnson: Surfilmusic, Matter of Time featuring Eddie Vedder, Billy Idol Should Be Dead, and many other music-centric films. Evan Saxon commented, “Decades on, Jimi continues to inspire and drive fans to cinemas around the world so they can ‘experience’ him on the biggest screens, where Jimi Hendrix belongs. It is an honor to once again collaborate with Experience Hendrix.” 

In conjunction with Jimi Plays Berkeley, Experience Hendrix, L.L.C. and Legacy Recordings, the catalog division of Sony Music Entertainment, have released Magic Boy: The Jimi Hendrix Experience Live At Berkeley (First Show) on 2LP vinyl, CD and all streaming platforms. Captured by the band’s front-of-house engineer Abe Jacob and newly remixed by longtime Hendrix producer/engineer Eddie Kramer from the original multi-track tapes, Magic Boy was mastered by multiple-Grammy Award winner Bernie Grundman. It was co-produced by Janie Hendrix, Eddie Kramer and John McDermott. 

Jimi Plays Berkeley theatrical dates:

November 14th & 17th - Berkeley, CA - Rialto Cinemas Elmwood*

November 16th - Sebastopol, CA - Rialto Cinemas Sebastopol*

November 19th - Dennis, MA - Cape Cinema*

November 21st - Seattle, WA - Museum of Pop Culture (MoPOP)+

November 26th - London, UK - The Gate Picturehouse Notting Hill#

November 29th & Dec 1st - Cleveland Heights, OH - Cedar Lee Theatre*

January 1st - Fall River, MA - Narrow Center for the Arts*

January 17th - Santa Fe, NM - Sky Cinemas Midtown*

February 16th - Salina, KS - Salina Art Center*

* - Includes screening of the short film The Jimi Hendrix Experience: Miami Pop Festival

+ - Grand opening of Jimi Hendrix: West Coast Seattle Boy exhibition, Q&A with Janie Hendrix 

Showtimes and tickets for Jimi Plays Berkeley available at:

https://jimiplaysberkeley.com/

And MORE Jimi news ... 

November 09, 2026:  Washington Governor Ferguson chooses Jimi Hendrix for Washington’s U.S. Mint Innovation Coin

 

 

Washington Governor Bob Ferguson today announced he has chosen Jimi Hendrix as Washington’s submission to the U.S. Mint American Innovation $1 Coin Program.


The program, first launched by the Mint in 2019, honors innovation and innovators from each of the 50 states, the District of Columbia, and the five U.S. territories by issuing four new $1 coins every year through 2032. Washington state is set for a 2029 release.


Governor Ferguson designated Washington Treasurer Mike Pellicciotti as the state’s official liaison to the U.S. Mint. Pellicciotti assembled an Innovation Coin Advisory Committee of state leaders in history and innovation to review public submissions, generate additional ideas, collaborate on concepts and formalize the state’s submission to the Mint. The committee unanimously approved five finalists for Governor Ferguson to choose from.


“Washington is one of the most innovative states in the nation,” Governor Ferguson said. “The finalists were all strong examples of this. The Innovation Coin program is a unique opportunity to honor our history and share Washington’s story. Picking just one example from the most innovative state in the nation was difficult, but Jimi Hendrix’s historic innovation on guitar and his deep roots in Washington make him a great choice to represent our state.”


Born in Seattle in 1942, Jimi Hendrix revolutionized electric guitar. He attended Horace Mann Elementary School, Washington Junior High and Garfield High School. His first musical gig was in Seattle. Hendrix was inducted into the Rock & Roll Hall of Fame in 1992 along with his band, the Jimi Hendrix Experience.


In 2023, Rolling Stone named Hendrix the greatest guitarist of all time, calling him “a true master of the instrument.” Hendrix was listed above iconic guitarists like Chuck Berry, Jeff Beck, B.B. King, Carlos Santana and others. 


“Everyone was using tiny brushes and doing watercolors, while Jimi Hendrix was painting galactic scenes in Cinemascope,” Santana is credited with saying.


In its summary of his relatively short performing career before he died in 1970, Rolling Stone focused on his innovation and influence on music and culture.


“He popularized the use of feedback, invented his own fusion of blues and psychedelia, and influenced the development of rock, metal, funk, and much more,” Rolling Stone noted. “In an era when music was still largely racially segregated, the emergence of Hendrix — a Black artist who left white crowds gaping in awe — was a seismic event that obliterated cultural barriers.”


The next phase will include design development, consultation with the U.S. Commission of Fine Arts, and public review by the Citizens Coinage Advisory Committee.  The final design selection will be made by the U.S. Secretary of the Treasury.

 

I don't know about the rest of you, but dollar for dollar, I would MUCH rather have a Jimi Hendrix coin in my collection than a Donald Trump coin!  (kk)

Todd Rundgren Announces Spring 2027 Tour Dates

Legendary producer/songwriter/guitarist Todd Rundgren is expanding his 2026 Damned If I Do Tour into 2027 with a major slate of newly added dates! This new leg of the tour includes new locations across the United States!

This tour promises to include plenty of fan favorite songs. Says Todd, “It’s always a challenge for me because my audience is so diverse, I never know what they’re in the mood for. I want to make sure we have all the musical ammunition we need to satisfy the spectrum.”

This new leg commences March 20th at The Plaza Live in Orlando, FL, and ends April 19th at The Ryman in Nashville, TN! The fan presale for the new dates begins at 10 AM ET on November 11th [PW: VICTORY26]. Local presales begin at 10 AM local time on November 12th, and tickets go on sale for the public at 10 AM local time on November 13th.

Todd’s band for the Damned If I Do tour features Gil Assayas (Keys), Bruce McDaniel (Guitar), Prairie Prince (Drums), Bobby Strickland (Horns), and Kasim Sulton (Bass).

TODD RUNDGREN “DAMNED IF I DO” TOUR

November 10, 2026 – Denver, CO – Paramount Theatre
November 12, 2026 – Phoenix, AZ – Celebrity Theatre
November 13, 2026 – Las Vegas, NV – ZOUK
November 15, 2026 – Boise, ID – Egyptian Theatre
November 16, 2026 – Spokane, WA – Bing Crosby Theater
November 18, 2026 – Seattle, WA – Neptune Theatre
November 19, 2026 – Portland, OR – Aladdin Theater
November 21, 2026 – Salt Lake City, UT – Capitol Theatre

March 20, 2027 – Orlando, FL – The Plaza Live
March 22, 2027 – Ponte Vedra Beach, FL – Ponte Vedra Concert Hall
March 24, 2027 – Annapolis, MD – Rams Head On Stage
March 25, 2027 – New Haven, CT – Shubert Theater
March 27, 2027 – Bensalem, PA – Parx Casino
March 30-31, 2027 – New York, NY – NYC City Winery (Two Shows)
April 2, 2027 – Derry, NH – Tupelo Music Hall
April 3, 2027 – Woodstock, NY – Bearsville Theater
April 5, 2027 – Boston, MA – The Wilbur
April 7, 2027 – Huntington, NY – The Paramount
April 8, 2027 – Easton, PA – State Theater Center for the Arts
April 10, 2027 – Kent, OH – The Kent Stage
April 11, 2027 – Joliet, IL – Rialto Square Theatre
April 13, 2027 – Waukee, IA – Vibrant Music Hall
April 14, 2027 – Kansas City, MO – The Midland Theatre
April 16, 2027 – Memphis, TN – Graceland Soundstage
April 18, 2027 – Knoxville, TN – Bijou Theatre
April 19, 2027 – Nashville, TN – The Ryman

TODD RUNDGREN

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60's psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972's seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him 'Rock's New Wunderkind'. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as I Saw The Light, Hello It's Me, Can We Still Be Friends, and Bang The Drum.

In 1974, Todd formed Todd Rundgren’s Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren’s Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term "progressive rock”, and subsequently, as Utopia, the term “powerpop”.

Rundgren's myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock's Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp's 1989 Off-Broadway production of Joe Orton's Up Against It (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee’s Playhouse and Crime Story.

In 2009 Rundgren performed his iconic 1973 album A Wizard A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the All-Starr Band since 1989, and continues to perform with symphony orchestras both domestically and internationally. In 2018 he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. After the release of his long-awaited autobiography The Individualist, he spearheaded the world’s first hybrid concert/book tour highlighting music across his 50-plus-year career.

In 2017 on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.

In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia "firsts", including:

•1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
•1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
•1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst’s The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
•1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
•1981: Time Heals, the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
•1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
•1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
•1992: The first commercially available music downloads via CompuServe.
•1993: The release of “No World Order”, the world’s first interactive record album on CD-i.
•1994: The release of “The Individualist”, the world’s first full-length Enhanced CD.
•1994: The world’s first interactive concert tour.
•1998: Launches PatroNet, the world’s first direct artist subscription service -- predicts that someday "music will be sold by the pound".
•2016: The production of the world's first full length concert shot with multiple Virtual Reality 360º cameras.
•2021: Spearheaded the “Clearly Human” virtual concert tour, featuring 25 live-streamed performances geo-fenced and tailored to a different US city each night.

Hello Kids:
Looks like I will be doing Dewey's show on Friday the 13th!!. It is on WMSE 91.7 Radio at 6 PM. You can also can play the stream on the WMSE website. We will do a WRIT Survey Countdown show from November, 1966, 60 years ago with some WOKY added. As always, we play Records.  One more thing: How 'Bout Them Brewers!!!
Ken Freck

Tuesday, November 10, 2026

Tuesday This And That

I am happy to report that after seeing our post last week regarding the 2027 Happy Together Tour, Ron Dante (without revealing ANY details) let us know that the show WILL go on next year ... in his words, "bigger and better than ever!"  (kk)

Hey Kent.
Just so you know, The Happy Together Tour will be back next year bigger and better than ever with more dates and some surprises. I'm proud to say it will be my 10th Anniversary with the tour.
Hope to see all the fans at the shows.
Ron
 
I kinda have a feeling that none of the acts are allowed to say too much before the promoters officially announce next year's line up and tour dates ... and that may not happen until after the first of the year.  So stay tuned ... as soon as WE know, you'll know.  (kk)
 
Barry Manilow did a very righteous and courteous thing when he stopped his show the other night, apologized to his fans and offered a full refund as he found that he simply was unable to sing and perform to the best of his abilities.
We're seeing it more and more with our aging performers ... but I think this was a real class way of handling it.  (kk)
  

Music geeks and radio people have sensitive ears ....  well, our ears are sensitive to certain sounds even if we don't hear as well as we used to. These Arby's commercials are playing on lots of TV channels, and I'm hearing them every time the thing is turned on. And at the very end of each commercial, I jump at the sound I hear during the last half second of the TV spot. 

Do you - or does anyone else - hear the intro to "Double Barrel" from the summer of 1971? There have been numerous references to '71 as one of the best years - or perhaps the best year - for pop music. When I look at the charts I tend to agree with those who have chosen '71 as the year that accrued the greatest number of truly enjoyable pop hits. But still, when you listen to any of these Arby's spots, do you hear "I ....." after the voice talent says "meat"?


Magnificent!
David Lewis 
 
Wow, I don't know that I even would have noticed that!
"Double Barrel" certainly falls into the Forgotten Hits category ... it's not one you're likely to hear very often.
Surprisingly, I heard Sammy Tallerico play it on his show a few weeks ago ... and then all of a sudden, I've heard it three times since on different radio programs.
This was not a significant chart it, only reaching #22 in Billboard.  (It did climb to #14 in Record World ... and was a #4 hit here in Chicago, where we heard it a lot back in 1971 ... but not a whole lot since.  It went all the way to #1 in the UK!)
All I can say is, "Good Catch!" (No idea what the significance might be to the new Arby sandwich ... unless they refer to it as "magnificent" in their ads!  It almost sounds like a mistake! (kk) 
 
 
I did some checking and evidently Dave and Ansil Collins didn't make enough of an impression to even rate a mention in either the Billboard Book of One Hit Wonders or Norm N. Nite's "Rock On."  There's not a whole lot of information on the internet either.
 
Wikipedia says that Dave Barker (born David John Crooks) was a session vocalist and Ansel Collins was a session keyboard player.  (You'll find Ansil's name spelled any variety of ways both on the internet and on the record labels!)
 
Both artists were born in Kingston, Jamaica, and in the early '70's they teamed up in the studio (under the name Dave and Ansil Collins) to record the reggae single "Double Barrel."  The record went to #1 in the UK and Jamaica in 1971.  A couple of follow up singles barely made a noise, rendering these guys true One Hit Wonders.
 
Check out the YouTube video link that David Lewis sent ... it's a fun way to listen to this song (which apparently has been sampled in various fashions several times over the past three decades!)  kk

I have to admit that I was more than a little surprised to read yesterday (November 9th) that Forbes Magazine had announced that Paul McCartney was a billionaire.

I would have thought that would have happened DECADES ago … but apparently it never officially registered until now … and they put his net worth at $1.4 billion.

Even more surprising is the fact that, as far as musicians go, this only puts him in third place, behind Jay-Z and Taylor Swift.  (What about Rihanna???  I would have figured her to be way up on the totem pole, too!)

Billboard Magazine notes that McCartney has earned 29 #1 Singles on their Hot 100 Pop Singles Chart (twenty with The Beatles and nine more as either a solo artist or with Wings) as well as 27 #1 Albums (19 as a Beatle and eight on his own or with Wings.)

He has always been a major tour attraction, generating over a billion dollars in ticket sales since The Beatles broke up … and has invested well in other publishing companies to keep royalties coming in, not only for his own work but for standards like the “Grease” and “Annie” soundtracks and classics like “Blue Suede Shoes,” “Blue Christmas,” "The Christmas Song (Chestnuts Roasting On An Open Fire)" and the Buddy Holly catalog.  His company also publishes many of the early Four Seasons' hits written by  Bob Gaudio (which includes the rights to the hit Broadway Musical "Jersey Boys.)  (Incredibly, he doesn’t own the rights to his OWN music created within The Beatles, a real stickler point since Michael Jackson first purchased that catalog after McCartney advised him on investing in publishing.)  Sony/ATV Music bought the publishing from the Jackson Estate for $750 million in 2016, although Paul has been able to reclaim some of his own publishing along the way.  John Lennon/Yoko Ono’s share of the publishing rights are tied up with Sony Music thru 2050.  (kk)

https://www.forbes.com.au/news/billionaires/paul-mccartney-became-worlds-third-richest-musician/ 

Speaking of Michael Jackson, downloads and streams of his 1983 classic “Thriller” continued past Halloween to propel it to the #2 position on The Billboard Hot 100 Pop Singles Chart.  This represents a new peak for the track, which originally topped out at #4 when it was released as a single in 1984.

He MIGHT have even hit #1 had it not been for Ella Langley’s juggernaut hit “Choosin’ Texas,” which now claims its 27th week at #1.  This now puts Langley at five weeks ahead of Mariah Carey’s previous all-time chart topper “All I Want For Christmas Is You” … which means it likely won’t regain it all-time status until NEXT Christmas (2027), by which time “Choosin’ Texas” may finally fall out of The Top Ten. Carey’s 22-week reign was spread out between the holidays of 2019 – 2026 … Langley’s scored all 27 of her weeks at #1 during the past ten months.  (kk)

SIDE NOTE:  Michael Jackson’s “Thriller” album spawned SEVEN Top Ten Hits, an unheard of record at the time.

How’d they fare?

“Billie Jean” spent seven weeks at #1 beginning on March 5, 1983, followed by “Beat It” with three weeks at #1, starting on April 30th.  “Thriller now moves into third place with its new peak at #2 this week, followed by “The Girl Is Mine,” a duet between Jackson and Paul McCartney (also a #2 hit), “Wanna Be Startin’ Somethin’” (#5), “Human Nature” (7) and “P.Y.T. (Pretty Young Thing)” #10.

In a related Forbes article published this week, statistics show Michael Jackson has being the second highest dead celebrity earning royalties in 2026.  (You'd think with the mega-film "Michael" there'd be no contest on this one ... but Quincy Jones' estate actually out-earned him by about ten million dollars.)

Elvis' estate earned $75 million, good enough for fourth place and coming just ahead of the recently-departed Dolly Parton, who earned $46 million, in a distant fifth place.  Next year marks the 50th anniversary of Elvis' death ... and he's STILL earning this kind of dough all these years later!  (John Lennon and George Harrison placed 9th and 10th on the list at $18 million and $15 million respectively.)  

Who came in at #3???

Would you believe Dr. Seuss?!?!? $80 million compared to Prince's $24 million.  (kk)

AND THIS JUST IN ...

Paul McCartney AND Ringo Starr will be performing together along with Joe Walsh and some other surprise guests at Joe's 10th Annual Vets Aid Fundraising Concert.

The show will take place on Friday, January 29th, at The  MGM Grand Garden Arena in Las Vegas, NV.

More details as we get them ... but it sounds like Veterans will have first dibs on the tickets when they go on sale on Sunday (November 13th).