Gary S. 
Paxton, who sang lead on The 
Hollywood Argyles' "Alley Oop" and produced and played piano on Bobby "Boris" 
Pickett's "Monster Mash," (both hit number-one) died Saturday. He was 
also the uncredited producer of The 
Association's "Along Comes Mary." Moving into Christian music in the 
'70s and '80s, he produced several albums for Tammy Faye Bakker, with whom he denied 
having an affair. Paxton was 77.  
 
Hey Kent, 
After reading today's FH, I decided to learn more about Bobby Fuller. Someone commented that the demo of "I Fought the Law" was better than the hit recording. What do you think? Oh, and for those of you who still believe Bobby committed suicide, man, do I have a bridge to sell you!
- John LaPuzza
https://www.youtube.com/watch?v=u3lSg19Z37U
 
 
Grand 
Junction, CO  81504
Hey Kent, 
Very interesting story on the "My Boy Lollipop" / Rod Stewart-on-harmonica caper! This is the first I've heard of it, but I know you discussed it years ago, probably before I became a reader of your site. Another rumor out there was about Mary Robbins' great country crossover hit, "El Paso". It was going around by word and print that a seventeen-year-old, Glen Campbell, played lead guitar on the track. Other than the fact that Glen was really six years older than that at the time, I thought it could be possible, but really didn't know who it was, inserting those wonderful fills. Turns out it was Grady Martin, a well-known Nashville studio guitarist, who played on sessions for many of the greats, as well as his own solo recordings. I saw some photos of him, and noticed one silly looking double-neck electric that he cherished playing. I wonder how much that baby's worth today! Of course, on "El Paso", he used an acoustic.
- John LaPuzza
Kent ...
 
 
 
 
 
 
-- Tom 
Cuddy
Gary S. Paxton (born 
Larry Wayne Stevens), singer and co-producer of "Alley Oop" as the Hollywood 
Argyles (#1 - 1960) and the "Flip" half of the duo Skip and Flip -- who gave us 
"It Was I" (#11 - 1959) and "Cherry Pie" (#11 - 1960), died Saturday (July 16) 
at his home in Branson, Missouri. He was 77 and suffered from Hepatitis C -- 
which almost took his life in 1990. 
Born in Coffeyville, 
Kansas, he was raised in Arizona where he started his first band at age 14, 
eventually dropping out of school to become a performer. After his brief career 
with Clyde "Skip" Battin in Phoenix, he moved to Hollywood where he produced 
such hits as "The Monster Mash" with Bobby "Boris" Pickett, "Along Comes Mary" 
and "Cherish" for the Association. He also produced "Sweet Pea" and "Hooray For 
Hazel" with Tommy Roe. Moving on to Country Music in Bakersfield, California, he 
was shot three times by hit men reportedly hired by an artist he was producing 
(dying twice, he said, on the operating table before pulling through). He left 
the music business for eight years before returning to produce and perform 
Gospel Music (having converted to Christianity), winning the Best Inspirational 
Grammy for a 1975 album. Gary was inducted into the Country Gospel Music Hall of 
Fame in 1999.
-- Ron Smith
After reading today's FH, I decided to learn more about Bobby Fuller. Someone commented that the demo of "I Fought the Law" was better than the hit recording. What do you think? Oh, and for those of you who still believe Bobby committed suicide, man, do I have a bridge to sell you!
- John LaPuzza
https://www.youtube.com/watch?v=u3lSg19Z37U
Kent,  
A word or two about today's FH and your 
piece on Bobby Fuller. 
First, the great majority of the time I like 
the original recording of a song as opposed to a remake later on by an artist or 
group. One of my exceptions is the song LOVE'S MADE A FOOL OF YOU. I always did 
like Bobby Fuller's version better than the Crickets' earlier version in 1958 on 
Brunswick. Second, with this week and next being the two national conventions of 
both political parties, it reminded me of a couple of records I hadn't heard in 
years. And this is something you may have done in the past, I can't remember. 
Remember the novelty break-in record out of 
1972 called CONVENTION '72 by a group known as the Delegates? Also, four years 
later a record called CONVENTION '76 by a group known as CREEP (Committee to Rip 
off Each and Every Politician). There were a few others somewhat similar with 
ELECTION '84 by Dickie Goodman being one.
Larry Neal
"Convention '72" was a big hit here in Chicago, going all the way 
to #5.
I try to stay clear of all the political stuff ... although it's 
virtually impossible to avoid as it's every where you turn these days.  (Odds are you're offending half your audience no matter what you say!  lol)
The one thing that DID crack me up was this photo of The Trump 
White House ...
(kk)
The third (and sadly FINAL) edition of "Where Have All The 
Pop Stars Gone" is now available.  
This time co-authors Marti Smiley Childs and Jeff March talk 
with ... and tell the complete stories of Anne Murray, Billy Joe Royal, B.J. 
Thomas, The Atlanta Rhythm Section, Love, The Standells and Three Dog Night ... 
with EXCLUSIVE interviews with all of these artists.
We have the complete collection ... and these are always a 
joy to read ... we learn SO much about these artists and what it was like at the 
time when all this great stuff was happening.
You can pick up your copy here: http://editpros.com/bookshelf/WHATPSG_Vol_3.html
And be watching Forgotten Hits in the not-so-distant future 
for a complete review.  (Hey, I've gotta read it first!!! lol)  kk
Speaking of brand new books, we've received quite a few entries for 
our latest Joel Whitburn / Record Research / Top Pop Singles give-away ... 
(we'll be picking the winner tomorrow).  Throw your name in the hat by sending me an email TODAY with the words POP HITS in the subject line ... or you can order a copy (and save ten bucks through July 31st) via the link below.
kk, 
Please include me in the drawing for the new Top Pop singles book.  I 
use my current, older copy so much that it's slowly eroding into sawdust and 
paper shreds!
Tim Kubat
Gary Theroux echoes the sentiments of many on the list ... 
these books get a LOT of use at my house, too ... I swear I refer to at least a 
couple of them every single day!!!
You can order your copy here:  https://www.recordresearch.com/pop/top_pop_singles_1955_2015.php   
I'd love 
to win the new "Top Pop Singles" book ... my exceptionally dog-eared copy of the 
12th edition of Joel's "Top Singles" book is never more than a foot or so away 
from me at my desk -- as are eight of his other chart books on shelves I 
assembled expressly to hold them.  In the other room I have five shelf feet of 
earlier Joel Whitburn chart books, dating all the way back to his first -- the 
red-covered volume -- which I bought via a small ad in Billboard circa 1970.  
Another 
that is equally worn out -- the binding's loose and the cover keeps falling off 
-- is the 1986 edition of his "Pop Memories 1890-1954" book. None of my Whitburn 
books have ever been misused. They've simply been consulted to the point where I 
have most of them almost memorized!  
I am 
currently completing the materials for a college course I'll be teaching in 
September which explores in depth more than century of pop music history. 
 Joel's volumes have proven essential in that project and countless others.  The 
output of his Record Research firm over the years constitute the heart and soul 
of my extensive research library.  
Gary 
Theroux
I have a complete collection of the Pop Singles books dating 
back to the first one you could buy. (I remember finding a copy from 1969 ... 
with a 1970 addendum ... at The Rosary College Library many many years ago and I 
was hooked immediately!  I would LOVE to add that library edition to my 
collection ... because I've got EVERY subsequent volume!)  
My 1972 (paperback edition ... I don't think there even WAS a 
hard cover version available at the time) has completely come away from its 
binding but I just can't bear to throw it away.  I have SO many notes scribbled 
on the pages ... and have seen countless collectors carry this edition with them 
to record shows over the years (most often rubber-banded together to keep THEIR 
pages from falling out, too!  lol)
There are SO many great books available through the Record 
Research Website ... Joel truly did revolutionize the way we look at music ... 
he's got to be one of the most quoted sources out there today!)  kk
Kent ...
You mentioned Mille Small ... 
this brought back a funny memory for me.
Back when I was working, I always played 
the radio (LOUDLY) at my desk. 
My Jamaican friend Earl would always tell 
me to turn the radio volume down, with one exception. When "My Boy Lollipop" by 
Millie Small came on the radio, Earl would say "Frank, turn up the 
volume."
Frank B.
Very interesting story on the "My Boy Lollipop" / Rod Stewart-on-harmonica caper! This is the first I've heard of it, but I know you discussed it years ago, probably before I became a reader of your site. Another rumor out there was about Mary Robbins' great country crossover hit, "El Paso". It was going around by word and print that a seventeen-year-old, Glen Campbell, played lead guitar on the track. Other than the fact that Glen was really six years older than that at the time, I thought it could be possible, but really didn't know who it was, inserting those wonderful fills. Turns out it was Grady Martin, a well-known Nashville studio guitarist, who played on sessions for many of the greats, as well as his own solo recordings. I saw some photos of him, and noticed one silly looking double-neck electric that he cherished playing. I wonder how much that baby's worth today! Of course, on "El Paso", he used an acoustic.
- John LaPuzza
Glad you had the chance to say hello to 
Gary Griffin at the Brian Wilson concert last weekend, Kent!
That's one very long tour those guys are 
on.  
I haven't seen one of the shows yet, but 
I'm looking forward to it.  
As you noted in your review, there's a 
lot of joy at those shows, both in the audience and on the stage.
Bob Greene
Thanks, Bob ... for anyone out there who doesn't know, Bob did a 
fair amount of touring himself with Jan and Dean and The Surf City All-Stars 
back in the day ... and still makes an occasional appearance with the band when 
time permits.
For one of the best "road trip" books you'll ever read ... and some 
TREMENDOUS insight into the workings of Jan and Dean, pick up a copy of "When We 
Get To Surf City", Bob's 2008 book.  (You can order a copy here:  https://www.amazon.com/When-Get-Surf-City-Friendship/dp/0312375298/ref=pd_sim_14_5?ie=UTF8&dpID=51VvOZ9q46L&dpSrc=sims&preST=_AC_UL320_SR210%2C320_&psc=1&refRID=9CP70872H6NTWYGJJ36V)
By the way, yesterday was the 53rd Anniversary of the day that Jan 
and Dean's "Surf City" reached the #1 spot on The Billboard Hot 100 Pop Singles 
Chart.  (I don't think Murry Wilson EVER forgave Brian for giving away a #1 Hit 
to the competition!)
And, while you're at it, relive some OTHER great '60's memories 
with Bob Greene's excellent books "Be True To Your School", "All Summer Long" and "And You 
Know You Should Be Glad" ... links for each at the Amazon link below 
...
Kent ...
Look Out Old Mackie's 
Back!
Frank B.
Frank B.
2017:  The 50th anniversary of the WORLDWIDE #1 Hit ... 
one of the BIGGEST songs of the 60s decade!!!  
"THE LETTER"
from the Memphis blue eyed soul band THE BOX TOPS, now with founding members Gary Talley (guitar / vocals) and Bill Cunningham (bass / keys / vocals) ... 
joined by music industry veteran Rick Levy (guitar / vocals)  https://www.youtube.com/watch?v=hAvrCgvtr_U  
Avail INTERNATIONALLY, all year round ...
Rock, Soul, Rhythm n Blues ... presented in the way that only the 
BOX TOPS can do it!
Bookings: TCI  mitchellkarduna@tciartists.com
USA code:  347 - 262 - 2430
Kent -  
I checked 
out Tommy's Dick Richards video.  
This story reminded of my early childhood exposure to Rock and the 
Comets. 
I lived in a row house development in Chester, PA ... 
in the same block as Ralph Jones, Dick's immediate replacement drummer for the 
Comets. He had two sons ... as did my parents.  The older boy was my brother's 
friend ... the younger, my friend. 
Thanks for posting Tommy's message. It conjured up fond 
memories of the Comets and the Jones family.   
Here's a link to Ralph's home movie footage of the 
Comets:   
Best wishes, 
Bob Lee
FYI -
Here are a couple of posts I did on Barry McGuire 
...
Article: http://prayforsurfblog.blogspot.com/2012/02/eve-of-destructions-barry-mcguire-on.html
Another: http://prayforsurfblog.blogspot.com/2011/09/barry-mcguire-on-california-dreamin.html
Another: http://prayforsurfblog.blogspot.com/2011/09/barry-mcguire-on-california-dreamin.html
My live 
interview: https://archive.org/details/ConferenceCallJuly52010
Phil
We've talked to Barry several times over the years ... he's always been a 
great supporter of Forgotten Hits.  
Years ago he was doing a Tribute to the '60's show called "Trippin' the 
'60's", taking in not only the music of this era but the social and political 
climate as well.  (Not sure if he's still doing this or not, but I always wished 
I had the chance to see it.) 
A quick glance at his schedule shows a show coming up in September:  http://www.trippinthesixties.com/
He's done quite a bit of writing of his own, documenting this part of our 
country's history.  You can check it all out at his website:  http://barrymcguire.com/  
(kk)
Thank you, Clark, for typing all that out about the Kansas City 
Survey Convetion. You have no idea how long it took to type out the similar 
info, and send it to you! 
Anyways, let me confirm 
that there is no charge if you are just going to attend the survey event. I had 
to make triple sure about that, as I was very hesitant to bring it up, if there 
was going to be a $55.00 admission fee. As much as I would want to go, there's 
no way, could afford it, for just a couple hour event. But as Clark pointed out, 
there's a lot more going on, plus that $55.00, gets you some free meals, and if 
you've ever eaten at a hotel restaurant, that alone could cost you the $55.00. 
Some of you out there, in FH land, must live within reasonable driving distance. 
I'd love to meet some of you, as I'll have a table there, with all 41 binders of 
surveys (I counted). It's how I met Kent, a couple lifetimes ago. Should I find 
out any more specifics, I will let you know. If you want, you can contact me 
thru Kent. Thanks.
Jack Levin
Kent,
You were right when you said that the music of 50+ years ago 
resonates with the youth of today. I remember back in the late 70's I went to 
one of those rock and roll revivals put on by promoter Richard Nader here in 
OKC. One thing I noticed during that concert was the number of younger people 
there listening to and enjoying the music that originally came out in the late 
fifties / early sixties.  They 
actually were getting in the aisles and dancing.
This past week I have seen on television a commercial (whether 
local or not I don't really know) about an app one can get for his or her phone. 
I believe that's the product being pitched but I don't really know. What I 
noticed, of course, was the song by Little Richard TUTTI FRUTTI being played in the background. Maybe you've 
seen it.
Kyu Sakamoto's 1963 recording of SUKIYAKI has got to be one of my 
all time favorite foreign language songs of all time.
Tom Hanley mentioned his band from the sixties called the 
Penetrations. First thing I thought of was the instrumental PENETRATION by the 
Pyramids out of 1964. In fact there are those who would say that the 
Penetrations record was the Best one they ever made.
Bob Lee mentioned he was a member of a Facebook group called:" I 
WAS A DJ WHEN DJ'S JOCKIED DISCS ... AND I DON'T MEAN CDS". How true and good 
that was. Believe it or not, I always liked to cue up a record.
Larry
Hey Kent. 
Entertainment Weekly deems "Eye Of 
The Tiger" the Top Cat in their 1982 chart flashback. Always happy when this 
song (co-written by our friend Jim Peterik) gets further recognition and 
continued airplay.
Be Well,



