Sunday, May 12, 2013

Helping Out Our Readers

It's a rare Sunday Edition of "Helping Out Our Readers" ... kicking off with a GOLDEN opportunity for all of you Monkees fans out there!    

re: A MAJOR, MAJOR "HELPING OUT OUR READERS" OPPORTUNITY!:  
If you're a serious Monkees fan like I am, you will be THRILLED to hear this news ... I've known Gary Strobl for over 30 years ... so this sounds like a VERY exciting project. Anybody out there able to help should let us know as soon as possible! (kk)  
Hello Kent,  
How are you? Busy as a bee, I'm sure. Thank you for your amazing Forgotten Hits.  
I am reaching out to you and your readers to help me find the missing pieces of The Monkees puzzle. Henry Diltz and I along with Harvey and Kenneth Kubernik have recently signed a contract with Omnibus Press to put together a 500-page hardcover, full-color coffee table book on the original phenomenon of The Monkees. I am trying to track down anybody who may have been connected to or experienced the original Monkeemania. I am looking for interviews, original newspaper clippings, photos, radio station surveys, concert tickets, posters, etc. from the time frame of 1962 - 1973. Anybody who contributes to this project will get a proper credit in the book. I want to make this the most definitive book possible on The Monkees. I am sending you the PDF which defines the goal of this book. Our beloved David Jones told me on February 12, 2012, at the Burbank Marriott, "Gary, it's time to finish your book. I will help you get it done." We also talked about editing together the last seven concerts with all four Monkees that I shot in England in March, 1997. I want to fulfill these dreams for both David and me. I could sure use your help. Anyway, drop me a line when you have the chance. Here are a some photos from the last weekend I spent with David. David Keeler took these wonderful photos. I hope you and your family are in good health. Onward and upward!  
Cheers,  
Gary Strobl



re: WAGES OF SPIN:  
Hi Everybody!  
We have started a kick starter campaign to help subsidize the production cost of the "Wages of Spin" sequel which covers the inner workings of the music industry from 1963 thru the late 1970's. Our kick starter page link is imbedded below. The first trailer / teaser is available to view on our kick starter page. This is by far our most ambitious project to date with an entire soundtrack of classic pop and original music combined. There is cast information, production photos, the trailer and other pertinent project information on our kick starter page. There are also several pledge items such as: Digital Downloads, DVD's, Film Premiere Invites, Parties with Cast Members and Credit Recognition. Our last two music documentaries are running nationally on PBS affiliates (several hundred combined affiliate airings) and are in The Rock and Roll Hall of Fame Archives. National Public Television will be offered "WOS II" license free. Any help in promulgating our Kick Starter page / information link is greatly appreciated.  
Thanks!   
Shawn  
Kick Starter Page: 
http://www.kickstarter.com/projects/857704272/wages-of-spin-ii  
Great news, Shawn ... and happy to help spread the word. Interested fans should check out the kickstarter link above. (kk)  

re: RIGHT COWBOY ... WRONG COUNTRY ARTIST:
Well, we solved the mystery of why Gary Renfield couldn't find the Roy Rogers / Randy Travis video he's been looking for ...
It's because the video was actually done by Roy Rogers and Clint Black!!!
Read on ...
>>>Maybe your readers can at least confirm I actually saw this and am not hallucinating. It was RANDY TRAVIS in a duet video with ROY ROGERS (modern day) singing HERE'S HOPIN' (I have the cd). I've looked on occasion for many years (and I know how to search) without success. The video had them side by side on horseback ... and at the end ... they get off the 'horses' and have a word and a laugh. The horses are actually just the body with saddle, rocking as if real, not movie cut-outs ... you don't realize it (confirm it) till the end. I'm sure I saw it on tv back in the day ... not a show ... a video ... I'D LOVE TO SEE THE VIDEO AGAIN! I should have asked Roy the time I called him in his office back in the 80's when the museum was in Victorville, Ca. (BIG FAN ... it was a thrill) Now it's in Branson. Thanks for any help.
(Gary Renfield)
>>>It's funny but as I read your email I started to remember seeing this, too. I was a bit of a Randy Travis fan at one point ... nothing major, mind you, but I followed along with the crowd. It seems like this ought to exist somewhere ... in fact, I thought at one time I may have even owned a VHS of Randy Travis Music Videos but I can't find it now. I wrote to Randy Travis via his website but never received a reply of any kind. Let's see if anybody out there comes back with anything on this one. Thanks, Gary! (kk)
Major thanks to FH Reader Fred Vail for solving this one! Greetings, Kent, 
Another 'reading assignment' for the weekend! Today's edition is crammed with some great material. However, as I scanned it, I came across a post regarding Randy Travis and Roy Rogers -- and they did perform as a duet, "Sky Ball Paint," with a 'Sons of the Pioneers' type group called The Bar J Wranglers. However, that scene has Roy, Randy and the group singing around a campfire. 
What I believe Gary is describing, however, is Roy and Clint Black singing "Hold On, Partner," where they are both riding side by side on horses, and when the video ends, they dismount, only to show they're sitting on prop horses and the background was projected on a green screen. I've always loved this video and what is absolutely amazing about it, is the fact that Clint looks enough like Roy to be his son. Check it out and if you don't draw the same conclusion, I'll be shocked.  
Click here: Clint Black and Roy Rogers - Hold on partner - YouTube  
I regret that I never was blessed to meet Roy during his lifetime, but I did attend his funeral in Victorville, CA. He passed away on July 6, 1998, when my wife and I were vacationing in Palm Springs -- and we decided to attend the service -- held at a large Church in Victorville. It was packed, but we managed to get a seat. I vividly remember the casket surrounded by hundreds of floral arrangements and laying on the casket was Roy's ever present 'white' hat. Dale Evans was going down hill at the time but was there in a wheel chair and she would actually survive Roy by three years. We left the Church and headed for his Roy Rogers Museum, which the hearse and procession 'circled' on the way to a private burial. On the front dashboard of the hearse was Roy's white cowboy hat. It's one of those rare moments that still gives me chills. 
While I never had the opportunity meet Roy, I did have the opportunity to meet another childhood hero, Gene Autry, who passed away at age 91 less than three months after Roy's passing. 
While some might consider them 'rivals,' from what I've heard over the years they had nothing but respect for each other. In fact, Roy got his big break when Gene joined the US Army Air Force and went off to fight in WW 2. He was a 'flight officer,' similar in rank to a lieutenant. That left an opening at Republic Pictures for a new 'cowboy' star and Roy got the nod.
Another interesting fact is that Roy is the only person inducted into the Country Music Hall of Fame twice. Once as Roy Rogers, 'King of the Cowboys,' and another as a founding member of the great 30's / 40's / 50's vocal group, "The Sons of the Pioneers. 
Fred Vail 
Treasure Isle Recorders, Inc. 
Music City, USA 
THANK YOU ... NO WONDER I COULDN'T FIND IT!   
NICE VIDEO ... Given the chance (when he was alive), the biggest country star would be reduced to a stammering kid in Roy's (king of the cowboys) presence ... and I'm sure he was called MISTER ROGERS (initially) from them. 
gary renfield  
No problem ... hey, that's what our Helping Out Our Readers segment is all about! And you remembered MOST of it correctly ... just had the artist wrong, that's all. (Even more confusing because Roy Rogers recorded tracks with BOTH of these guys!) Yep, cool video ... and now others can enjoy it as well. (kk)  

re: HIT RECORDS:  
I’m not sure on a couple of the Hit 45’s, but I know Sam & Dave had 45’s before the “No Particular Place To Go” was issued. 
Ken 
I asked Paul Urbahns ("The HIT Man") about that, thinking that you meant that Sam and Dave had recorded other tracks for Hit ... but he corrected me. (See below)   
Here is all I know and Ted Jarrett, the producer, is dead.
He does not mention Sammie Moore in his biography "You Can Make It If You Try" but he did not use Sam Moore on his own productions. This was a one off session, believed by some as a way to get Sam Moore into the musicians union, which was necessary to record in Nashville Union studios in those days.  
Hit 125A - NO PARTICULAR PLACE TO GO  
Issued in MAY, 1964 
In The Style Of: Chuck Berry  
Credited To: Sammie Moore   
Lead Vocal: Sammie Moore  
Comment: Sammie Moore was Sam Moore, who teamed up with David Prater to form the soul duo “Sam And Dave”, which had a string of national hits 1966 – 1969 on the Stax label of Memphis. 
I think what your reader is saying is that Sam and Dave recorded together for someone before the 1964 sound-a-like. I am not a Sam Moore expert but maybe you have a complete discography of his.  
Paul 
According to Joel Whitburn's book, Sam and Dave teamed up in 1961 ... and were already making records as Sam and Dave by the following year for a variety of smaller labels. They didn't hit it big until they signed with Stax Records out of Memphis and "Hold On, I'm A-Comin'" peaked at #16 on the pop charts in 1966 ... so in THAT respect, Ken is correct ... making it seem a bit odd that Sam would go off and do sessions on his own for the Hit label. (kk)  

re: LATELY THERE'S BEEN A LOT OF TENSION HERE:  
Kent: 
Found this photo of Ed Flynn - WAVZ DJ on a 1960's remote. I recall he was a promoter / manager for Tension.   
John

Kent, 
What a co-inky-dink! I see mention of the Tension recording of "Does Anybody Really Know What Time It Is". My parents are cleaning out their house and anything labeled 'Shelley' is being thrown my way. Just this week I was going through a stack of 45's they 'returned' to me and there is my copy of this 45. It is in a stack of records that were given to me by a DJ who worked at WKBW in Buffalo, NY, and fellow students from college. I am not sure I will remember nor be able to figure out which one that disc came from, but I think it is ironic that I acquired it from NY when the group is from CT ... where I live(d) 
Shelley J. Sweet-Tufano  

re: HOW ABOUT THIS ONE?
Please let me know if you are familiar with a song called Mr Sebastian from I believe the 60s. 

Thanks. 
Joe  
I'm guessing that you mean THIS one ... actually titled "Father Sebastian" by The Ramblers ... a big hit here in Chicago in 1964. (Check out the clip and let me know.) Thanks, Joe! (kk)

There was an “Instrumental of the Month” at least on WWIN in Baltimore. In summer of 1968, the song was called “Shimmy” ... and on the B side was “101 Pounds of Unclean Chitterlings”. It came on a 45 rpm, with a pink or maybe beige label. 
Can someone please find it? The B side song was a guy wailing away on guitar as if he was in the mid seventies but this was out in 1968. Maybe 1969 but I’m pretty sure it was 1968. Reason I’m leaning toward 1968 is because I remember having a party and this girl I knew that went to University of Maryland gave me this record from a new Psychedelic band called “the Rolling Stones” ... and the name of the song was “Jumping Jack Flash”. Being that everyone at the party was African American, it didn’t go over too well at first. Once the booze got to flowing, I put it back on and a few of us started dancing ... and then everyone joined in on the dance floor. Shimmy was an instant hit because not only did it have good timing to dance to, but if you changed the speed to 33 1/3 you could still jam to it. 
SOMEBODY PLEASE!!! FIND THIS RECORD. 
Thank you  
Rick Mariano  

Hey kk
I'm married to singer Bettye LaVette and we were just talking about Melvin Davis, who she has known forever. I googled to find something out and saw this piece that you had done on your site a few years ago. I just wanted to let you know that the website that you link to is the wrong Melvin Davis. Melvin is a Detroit native and plays drums.
Later,
KK  

Thanks ... but you didn't give me a DIFFERENT site to link to!!! (lol) Happy to correct it if you can send me the info. Meanwhile, here is the piece he's referring to (from 2009):
Forgotten Hits
Friday, March 27, 2009
And ... On The 8th Day ...
Six years ago we ran a special piece on The 8th Day as part of Frannie's recurring "Forgotten Soul Hits" Series. At the time, we referred to them as "a group of studio musicians from Detroit assembled by the Holland - Dozier - Holland team for their brand new Invictus label."
Their biggest hit, "She's Not Just Another Woman", made it all the way to # 11 on the Billboard Pop Chart in May of 1971. (It reached #8 on The Cash Box Pop Chart and was a #3 Billboard Soul Chart Smash as well.) A follow-up single, "You've Got To Crawl Before You Walk", reached #28 and then they were gone.
We have since learned that "She's Not Just Another Woman" was first recorded back in 1970 by the group 100 Proof Aged In Soul for Holland - Dozier - Holland's Hot Wax label. Apparently, they then took the exact same track from THAT record and released a year later as a single with the name The 8th Day on the label! (100 Proof Aged In Soul had their OWN Forgotten Hit when "Somebody's Been Sleeping" made The Top Ten in 1970.)
Ironically, both groups appeared to maintain separate identities ... and continue to do so in most publications today. According to Joel Whitburn's Book, "Billboard's Top Pop Singles, 1955 - 2006", The 8th Day line-up consisted of Melvin Davis on vocals and drums, Lynn Harter on vocals, Michael Anthony and Bruce Nazarian on guitar, Carole Stallings on electric violin, Anita Sherman on vibes, Jerry Paul on percussion and Tony Newton on bass ... an eight-piece, self-contained unit. (Nazarian went on to become part of Brownsville Station of "Smokin' In The Boys' Room" fame.) Yet if you check the listing for 100 Proof Aged In Soul, you'll find their lead vocalist listed as Clyde Wilson (who ALSO sang lead for The 8th Day under the name Steve Mancha, even though he's not listed in Whitburn's 8th Day entry), Joe Stubbs (Levi's brother ... Levi, of course, was the voice behind Motown's Four Tops, from whence Holland - Dozier - Holland sprang) and Eddie Anderson (aka Eddie Holiday)!
A quick listen to "She's Not Just Another Woman" by both artists reveals that they are, in fact, the exact same track! (Since 100 Proof Aged In Soul hit the charts first, it's unclear as to why anyone felt a name change was necessary ... they could have kept their OWN hit streak going a little bit longer had they just left well enough alone!) And this is not the only track the two bands shared in common ... Andrew Hamilton notes in his "All Music Guide" review that three of the tracks from 100 Proof's debut album appear as the same identical tracks and vocals on The 8th Day's release ... these include "I've Come to Save You," "Too Many Cooks," and "She's Not Just Another Woman". In fact, a Melvin Davis solo release, "I'm Worried," also appears there!
 
We were curious to get to the bottom of this mystery ... and found THIS information published as part of an interview that Melvin Davis did with Rob Moss in "Soul Search" last year:
According to this interview, Melvin received a call in 1968 from an old friend, Ronnie Dunbar, who had been around the Detroit music scene since the early 1960's. It seemed that the legendary Motown songwriting team of Holland - Dozier - Holland were setting up their own Invictus and Hot Wax record labels, having recently left Motown, and as a staff producer, Dunbar had been working with several local writers, including Steve Mancha, to produce a number of songs intended for future release. Several of the songs were sung by Mancha himself, but the rest were given to Melvin Davis, who was only paid to sing them on an "ad hoc" basis, but was not signed as an artist. Davis told interviewer Rob Moss, “I got paid $100 for each song and thought they were just scratch vocals so that Dunbar could shop the songs around. Then they put one of them out and it takes off.” That song was "She’s Not Just Another Woman”, which was released three years later in 1971. The record was credited to The 8th Day, a group that did not actually exist. It was, in fact, Steve Mancha, who could not be identified because he was already the lead vocalist for another group on the label, 100 Proof Aged in Soul. When the record became a hit on both the R & B and Pop Charts, it became clear that a follow up single and an album was needed. Invictus had recorded enough material with both Melvin Davis and Steve Mancha over those ensuing years so that when an album was subsequently released by The 8th Day, it contained seven songs sung by Davis and two by Mancha ... but there was no band personnel to go out and perform live or undertake promotional duties. Ronnie Dunbar and bassist Tony Newton decided to create a group in a similar mold to Sly and the Family Stone, who were very popular at the time, and began auditioning candidates in California. Davis told Rob Moss: ”They went down to California and auditioned all these people before settling on a line up they were happy with. But it just didn’t work. They were all from different musical backgrounds and didn’t work like I was used to. That tour was a disaster. The album was all different styles too – a couple of my songs but all this other weird stuff. It bombed."
After the disastrous tour, six new members were recruited and, with Newton and Davis, became The 8th Day who recorded a second album and began a tour of the U.S. Neither went well and Melvin Davis eventually quit the group and signed on as a solo artist, writer and producer with the company. When no more hits were forthcoming, Davis quit for good not long afterwards.
Today, Melvin Davis is a highly regarded session player whose resume is QUITE impressive. 

You can check it all out here:


Hello Forgotten Hits, 
I am looking for the song "Life" by the Joe Leahy Orchestra, released in 1965 or 1966. It was on a 45 by Tower Records and also an album entitled "Tabasco And Trumpets". 
I would also like to find the album "Surfin' Guitar Hits" by The Wipeouts. 
Would appreciate your help in locating the music.  
Jim Cox  
W9FFT@comcast.net  
Well, Jim, I'm happy to put it out there ... let's see if anything comes back. (kk)  

Oh, please help me, guys! What was the b side of Elton's "Your Song"? My neighbour remembers playing it incessantly but ... I can't find out what it was!
It's the UK record, not the American release. Any clues, o ye geniuses?
Helen in Scotland, going crazy xx
Wow ... I thought this was an easy one (until I saw you were looking for the U.K. pressing!) Here in The States, the B-Side to "Your Song" was "Take Me To The Pilot" ... but over in Great Britain the flipside was a track called "Into The Old Man's Shoes". Does that help??? (kk)

Thanks for speedy response. That's great and should shut the neighbour up!
Keep up the good work, I love your site.
Helen 

Wrapping things up with just a few more of your TV Themes comments:

Great work on the TV themes.
Don  

>>>I'm pleased that Johnny Rivers' "Secret Agent Man" made the top ten of the Favorite TV Themes. We in the states did hear the second theme you featured from "Danger Man". (John LaPuzza)
It's great to see PF Sloan songs in ANY countdown. He was seldom in as many as we would like. Here's an interesting take on the TV theme used for a 60's insurance commercial. It's a cross between Sinatra / Buble / Bassey that might make geccos quiver. Move over, Flo from Progressive because here comes the Farmer's Agent Man!
Freddie Cannon's "Action" is just one of those amazing powerful tracks that HE pulled off consistently in the 60's. Keith Allison and Boyce & Hart did versions of the actual FIRST original "Where the Action Is" theme, but Freddie's was the best.
I was happy all three of my top choices made the top 40 list of Kent's but shocked to find one of them at #2!!! A great list! I would have never picked "Hawaii 5-0" as number one, but it is a good one.

Clark
Well, clearly it did the trick ... I've been hearing all kinds of TV themes on the radio again this week ("Miami Vice", "Hill Street Blues", "Welcome Back Kotter", "Greatest American Hero", "Hawaii Five-O", "Happy Days", "Secret Agent Man", "Peter Gunn" and "Dukes Of Hazzard" all in the past four days!) ... and the people at work are still walking around singing "The Odd Couple", "American Bandstand", "Cheers", "Gilligan's Island", "MASH", "Rawhide", "Three's Company" and "I Dream Of Jeannie" ever since The True Oldies Channel special aired. So I guess we reached a WHOLE lotta people with this one! (kk)    

Happy Mother's Day Kent !! ha ha
This was one of your best topics and very nicely gathered, calculated and reported! Although I am a 1st year Boomer, '46, and, in a parochial sense, lean towards those themes that I enjoyed through high school in my 'formative' years, I concur with all the selections it speaks to the broadness of your audience.
Great Job!
A phrase I love to use referring to the 50's is "Our carefree, youthful, innocent days" ... across all aspects of our beginnings we had marvelous attractions to entertain us ... the music, of course, the cars, the fashions, and certainly the 'new invention', Television !
Certainly we may just be the "Golden Generation" or at the very least the luckiest bunch ever.
Thank you,
CharlieOFD
Well put. I couldn't imagine having lived through any other era ... and consider myself lucky to have witnessed so much. I only hope future generations will continue to enjoy and discover the sights and sounds that we all grew up with. (Thanks to never-ending reruns, this seems to be the case on television ... why radio stations are so willing to give up on the music I'll never understanding ... seems like folks ought to be fighting harder to insure that these great sounds never leave us.) Then again, maybe that's MY lot in life. It certainly was simpler then ... with only three channels to choose from (and FAR more "family time"), no matter where we grew up, we were all essentially living the same life, watching the same shows, listening to the same music ... there is a bond that connects us to this very day ... and it's that bond that makes Forgotten Hits work. So thanks again, everybody ... we simply couldn't do this without you! (kk)
 

Friday, May 10, 2013

The Friday Flash

Just a few quickies this morning ...   

re: BOSTON:  
I wanted to be sure to mention the Boston Strong Concert. This star-studded event will take place at Boston’s TD Garden on May 30th. Tickets went on sale Monday, May 6th. The concert will feature Beantown faves like Aerosmith, the J. Geils Band, New Kids on the Block, Extreme, and the band Boston ... who will be joined by a host of American stars, like Carole King, James Taylor, Jason Aldean, Jimmy Buffett, and Godsmack, along with comics Dane Cook and Steven Wright.
Eileen
Let the healing begin! (kk)  

re: YOUR FAVORITE TV THEMES:
I was glad to see Freddy Cannon's Where The Action Is made number 40 on your Top 50 list.
I don't know if it has been covered on Forgotten Hits before but there is an oft repeated story that Del Shannon was offered the song after Dick Clark rejected the Paul Revere and The Raiders version for daily use on the TV show.
Del did record the song while signed to Liberty records (a non hit period for him) and the track made the last rung on his "This Is My Bag" album ... but the recording was not substantial enough to be included on the Del Shannon - Liberty Years CD. His recording was made after Freddy Cannon hit with the theme. I spoke with Freddy Cannon back in the late 70s and he said Del had never mentioned it to him.
The rejected Paul Revere version was used as a filler track on one of their albums, and has been used on several reissues due to their association with the show, and it is probably the actual demo as you will notice that the recording is only about 1 1/2 mins long ... too short even for an standard album cut.
I guess every artist has a "song that got away story" and that might be an interesting list for a future Forgotten Hits. How would music history have been rewritten if ... for example would "Don't Be Cruel" have been a hit if the Four Lovers (aka Frankie Valli and the Four Seasons) had not rejected the song and recorded it instead of the one they did pick ... Otis Blackwell's "Apple Of My Eye."
Thanks for everything you do!
Paul Urbahns
Radcliff, Ky  

I agree regarding Peter Gunn - one of the great themes. Did anyone vote for Nelson Riddle's cool jazz on Route 66?
If you get a chance, check out the episode of "Cheers" where one of the patrons, much to Ted Danson's dismay, proceeds to sing the LYRICS to the "Bonanza" theme. Hysterical!
Bobster
"Route 66" (which made TV Guide's Top Ten) received 133 votes, falling just short of The Top 50. Those who voted for it made it clear that they absolutely LOVE the theme. (kk)



Hi Kent,
Re: your All-Time Favorite TV Themes, I'm attaching a copy of my 1964 Epic recording of "Bewitched"
(Howard Greenfield / Jack Keller) sung with my ex - Mimi Roman.
Paul Evans


Hey Kent,
I am pleased that Johnny Rivers' "Secret Agent Man" made the top ten of the Favorite TV Themes. We in the states did hear the second theme you featured from "Danger Man". I remember the "Secret Agent" series very well. First, they would give us a tease on what to expect in the episode. Then, "Secret Agent Man" would play, showing the title and star, Patrick McGoohan's name, then go to a commercial. After that, the episode began, and the second theme would play, showing some more credits. I had the "Secret Agent" soundtrack LP, and was VERY disappointed that someone else sang "Secret Agent Man" on its first track. In fact, I actually tried to cut a groove on it, so the needle, of my record player, would automatically travel to the second track! That cut was the other theme you featured, called "High Wire". When McGoohan got tired of the series, he developed "The Prisoner", and more great music from that show, followed.
- John LaPuzza
 

Hi kk,
My three favorite themes from your final listing of the highest vote-getters made it into the Top 10. Reminds me of the I.R.S. Top 104 a few weeks back where 25 of my 100 choices for the countdown were played by Rich Appel.
You'll be receiving many thanks for putting this together -- don't know if TV Guide will join in, though!
Dann
ranking-the-60s.com
Actually, I sent a copy of the final list (Top 50) to TV Guide thinking they might want to run a link in their "Letters To The Editor" page or something. (Like you, I doubt it ... to that degree they're kinda like The Rock And Roll Hall Of Fame ... where nobody else's opinion really matters.) There is a BIG difference here, owever ... whereas their own staff picked their version of The Top 60, we went with the good old, time-proven "majority rules" adage. In fact I heard Scott Shannon defending the rankings on the air by saying something to the effect of, "We didn't pick 'em ... YOU did when you voted." In many cases, these weren't necessarily OUR favorites ... or based on any kind of proven chart performance or television ratings ... these were the songs that YOU GUYS selected as your all-time favorites. And, with just over 18,000 votes coming in through our online poll (plus those received at The True Oldies Channel), I'd say we got a pretty good representation of what the real folks out there consider to be their favorites. (kk)



re: WHAT'S NEXT?:
Kent,
I'm not sure if you've ever done this. If you have, you can ignore my suggestion.
My suggestion is have people vote for their favorite "B" sides (flipsides if you will) of hit records.
The stipulation: the "B" side must NOT have made the Billboard Hot 100.
Three "B" sides that I would vote for in a heartbeat (maybe in this order, maybe no) are ...
"I Won't Go Hunting With You Jake" (flipside of "Big Bad John") by Jimmy Dean
"High Blood Pressure" (flipside of "Don't You Just Know It") by Huey Smith and the Clowns
"Reelin' And Rockin'" (flipside of "Sweet Little Sixteen") by Chuck Berry
The last one qualifies because that version did not make the Billboard Hot 100. A later live version by Chuck of the same song did.
Beatle Bob has been sending emails about the Top 200 B-Sides of All Time and it made me think that it might be fun for your readers to come up with your all-time favorites: again, if it has not been done before.
On an unrelated note, I'm delighted at the response to my "Snippets On Demand!" game. I am certain that I've gotten many new players as a result of me mentioning it here.
Ronnie
Hmmm ... I wonder if this is where "Beatle Bob" got his list:
If so, I hope he credits us!!!
We did EXACTLY what you're suggesting a few years ago (except on our countdown the B-Side could not have made The National Top 40)
We had a GREAT response to this ... something like 65,000 votes came in!!! (Best turn-out we've ever had!) We even flew out to New Jersey and counted down The Top 20 on Dave The Rave's "Relics And Rarities" Show.
You'll find all of the results at the link above.
Thanks, Ronnie!
kk  

So it won't be B-Sides ... but we DO have something special planned for Monday ...
I just ain't tellin' you what it is! (You'll just have to check the website ... and check it often ... because we've got surprises planned all day long!) kk

re: THIS AND THAT:
Kent ...
Pat St. John is on WCBS-FM Sunday mornings. One of the features of his show is collectible cuts.
Here's one of them:
Lou Gramm of Foreigner told this story. While they were in the studio recording, they had the hockey game on the TV. They didn't have a title for the song they were working on. One of the players had to leave the
game because of "Double Vision." Now they had a name for the song they were working on.
Frank B.
 


Here's a quick follow-up on a "Story Behind The Song" we featured a couple of weeks ago ...  

>>>This is the 50th anniversary of when the Kingston Trio's second biggest hit, "Reverend Mr. Black", peaked on the charts. It is very interesting how it became a hit in the first place. The trio's producer, Voyle Gilmore, heard the song at a convention, and wanted it recorded at Capital Records. The song really had Johnny Cash's name written all over it, but he was signed on a different label, so Gilmore's second choice was the Kingston Trio. The boys previewed the tune, and none of the three ... Bob Shane, Nick Reynolds, or John Stewart ... wanted to sing it. Gilmore decided that Stewart's "airy" voice was best suited for the recording, because it was the "closest" sounding to Cash's. After much whining, John said ok, laid down the track, and promptly forgot about it. It was featured on one of my favorite KT albums, Kingston Trio #16.
Shortly after the album appeared on record store shelves, a Chicago Junior High School Teacher (his name escapes me, but you can find it in the book, "The Kingston Trio on Record". My copy is boxed away somewhere), was teaching a class on how an individual or small group can manipulate the media. He asked his students to bring to class a fresh, new album, containing the worst song they ever heard. Every student did, and "Reverend Mr. Black" was voted the absolute worst! Now, I'm a fan of John Stewart and his songs, but I have to admit, his singing was not very good on that particular recording, and I'm surprised Gilmore didn't go with Bob Shane to sing it. After the song was voted "the worst" by the class, the teacher then instructed the students the barrage a popular Chicago radio station with requests to hear the song, many times a day, for a week. After the requests were honored, the station manager put in a call to Capital Records, and alerted them to the popularity of the song in that market. It was concluded by the management that the song should be released as a single. When that happened, it became a huge hit for the trio, second only to "Tom Dooley", and all because a Junior High School Class determined that it was the worst song they had ever heard! Years later, Johnny Cash did record it, to finally give the song the "flavor" Voyle Gilmore originally wanted. (John LaPuzza)
>>>Too funny! Checking to see how the song performed here in Chicago, I see that it peaked at #9 on the Top Tunes Of Greater Chicagoland list ... and #6 on the WLS Silver Dollar Survey. (Wonder which radio station they bombarded?!?!? In 1963, WLS would have been the most-likely candidate.) Nationally, the song hit The Top Ten, too, peaking at #8 in Billboard, #7 in Cash Box and#4 in Record World! (kk)  

Hey Kent,
I found my copy of "The Kingston Trio on Record" and read that it was William R. Idol, who had his class vote on "the worst" record, that turned out to be "Reverend Mr. Black", their second biggest hit. I wonder if he's still around. You were right in that the students barraged radio station WLS to play the "great new record" by the Kingston Trio, and from there, the station suggested to Capital Records that they release it on a 45. I forgot to mention that the featured instrumentalist on the track was Glen Campbell, playing the 6-string banjo, tuned like a guitar, because Glen couldn't play a "real" 5-string banjo. The trio liked working with him. He also played the same instrument on the trio's "Desert Pete", along with singing backup vocals with Bev Bivens, of We Five ("You Were On My Mind"). John Stewart's brother, Mike, coincidentally, was leader of that group.
- John LaPuzza
I found this documentation on line ... but had no luck locating a Chicagoland school teacher named William R. Idol. (Wouldn't it be funny if his kid was rocker Billy Idol??!?) Of course if he were also High School President in 1963, my guess is that would put him right around 90 years of age if he's still around. But with SO many Chicagoland Readers on the list, who knows ... maybe one of them took part in this crazy 1963 hit-making experiment!!! Would love to hear from you if you did ... or know someone who did ... or know someone who went to that school and maybe had Mr. Idol as their teacher.   

January 23, 1963:  
RECORDING SESSION: Disc 4/ Track 1, THE CAPITOL YEARS: The Reverend Mr. Black (Billy Edd Wheeler and Jed Peters) 2:16
Master #38996 recorded January 23, 1963
Album: THE KINGSTON TRIO #16
Basically a narrative written around the old spiritual "Lonesome Valley," "The Reverend Mr. Black" features a distinctive lead by John Stewart and some memorable 6-string work by sideman Glen Campbell. This Billy Edd Wheeler composition, pitched to Voyle Gilmore at a Nashville convention, reportedly owes it's initial success to President and Chicago high school English teacher William Idol. To make a lasting point about "the shaping of public opinion by vocal minorities" (as expressed in JFK's PROFILES IN COURAGE), Idol asked his students to choose a song they didn't particularly like to see if they could make it a hit by placing a hundred calls to a local radio station. The song they chose, on March 18, 1963, was the lead track from the new album THE KINGSTON TRIO #16, and within forty-eight hours asked Capitol to release "The Reverend Mr. Black" as a single. It was a big hit in Chicago, and it cracked Billboard's Top Ten by May. Of all the Trio's singles, anly "Tom Dooley" went higher.
SOURCE: Liner notes; The Kingston Trio: The Capital Years (Capitol Records CD7243 8 28498 2 7)



Here's a great review of a recent Tommy Roe show at B.B. King's in New York City:


Kent ...
First interview in 30 years.
Frank B.
Great to hear that she's recording again ... I don't know that anybody ever thought that THAT would happen! (kk)


Airplay: The Rise and Fall of Rock Radio DVD ...
NOW AVAILABLE


Relive the rise and fall of rock radio with footage from all the eras
Hear from deejays Casey Kasem, Jerry The Geator Blavat, Dick Biondi, Raechel Donahue, Cousin Brucie Morrow and many more!
See vintage footage and sound of Alan Freed, Dick Clark, Wolfman Jack, Tom Donahue, Murray the K, Martha Jean The Queen Steinberg and others, plus The Beatles and Elvis!
Alan Freeds son talks about his dads involvement in the payola scandal
Maybe video didn't kill the radio star after all. Airplay: The Rise and Fall of Rock Radio documents the history of rock and roll radio -- from the introduction of The Devil s Music by 1950s AM deejays to the FM pioneers who brought sex-drugs-and-rock to the airwaves in the 60s. Then witness the silencing of rock radio by government and big-business interests and, finally, see its promise of rebirth via satellite.
Hear from radio stars, and watch historic film footage in this award-winning documentary previously seen on public television. Featured deejays include Jerry The Geator Blavat, Dick Biondi, Raechel Donahue, Cousin Brucie Morrow, Martha Jean The Queen Steinberg, Dan Ingram, Meg Griffin and more. Plus, Lance Freed talks about his father Alan Freed s own rise and fall in radio. Musicians include David Crosby, Grace Slick, Little Steven Van Zandt, Bob Weir, Ray Manzarek (The Doors) and others.
Plus, see vintage footage and hear recordings of radio and rock greats like Dick Clark, Tom Donahue, The Beatles, Wolfman Jack, Murray the K, Elvis and many, many more!
Format: Color, NTSC
Language: English
Region: Region 1
Aspect Ratio: 1.33:1
Studio: Topics Entertainment
DVD Release Date: April 3, 2013
Run Time: 95 minutes
We've been singing the praises for this one for a few years now ... highly recommended. (In fact, you'll even find a quote from our review printed right on the box!!!) A "must have" for all fans of radio. Great to see that it's now available for the general public to view, own and enjoy! (kk) 

Check out the surprises Macca pulls out on this tour!!! There are a few clips on youtube too!!
Mike Mertes
Yes, we got this from a few readers today. I think it's great that McCartney continues to spruce up the act with new / old material. (Probably makes it more fun and interesting for him, too!) I'm a little surprised by "Eight Days A Week" ... that was always more of a John song to me ... and certainly more of a group sound. I've seen him perform "Listen To What The Man Said" before ... but it must have been the Wings Over America tour since they're saying that this is the first time he's performed it as part of his "solo" show. (Always one of my favorites ... and a #1 Hit to boot ... and one they could play a little more often on the radio as far as I'm concerned ... instead of "Band On The Run" four or five times a day!) I mean the guy had 35 Top 40 Hits AFTER The Beatles ... and nine of those made it all the way to #1. With the next release in The Paul McCartney Collection ready to come out ... and "Rock Show" coming back to theaters ... and a world tour under way ... as well as an album of new material coming (well, new for him anyway ... sounds like there'll be quite a few remakes on this release, too) McCartney is certainly no stranger to the Music News Pages these days! (kk)

EAGLE ROCK ENTERTAINMENT TO RELEASE DOOBIE BROTHERS LIVE AT WOLF TRAP
~ON DVD, CD, DIGITAL VIDEO AND DIGITAL AUDIO~AND ON BLU-RAY FOR THE FIRST TIME
~JUNE 4, 2013~

NEW YORK, NY (May 9, 2013) — Eagle Rock Entertainment are proud to announce the release on June 4 of the Live At Wolf Trap CD, DVD and Blu-ray [Pre-book Order Date May 17, MSRP $9.98 DVD, $13.98 CD, and $19.98 Blu-ray] from the Doobie Brothers. This title includes the classic hits: “Rockin’ Down The Highway,” “Takin’ It To The Streets,” “Listen To The Music,” “Long Train Runnin’,” “Nobody,” “China Grove,” “Black Water,” and many more.
Recorded on July 25, 2004 at Wolf Trap National Park for the Performing Arts in Virginia, Live At Wolf Trap captures The Doobie Brothers in fine form on a set that mixes classic hits with some rarely performed tracks from across their extensive catalogue. This would prove to be the last recorded footage of long time drummer Keith Knudsen performing with the Doobie Brothers; Mike Hossack too has now passed away. Originally released in the autumn of 2004, the show is now being reissued on DVD and CD and will be released on Blu-ray for the first time.
As well as an amazing set of songs, the visual versions of the release also feature bonus features, extra live tracks [Dangerous, Takin’ It To The Streets, Without You] and featurettes including “Back Stage Pass” / Doobie-aoke / The Dropped Pick / Outtakes / The Family. Live At Wolf Trap is an essential release for any Doobies fan.
TRACKLISTING
1) Rockin’ Down The Highway
2) Jesus Is Just Alright
3) Dangerous
4) Another Park, Another Sunday
5) People Gotta Love Again*
6) Spirit*
7) Steamer Lane (instrumental)
8) South City Midnight Lady
9) Snake Man
10) Nobody*
11) Five Corners
12) Rainy Day Crossroad Blues
13) Clear As The Driven Snow
14) Neal’s Fandango*
15) Takin’ It To the Streets*
16) Don’t Start Me Talkin’
17) Take Me In Your Arms
18) Little Bitty Pretty One
19) Black Water
20) Long Train Runnin’
21) China Grove
22) Without You*
23) Listen To the Music
* Not on CD version 

Dear Friends and Fans of Pop, Family Style,
Gary Pig Gold's new "Family Band: The Cowsills Story" - inspired story of his own is now available at the prestigious Rock's BackPages site for one and all to read, reprint, re-post, quote from and / or Link to,
right there at ... http://www.rocksbackpagesblogs.com/?p=52724


-- Tom Cuddy
I love the music of Burt Bacharach ... but I've found I like (and appreciate) it a whole lot more in small doses. Several years ago I purchased the 3-CD collection "The Look Of Love", a stellar collection of some of his most famous works, most performed by the artists who made them international hits. But while trying to listen to it recently I found myself bored to death! I actually had to turn it off. (Too much was literally too much!) However, if you're a MAJOR Burt Bacharach fan, then this 6-CD collection is probably for you. (Check out the link above for the complete track listings for three versions of this brand new release.) kk


And this one was all over the news last week:  
Click here: How President Clinton Failed To Reunite Led Zeppelin For ’12-12-12' « WCBS-FM 101.1  
Kent ...  
If a U.S. President can't get you back together, nobody can. Frank B.   

re: ON THE RADIO:

Sunday, May 26, 2013 12 - 4 pm CT
Featuring Rolling Stones twin spins
Sunday, May 26, 2013 4 - 5 pm CT
THE HISTORY OF ROCK & ROLL
A chapter of The Rolling Stones
Mike Baker And The Forgotten 45s now on 88.1 WLTL
and streaming via TuneIn.com and the free TuneIn App.
Note: The History Of Rock & Roll is the Drake-Chenault series aired on XM