Thursday, October 29, 2015

Brian Wilson Concert Ticket Give-Away - Part 3

Winner #3 in this week's ticket giveaway to see Brian Wilson Live In Concert at the Genesee Theatre on Wednesday, November 11th, goes to Bob Benham of Chicago, Illinois ... who turned in this winning entry ...

Hey Kent,   
I’ve been a Brian Wilson fan since more or less 1966, when I heard his aching falsetto on Caroline, No and then received Pet Sounds for Christmas. What an ear-opener
Even then, as a 12-year old budding music listener I realized the vocals, arrangements and musicianship on that LP surpassed much of the music I’d heard (I wasn’t yet familiar with the Wrecking Crew gang — that’d be much later :) Brian’s music to me is the sound of summer days & summer nights and endless summer (to echo several LP titles) ... The warmth of the sun … California girls … the paradise that was mid-60’s southern California.  
His song themes have often been nostalgic and sensitive  (“When I Grow Up”, “The Lonely Sea” ), yet often simple (“Drive-In” ) and was a soundtrack to the lives of a generation growing up in the 60s. 
I thought his best ballads were as good as The Beatles (“In My Room”). I loved Brian's Wall of Sound production — even though he emulated Spector’s technique, Brian put his own stamp on it.  
As time passed I became more intrigued and fascinated by the man himself and his inner torment … how he descended to the depths of despair only to resurrect his career. IMO The Smile album derailed him for a while … 
I was thrilled to catch him on his Pet Sounds Tour a number of years ago (2000?) — that was a Happening!  
I caught him again at Ravinia in 2013 with Beach Boys David Marks & Al Jardine in the band, and again this past June with Al Jardine & Blondie Chaplin. Even got to see some of the soundcheck (“Do It Again” ).  It was the only concert I attended this summer. The man’s a living legend. 
And considering Brian is due to do a British farewell tour next year you know he’ll likely retire from live performing before long … so I’d like the chance to Do It Again and see this American treasure and his great accompanying band … and I can see you guys, too!  
Bob Benham   
Chicago, IL 



We couldn't have put together an incredible give-away like this without the help and support of The Genesee Theatre in Waukegan (and Colleen Rogalski in particular) ... so thanks again, all for helping us make this happen.   
If you've never been to this theatre before, I can assure you that it must be seen to be believed. 


It first opened to the public on Christmas Day, 1927, a year and a half (and one million dollars!) after investors A.L. Brumund, H.C. Burnett, and D.T. Webb purchased the land, at the corner of Genesee and Clayton Streets, from the Y.M.C.A. (built in 1912) for $130,000.  Waukegan contractor Alva Weeks and Chicago architect Edward P. Steinberg were hired to construct the Theatre. (Steinberg had just built the BelPark and State Theatres in Chicago within the last few years.)  

Construction began in September of 1926.  Originally opened as a movie theater (Christmas Day, 1927, saw four sold out shows and included the film "The Valley Of The Giants") it was based on bigger visions right from the start.  No expense was spared in the creation of the Genesee Theatre. The outside façade was built from terra cotta and pressed brick in ornate design. The main entrance was located on Genesee Street and opened into a huge lobby with a large chandelier. The interior was designed in a Spanish Renaissance style using caen stone, which is a light yellow limestone, and antique plaster décor. The large center dome in the auditorium was fashioned from hammered silver. More than 1200 yards of tapestry fabric, several tons of marble from the Carrera quarries in Italy, and lighting throughout the Theatre combined to make it the most lavish building in Waukegan.  The stage was equipped with the newest technology in stagecraft in order to accommodate live theatre, like vaudeville, music presentations, and film. A massive $25,000 Barton Grande pipe organ was a focal point of the Theatre. For comfort, the Theatre was outfitted with the most advanced heating and cooling system of its time.  

In 1952, the Genesee Theatre was renovated with new seats, a new sound system, and some changes to the décor. 

Thirty years later, in 1982, the Theatre stopped showing movies due to economic decline and the rise of major movie cineplexes. And a few years later (in 1989), it officially closed and went up for sale.   

The City of Waukegan purchased the building in 1999 and began renovations at a cost of almost $23 million with the help of over 120 volunteers. The Genesee Theatre reopened on December 3, 2004 with two sold out shows of Bill Cosby.  (Hmm ... I wonder if they're still anxious to promote this fact?!?!  Then again ... to the best of my knowledge anyway ... no seductive cocktails were exchanged that night.)

Again, the vision was of the grandest scale.  Every attempt was made to restore the Genesee Theatre to its former glory of 1927 ... however several major and minor changes were made. The 1950s marquee was taken down and a new marquee was reproduced from original photographs of the theatre in the 1920s to the 1940s. A lobby was added on Genesee Street where the sidewalk had originally been. The original box office was taken out and moved in order to accommodate more doors into the Grand Lobby. The walls and décor of the original lobby, now the Grand Lobby, were restored ... however a walkway joining both second floor lounges was added. The apartments and suites previously housed on the three upper floors were torn down and fashioned into lounges for theatre use.  


In the auditorium, the balcony was extended to the front and back and the projection booth at the back of the balcony was shifted backward. These modifications allowed the theatre to increase its seating capacity from 1,799 to 2,416. Antique chandeliers and light fixtures from the time period were collected from all over the country and placed throughout the theatre while some lighting fixtures were replicated. The plaster moldings were cleaned and restored and the carpet was replicated from a 1927 photograph. The stage doubled in size and was outfitted with 21st century technology in order to accommodate new entertainment.


Despite the changes to the Theatre, the historic integrity of the Genesee has stood the test of time. From the street and within its walls, the Genesee Theatre is reminiscent of the hope and beauty of the early 20th century and remains a center of the Waukegan community. 

And, in 2009, the city of Waukegan granted The Genesee Theatre Landmark Status.  It truly is one of the most beautiful and historic theatres anywhere in the country.  (Several weeks ago, their contact with the city of Waukegan was extended for another ten years, assuring many more great shows to come and grace the stage of this beautiful theatre.)



In addition to the Brian Wilson show scheduled for November 11th, The Genesee Theatre has several other great shows coming up between now and the end of the year ... 

Jay Leno - 10/29

Brian Setzer Orchestra 11/17 - Christmas show

Christopher Cross 11/22

Michael Bolton 12/8

Darlene Love 12/16

and, JUST ADDED, Chicago's own Richard Marx, appearing December 4th 

You can order your tickets for ALL of these shows through the theatre's online box office ...
http://www.geneseetheatre.com/events/all  

What a BEAUTIFUL way to spend an evening. 

*****

Dear Kent;
If I was governor of California I would insist that the state adopt "God Only Knows' as its official song.  
Seeing Brian Wilson over six different decades has been a musical experience of boundless joy.  
Question: Are Brian and Mike Love in one of their periodic separations? 
I frankly have no interest in seeing the Mike and the Beach Boys but would travel 400 miles tonite by car to see Brian Wilson, America's greatest living poet - inches ahead of Bob Dylan and Smokey Robinson. 
Would love to see the upcoming concert at the Genesee to see Brian and to hear Blondie Chaplin's majestic vocal on "Sail On Sailor."  
Finally, never compare the Eagles to the Beach Boys. There is no comparison. The Boys are the undisputed heavyweight champs - America's greatest rock 'n roll band. End of issue.  
Chet Coppock
Host: Notre Dame football on WLS Radio
Author: Buffone: Monster of the Midway
I think Brian and Mike have ALWAYS been more "off" than "on".  You've still got time to catch Brian at The Genesee but you'd better hurry ... I think the rest of these tickets are going to go pretty fast!  (For the record, I have been informed that Blondie Chaplin will NOT be with Brian for this Chicago-area appearance.  I apologize for any confusion and / or false hope my previous information may have caused.)  kk
 
 

Wednesday, October 28, 2015

Brian Wilson Concert Tickets - Part 2

All week long we're saluting the winners of our Forgotten Hits / Genesee Theatre Ticket Give-Away contest for the Brian Wilson Show coming up on Wednesday, November 11th.

(Great seats are still available if you're able to attend ... I can assure you that this will be a show you will long remember!)
http://www.geneseetheatre.com/events/detail/brian-wilson-with-special-guest-al-jardine

Today's winning entry comes from Tom Crowe of Poplar Grove, IL, who tells us ...

Hi Kent,  
I have followed Brian Wilson from the beginning, starting with surf and car songs. Even as hard rock was taking over, there was only Brian Wilson for me. 
Through the years friends would always say that Brian Wilson will never last and that he'll be totally forgotten. Instead, Brian grew each and every year and the music he put out was like no other music in the world. 
Now all these years later Brian is still at he top of his game, even with going through his mental illness. 
He has no one that can compete with him. His music has so much soul and feeling. Whether a sad song or a happy song, he makes you feel the beautiful mood he creates. 
Whether I get tickets or not, Brian Wilson being in my life for all these years for me has helped me through my good and bad times. 
Thank you, Brian Wilson.  
Tom Crowe 
Poplar Grove IL. 61065    
Congratulations, Tom ... you are going to have a blast at this show. 
 
*****
 
Long-time Friend of Forgotten Hits, Billy Hinsche, is back on the road with his old buddy Brian Wilson this month, filling in for regular keyboardist Darian Sahanaja, who is out supporting The Zombies on their Odessey and Oracle Tour.
 
We asked Billy to share a few stories "from the road" with our readers ... and this is what he sent me!
 
I got a call from Brian Wilson's Musical Director, Paul Von Mertens, in mid-July asking if I were available in October to do a few shows back east substituting for Darian Sahanaja, Brian's longtime keyboardist / vocalist.  The last time I toured extensively with Brain was in 2007 (CA and Europe) when I subbed for his other keyboardist / vocalist Scott Bennett.  I was happy to fill in for Darian, who was already committed to doing shows with The Zombies during October.  

A few weeks later, I met Darian at his recording studio in Echo Park where we spent about three hours going over some of the new material, and I even videotaped him with an overhead camera to see exactly where he was placing his hands.  That turned out to be very useful since I was playing violin parts on "One Kind Of Love" and horn parts on the intro to "California Girls," and having a visual reference was much better than simply reading parts off a music chart. He also emailed music files for an entire live concert and recorded his vocals on the left side of the channel and isolated them so I could better learn them.  I listened to that recording many, many times on a CD while driving in my car and on my computer at home.  I also spent a few hours with Scott Bennett at his home in Hollywood going over a few things, too, since he co-wrote "One Kind Of Love" with Brian and I wanted to make sure I was playing the string parts correctly and to his liking.  We also touched on one of my favorites - "She's Not The Little Girl I Once Knew", though we never actually performed it. 

There were a number of things that made this assignment particularly challenging:

1. I had to learn songs from Brian's fine new CD No Pier Pressure that I was completely unfamiliar with from a performance standpoint.  

2. Several songs that I had played thousands of times were now in "new" keys such as "Sloop John B" (lowered a half step from the key of A to Ab), the very intricate "Heroes & Villains" (lowered a half step from D to Db) and "Then I Kissed Her" (raised a half step from C to C#). 

3. I had to learn all of Darian's vocal parts for over 30 songs and "unlearn" all the vocal parts I was accustomed to singing in Al Jardine's band for the past 16 years.

4.  I was going to be using a Kurzweil keyboard with a variety of sounds and specific settings that were programmed into the keyboard every night such as "Wouldn't It Be Nice," "Good Vibrations," "California Girls" and more.  Songs were assigned numbers from three keyboard "banks" of sounds with corresponding "patches" that replicated the sounds everyone was accustomed to hearing on the recordings.  I had to quickly switch from one sound to another and thankfully, I always made it in time with no "accidents" ... though I had a few close calls on the first show which led to my writing notes on the three pages of notes I already had for the vocals that I kept in a 3-ring binder.

5. I would be using "in ears" instead of a monitor to hear the instrumental and vocal blend during the show.  I have been using stage monitors since the '60s, so it took a bit of getting used to.  The only other time I had used in ears extensively was on Brian's 2007 tour.

I had three months to prepare and I practiced at home just about every day between 10 am and 12 noon.  My efforts paid off in that I didn't have any catastrophes or "train wrecks" onstage during any of the shows.  It also helped that my bandmates were so positive, supportive and encouraging for the seven performances I did during the month of October.  Most of all, Brian gave me the inspiration to play and sing well.  He even suggested that I do a lead vocal on "Darlin'" along with Scott Bennett.  In his kind, gentle and soft-spoken way (with a dash of good humor), somehow his presence alone was enough to have me strive to do the very best I could on every song, every night.

I would work with Brian and his outstanding band anytime - maybe I'll get the call again someday.  
 
By the time Brian Wilson hits The Genesee Theatre, Billy Hinsche will have returned home to Las Vegas ... but what a GREAT bird's eye view of Life on the Road with a Living Legend ... Brian Wilson ... thanks, Billy for yet another EXCLUSIVE Forgotten Hits Experience!!!  (kk)
 
And here are a few pix, too ... thanks again, Billy!
 
 Billy and the Boys ...
(L-R): Al Jardine, Blondie Chaplin and Billy Hinsche
Front and Center:   Brian Wilson
 
The Brian Wilson Show ...
(sometimes it takes a village!!!)
 
 

Tuesday, October 27, 2015

Brian Wilson Concert Tickets

Several lucky local Forgotten Hits Readers each won a pair of tickets to see Brian Wilson, live in concert, at The Genesee Theatre in Waukegan, IL, on Wednesday, November 11th, with special guest Al Jardine.   

Joy!
(I am unable to attend - just wanted to add my two cents, or three letters (:>)
Phil

Wilson is a musical genius ... a true "living legend" in every sense of the word ... and his band is nothing short of amazing.

There are still a few seats left available for those of you who didn't win a pair through our Forgotten Hits Give-Away ... but you'd better act fast!!!

Complete ordering information can be found on The Genesee Theatre Website Box Office ... 
http://www.geneseetheatre.com/events/detail/brian-wilson-with-special-guest-al-jardine

VERY special thanks again to Colleen Rogalski and the folks at The Genesee Theatre for this very generous offer.

We asked "the locals" on our list to write a brief essay (just a few paragraphs) explaining what the music of Brian Wilson has meant to them over the years.

And here is our very first winning entry ... courtesy of Mark Magel of Morton Grove, IL ...

Hi Kent, 
My story starts in December of 1962 when my dad moved us to Los Angeles. I had left all my friends back home in Chicago and I was a lost soul.  We sold everything and four short months later we came back to Chicago, broke, to start all over again.   
What I had while I was in LA was my transistor radio and the sounds of KFWB and KHJ to get me by.  I fell in love with the sounds of both the Beach Boys  and Jan and Dean.  The music of the day kept me sane.   
My first live concert was at the Auditorium theater in Chicago in 1968 to see The Beach Boys.  On the same bill was this new group from LA, Linda Ronstadt and the Stone Poneys and Gary Puckett and the Union Gap.  The next day I went over to Rose Records on Wabash and bought every Beach Boys album they had. 
Over the years I have seen them eight times in concert but not since Carl passed away.  I have had moments when I sit here and listen to God Only Knows and Caroline No over and over and get lost in my memories.  Two of the most beautiful recordings ever created.  I won't say I am the biggest Brian Wilson fan. I will leave that for others to judge,  but I will say that his music has made a big difference in my life and I would love to have a chance to tell him that.  And by the way November 11 is my birthday!  It would be the best gift ever to get two tickets to see him for my wife and I. 
Thanks for your consideration,  
Mark Magel  
Morton Grove Il. 60053   

Congratulations, Birthday Boy, you're going to the show.  And if you've never seen Brian's band before, you're in for a REAL treat!  We'll see you there!  (kk) 


Much was made about this year's Brian Wilson biopic "Love And Mercy" (including more than a few comments right here in these pages.)   

Did you happen to hear about the DVD / BluRay release party where actor Paul Dano (who played "Young Brian" on screen) actually got to perform with the REAL Brian Wilson on stage at the party?!?!?  

Check THIS out (courtesy of Rolling Stone Magazine) ...


Paul Dano performed with Brian Wilson and Al Jardine
at a release party for the 'Love & Mercy' DVD. Megan Mack  

For a nervous moment, actor Paul Dano stood quietly onstage Monday night at a Los Angeles jazz club, gripping a microphone with both hands to sing a 1966 Beach Boys classic, "You Still Believe in Me." At the keyboard beside him was the man who co-authored it, Brian Wilson. On his other side stood Al Jardine, another original Beach Boy, who assured the crowd: "He's got a really good voice ...."    

Paul Dano on the Art of Becoming Brian Wilson »  By the time Dano began the song's achingly vulnerable vocal melody, he was already being carried away by Wilson's rich layers of sound, both bright and melancholy. It was another glimpse into the life and music of Wilson, who performed a short, vibrant concert for a crowd of about 200 to celebrate the DVD release of this year's acclaimed movie of his life story, Love & Mercy. Also in the crowd were director Bill Pohlad and co-star Elizabeth Banks.  

"Brian asked me to sing that song because he knows it's one of my favorites," Dano told Rolling Stone afterwards. He portrays Wilson as a young man at his Sixties peak in the film, as career pressures and mental illness begin to derail his life. "My favorite part was the ending, the communal 'ahhhs' and the feeling of communion up there. It's a really beautiful, intimate song."  

With a 10-man band of veteran players crowded onto the small stage beside him, Wilson performed 35 minutes' worth of hits and deeply emotional songs from his Beach Boys and solo catalog. There were gorgeous laid-back falsetto harmonies on "Surfer Girl," dreamy vocals and harmonica on "In My Room," and roaring guitar riffs on "Dance, Dance, Dance."  

As usual, Wilson was a man of few words, but clearly pleased and relaxed onstage at the Vibrato Grill, a hilltop jazz club owned by Herb Alpert, the hit-making Tijuana Brass trumpeter and co-founder of A&M Records. "It's good to be in Los Angeles, where we all live!" he declared to laughs, his blue dress-shirt sleeves rolled at the wrists, thick graying hair swept back. The music was performed with precision and warmth, recreating the essence of the original records.  

For the opening of "Wouldn't It Be Nice," Matt Jardine (Al's son) sang the forceful vocal melodies until Wilson took the hopeful verse: "Maybe if we think and wish and hope and pray, it might come true / Baby, then there wouldn't be a single thing we couldn't do."  

The pop epic "Good Vibrations" began with a false start, and Wilson stopping the band as soon as it began: "Hold it, hold it, hold it! Too fast!"  

"A lot of the people who had something to do with the movie are here tonight," Wilson told Rolling Stone minutes before his performance. "I've seen it five times. I love it. I like Paul Dano's portrayal of me as a record producer."  

Monday's concert and DVD release party was another chance for the cast, crew and subjects of Love & Mercy to reunite around a special project. Dano and John Cusack, who play Wilson at different stages of his life, developed a personal, protective relationship with the musician. And Banks has spent quality time at the Wilson home. 

"I don't want it to end," said Pohlad. "To be able to live with Brian's music in your head for three or four years is not a bad gig. There was something about his spirit, too, that infused the whole thing. It was the nicest, warmest set that I've ever been on. A lot of it has to do with the spirit of the movie and Brian was a big part of it."  

At he same time, Wilson has embraced life on the road. He begins an East Coast run with his band on October 20th in Charleston, South Carolina. "He's actually starting to love to tour," says wife Melinda Wilson. "He comes home and he goes, 'OK, book me up for next month!'"  

For the night's set-closing "Love and Mercy," Wilson sang to his wife as she swayed up front, arm-in-arm with Banks, who portrays her in the film. He was accompanied on the song by a simple keyboard melody and light vibraphone taps. "He sang it directly to her," Banks said after. "He was eye-to-eye with his beautiful wife. It was awkward, almost. It's amazing how romantic it is. That's what they have."   

Set List:
"Surfer Girl"
"In My Room"
"Dance, Dance, Dance"
"Wouldn't It Be Nice"
"God Only Knows"
"You Still Believe in Me"
"One Kind of Love"
"Good Vibrations"
"Surfin' USA"
"Fun, Fun, Fun"
"Love and Mercy"
 

Monday, October 26, 2015

50 Year Flashback - October 26th, 1965

The Beatles hang on to the #1 Spot with their two-sided hit "Yesterday" / "Act Naturally" on the WIRL Chart for this week in 1965.

"You're The One" by The Vogues sits at #6 this week ... and I always liked the Jonathan King song at #16, too ... "Everyone's Gone To The Moon".

Because this chart doesn't show last week's position, it's hard to tell which records are on their way up and which records are on their way down ... but it seems to me that tracks like Len Barry's "1, 2, 3", "Let's Hang On" by The Four Seasons and Herb Alpert and the Tijuana Brass' version of "A Taste Of Honey" were all big hits as 1965 turned into 1966.









Sunday, October 25, 2015

The Zombies - More On This Very Special Odessey and Oracle Tour

Last weekend we featured a review by FH Reader Brad Joblin of The Zombies' concert at Ridgefield Playhouse in Ridgefield, CT.  Today Tom Cuddy chimes in with a review courtesy of Cleveland's Rock And Roll Hall Of Fame Museum ... and also shares a couple more exclusive photos from the Ridgefield show with our readers.  

Concert Review: The Zombies At Kent Stage by Bear   

As I walked into The Kent Stage last night I ran into Tom Simpson, the promoter of the show, and he told me “Cleveland’s rock who’s who is here tonight”. I thought he was talking about me but the first person I saw was Jimmie Fox of the James Gang, saw Daffy Dan, saw the owner of Rubber City Radio, a couple of other concert promoters I knew, media people, various Cleveland and New York executives from the Rock And Roll Hall Of Fame and others then Tom turned to me and said “oh yeah, Graham Nash stopped in to see the show too”. 

Okay I knew The Zombies coming to The Kent Stage was a big thing. I knew that them playing “Odessey And Oracle” in its entirety was a big thing but I really didn’t have a sense how big and how it would draw the people it did.   

This was one of only twenty shows they were doing in the country and it drew from many states also. I overheard one gentleman from Florida telling another from Indiana he came in just for this show. Thinking this was going to be primarily a Northeast Ohio crowd, I asked Tom if they had ticket sales from outside the area and he told me they sold tickets to fans in California, Colorado, New Jersey, Texas and ten other states as well as Canada.  

All of these people that came so far were not disappointed. From the opening chords of the 1965 song “I Love You”, you knew it was going to be a special night. They sounded amazing and for guys in their 70’s to still bring it on stage and rock it, that’s one thing ... but to still have the vocals to pull it off fifty years later, that’s amazing and they did it. 

The first set was anchored by the current Zombies lineup of original founding members Rod Argent and Colin Blustone along with one-time Kinks guitarist Jim Rodford on bass, his son Steve Rodford on drums, and Tom Toomey, on guitar.  

The set list pulled from the other Zombies albums included 1964’s “She’s Not There” and “Tell Her No” and a 1965 medley of the Miracles' “You’ve Really Got a Hold on Me” and Sam Cooke’s “Bring It On Home to Me”. There was Blunstone on his 1971 solo single “Caroline Goodbye”, and a nice mix of songs from their superb new album “Still Got That Hunger”. From the new album we got “I Want You Back”, “Movin On”, “Chasing The Past”, Edge Of The Rainbow”, “Maybe Tomorrow”, and “New York”. One nice note throughout the night was the interaction of Argent and Blunstone with the audience. Telling stories about the songs and what inspired them to write them. Letting us see behind the curtain so to speak. It gave you the impression they get what these songs mean to their fans and wanted to share it with them. The highlight of the first set was a rousing rendition of the 1972 Argent hit “Hold Your Head Up”, which had the packed house on the feet clapping and dancing with Rod Argent attacking the keyboards and interacting with the crowd. The last time I heard this song live was 1972 at the old Agora at its peak but last night might have surpassed it just on energy alone.   

If the first set was the whole show, it would have been worth the price of admission alone. 

A twenty minute intermission took place after the first set in which Argent told the crowd to “get some drinks ... we sound better when you’re drinking”. 

The second set was what brought all of these people there, the playing of “Odessey And Oracle”. The band lineup changed slightly as Argent and Blunstone were joined by original members Hugh Grundy and Chris White. When the first notes of “Care Of Cell 44” came wafting out, it was vintage Zombies taking us to psychedelic pop heaven. It was apparent that the magic was still there some fifty years after the release of the album and the emotional weight of the song set the tone for the rest of the night. Blunstone’s vocals resonated on “Maybe After He’s Gone” with harmonies that just hung in the air. As they worked their way thru “Beechwood Park”, “Brief Candles”, “Hung Up On A Dream” the crowds enthusiasm increased with standing ovations following nearly every song. A surprising highlight for me was a sullen, minimalistic performance of “Butcher’s Tale (Western Front 1914) with Argent on pump organ and White on vocals evoked the horrors of a teenager during WWI. Ending the first set was their hit “Time Of The Season” which kept the crowd out of their seats and even after almost three hours wanting more. 

The band came back out for an encore and performed “She’s Not There” again but this time with both bands on stage. To me it was a fitting way to end a great night of music with everyone on stage and everyone in the audience on their feet smiling and clapping. 

Set 1:   
I Love You   
Can’t Nobody Love You 
I Want You Back Again 
Moving On 
Edge of the Rainbow 
Tell Her No 
You’ve Really Got a Hold on Me / Bring It On Home to Me  (Begin Here) 
Maybe Tomorrow 
New York 
Caroline Goodbye  
Chasing the Past  
Hold Your Head Up  
She’s Not There    

Set 2: (“Odessey and Oracle”)  
Care of Cell 44  
A Rose for Emily  
Maybe After He’s Gone  
Beechwood Park  
Brief Candles  
Hung Up on a Dream  
Changes  
I Want Her She Wants Me  
This Will Be Our Year  
Butcher’s Tale (Western Front 1914)  
Friends of Mine  
Time of the Season  
She’s Not There
Colin Blunstone
Rod Argent 
(Photos courtesy of Tom Cuddy)  


Read Brad Joblin's Zombies concert review here: 
http://forgottenhits60s.blogspot.com/2015/10/the-zombies-concert-review.html   

Read our Zombies concert review (from a couple of years ago) here:  
http://forgottenhits60s.blogspot.com/2013/10/zombies-concert-review.html

Read Carl Wiser's / Songfacts Interview with Colin Blunstone here:
http://www.songfacts.com/blog/interviews/colin_blunstone_of_the_zombies/