Monday, July 1, 2024

A Monday Morning Quickie

Following up on one of the big stories from last week …

 


>>>Here's something you may want to keep a Forgotten Hit Eye on as Elvis' former authenticated True Blue Blue Suede Shoes went on auction at the British Henry Aldreide and Son Auction House in the middle of our US night!  They could bring $126,000 to $152,000.  At that price, "DAMN! DON'T YOU STEP ON MY BLUE SUEDE SHOES!!"  They're a size 10 and a half made by Nann-Bush.  The auction began with a starting bid of $69,000.  (CB)

 

>>>Thanks for the heads up!  I was all set to enter my bid when I saw that you said they were size 10 1/2 ...

I wear a size 9 ... so these'll never fit ...

Guess I'm gonna have to take a pass on this one.  (kk)

 

And you are counting your lucky stars on this one. 

Shelley

 

Shoe-et!!!!

 

Now this Auction Update from your Personal Fast Talkin' Gavel Pounder, Me!

 

(Sung to the open of "Blue Suede Shoes!")

 

“Well, it’s one for the Money!

 

Two for the Show!

 

Three to get Ready!

 

And Four to . . . Sold!"

 

For around $101,665!

 

Elvis Presley's Personal Blue Suede Shoes sold earlier today at the Henry Aldridge & Son Auction House located about three hours Southwest of London.

 

If you were planning to bid, too late! Time has run out!

 

 

“These shoes were made for rockin’

 

And that’s just what they . . . ah . . . did!

 

CB ( which stands for “Caveat-Emptor Boy!” )

 

>>>The response to Endless Summer was stunning. Four months after hitting the stores, it reached Number One and remained on the Billboard album chart for a remarkable 155 weeks (kk)

It also hit No. 1 on the Cash Box Album Chart, that week, coming in ahead of such '70s luminaries as Bad Company, John Denver and Bachman-Turner Overdrive.

– Randy Price

 

I was very sad to hear about the passing of Martin Mull …

I was a big fan of his early work … and used to enjoy seeing him pop up in various roles on television over the years.  (I thought “Fernwood Tonight” / “America Tonight” was just brilliant … and Mull played the TV host perfectly with just the right amount of “smug.”  Of course having Fred Willard there as his sidekick only helped to enhance the whole experience.)

He always had a way of putting his own spin on things that no matter what, still allowed Martin Mull come thru. (He even hit the pop charts!  His 1973 parody, “Dueling Tubas,” eeked its way up to #92 on Billboard’s Hot 100 Pop Chart!)  kk

 

 

Timmy sent us this piece from The Associated Press …

 

Martin Mull, comedian & actor, dies at 80

June 28, 2024

 

The Associated Press

Martin Mull, whose droll, esoteric comedy and acting made him a hip sensation in the 1970s and later a beloved guest star on sitcoms including “Roseanne” and “Arrested Development,” has died, his daughter said Friday.

Mull's daughter, TV writer and comic artist Maggie Mull, said her father died at home on Thursday after “a valiant fight against a long illness.”

Mull, who was also a guitarist and painter, came to national fame with a recurring role on the Norman Lear-created satirical soap opera “Mary Hartman, Mary Hartman,” and the starring role in its spinoff, “Fernwood Tonight."

“He was known for excelling at every creative discipline imaginable and also for doing Red Roof Inn commercials,” Maggie Mull said in an Instagram post. “He would find that joke funny. He was never not funny. My dad will be deeply missed by his wife and daughter, by his friends and coworkers, by fellow artists and comedians and musicians, and — the sign of a truly exceptional person — by many, many dogs.”

Known for his blonde hair and well-trimmed mustache, Mull was born in Chicago, raised in Ohio and Connecticut and studied art in Rhode Island and Rome.

His first foray into show business was as a songwriter, penning the 1970 semi-hit “A Girl Named Johnny Cash” for singer Jane Morgan.

He would combine music and comedy in an act that he brought to hip Hollywood clubs in the 1970s.

“In 1976 I was a guitar player and sit-down comic appearing at the Roxy on the Sunset Strip when Norman Lear walked in and heard me," Mull told The Associated Press in 1980. “He cast me as the wife beater on ‘Mary Hartman, Mary Hartman.’ Four months later I was spun off on my own show.”

His time on the Strip was memorialized in the 1973 country rock classic “Lonesome L.A. Cowboy" where the Riders of the Purple Sage give him a shoutout along with music luminaries Kris Kristofferson and Rita Coolidge.

“I know Kris and Rita and Marty Mull are hangin' at the Troubadour,” the song says.

On “Fernwood Tonight” (sometimes styled as “Fernwood 2 Night”), he played Barth Gimble, the host of a local talk show in a midwestern town and twin to his “Mary Hartman” character. Fred Willard, a frequent collaborator with very similar comic sensibilities, played his sidekick. It was later revamped as “America 2 Night” and set in Southern California.

He would get to be a real talk show host as a substitute for Johnny Carson on “The Tonight Show."

Mull often played slightly sleazy, somewhat slimy and often smarmy characters as he did as Teri Garr's boss and Michael Keaton's foe in 1983's “Mr. Mom.” He played Colonel Mustard in the 1985 movie adaptation of the board game “Clue,” which, like many things Mull appeared in, has become a cult classic.

The 1980s also brought what many thought was his best work, “A History of White People in America,” a mockumentary that first aired on Cinemax. Mull co-created the show and starred as a “60 Minutes” style investigative reporter investigating all things milquetoast and mundane. Willard was again a co-star.

He wrote and starred in 1988's “Rented Lips" alongside Robert Downey Jr., whose father, Robert Sr., directed.

His co-star Jennifer Tilly said in an X post Friday that Mull was “such a witty charismatic and kind person.”

In the 1990s he was best known for his recurring role on several seasons on “Roseanne,” in which he played a warmer, less sleazy boss to the title character, an openly gay man whose partner was played by Willard, who died in 2020.

Mull would later play private eye Gene Parmesan on “Arrested Development,” a cult-classic character on a cult-classic show, and would be nominated for an Emmy, his first, in 2016 for a guest run on “Veep.”

“What I did on ‘Veep’ I’m very proud of, but I’d like to think it’s probably more collective, at my age it’s more collective,” Mull told the AP after his nomination. “It might go all the way back to ‘Fernwood.’”

Other comedians and actors were often his biggest fans.

“Martin was the greatest,” “Bridesmaids” director Paul Feig said on X. “So funny, so talented, such a nice guy. Was lucky enough to act with him on The Jackie Thomas Show and treasured every moment being with a legend. Fernwood Tonight was so influential in my life.”

Mull is survived by his daughter and musician Wendy Haas, his wife since 1982

 

60 YEARS AGO TODAY:

7/1/64 – Four days after marrying his first wife, Michael Nesmith leave San Antonio to pursue a career in Los Angeles


 

Sunday, June 30, 2024

Inspired by our weekly Super Chart, Clark Besch takes us all on another chart journey

The other day I mentioned the first time I ever heard a Top 40 Countdown.  (Scroll back to Monday's post to see it if you missed it.)
 
This was a big moment for me ... discovering something new as a way to listen to the radio ... and monitor the biggest hits of the day.
 
For anybody out there who kept their own charts back then (whether they be personal favorites like Clark's or a consensus of what the REAL charts were saying at the time ... sort of the PRE Super Charts, if you will), I think you'll enjoy Clark's recap of pop music, circa 1964 - 1965.  (kk)
 
I'm on a chart roll after seeing the great Record Research Top Pop book sale (ending today btw.)  1964/5 were awesome personal chart times for me and my brothers.

This week's Super Chart of combined Billboard, Cash Box and Record World charts for the last week of June '64.  Just incredible choices.  HOW does anyone decide what to buy here?  Just incredible choices!  My memory of what me and my brothers had AT THAT TIME from buying or birthday presents, etc.  IF there is an asterik*, it means I think they had it and others I am 99% sure they had at the time.

Roger -- aged 14 1/2 -- was buying nearly every Beatle 45 as it came out.  He was working at The Dodge City TV shop that young, I think!  I distinctly remember Rog buying #104 "Four by the Beatles" EP in hard cover at Lincoln's Gateway store, and turned out to have TWO EP's in the cover, so I got the non-sleeve one.  We both still have them!
Besides The Beatles mentioned above, he also had: #1*, 13/15*, 87
Steve -- aged 13 1/2 -- owned #18*
and Clark (ME) -- aged 8 -- owned NONE that I see.  
I WAS buying when I had any money, tho, and making my surveys.  Brother Steve sometimes printed them really fancy and I dictated choices. 
Bill -- aged 4 1/2  -- owned #9/36.  Bill also had his own fake radio surveys and Steve also did one or two of THOSE too!   
CHECK OUT BELOW SUPER CHART BELOW!!!
DAD -- aged 48 1/2 -- owned #44 (on LP).  He would get the Roger Miller Greatest Hits when it came out later.

And, of course, we had many others recorded off local and KOMA and WLS radio, too.  Steve was also notorious throughout the 60s for borrowing all his friends' 45s and recording them off record.  


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Just for fun, I dug out some of me and Bill's first ever charts as future radio stars.  We ALL were, in 1965, after meeting the KOMA DJs in Oklahoma City in June.  ALL of us a year older than listed above.  Dale Wehba, Ronnie Kaye, Don Wallace, Paul Miller, Bobby Davis, Ron Riley, Dex Card, Art Roberts -- all stars for us!

First, my first April '65 typing tries:

My clever numbering system of a #ZERO above #1!  Bill and I were also a pop group called the 4 Cuples!  This was actually the "Four Couples," but I had no idea how to spell couples.  Why "couples"?  No, it's not four men and women -- it was four train car couplings!  Dodge City was a train town with eleven tracks to rattle over when driving from north to south Dodge then.  No idea what these two songs sounded like, but we had a snare drum and sang to hits.  I was 8 and Bill was 4.  I had no idea of borders or how to correct mistakes.  "KLMS Nifty Fifty" I stole from the Lincoln station at the time.

I owned #1 (and flip) and Bill owned the Kinks record listed.


 

 

  


  




 

 

 

 

 

 

 

 

 

 

 

 

 

 

Typed likely a bit later, I typed Bill's chart and he decided his hit numbers and told me what to type. Bill owned #7, 11 and 19 at the time. Note the Beatles VI tracks. KOMA and WLS were blaring those new ones when we were in OKC May - July, '65. "Barny Bird Song"??? ... 

Well, that was our parakeet!


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HERE, brother Steve, like his brothers, are landlocked in OKC in the Summer of '65, with little to do but play some ball and listen to the radio in the daytime, so he decided to fancy up our surveys one day as we dictated them to him: 

This time, my own original station calls dial, watts, "Silver $ Survey" (ala WLS). Steve was 14, so forgive him for "manger" misspelling. haha. 

GEEZ, wonder why I always call "Beatles VI" my all-time fave Beatles LP? Because the memories are so vivid of this time. I now had Pick Hit as the TOP song of week above "O" and "1." That "KLPK Top 5" (which only listed 4?) was based from WLS having their Top 5 requests played nightly. NOTE that I must have wanted more in open space so I personally added "Great No. X," which was an old 45 I owned for a few years already. I owned #7 and 10. 

And Steve did Bill's chart then, too:

Steve owned #1, 7 and Roger #8 and "Beatles VI."


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OUR June '65 Gods of the Radio daily in OKC were KOMA / WKY local stations and WLS at night.

For Your Love was #1 for the Besch kids and would be in OKC, too, leading to the Yardbirds opening their 1965 first US tour ever IN OKC due to the song only hitting #1 THERE!

 

WKY, actually the TOP station in OKC then despite KOMA being nationally known for its 50,000 watt signal!

WLS ...