Tuesday This And That

The Rock And Roll Hall Of Fame Induction Ceremony is finally here.

Festivities will take place in Cleveland next Saturday, October 30^th … and the presenters list, for the most part, has been finalized (although The Rock Hall still promises more surprises.)  AND, incredibly, there are still tickets available for this event.

2021 Induction Tickets | Rock & Roll Hall of Fame (rockhall.com)

Tom Cuddy sent us this announcement from Premiere Radio Networks:

The Rock and Roll Hall of Fame has taken the wrap off this year's initial list of presenters and performers for the 36th annual Induction Ceremony on October 30th at the Rocket Mortgage Fieldhouse in Cleveland.

Paul McCartney will induct his buddy Dave Grohl and the Foo Fighters. This marks the fourth time McCartney is doing the honors for a fellow artist. The other three were John Lennon in 1994, James Taylor in 2000 and Ringo Starr in 2015.

Actress Angela Bassett will induct Tina Turner with performances by Christina Aguilera, Mickey Guyton, H.E.R. and Bryan Adams. Tina will not be attending the ceremony. Angela portrayed Tina in the 1993 bio-pic, What's Love Got to Do With It.

Taylor Swift will induct Carole King and perform some of her songs with Jennifer Hudson.

Actress Drew Barrymore will induct The Go-Go’s.

Lionel Richie will present the Ahmet Ertegun Award to music executive, entrepreneur and film producer Clarence Avant, who's often called "The Black Godfather."

No word yet on who will speak on behalf of Jay-Z, Todd Rundgren and Kraftwerk  (Are you available Kent?!)

The ceremony will air on HBO and HBO Max on November 20th.

The idea of $50 tickets is kind of a misnomer … expect to pay more in the vicinity of $250 - $600 for a seat … but what a “Once In A Lifetime” event this would be to see, especially with the All-Star Jam Session that wraps up each ceremony.  (You’ve got to expect everyone listed above to get up on stage and jam, right???)

Of course, MOST of us will watch it at home on our television sets on November 20^th (or on one of the countless reruns that will air during the next 30 days.)  Still, this isn’t a bad class overall.  (kk)

>>>Although I have a really hard time believing that a mobile bachelorette party, packed with young, beautiful women partying hard and out for a good time would so willingly welcome an 80 year old stranger onboard to join in.  If anything, I’d expect the reaction to be one more of “Get out of here, you creepy old man!” ... and perhaps even a call to the police!  Lol (kk)

You're just out of touch with today's young people.

Kesha kicks guys to the curb "unless they look  like Mick Jagger."

Adam Levine of Maroon 5 tries to impress girls by telling them he has "Moves Like Jagger."

Kanye West claims to have "Swagger like Jagger" …

and Apl.de.ap of the Black Eyed Peas says "These girls ... callin' me Mick Jagger."

They wish.

Ed #1

 

We told you that Elton John hit Billboard’s Top 40 this week with his duet with Dua Lipa (“Cold Heart”) … but he has now also hit the #1 spot on the UK Chart (after sitting at #2 for the past three consecutive weeks), earning Elton his first UK #1 in 16 years.  (What was his 2005 #1 Hit, you may ask?  I certainly did!  Well, it was another duet, this time with 2Pac on something called “Ghetto Gospel.”)

Looking at the list of #1 Hits for that year, there are some pretty amazing entries hitting the top of the British charts …

For example, Elvis Presley had THREE #1 Hits that years, thanks to reissues of “Jailhouse Rock,” “One Night” and “It’s Now Or Never”!!!

The biggest #1 Hit of 2005 was “(Is This The Way To) Amarillo” by Tony Christie (featuring Peter Kay.)

For a complete list of EVERY #1 British Hit, dating back to 1952 and running right up thru this week, be sure to check out THIS link ...

All The Official Singles Chart Number 1s (officialcharts.com)

>>>“Cold Heart” incorporates three of Elton’s solo hits (“Sacrifice,” “Rocket Man” and “Kiss The Bride,” all Top 40 Hits in their own right, plus “Where’s The Shoorah,” from his album “Blue Moves.”)  Amazingly, it all works into a pretty good mash-up … in fact, it’s really not a bad track at all!  (kk)

Elton John and Dua Lipa ... two of my favorite entertainers. 

I'm not into mash-ups myself, but your assessment is on target … "really not a bad track at all." 

I was wondering if Elton and Dua collaborated on any actual songs and ... my lips to God's ears ... there exist two duet videos: Elton John's "Bennie And The Jets" and Dua Lipa's recent hit "Love Again." 

Dua Lipa should do a remix of "Love Again" with Elton John.  A few artists have done that lately and it has netted them Hot 100 #1's.

Ed #1

 

To Infinity and Beyond …

With William Shatner back safely from space, next up is rumored to be Forgotten Hits DJs Chuck Buell, Phil Nee and Larry Neal!  Not sure you guys will get a seat, because I doubt any of you can beat 90 years old, can you?

SpaceX announcers let the secret out first and then Jimmy Kimmel ran with the leaked story!  Check out :50 into this clip!

https://www.youtube.com/watch?v=JrHHyd94cfE

As the late, great Art Roberts would say ... "Excelsior!"

Clark Besch

 

Kent –

Great news about ABBA’s return –

Been a long time since “Dancing Queen”

Ron Riley 

Their “comeback” album hits the streets on November 5^th.  (I’ve had my copy pre-ordered since it was first announced!) 

It has also just been announced that a brand new track from the LP will be released this Friday (October 22^nd)  The track is called “Just A Notion” and was actually recorded back in 1978, but never released

Wish I could see the new avatar show … but a trip to London to do so just isn’t in the cards for me!  (Maybe when it finally hits Chicago!)  kk

 

BREAKING NEWS: RONNIE TUTT PASSES AWAY

kk:

Elvis’ Drummer Has Died.

https://www.youtube.com/watch?v=jcUI3k82Gzs

FB

Tutt was Elvis Presley’s Drummer from 1969 till The King’s death in 1977 as a member of the TCB Band.  As soon as Elvis went back to doing live shows (first in Vegas and then on tour), Tutt was the backbeat of the band.  Sad to hear of his passing.  (kk) 

 

I just had to write this.   

Honored to have seen Ron and Elvis a half a dozen times.  

HK 

 

Ron Tutt  (March 12, 1938-October 16, 2021)

By Harvey Kubernik Copyright 2021

 

I was sad to learn of the physical passing of Elvis Presley's TCB band drummer Ron Tutt at age 83.  Tutt also played on live dates and recordings with Neil Diamond, Jerry Garcia and Elvis Costello. 

Tutt joined Presley's TCB (Takin' Care of Business) band for Presley's 1969 Las Vegas debut at the International Hotel and remained with Presley until Elvis' untimely death.  Decades ago, I interviewed the legendary drummer/percussionist Hal Blaine. He recalled one of his encounters with Elvis about the coveted tour drum seat.

Blaine had already held the rhythm seat behind Presley on “Can’t Help Falling In Love With You,” “Return to Sender,” and “Bossa Nova Baby.” 

“Before these Elvis dates, I was on recordings by Nancy and Frank Sinatra,” Hal reminisced in 2008. “I was doing a job in the studio.  We used to say: TTMAR. Take the money and run. Nobody knew how long it would last. Elvis went to Las Vegas and came backstage when I was there with Nancy Sinatra at Caesar’s Palace. ‘Hey, Hal. You gonna come and work across the street [the International Hotel] with me?’ He expected me to join him for his debut and be part of that band, but it was impossible. I had two much session work.”       

Earlier this century I interviewed Jerry Schilling, Presley’s best friend and confident. I asked him about how Ron Tutt got the gig. 

“After The ‘68 Elvis Presley Comeback Special television broadcast, Elvis was a happy person like he should have been. He decided to put a band together and do a month at the International Hotel in Las Vegas. I became involved in what was happening around him, even though I wasn’t working for him. Colonel Parker is never there for rehearsals or recordings.

“I watched a guy put a rock ‘n’ roll band together. That’s what he does. He started by picking James Burton. That’s where Elvis was a genius. That’s where he was the most underrated producer in musical history. Whether it be in the studio or putting the band together. Whether it was ‘I hear voices here,’ ‘play this line here.’ The guy was a great producer.

“The ’68 special inspired him, but he was doing what he had not been able to do for years. He was doing his thing and he was doing it being able to choose the people he was able to do it with. Being able to choose what songs and not being told what has to be in the soundtrack. What he had to wear. He was out of prison, man.

“I remember being at Elvis’ house with a list that Joe [Esposito], maybe Charlie Hodge a little bit, ‘here’s some of the musicians that people are suggesting.’ What do you think of this, this and this? Elvis pretty much picked and chose.  He knew who James Burton was. He knew who Ronnie (Tutt) was. 

“Ronnie was the guy who did what D.J. [Fontana] had come in and done. He could accentuate Elvis’ moves, but more importantly, when there were bigger name drummers in the audition, like Hal Blaine. 

“I remember what Elvis told me and Joe. He would come over and we both thought he was gonna go for Hal Blaine. It was the obvious choice. And he said, ‘watch this guy (Ronnie).’ Elvis came over and he said, ‘I need one guy on stage that has my temperament. Ronnie Tutt.’  That’s why Ronnie Tutt has the job.”

Harvey Kubernik

 

More on Ronnie Tutt here:  Ronnie Tutt, Drumming Legend With Presley’s TCB Band, Dies | Best Classic Bands

Best Classic Bands also has a very nice tribute to the first Traveling Wilburys album, released 33 years ago this week on October 17^th, 1988.

‘Traveling Wilburys Vol. 1’: Just Your Basic Dylan-Petty-Harrison-Orbison-Lynne Supergroup | Best Classic Bands

 

My wife likes to watch Hallmark channel movies and loves it when I join her.  Last night’s long awaited Signed, Sealed, and Delivered movie featured the wedding between the lead characters and a '71 classic song. 

In one of the last scenes, Never My Love by the 5th Dimension was the song that was used as she made it clear to him that she would never leave.  They used most of the song.  It was a surprise and great to hear Marilyn's beautiful voice.

Phil – WRCO

 

Kent,

I saw for the first time today a 30 second commercial on television during the football games advertising the product "Fruit of the Loom."  I noticed in the background the song LA-LA-LA-LA-LA. I am sure this was the same song that came out in 1964 by a group known as the Blendells on Rampart and/or Reprise records. Have you seen this commercial yet? Don't really know how long it's been running. Again, the question is, "who determines these odd and obscure songs" used in background of commercials?

Larry

Another pretty obscure one for sure … #62 in Billboard in 1964.  (kk)

 

New book … 

 

Finding Fretless: The story of George Harrison’s mad guitar

The remarkable story of George Harrison’s prototype ‘mad’ guitar and the search for Jimi Hendrix’s and Frank Zappa.

“Paul has done an amazing bit of detective work for Finding Fretless, it would put Poirot to shame.” Fiona Bruce – BBC Antiques Roadshow.

“This is an incredibly rare Beatles guitar with an enviable history, which turns out to be one of the most valuable items ever seen … valued at £300,000 – £400,000 by Jon Baddeley”.

Finding Fretless tells the remarkable tale of the discovery and rich history of an invaluable late-1960s fretless electric guitar, one fondly remembered by George Harrison as the ‘Mad’ guitar.

The prototype fretless model was gifted to the Beatles legend by Hollywood session player and music shop owner Al Casey, whose wife Maxine took it to Blue Jay Way in the Hollywood Hills of Los Angeles while Harrison was staying there in 1967.

Returning to the UK with his new acquisition, it was used by Harrison and John Lennon on sessions for ‘Happiness is a Warm Gun’ and ‘Helter Skelter’ as the legendary Liverpool outfit recorded classic 1968 double-album The Beatles, aka The White Album.

Guitar experts and aficionados were previously unaware of the prototype’s important part in Beatles mythology, its history a mystery until 2019, after UK session guitarist Ray Russell asked, ‘Who knows anything about this guitar George Harrison gave me in 1985?’

Finding Fretless sees author Paul Brett amend the history books, piecing together the jigsaw to tell the full story of the prototype Bartell alongside that of one of the forgotten founding fathers of the electric guitar, master luthier Paul Barth.

Within, Brett’s extensive research is supported by leading academics and established authors and personal memories of top session players who worked with the likes of Frank Sinatra, Elvis Presley and The Beach Boys, Finding Fretless including forewords from two highly-regarded guitarists intrinsically linked to the tale – London session player, producer and composer Ray Russell, and American producer, sideman and session player Richard Bennett.

In a compelling story, Brett also shines light on the incredible history of Bartell and a seminal period in California that influenced musicians on both sides of the Atlantic.

Finding Fretless also brings in the guitar’s associations with Charles Manson’s infamous murderous cult, a million-dollar lawsuit, fire, frying pans, drunken fistfights, corporate shenanigans, Elvis, The Wrecking Crew, and much more.

And those interviewed include descendants of Bartell company presidents and surviving employees, Brett also revealing previously-untold memories of some of the most influential creators in the development of the electric guitar, including Barth, Beauchamp, Rickenbacker, Fender, and the Dopyera brothers.

Price $24.99 Paperback

Publication date: October 26, 2021 - 190 Pages full colour

Order from www.thisdayinmusicbooks.com

 

Interesting to get these next two emails within 24 hours of one another …

A Cappella Group Pentatonix Performs 'The Sound Of Silence' on GodTube.com …

Dan Guilfoyle

And then this from Chuck Buell (who absolutely LOVED Clark Besch’s response about the “Whipped Cream” album the other day, by the way!!!) 

Want to start your Day off on a wonderfully positive note?

I smiled all the way through this!

"The Sounds of Silence" never sounded, or looked, so good . . . . .

Chuck ( Buell )

Who Doesn't Love A Good Debate???

And we've got a few of them to think about this morning ...

Kicking off with this ...

We touched on McCartney placing the blame for the break-up of The Beatles squarely on John Lennon’s shoulders earlier this week.

In an interview last week with BBC Radio 4 (and then published in “The Guardian”), Paul explained, “I didn’t instigate the split. That was our Johnny coming in one day and saying, ‘I’m leaving the group’.

“This was my band, this was my job, this was my life, so I wanted it to continue.”  (McCartney explained that he felt that the Beatles were still making “pretty good stuff” around the time of their breakup.  As disclosed through audio tapes released earlier this year, plans were already being discussed for the follow-up album to “Abbey Road,” even to the point of divvying up the track list between five of John’s, five of Paul’s, three of George’s and one of Ringo’s, with John even leading the charge to a degree before suddenly walking into a band meeting one day and stating, “I am leaving the Beatles.  I want a divorce.”

Now in all fairness, it WAS McCartney who took full advantage of announcing the split, some would say (and many did!) as a means of promoting his own first solo album.  It was ALSO Paul who sued The Beatles in order to gain his freedom and break free of the clutches of new Manager Allen Klein, someone that McCartney never accepted as HIS manager, preferring instead to align with his new father-in-law, John Eastman.  (Ironically, it was Klein who persuaded the band to keep mum about Lennon’s decision for a few months in order to buy him some time to make some more lucrative business deals on behalf of the band, royalty improvements and such that Paul DID take advantage of despite his personal disdain for Klein.)

Paul’s played the bad guy, while Yoko has taken the bulk of the blame, ever since.  (By the way, I’ve been reading the new “Get Back” book and I’ve gotta say that I’ve been blown away by how well Paul and Yoko are getting along here … lots of discussion and business perspective on any number of issues … and virtually always in agreement.  Reading this, which is all based on actual dialog and conversation recorded at the time, I wonder how and where John got the impression that Paul was anti-Yoko at the time.  They seemed to agree on virtually everything that came up during these sessions!)  kk

Be prepared to be Let It Be’d and Get Back’d to death over the next seven weeks or so.  Between the release of the “Get Back” book, the 50^th Anniversary Box Set Edition of The Beatles’ “Let It Be” album and (FINALLY!) the unveiling of the new six hour Peter Jackson film premiering on Disney+ on Thanksgiving Day (and running for three consecutive nights in two hour increments), we are going to be overdosing on Beatles Let It Be music.  (Of course, I’m already doing much the same at home and in the car right now myself, devouring the new deluxe package … and anxiously awaiting the rerelease of the original “Let It Be” film along with Jackson’s new footage early next year.)

The Beatles Channel was all over this on Friday (as you’d expect them to be!) and my guess is that this music will be the principle focus point for the next several weeks to come.  (Having owned bootleg copies of nearly all of this material since 1970, I’m already familiar with virtually everything the new box set has to offer … but it SURE is nice to hear these songs in pristine condition after all these years!!!)

More focus on the set and film here … (which also includes a nice mention of FH’s Asia piece from last week!)

The Glorious Corner – Times Square Chronicles (t2conline.com)

And this from Billboard …

What to Expect From The Beatles' 'Let It Be' Reissue (And 'Get Back' Documentary)
https://www.billboard.com/articles/news/9645326/beatles-let-it-be-deluxe-get-back-giles-martin/

Kent,

You were in a band once.  I don't recall if you were the lead singer or not. Do you think your voice is as strong as it was 40+ years ago?

You have criticized Burton Cummings, Brian Wilson and Paul McCartney, 73, 79 and 79 year old men, for having a less than robust voice than they did 50 years ago.

If you were to put YOUR band back together, do you think you, or anyone else, would still have the same voice? I think not.

Some vocalists have to change the key to better suit their vocal range now.  However, that may mean losing something on the high or low notes, as well as the instrumentation you are used to hearing. I've certainly seen my share of singers whose voices were gone.

There's something to be said about hanging it up early rather than performing as a ghost of yourself. More artists should do that.

At age 71, I'm still out there singing, as I did 50 years ago. Can I still sing as well as I did?

No.

The perfect example is I Saw Her Standing There. As Paul does his Little Richard impression just before the tag line, of “I saw her standing there,” I can no longer hit that note, although I can still reach the falsetto note on the word “mine.”

You are right … their best days are behind them. So are mine, so are yours.

However, I kinda like the idea of a Brian and Paul tour. It would be a great way for each to be spurred on for a final burst of energy. Same goes for Bruce and John. Go out on tour, alternate as headliners, have the time of your life and hang it up.

There should be a few more double bills like that. How about Styx and the Rolling Stones? The Styx and Stones tour.

Jack

I’ve gotta tell ya that I LOVE the idea of a Styx and Stones tour!  (lol) 

Hey, since they’re not doing “Brown Sugar” anymore, maybe they could perform their complete “Black And Blue” album as a promotional tie-in!!!

To be honest, I can’t even stand to listen to myself sing now, much less subject anyone else to the prospect of hearing it.  (And, truth be told, my voice wasn’t all that great 40-50 years ago either!!!)

And that's precisely the point I was trying to make ... if the artist himself is satisfied with his performance … and that he's out there giving the best that he’s got every night … and, as we can see, he’s still packing them in, leaving fans satisfied and cheering for more, then I guess I say “Go For It.”  I just PERSONALLY don’t want to hear it.  I want the memories I already have to outweigh any new disappointments a show like that might create.  I've seen Brian and Paul live in concert at a time when both artists were much more "on their game."  I choose NOT to see them now, because I know that, exciting as it might be, I would come away disappointed.  That being said, would I go see a Brian and Paul tour?  Absolutely! (Assuming I could even get a ticket to such an event!)

Listen to Elton John … his voice has been shot for DECADES now!  Yet on that new duet he cut with Stevie Wonder, Stevie’s voice still sounds great.  (And I guarantee you that isn’t because Elton went in there and tweaked it … not on his own record!!!)

There are several oldies artists we’ve seen recently who’ve still got their voices.  (Tommy James IMMEDIATELY comes to mind … you’d swear you were stepping back into 1969 when he takes the stage!)  And there are many, many others who have managed to keep theirs up to snuff.  (Tommy Roe and the recently departed BJ Thomas are two others that I would rank in that category.)

And Burton Cummings always did, too … but his Canadian performance with Randy Bachman was as shocking as it was disappointing, mainly because Burton has told me personally many times that he thought he still had a few good years left … and that as long as his voice held out, he’d continue to do live shows.  I was curious if that Canadian show measured up to his own high standard that he sets for himself.  The fact that he posted the concert on his Facebook page tells me that he was satisfied with it … and that’s good enough for me.  (But again, I’m kinda glad I didn’t shell out $340 to hear his voice cracking and straining for an hour and a half!) kk

 

In an interview sent in by FH Reader Tom Cuddy, Smokey Robinson talks about his battle with Covid-19 … and losing HIS voice …

 

The legendary Motown singer, 81, said it was "touch and go" after contracting the virus in December and being hospitalized. The illness also "took my voice," he said, leaving the Grammy winner and Rock & Roll Hall of Fame inductee fearful he'd never sing again.

"I am a COVID survivor," the Miracles singer told Daily Mail. "I got it severely and I was hospitalized for 11 days — and four or five of those I do not even remember. It really was touch and go and a terribly debilitating ailment."

Full story here: 

Smokey Robinson, 81, details scary COVID battle: ‘I could’ve died’ (yahoo.com)

 

The Rolling Stones have added a date to their No Filter Tour.  Instead of closing in Austin, Texas, on November 20^th, The Stones will now travel down to Hollywood, Florida, to perform an “intimate show” at The Hard Rock Hotel and Casino on November 23^rd.  (They’re billing it as The Rolling Stones’ “most intimate show in more than a decade.”)  The venue only has 7000 seats.  (What … The Arcada Theatre wasn’t available?!?!  C’mon, Ron!!!)

It also provides the perfect bookends to this year’s tour …

Other than all of the planned stadium stops, The Stones first broke in their act by doing a private show for New England Patriots owner Robert Kraft for about 300 friends and family.  Closing the show at The Hard Rock for a small, intimate group of fans makes for the perfect ending to this year’s story.  (Ironically, the last time The Stones played Florida was on August 30^th, 2019, at Hard Rock Stadium just outside Miami, which ended the 2019 leg of their No Filter Tour at the time.  Although no one could have possibly predicted it then, thanks to the worldwide pandemic, this concert proved to be their last live show with Drummer Charlie Watts.  I cannot help but wonder if THAT helped to influence the location of the venue for the 2021 finale.)  kk

 

The playful sparring between Paul McCartney and Mick Jagger continued this week when The Rolling Stones hit L.A. for a couple of shows at So-Fi Stadium in Inglewood, California.

Pointing out some of the celebrities in the audience that night (Lady GaGa, Leonardo DiCaprio and Megan Fox were among those that were there), Jagger said, “Paul McCartney is here … he's going to help us … he's going to join us in the blues cover later on.”

The two have been exchanging jabs for a while now, comparing the merits of both bands, both in the ‘60’s and beyond.  (While Mick is absolutely right that The Beatles never did stadium tours around the globe the way The Rolling Stones have, Paul McCartney most certainly has, drawing record-breaking crowds on numerous occasions. That’s probably the FAIRER comparison … although AT THE TIME, The Beatles selling out Shea Stadium was an attendance record that nobody thought would ever be broken ... by 1965 standards anyway.  Who would have ever dreamed that artists would be performing in front of half a million people plus just a few years later!!!)

You can catch Jagger’s dig at McCartney here:  https://mol.im/a/10097355

A read a review of the show, which is posted here:  Rolling Stones Sound Just as Necessary as Ever at SoFi Stadium: Review - Variety

Kent,

I am a friend of Tom Cuddy's.  As I was discussing what I think are Paul McCartney's silly remarks about the Beatles and The Stones, Tom recommended your site.  I have enjoyed reading from it.

Tom and I met years ago while I was the Director of Rye Playland and he was at WPLJ.  We produced and promoted many concerts together at the park. And, for the sake of full disclosure, I am a serious Stones Fan.  However, I do think the following assessment is honest and fair.

McCartney's recent comments about the Stones, calling them a Blues Cover Band, was seemingly mean-spirited and uncalled for, especially at this late juncture.  Making a bad situation worse, he goes on to say the Beatles were "better" and had "more reach."

I can't imagine a good reason for this kind of comparison to be made by an artist who certainly knows better.  These comparisons have been made over the years by fans of either band, all too often with individual preferences and limited knowledge of music.  McCartney's motivation here is very curious.  

As a kid growing up in Brooklyn I regularly participated in arguments over who was the better baseball player; Mickey Mantle or Willie Mays. 

The comparison was appropriate.  They were both baseball players and outfielders as well as exciting hitters.  There was only one way to play baseball. It was a true comparison of like actors.  The comparison of the Beatles and the Stones fails this test.  While it is true they are all artists and create music, the comparison ends there. 

There are many ways to write, create and play music. Music has many genres, each distinctively different, even while sometimes borrowing from each other.  These two bands were distinctively different overall in the kinds of music played as well as the manner in which it was often created.  This comparison argument is best not had at all or at least should never have been elevated by a member of the Beatles or the Stones.  

There certainly is no argument about the significance of the Beatles and their music.  When Paul talks about their "reach," it is a most credible statement.  They did stretch the bounds of Rock Music and did take it to new places.  They did this probably more significantly than anyone else (Don't want to start a time period argument about them and Elvis or anyone else in this regard.) 

What exactly is their music?  Certainly in the beginning, they played Rock ‘n’ Roll.  As time went on, their music became somewhat cute and could be called Pop.  Eventually, the music became transformative as it took Rock (usually without much of the roll) into new places and with new influences.  This is where they staked their ground as innovators and made their stake of greatness.  So, when Paul talks about "reach" he has a point.  However, it is insignificant to his statement as to which band is better. 

The Beatles were a studio band more so than anything else.  We all saw, and enjoyed, brief performances on the Ed Sullivan Show, other television opportunities and even at Shea Stadium. They were ever present in the press, mainstream and music.  They were entertaining and later controversial and thought provoking in interviews.  Individually and as a group, they commanded an influential place in the newly claimed freedom and culture of their generation.  Does that make them musically better than the Stones or anyone else?  No.

True, Rock ‘n’ Roll is derived from the blues and country music.  The Stones are rock ‘n’ roll purists paying homage to blues artists in their music as well as by promoting these artists whenever possible. The Blues and Rock ‘n’ Roll are native American Art forms.  The Stones have taken these roots and influences and weaved them together into their own brand of hard driving music.  They are not called The Greatest Rock ‘n’ Roll Band for nothing.  Although now I'm not trying to start any other arguments concerning any opinions about other bands wanting to claim that crown, while I am inclined to believe it has the potential to be yet another silly argument. 

McCartney's characterization of the Stones being a blues cover band was needlessly provocative while ignoring the roots of Rock ‘n’ Roll.  In fact, it's ignorant, if he actually believes it.  I don't think he is ignorant, so one must wonder what this is all about. 

In contrast to the Beatles, the Stones have always been a touring band.  They have always been a Rock ‘n’ Roll band.  Even now, at their advanced ages, they continue to pack stadiums and excite crowds across the world. They, too, commanded a unique place among their generation as symbols of rebellion and newly claimed political and sexual freedoms.  They, too, were influential, interesting and provocative in interviews. Like the Beatles, their music has made a lasting impression on American culture. However, they aren't the same as the Beatles just as the Beatles aren't the same as the Stones.

This is not Mantle and Mays.

My point in all of this is that comparisons of both bands with the purpose of crowning one as superior to the other were never made on a level playing field.  While both are culturally important then and even now, the bands are fundamentally different.  While their music is equally enjoyed, it is different.  Their approach to creating and presenting their music is not the same.  These arguments and discussions should be left to  casual coffee table conversation. People will entertain themselves.  This discussion is just inappropriate in a public space and surprisingly ugly when between artists.  Above all I believe that any comparison of art or artist in any form with the ultimate aim to decide which is better, is simply a false comparison.  Comparisons of this type between the Stones and the Beatles are old, tired and never had merit.

By the way, if you're wondering ... my money was on The Mick!

Thanks for your patience in reading this!

Joe

Joe Montalto, President

High Mountain Enterprises, LLC

Sounds to me like you were betting on “The Mick” in both examples!!!  (lol)

The Rolling Stones vs. The Beatles argument has been a Fans Battle since the beginning of time … but the simple truth is that other than hailing from Great Britain and being heavily influenced by the American Rock And Roll Scene of the ‘50’s, the two bands have very little in common.  (Wasn’t the whole concept and marketing strategy from the very beginning for The Rolling Stones to be the Anti-Beatles???  Brian Epstein put The Fab Four in suits and had them playing ballrooms while The Stones deliberately dressed grubby and unkempt and concentrated on a grittier, bluesier sound.)

The Beatles may have started out as a rock and roll band … and even done exceptionally well in this regard when performing in Hamburg … but even then it wasn’t at all unusual for them to slip in a show tune like Paul singing “Till There Was You” between their passion for Buddy Holly, Chuck Berry and Elvis Presley tunes.

The Rolling Stones were big Chuck Berry fans, too … and probably better exemplified Berry’s intentions … everything The Beatles did just sounded so “cleaned up.”  (Don’t get me wrong … in response to your full disclosure, I will admit to being much more of a Beatles fan than a Stones fan … and believe that a big part of their appeal was due to some pretty sophisticated marketing.)

That being said, there really is no comparison in the diversity of either band’s songwriting capability.  You knew from the first three notes that you were hearing a Rolling Stones song … while with The Beatles, it could have been any style or genre that they were interpreting or inventing that made each song sound so new, fresh and unique.  (The Rolling Stones were much more of a riff-oriented band … and man, they had some GREAT ones … in most cases, Keith’s guitar part defined and dictated the song.  Now The Beatles came up with some great opening guitar bits as well … “I Feel Fine,” “Ticket To Ride,” “Day Tripper,” “Paperback Writer” … but nothing quite as revolutionary and attention grabbing as things like “Satisfaction,” “Brown Sugar,” “Start Me Up,” “Honky Tonk Women” and “Jumpin’ Jack Flash.”)

The Beatles seemed to be able to write in any style, incorporating strings and horns where needed, courtesy of the tuneful ear of their producer, George Martin.  The Stones seemed to find a niche that worked for them and then stuck with it (very successfully, I might add!) for the next six decades.  Even today, when you go to these stadium shows, you know that Richards and the rest of the band are going to keep things movin’ and groovin’ throughout their two hour set.

And let’s not forget that it was The Beatles (well, Lennon and McCartney anyway) that gave The Stones their first British hit when they recorded what The Beatles also recorded as a Ringo tune, “I Wanna Be Your Man.”  Once that happened, producer / manager Andrew Loog Oldham locked Mick and Keith in a room and told them they weren’t coming out until they had written their first song.  (Incredibly, the strategy worked … they emerged several hours later with “As Tears Go By,” a tune they first gave to Marianne Faithfull before recording it themselves as a rare, early career ballad.)

There’ve been debates after debates … even a traveling stage show where they debate the merits of both bands on stage … and now that Paul’s doing a bit of Stones-bashing (all in good fun, ‘tho, I would imagine), Mick’s firing back.  And Mick’s right … The Beatles weren’t around long enough to do a stadium tour, much less keep up that pace for another fifty years!  But McCartney has … and I’ve got to rank him right up there with Mick and the rest of the boys in that regard … which kinda makes the whole thing a moot point anyway, doesn’t it?

Back in the day, John Lennon accused The Stones of doing everything The Beatles did, a few months later … and there was a certain degree of truth to that.  The Beatles used a sitar on “Norwegian Wood” so The Stones quickly built “Paint It, Black” around a sitar riff.  The Beatles went to India so The Rolling Stones went to India.  The Beatles recorded “All You Need Is Love” so The Stones recorded “We Love You.”  The Fabs included a nod to The Rolling Stones on their “Sgt. Pepper” album cover so the Stones put those flashing Beatles-face buttons on their “On Their Satanic Majesties Request” LP.  The Beatles started their own record company and, a couple of years later, The Rolling Stones started THEIR own record company … and I am sure there are several others that could be brought up in the context of this argument.  (About the only thing The Rolling Stones did first was to make their way thru the Allen Klein curve before three of the Fab Four were sucked into his clutches.)

But I’m not here to argue … nor do I want to.  It’s Apples (ooo … another Beatles reference!) and Oranges as far as I’m concerned.  The Rolling Stones have LONG been considered to be The World’s Greatest Rock And Roll Band … and it’s a distinction that is well deserved.  (Thanks to the constant, repeated airplay of “Miss You,” even some 43 years later, they’re probably most likely The World’s Greatest Disco Band, too!!!)

Both bands stand alone on their own merits … different enough not to warrant any further comparisons as far as I’m concern.  (But people SURE do like to argue about this!!!)

That being said, I would have to agree with Paul that The Beatles have the much stronger catalog … virtually every track they ever released on every album and every single was A-List material … and is familiar to MILLIONS around the world.  With The Stones, you know the instantly recognizable hits … and at least a couple dozen of the most famous and obvious album tracks … but beyond that, there simply isn’t enough strength and substance to warrant a comparison.  (Let’s face it … how many artists covered … and are still covering … Jagger and Richards Rolling Stones songs???  In this category alone, The Beatles blow them away.)  Rolling Stones songs are written for The Rolling Stones to sing … period … while Beatles songs have been successfully interpreted into every style of music known to man … so again, this point has to go to The Beatles.

Did anybody EVER think that Mick Jagger would still be prancing around the stage at the age of 80?  (Or even 50 for that matter!!!)  Crashing bachelorette parties and singing karaoke at a country bar?  Or still selling out HUGE venues in a matter of minutes?  Of course not.

Then again, for all McCartney’s boasting, does anybody out there even REMOTELY want to hear some 80 year old man singing “I wanna Fuh’ You???”  Even at 21 we would have considered the concept to be in poor taste … and totally unnecessary.  Maybe Macca really needs to get a better grasp on how he wants to be perceived for the remaining future ahead … because he’s never had to resort to ANY of this  sort of crap along the way while building an extemporary career.  (And that goes for the ridiculous lyrics along with the recent name-calling.)  Cool your jets, Paul … and stop saying stupid stuff!!!  (Lol)  kk

1971 SUPER CHARTS: Week Ending October 23rd

Make that FOUR weeks at #1 for Rod Stewart and his first solo hit, "Maggie May."  The Osmonds inch up a little closer as "Yo Yo" climbs from #3 to #2 ... while "Gypsys, Tramps And Thieves" jumps another eight spots from #12 to #4.  (I think we all know where this one is headed!)

Moving up nine places (from #25 to #16) is "Peace Train" by Cat Stevens.  Marvin Gaye climbs another sixteen notches with "Inner City Blues" (#38 to #22) while James Taylor's "Long Ago And Far Away" moves up ten spots from #31 to #21.

Santana's "Everybody's Everything" jumps 25 spots from #61 to #36 while the reissue of Chicago's "Questions 67 and 68" shoots from #53 to #37, a move of sixteen spots.

But NOBODY took the kind of leap that Isaac Hayes'
"Theme From 'Shaft'" did.  It moved up 53 notches ... from #73 to #20.  Pretty incredible.  (Think this one will hit #1???)

The highest debut on the chart this week belongs to John Lennon ... who premiers at #30 with "Imagine," the highest debuting record of the year so far.  (That distinction previously belonged to The Jackson Five and "Never Can Say Goodbye," which premiered at #45 back in March.

Other new entries include "Don't Wanna Live Inside Myself" by The Bee Gees (premiering at #75 ... I always liked this one and felt it should have been a bigger hit than it was), "All I Ever Need Is You," a comeback hit of sorts for Sonny and Cher and "Have You Seen Her" by The Chi-Lites, a future #1 Hit.

THIS WEEK IN 1971:  

October 20^th – Snoop Dogg is born

October 21^st – Mick Jagger’s daughter Jade is born

October 22^nd – Joan Baez receives a gold record for her #1 Hit Single “The Night They Drove Ole Dixie Down.”

THE WEEKEND COMMENTS

A little crazy here again of late ... (so much so that this nearly became the "Early Evening Edition" of The Weekend Comments) ... but this oversized posting gives us a chance to catch up a little bit ... so enjoy!

As Captain Kirk headed into space, remember when he did "Rocket Man" …

Ken Voss

The new Wonder Years is starting to grow on me.  I was not sure about it after seeing the pilot episode, but I feel it is getting better with each episode. 

The original Wonder Years is one of my favorites of all time.  I taped every episode on my VCR and later bought the complete dvd set.  I was disappointed that the ratings were never as good as they should have been for the original. Fred Savage and Danica McCellar were two of the best young actors ever.  The writers captured the ups and downs of junior high and high school life. 

The new edition seems to be getting pretty good ratings.  I hope that it continues to catch on.  It also has been educating me.  The soundtrack features great songs and some I have not heard before.

Phil – WRCO

I think for many of us of our generation, “The Wonder Years” played out as sort of a visual Soundtrack Of Our Lives when it first aired.  Kevin Arnold literally grew up before our very eyes … and I think several of us also experienced many of those same “life moments” at about the same age.  Definitely a classic.

The idea of a reboot didn’t appeal to me … probably because I held the original in such high regard … but the more I thought about it, the more interesting and appealing the concept became … same era, but from a different perspective of a young Black Kid growing up during these incredibly turbulent times.

It hasn’t quite measured up to what I believe its full potential can be yet in my eyes … but I’ve still managed a smile or two in every episode I’ve seen thus far.  And you’re right … the music does dig a little deeper.  It’ll be interesting to see how it continues to measure up.  (kk)  

Bob Merlis shared this brand new video of Dion, Bruce Springsteen and Patti Scialfa performing the track “Angel In The Alleyways” from Dion’s new album “Stomping Grounds.”  (The LP's out November 5^th)

Two previously released video  clips included “Take It Back” with Joe Bonamassa guesting and “I’ve Got To Get To You” with Boz Scaggs, Joe Menza and Mike Menza joining in.  (Other album tracks feature appearances by Mark Knopfler, Eric Clapton, Frampton, Billy F Gibbons, Keb’ Mo and Rickie Lee Jones.)

You can preorder your copy now thru all the usual sources.  (kk)  

Check out this concert review featuring two of our FH Buddies, Ron Dante and Jay Siegel and The Tokens, sent in by FH Reader Tom Cuddy …

"It Just Couldn't Have Been Any Better!"

Jay Siegel’s Tokens and Ron Dante LIVE at The PNC Bank Arts Center

https://www.newjerseystage.com/articles/2021/10/11/it-just-couldnt-have-been-any-better-jay-siegels-tokens-and-ron-dante-live-at-pnc-bank-arts-center

Our FH Buddy Paul Evans, whose new biography “Happy-Go-Lucky Me” will be out here in The States next month (it’s already out in England) sent us this demo to share with our readers of a song that Elvis was planning to record for his next album at the time of his death.  (Over the years, Paul placed several songs with The King!)

Hello, Oldies Champions …

As some of you know, Elvis was holding two songs of mine for recording when he passed away in ‘77. 

Here is my demo recording of one of them, “Tender Moments” - written by Paul Parnes and Paul Evans.

I hope you all enjoy this look-back,

Paul

PS - Here’s a great review of my book, Happy Go Lucky Me, from American Music Magazine (now available in the UK): 

"The book comes highly recommended - if you want an insider's view into the New York music scene of the late 50’s, then you’ll do no better. Unlike many of his contemporaries, Paul is incredibly honest about his career – detailing his career’s downs as well as highs with humour. Incredibly interesting is the list of his songs recorded by artists which ends the book – arguably this is worth the book price alone. File under essential reading. 

John Spencely American Music Magazine (Sweden), September 2021"

A brand new, first ever Mary Wilson anthology will be released on December 3^rd.  (Sadly, we lost Mary earlier this year.)  The 2-CD, 38 song collection, “The Motown Anthology” collects songs dating back to Wilson’s earliest pre-Supremes days with The Primettes.  (“Pretty Baby” is the first recording known to feature the voice of Mary Wilson’s.)  Other Supremes tracks include two previously unreleased songs from Diana Ross and the Supremes’ Farewell Concert, recorded live at The Frontier Hotel in Las Vegas in January of 1970, along with four other previously unreleased Supremes tracks … as well as new mixes of 16 other Supremes classics recorded throughout the various line-up changes over the years.  In addition, Mary’s 1979 solo album, “Mary Wilson,” gets its worldwide CD debut as part of this package, as does a 2021 remix of her single “Red Hot” and her last Motown single, “Why Can’t We Get Along,” making its CD debut.

You’ll find more details (as well as a complete track list for the 2-CD set) here: 

It's Red Hot Just For You: Mary Wilson's "The Motown Anthology" Coming Soon from Real Gone Music, Second Disc Records - The Second Disc

44 years ago this month, the music world endured one of the greatest tragedies in its history when a Convair CV-240 passenger plane carrying several members of Southern Rock band Lynyrd Skynyrd, including founding member and vocalist Ronnie Van Zant, crashed into the woods near Gillsburg, MS, killing six including Van Zant. The event has been memorialized in both songs as well as in the hearts and minds of music fans the world over. Most recently, this singularly devastating accident was dramatized on film in a full-length feature Street Survivors: The True Story Of The Lynyrd Skynyrd Plane Crash. Told from the perspective of Skynyrd drummer, Artimus Pyle, who not only survived the crash but helped rescue other members from the wreckage, the movie is a powerful testament to the enduring legacy of Lynyrd Skynyrd and all that the band had to overcome in its incredible career. The accompanying soundtrack to the film converts the inspiring true story into musical form, taking selections of the film’s orchestral score and blending it with original music inspired by Skynyrd with guest appearances by Pyle as well as blues rock legend Pat Travers.

Pyle had this to say on the anniversary of the tragedy: “We all live, and we all die. It’s how you live your life that matters. Ronnie lived a large life in a small amount of time. I am happy to be included in his legacy. Everyone that participated in the making of the film, including director Jared Cohn and the cast, should be applauded. My sons, our band, the APB band and our friends who wrote the movie soundtrack; I think it’s an award-winning effort. Check it out. On October 20, don’t be sad … be happy and revel in Ronnie Van Zant’s Lynyrd Skynyrd music that will live forever! Peace and Love!”

Purchase the Street Survivors: The True Story Of The Lynyrd Skynyrd Plane Crash film: http://cleopatra-entertainment.com/street-survivors-the-true-story-of-the-lynyrd-skynyrd-plane-crash/

Stream or download the film soundtrack: https://orcd.co/street_survivors

Buy the CD / vinyl: https://cleorecs.com/store/?s=street+survivors+soundtrack&post_type=product

Also be sure to check out this star-studded tribute album featuring the likes of Molly Hatchet, Charlie Daniels, Pat Travers, Great White and Canned Heat plus former Skynyrd alumni Artimus Pyle, Ed King and the Original Honkettes!
https://cleorecs.com/store/?s=southern+pride+lynyrd+skynyrd&post_type=product

A new Velvet Underground documentary premiered on Apple+ TV on Friday. While we no longer have the subscription service, we’ll likely be bringing it back soon in order to catch their “1971” series and the return of “The Morning Show.”  This sounds like it might be a good one to check out, too.  (kk)

kk …

I see that you printed the lyrics to "BAND OF GOLD" in Forgotten Hits.

Freda Payne talked to Cousin Brucie last Saturday night.

Her new book, "BAND OF GOLD," is already out.

Freda said that there are two theories about her hit song.

1= The man was a homosexual.

2= The woman was frigid.

Me and Cousin Brucie both said, "I never heard that before."

She pointed to the lyrics, "LOVE ME LIKE YOU TRIED BEFORE."

And Happy Birthday to Cousin Brucie this past Wednesday.

Cousin Brucie "Go Go" Theme (Extended)_The Four Seasons - YouTube

FB

Another great Monkees concert review …

The Monkees ‘Farewell Tour’ Sings Superior Performance - NYNJ.com

This one from FH Reader Mike Wolstein made me smile …

Funny, this doesn't look anything like Micky and Davy ...

That was a beautiful photo of your daughter and son in law with Brian.  

That’s a forever memory.  

All my best,

Brad

Nicki’s very first concert was The Beach Boys at Poplar Creek here in Chicago … she was all of four years old … and was already able to sing along with nearly every song!  (The kid had a Beach Boys bumper sticker on her tricycle, for God’s sake!!!)  SHE got to see the 50^th Anniversary Tour, which I wasn’t even able to attend!!!  By every definition, she’s a lifetime fan … so yes, I have to believe this was a very special night for them.  (kk)

 

Hey Kent,
Man, what a great article (as always). Can't wait to see the Beatles doc this fall.  

And it was great remembering playing on the same bill as the Beach Boys, our tour with Sam the Sham, and Tommy James … The Royal Guardsmen met up with them on the west coast for three gigs.  They were awesome, and a bunch of nice guys. Had good chats with them.  Bruce and Al made a little more time which I enjoyed greatly.  Many moons later I met Al again in Nashville at his son's birthday party ... still the same Al.

You take care, my friend, and keep bringing the news.
Bless ya -
Barry

Before gearing up for the Christmas Holiday Season, The Ed Sullivan Show YouTube Channel has a couple of Halloween treats planned … as well as appearances by a few of our vintage rock and roll acts …

Some titles worth noting:

Premiers 10/23 – Vaughn Meader – How Much Do You Make, Mr. President? (originally aired May 19^th, 1963)

10/23 – The Everly Brothers – Lucille (10/29/61)

10/24 – Roy Orbison – Oh, Pretty Woman (10/11/64)

10/25 – The Everly Brothers – Don’t Blame Me (10/29/61) – a GREAT Forgotten Hit

10/27 – The Animals – Work Song (10/17/65)

10/29 – Mama Cass Elliot with The Cast of The Girl Friend – Medley of The Girlfriend / Blue Room / The Girlfriend (reprise) 11/22/70

10/30 – Cliff Richard – Bachelor Boy (7/7/63)

10/30 – The Smothers Brothers – The Saga of John Henry (1/29/67)

Tony Bennett – If I Ruled The World (3/21/65)

Gladys Knight and the Pips – Hey Jude (3/29/70)

You’ll also find a clip of Sheb Wooley performing “The Purple People Eater” up on the site right now … and holiday fare coming by artists like The Ames Brothers, Julius LaRosa and Patti Page dueting on “The Christmas Song,” Pearl Bailey and Oran Page performing “Baby, It’s Cold Outside” and more.

It’s all available here:  The Ed Sullivan Show’s official YouTube channel

Oakland A’s broadcaster Ray Fosse passed away after a long battle with cancer on Wednesday, October 13^th.

Ray went public with his cancer diagnosis this past August when he stepped down from his berth in the broadcast booth, issuing the following statement:  “

Along with my wife of 51 years, Carol, today we share that I have been silently battling cancer for the past 16 years. Given my current medical condition, I am taking a step away from the A's and NBC Sports California effective immediately, to focus on my treatment and to be with my family during this time. My wife, Carol, and I extend our gratitude to the baseball community, and community at large, for your thoughts and prayers."  

Prior to becoming a broadcaster for the A’s, Fosse enjoyed a 12-year major league career, catching for The Cleveland Indians, The Seattle Mariners, The Milwaukee Brewers AND The Oakland Athletics.

He is probably best remembered for his appearance in the 1970 All-Star Game when Pete Rose elected to barrel over him at the plate, leaving Fosse with a fractured and dislocated shoulder, injuries that would continue to plague him for the rest of his Major League career.  

Despite the severity of the injury, two days later Fosse caught nine innings in a game The A’s won over The Kansas City Royals, despite the fact that he couldn’t lift his left arm over his head. 

Rose never apologized for the play … and, ironically, had dinner with Fosse (and Cleveland Indians Pitcher “Sudden” Sam McDowell the night before.  (kk)

Reminder:  Brian Wilson is appearing next Saturday Night (October 23^rd) at The Genesee Theatre with special guests Al Jardine and Blondie Chaplin, performing a Beach Boys Greatest Hits concert.  Good seats are still available for this show.  (kk)

Brian Wilson W/ Special Guests Al Jardine & Blondie Chaplin Tickets Oct 23, 2021 Waukegan, IL | Ticketmaster

In what can only be described as a sad development, Cher is now suing Sonny Bono’s widow, Mary Bono, with misappropriating royalties earned by the successful duo during their ten year career together.

A 1978 agreement signed after their divorce stipulated that Sonny and Cher were to share the royalties earned for their recorded hits together equally … but Cher now says that Mary Bono recently started renegotiating the agreement to take 100 percent of the income via her Bono Collection Trust, with none being paid to Cher’s Veritas Trust.  The original contract pertains to royalties earned through 2026. (Ewwww … Cat Fight!!!)

kk …

Appalachian Unsolved: Who killed the doo-wop king? – YouTube

Who Killed Gus Gossert ?

https://www.youtube.com/watch?v=pRy_ljG3Z54

 

We called him "THE CURLY HEADED KID IN THE SECOND ROW."

Like Bobby Fuller, he died under suspicious circumstances.

You can listen to Gus here …  

https://www.mixcloud.com/rob-frankel/wpix-fm-1971-10-gus-gossert/

FB

I remember the story at the time … now see THIS would make for a great TV movie … plus a chance to provide a Doo-Wop Soundtrack for a whole new generation.  You need to get right on this, Frank!!!  (By the way, here in Chicago, Dex Card at WLS was referred to as “The Crew-Cut Kid In The Second Row,” a moniker that a couple of other DJs across the country also used.  I always thought it was unique to just Chicago … probably more of an ABC Radio thing to bring uniformity to Top 40 radio!)  kk

A few weeks back we told you about Elton John making Billboard’s Hot 100 List with his new duet with Dua Lipa.

Well, this week, that record “Cold Heart,” climbs into The Top 40, John’s first Top 40 Hit since April of 1999 when he charted with a duet recorded with LeAnn Rimes, “Written In The Stars.”

This new hit allows Elton to expand his career span of Top 40 entries to just shy of 51 years.  (He first hit Billboard’s Top 40 on December 19^th, 1970, with his breakthrough hit, “Your Song.” It eventually peaked at #8.)  He now has had 58 Top 40 Hits in all.  At 50 years and 10  months, he now has the longest chart span of any recording artist (save holiday releases that continue to rechart every year for several others … we’re talking strictly NEW pop hits here.)

“Cold Heart” incorporates three of Elton’s solo hits (“Sacrifice,” “Rocket Man” and “Kiss The Bride,” all Top 40 Hits in their own right, plus “Where’s The Shoorah,” from his album “Blue Moves.”)  Amazingly, it all works into a pretty good mash-up … in fact, it’s really not a bad track at all!  (kk)

 

I’m also growing fonder of Maneskin’s new version of The Four Seasons’ 1967 hit “Beggin’,” which I always thought was an underappreciated track at the time … but was really driven home again when it was included in the “Jersey Boys” soundtrack.  This week it climbs to #16, matching The Four Seasons’ chart position in ’67.  (kk)

You'll find coverage of both of these records ... and more ... here ...

Elton John & Dua Lipa Hit Hot 100's Top 40 | Billboard

 

If you’re a fan of the music of Rick Wakeman, then you’ve just GOT to become a member of his Caped Crusader Club!!! 

 

Join Keyboard Legend Rick Wakeman’s Caped Crusader Collector Club!  (Members will receive rare memorabilia and unreleased music!)

On October 14^th, sign up to the Caped Crusader Collector Club and receive a membership pack containing an individually numbered membership card, a signed (by Rick) welcome letter, an exclusive year book full of rare photos, articles and memorabilia from Rick's personal archive, a sticker and four 8x10 photos. You will also receive the first exclusive CCCC CD release, which is the previously unreleased Wakeman soundtrack from the feature film, “She.” The following three releases for the year will feature rare and live music from the Wakeman vaults. Further, there will be three exclusive CD releases issued within the year, which members will receive automatically through the post periodically. Please note, these releases will not be released to the general public, either online or at any other retailer.

Additionally, as a CCCC member you will receive a 10% discount off all purchases (including box sets) at the Wakeman Music Emporium (on-line only), invites to special events, early notifications of the releases and a totally exclusive merchandising range, along with some other goodies.   

If you join in October, you will automatically receive 15 months membership for the price of 12!

“I am really excited about the Caped Crusader Collector Club (CCCC) as something very different. As a musician. I think it is important that serious fans get to hear music that would otherwise be left in drawers and on shelves and in some cases, discarded.

With the formation of the CCCC, I feel that this is an innovative way for core fans to get to hear music which I have discovered in various of my archives. Much of which was found when packing ready to move house

I had completely forgotten about some of this material and it has really surprised me what was found. All part of my musical journey over almost 5 decades. I truly believe for real collectors these exclusive CD's will be received in the same way that The Treasure Chest was some years ago.

I hope everyone has as much enjoyment hearing these recordings as I had after discovering them.” – Rick Wakeman

To become a member: 

https://www.rickwakemansmusicemporium.com/products/caped-crusader-collector-club

Rick Wakeman's official website: http://www.rwcc.com/
Rick Wakeman’s Emporium: www.rickwakemansmusicemporium.com

And here’s something else you can spend your money on!!!  (lol) … 

Al Stewart “Time Passages” 4 Disc Limited Edition Boxed Set Available October 15, 2021

• A DELUXE 4 DISC LIMITED EDITION BOXED SET OF THE CLASSIC 1978 ALBUM BY AL STEWART, PRODUCED BY ALAN PARSONS (3CD / DVD)
• NEWLY REMASTERED FROM THE ORIGINAL MASTER TAPES BY ALAN PARSONS
• FEATURING AN ADDITIONAL 13 BONUS TRACKS DRAWN FROM AN ALBUM SESSION OUT- TAKE, SINGLES, A DEMO RECORDING SESSION IN AUGUST 1977 AND A RADIO CONCERT RECORDED IN CHICAGO IN 1978
• INCLUDES AN ILLUSTRATED BOOKLET WITH AN ESSAY FEATURING AN EXCLUSIVE INTERVIEW WITH AL STEWART

Esoteric Recordings is proud to announce the release of a four-disc deluxe limited edition boxed set (comprising 3 CDs and a DVD) Of “Time Passages”, the legendary album by Al Stewart first released in September 1978.

This new deluxe edition of this special album has been newly remastered for the very first time from the original first-generation master tapes by Alan Parsons and also features his stunning new 5.1 Surround sound mix from the original multi-track tapes. In addition, the set includes single edits, an album session out-take, four demo tracks recorded in Los Angeles in August 1977 and for the first time the complete concert recorded at the studios of WKQK-FM in Chicago in October 1978.

This limited edition boxed set also features an illustrated 68-page book with a new essay featuring an interview with Al Stewart and a facsimile promotional poster and a set of four postcards and is a fitting tribute to a much treasured and legendary masterpiece by a consummate songwriter and performer.

Disc One: Time Passages
Remastered By Alan Parsons  

1. Time Passages
2. Valentina Way
3. Life In Dark Water
4. A Man For All Seasons
5. Almost Lucy
6. The Palace Of Versailles
7. Timeless Skies
8. Song On The Radio
9. End Of The Day
Bonus Track
10. Tonton Macoute (Recorded At Davlen Studios, Los Angeles In December 1977) (Previously Unreleased)   

Disc Two

1. Time Passages (Single Version)
2. Song On The Radio (Single Version)
Demo Recordings – August 1977
3. Tonton Macoute (Demo) (Recorded At Larrabee Sound Studios In August 1977)
4. Life In A Bottle (Demo) (Recorded At Larrabee Sound Studios In August 1977)
5. The Palace Of Versailles (Demo) (Recorded At Larrabee Sound Studios In August 1977) (Previously Unreleased)
6. The Hollywood Sign (On St. Stephen’s Day) (Timeless Skies) (Demo) (Recorded At Larrabee Sound Studios In August 1977) (Previously Unreleased)
The Chicago Radio Concert – 27th October 1978
7. Time Passages (Live Radio Concert Chicago 1978)
8. Life In Dark Water (Live Radio Concert Chicago 1978)
9. The Palace Of Versailles (Live Radio Concert Chicago 1978) (Previously Unreleased)
10. Valentina Way (Live Radio Concert Chicago 1978)
11. The Pink Panther Theme (Live Radio Concert Chicago 1978)
12. Song On The Radio (Live Radio Concert Chicago 1978)

Disc Three: The Chicago Radio Concert – 27th October 1978  

1. One Stage Before (Live Radio Concert Chicago 1978) (Previously Unreleased)
2. Life In Dark Water (Live Radio Concert Chicago 1978)
3. Roads To Moscow (Live Radio Concert Chicago 1978)
4. Sirens Of Titan (Live Radio Concert Chicago 1978) (Previously Unreleased)
5. The Palace Of Versailles (Live Radio Concert Chicago 1978) (Previously Unreleased)
6. Valentina Way (Live Radio Concert Chicago 1978)
7. Year Of The Cat (Live Radio Concert Chicago 1978)
8. The Pink Panther Theme (Live Radio Concert Chicago 1978)
9. Song On The Radio (Live Radio Concert Chicago 1978)
10. Carol (Live Radio Concert Chicago 1978) (Previously Unreleased)

Disc Four: Time Passages
High Resolution 96 Khz / 24-Bit 5.1 Surround Sound Mix & Original Re- Mastered Stereo Mix By Alan Parsons

1. Time Passages (5.1 Surround Sound Mix)
2. Valentina Way (5.1 Surround Sound Mix)
3. Life In Dark Water (5.1 Surround Sound Mix)
4. A Man For All Seasons (5.1 Surround Sound Mix)
5. Almost Lucy (5.1 Surround Sound Mix)  
6. The Palace Of Versailles (5.1 Surround Sound Mix)
7. Timeless Skies (5.1 Surround Sound Mix)
8. Song On The Radio (5.1 Surround Sound Mix)

From Tom Cuddy …

Skyrockets In Flight: The Strange Story of the Dirtiest Number One Ever | GQ

https://www.gq.com/story/skyrockets-in-flight-afternoon-delight

LOL … this is a GREAT article.  Thanks, Tom!  (kk)

Got this from FH Reader Clark Besch after we ran Chuck Buell’s cartoon the other day …

"NOOOO!  NOT WHIPPED CREAM!!!!  The rest can go, but ... "