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Tuesday, March 10, 2020

Forgotten Hits Remembers Clark Weber


This one hurts …

Clark Weber was such a good friend and supporter of Forgotten Hits over the years.  We worked on several projects together, some public and some behind the scenes, and he never stopped singing the praises of what we did here.

Along the way, he introduced me to many of the other jocks and supporting players from the WLS / Big 89 hey-day … and I can’t even begin to count the number of times during his own speaking engagements where he would instruct his audience to check out the site, or simply defer the answer to me if I happened to be sitting in the audience … pointing and telling his audience … folks who had come out to see HIM … “There’s the guy you should ask!” 

We helped promote Carolyn Travis’ “Airplay” film together here in Chicago with a special screening … it was the first time that I met Clark’s  wife Joan when we all went to dinner before the screening … what a lovely lady she was.

Joan passed in 2018, by which time Clark was already in an assisted living facility.  Robert Feder (his full column acknowledgement is published below) says that Clark was in hospice care at the end.  I guess I always knew that once his wife of 63 years was gone, it would only be a matter of time before he would join her.  Still, this one hurts … a lot.

One of the first jocks to join the station after WLS flipped to a Top 40 / Rock And Roll format, Clark Weber’s morning show was always one of the highest rated in Chicago.  He manned that post for seven years before moving across the river to rival WCFL … and then to several other local stations as time moved on.  (He and Joan both told me how fortunate they considered themselves in that once Clark made a name for himself in The Windy City, they never had to relocate again … hardly the typical life of a Top 40 deejay during this time.)

Clark played the role of the square, unhip counterpart to hip, happening popular evening deejay Ron Riley … and their on-air feud made for fun, entertaining and interesting radio for many years … even being picked up by Armed Forces Radio for our soldiers overseas.  While Riley touted the music of The Beatles, Weber sang the praises of The Dave Clark Five, just to keep the feud going even further with their millions of Chicagoland teenage fans.  Both enjoyed the once-in-a-lifetime experience of introducing The Beatles live from the stage at their 1965 Comiskey Park concert … to deafening sounds from the audience.

Clark was also a pilot and loved to tell the story of the time he scared the bejesus out of Superjock Larry Lujack on a short jaunt to a concert engagement.  In fact, you’ll find dozens and dozens of entertaining stories from throughout Clark’s illustrious radio career in his book “Clark Weber’s Rock and Roll Radio: The Fun Years, 1955-1975,” a best-seller from 2008. 

His last major radio gig involved short syndicated spots that he recorded called “A Senior Moment,” a chance to Clark to play to his aging audience who had listened to him throughout the years.

He remained sharp as a tac for as long as I knew him.  Just a few months back, he ran a notice in Forgotten Hits about finally hit “The Big 89” himself after his last birthday in November.  We will miss Mother Weber’s Oldest Son.

Here is the text of Robert Feder’s column, in its entirety, from Sunday …

As a pioneering rock and roll disc jockey in the 1960s and for decades later as a multifaceted talk show host, Clark Weber entertained generations of Chicago radio listeners with impeccable style, class and professionalism.

Beloved by fans as “Mother Weber’s Oldest Son,” the legendary broadcaster, program director, advertising executive and industry elder statesman died of cancer Saturday in Evanston. He was 89.

“Clark was quick-witted, warm and smooth — a pro’s pro whether it was rock and roll or news talk,” said Bob Sirott, a longtime colleague and morning host at news/talk WGN 720-AM. “He set the bar high on the air and more importantly off the air as a mentor, counselor, friend and cheerleader for those lucky enough to get to know him. Mother Weber certainly raised a gentleman.”

Weber first rose to fame at Top 40 powerhouse WLS 890-AM, starting in 1961. In that golden era of the “Silver Dollar Survey,” he recalled, “we offered the teenage listeners a fun time with new station jingles, great rock and roll music and a variety of contests.”

In 1965 Weber introduced the Beatles on stage at Comiskey Park.
“When [WLS evening jock] Ron Riley and I stepped out onto that stage, Ron said to me, ‘Look, you can feel it.’ And as we brought the Beatles on stage, we put our hands out and you could actually feel the sound from the crowd passing through your fingers,” he recalled. “It was an incredible experience.”

Born November 24, 1930, in the Milwaukee suburb of Wauwatosa, Weber attended the University of Wisconsin-Milwaukee and served in the U.S. Navy during the Korean War.

He traced his interest in broadcasting to his ham radio hobby as a teenager and to a fateful visit to a local radio station.

On the morning of March 10, 1948, a 17-year-old Clark Weber made his debut on Milwaukee’s WFOX as a guest DJ. “When I walked into the radio station I never felt so comfortable in my life,” he recalled in his 2008 memoir, Clark Weber’s Rock and Roll Radio: The Fun Years, 1955-1975. “To this day, I cannot explain that wonderful feeling and the fact that I thought I was fearless and just filled with wide-eyed interest.

“As I left the station, I had an epiphany and knew what I wanted to do for the rest of my life. It was as simple as that: I wanted a career in radio.”

Early radio jobs in Waukesha, West Bend and Milwaukee led to a life-changing call from WLS, where he moved up from overnights to afternoons to mornings, and also served as program director. He jumped to rival Top 40 WCFL in 1969, and then to WMAQ in 1971.

Feeling he was too old to keep spinning records at 43, Weber segued to talk radio at WIND 560-AM in 1973 and quickly mastered that format as well. After 13 years there, he spent a decade at WJJD and five more years at WAIT.

“I love radio and I knew that if I wanted to remain a viable personality for years to come, I had to offer more than simply introducing records,” he once told me. “My audience and I had things to say to each other!”

Neal Sabin, who produced Weber’s morning show at WIND, recalled riding to work with him before dawn each day. “Clark would pick me up at my apartment and we would ride together to WIND,” said Sabin, now vice chairman of Weigel Broadcasting. “I heard so many great stories and had one of my first introductions to the real world of broadcasting working with him.”

As a canny businessman, he formed Clark Weber Associates, a north suburban-based advertising consulting firm targeting what he called the underserved market of senior citizens. He also hosted “A Senior Moment,” a daily commentary feature on growing older that aired on 34 stations and online.

Just before he retired in 2015 Weber was inducted in the Illinois Broadcasters Association Hall of Fame. Earlier he won the Golden Windy Award from the Radio Broadcasters of Chicagoland and the Broadcast Advertising Club Chicago.

“Bob Hope once said the time to retire is when you can still hear the applause from your dressing room,” he told me. “In my case it’s time.
“Years from now when your career is winding down, you will find as I have, that the moments that stand out, the moments when you have really lived, are the moments when you have done things in the spirit of kindness and love.”

Weber’s wife of 63 years, Joan, died in 2018. He is survived by four daughters, Ann Lesar, Peggy Barthold, Jeanne Wakenight and Janet Bryan; 12 grandchilden and two great grandchildren.

Funeral arrangements are pending.
--Robert Feder

UPDATE:  It sounds like the funeral itself will be a private and personal family affair ... but a memorial service for Clark will be held in either late April or early May.  We will update you as we get more information.  (kk)  

Hi Kent –

Clark was a long-time  friend for over 60 years - both on and off the air.
He left Milwaukee for WLS and I joined him in Chicago a year later. 
The planets were in alignment for us - we were at absolutely the best station in the nation with a massive audience and playing the most awesome music in the history of a rock ‘m roll - and most of the time management let us “do our thing” as they used to say.
Clark and I had an awesome time, especially with our “Down with Weber” Beatles / Dave Clark 5 battles.  People actually thought we disliked each other.
Clark was always high spirited and ready to crack a joke on or off the air, entertaining everyone around him.
I spoke with him briefly when he was in hospice a couple of days before he passed - his voice was weak - but I did understand when he said “Ron, we have great memories.”
Amen to that!
Ron Riley 

Kent,
While it was almost 40 years ago that Clark and I worked together, we stayed in touch over time. I last saw him this summer and I could tell he was fading … but he still had a great attitude.
Clark was a friend, and when my father died, he was one of the Korean vets who helped drape the flag over my dad's coffin.  When my mother passed, he called me to say he was sorry he couldn't be there.  This was when he was battling cancer himself.  That's the kind of man Clark was.  After the rock and roll days, I asked him if he wanted to be part of MeTVFM, as he was always fighting the fight for valuing the older demo, but he said he was too tired, and it was time to rest. Now he can rest, and we know how instrumental he was to the history of rock and roll and radio as well as the kind of man he was behind the mic.
Neal Sabin

Like so many of you, I grew up listening to Clark. Years later, when I was lucky enough to become friends with him, I never got over that thrill.
Ultimately, I idolized him, not for those wonderful rock years that his warm voice became synonymous with, but rather for the encouragement, cheerleading, and mentoring he gave to the young generation of broadcasters who followed him. He was nothing but class on the air and off. 
Bob Sirott

Clark Weber was a role model to me, personally, throughout my career.  How could you not be inspired by someone who started out at the bottom -- overnight shift at WLS -- and worked his way to the top, eventually becoming their program director?  That turned out to be my exact path at WNUA.  And, for most of us, when you get into the business as talent, you want to be doing that job for as long as you possibly can.  He was able to spend parts of five decades (!) on the air in Chicago because he had skills as both a disc jockey and a talk show host.  He'll always be one of the all-time greats of Chicago radio.
Rick O'Dell

It’s true … Clark Weber joined WLS in 1961 (about a year into their Top 40 Era) doing overnights in what was then affectionally called the “East Of Midnight Show.”  Eighteen months later, he moved to afternoons, where he hosted the daily “Silver Dollar Survey Show,” counting down Chicago’s biggest hits afternoons, Monday thru Friday.  He slid into the Morning Man role most of us associate him with in 1964 … and also took on the duties of Program Director for the station the following year, a post he held thru 1967.
In the early ‘70’s, at a point when he felt he might be getting too old to broadcast rock and roll, he began his long career in talk radio, something else he excelled at for two more decades.  This is a guy who truly did it all ... and all from right here in The Windy City without having to pick up house, home and family and travel all over the country looking for his next gig.
He actually became part of our families … we literally spent time with him every single day.  And while I’ll admit that at the ripe old age of 13 I was more inclined to listen to Ron Riley and his pop references to The British Billboard, Batman and Robin and Riley’s Raiders, Clark still occupied a spot on our radio dial (and many, many others) for all the moms and housewives home getting their kids ready for school every morning.  (He might have played a softer brand of music from time to time … but he was still the guy responsible for what did or didn’t get on the air.)
I am glad that I got the chance to know him and spend some time with him.  He truly is a Radio Legend.  (kk)



Neil Sedaka wrote the foreward to Clark's book, "Clark Weber's Rock and Roll Radio: The Fun Years 1955-1975" ... but Clark didn't have the opportunity to thank him in person.  I had Neil at the Arcada and I arranged with Clark to fly up from Florida to meet with Neil.  It was magical as I have a valuable trophy in my collection because of it ... an autographed copy of the book by not only Clark, but also by the icon who he deemed worthy of writing the liner notes!  It was one of the moments I will always treasure.
Ron Onesti 

The Ides of March are so sad at the passing of our dear friend, Clark Weber.

Clark was always a prince to us, whether at the radio station or a dance where he was emceeing. 
Mother Weber’s oldest son Clark was also so positive and encouraging to us young teenagers who were starting to spread our wings after enjoying a number 7 hit on WLS with our You Wouldn’t Listen in the spring of 1966.  
He will forever be remembered as one of the kindest spirits we have encountered in any of our travels. 
Rock in Peace
The Ides of March 

Sad news about Clark Weber ...
He led us into the glory days of Top 40 radio. What a great way to grow-up as a teenager!
Phil Miglioratti 

I was sad this morning when I read of the passing of Clark Weber.  He and all of the WLS alumni inspired many of us to join the radio ranks.  Most of us were not good enough to carry any of their coffee cups. 
It was an honor for me to chat with Clark a couple of times to promote his book 'Clark Weber's Rock and Roll Radio The Fun Years: 1955-1975.'  I felt like he wanted to ask as many questions about my career as I did about his.  When I down played my time on the air waves as small market, he was quick to point out that he had some of his most memorable times in the smaller cities.  He was very encouraging and sincere.  What a gentlemen!
Phil Nee – WRCO
 
WGN Radio ran several Clark Weber memorial podcasts yesterday …

FH Reader Clark Besch sent us this link to share …
Watch for Clark’s special Weber Memories Page later this week in Forgotten Hits. 

When I was a boy, about a jillion years ago, my family vacationed for two weeks every year in Northern Wisconsin at Dillman's Sand Lake Lodge in Lac du Flambeau. Dillman's was a very classy and expensive resort and actually far out of my family's lifestyle, but they always took the family on this marvelous vacation.
It was common in those days to vacation with the same people every year. Families would become "regulars" and book the same accommodations year after year. One of those families who vacationed at Dillman's at the same time my family did was the Webers.
Clark Weber and his wife Joan and their daughters spent two weeks there every year. They stayed in a lovely cabin just two away from ours.
At around the age of ten, I realized that this Clark Weber fellow was the same guy that I was listening to every day on WLS. Clark was the first and only famous person I had met in my life, and I felt like a big deal knowing him.
I thought that it was so cool that Weber was on my radio every day, spinning all the latest records that I loved so much. What I didn't understand was how he could be such good friends with my parents. Here was this rock and roll deejay, probably the coolest job in the world, and he was hanging around with my mom and dad, who were probably the two squarest people on the face of the earth, Go figure!
I remember that Clark carried postcards with him that bore his picture and the radio station logo. He carried two sets of cards. One had his picture with his glistening bald head and the other he was coiffed in a really nice toupee. He carried the cards to sign for people who wanted autographs. I don't know why he carried both versions. I only saw him bald whenever I saw him.
I remember that Clark Weber was a very nice man. He always was kind to me and never shooed me away when I bombarded him with questions about bands, records and radio. He was kind, patient and polite. Clark's wife was an incredibly sweet lady and his daughters were very pretty girls.
I lost touch with the Webers as I grew up, but was able to contact him in my adult life. He remembered me and I was able to communicate with him on occasion. I enjoyed the times that we spoke or wrote and will miss him.
Clark Weber was a hell of a nice man.
Thank you -
Steve Sarley
 

Kent,
Sad to hear about Clark’s passing.  I know from Tony Chavez, who worked with WIND when Clark was there, that he was a nice a guy on the air as off.  I also know that he was a pilot who flew his plane to record hops, keeping up with the huge signal of WLS.  And Tony says "Yes, he wore a toupee."
He wasn't the typical "Top-40 DJ" … rather a kind of MOR guy, but he made it work and was a true personality.  He was cordial when I got him to record a Top-of-the-Hour ID via phone patch for www.WCFLchicago.  Despite technical glitches, he hung in there and was still a PRO.  
Fridays he would say “This is Mother Weber’s oldest son, Clark. Remember, this Sunday don’t send your kids to church ... take them. “ RIP my friend.    
J.R. Russ
I never quite got the toupee thing … he was photographed more often without it than with … so I don’t think it was a secret by any stretch or that he was attempting to fool anyone.  (In that regard, he always reminded me of Alan Brady [Carl Reiner] on “The Dick Van Dyke Show,” which was my favorite show during the early ‘60’s anyway!)
The one common denominator here seems to be what a nice guy he was OFF the air … and that certainly was my experience with him.  His memory will live on with all of us who were there listening at the time.  (kk) 

Now it can be told …

When Clark’s book “Rock and Roll Radio: The Fun Years, 1955-1975” was first released, he sent me an advance, personally signed copy that read “Hi Kent – Hope you enjoy it as much as I enjoy your 60’s site!  Clark Weber.”

I couldn’t wait to read it … but was shocked when I found so many glaring mistakes in the text.  I wanted to contact him right away and let him know that these needed to be fixed … and started jotting them down as I made my way thru the book.

When all was said and done, I had noted 47 items that needed to be corrected.

Now what to do about it?  Do I tell him?  It was important to me that, due to his stature as one of the most famous deejays to ever broadcast here in Chicago, his book had to be accurate and factual.  Certainly somebody dropped the ball in the fact-checking department … if, in fact, it had been fact-checked at all.

I contacted Ron Smith, who we also lost recently, to ask his opinion.  He told me, in no uncertain terms, NOT to contact Clark and let him know … as he felt it would either be both insulting or heartbreaking to do so … neither of which would be a good positive result.

So I held back … for a few more days … but then the more I reviewed the list, the more obvious it became to me that these errors HAD to be fixed.   

It was too late for this edition … but hopefully all of these could be eradicated before a second printing … which actually came about quite quickly due to the sales success of the book once it hit the streets.

I contacted Clark as a friend and not a critic … and explained my best intentions … it was important to me that the book be fixed to show him in the best possible light … as well as maintain the accuracy and integrity of the subject matter.

He agreed … (and also admitted that the fact-checker had been HIM … and that he obviously had dropped the ball in the process.)  He thanked me profusely.  

I told him that this would remain our little secret … there was no need to point it out in any future editions … because the accuracy of the book and his own credibility of living the most exciting life possible during the most exciting period of music ever were the most important concerns.  (This is why, on SO many occasions when we crossed paths spewing the stories of rock and roll radio in the ‘60’s, he would defer to me in the audience … or bring me up on stage with him … to answer or clarify some of the questions from the crowd.  This was his way of saying "thank you.") 

We never told a soul … and nearly everything on my list was corrected for the second printing.  I specifically told him NOT to credit me in the book … my reward was knowing that the best possible product was now out on the market … and he thanked me for that.

Time has a way of moving so quickly.  I can’t even believe that it’s been 12 years since his book was first published.  For probably the last 4-5 years we’ve talked about getting together for dinner … but never made the time to do so.  I knew by then that he had moved into an assisted living facility and that his health was failing.  I just wanted one more night to enjoy each other’s company and talk about what we both loved best … the music of the ‘60’s … and the exciting era it provided.

Once his wife Joan passed, I knew that he was crushed … I believe he felt that without her, he had lost his purpose ... and could only hope in his heart of hearts that he would soon be able to join her and be reunited once again.  (They truly were fun to watch together as a couple … in their 80’s and yet still hanging on every word the other said.)  I will miss you, Clark.  (kk)

Thursday, May 21, 2015

More Clark Weber Comments and Kudos


re:  Clark Weber:
>>>I once took pro wrestling "bad boy" Bobby Heenan up to visit with Clark to hype a show promoted by Bob Luce at the International Amphitheater.  I'm sure C-dub had no clue who "Bobby The Brain" was but he conducted a brilliant 25 minute gab session. Weber was far too classy to ask Bobby if the bouts were tanked or if the "blood' was real - which by the way it is. Clark dug in with Heenan and pulled out a number of nuggets, all while treating a very gun shy Bobby with respect, class and dignity.  Sadly, my profession no longer turns out people as wonderful as Clark Weber.
That, in itself, is a tragedy.  (Chet Coppock) 
My thanks to Chet for the nice words and may I point out that “Bobby the Brain” had me in a choke hold during the entire interview!
Clark    

Great piece on Clark Weber, Kent. Do you know if Terri Hemmert has been inducted into the Illinois Broadcasters Hall of Fame? I know she's in the National Hall (She may be the 1st woman) She was a year ahead of me at Elmhurst College's WRSE outside of Chicago. She got to keep her name ... The station manager said I had to change mine to "Pat Roberts" ... Jack Mongan wasn't "radio enough" ... :)If she is in the Illinois Hall, she certainly deserves recognition. She, too, is an icon in Chicago radio! A true talent. Thanks again for everything. I love reading your site !
Jack
Terri is NOT an inducted member ... but I agree that she certainly belongs there.  You can check out the complete list of honored inductees here (kk): http://www.ilba.org/hall-of-fame/item/39-iba-hall-of-famers  

In reading some of the comments today in FH about Clark Weber, I have to concur with you, Chet and Clark about him. I never had the pleasure of meeting Clark, but talked to him a few times over the years at his various radio stops.  I remember chatting with him one Saturday morning at WLS about WLS surveys and if he knew where I could find some vintage charts. (This is darn near 10 years before you and I got together and wondered the same thing). Years later, when he was at WIND, he was gracious enough to call ME(!) and help a college radio guy with a documentary I was putting together. I knew Clark was a pilot and I was putting together a story about Buddy Holly and the hazards of riding in small planes. Who knew that topic would be discussed in FH almost 40 years later? Still some years later, I read that Clark was to be speaking at some fundraiser, I forget what for, but I donated about a dozen Silver Dollar Surveys for Clark to sign, figuring people who attended might bid on some one of a kind Clark Weber memorabilia. I have no idea if anyone bid or how much they sold for. They, as the rest of us, have nothing but fond memories of Mother Weber's Oldest Son. I've also corresponded with him a couple times here in FH. While I've had a couple of surveys from Clark's time in Milwaukee,  I think they're gone, but attached is the first WLS Silver Dollar Survey that mentions Clark. Good luck Clark.
Jack Levin
Thanks, Jack.  I'm also including a survey Jack sent me a couple of weeks ago from radio station WVOL out of Nashville, featuring a young Oprah Winfrey, who was the weather girl at the station.  (She was inducted into The Illinois Broadcasting Hall Of Fame in 2011 along with Bob Newhart!)  kk


Speaking of autographed surveys ...

If you talk to him can you ask him he would be so kind as to sign a couple of surveys?  That would be great!  Thank you.
Bill Hengels
WLSSURVEY @ aol.com  
Let's see if he responds ... I'm just afraid that a couple will soon turn into a dozen and then into 50 or 100 ... but I'm leaving this in his hands!  (kk) 

My family used to vacation for two weeks in Wisconsin every summer.  Clark and his family went to the same resort at the same time and my parents became friendly with the Webers. 
I remember that Clark's wife, Joan, was a wonderful lady and his two daughters were gorgeous.
I was probably around 12 to 14 at this time and music meant so much to me.
To know someone like Clark Weber, with his affiliation to rock and roll, impressed me more than knowing the President of the USA would have impressed me at that time.
Clark was a great guy ... very friendly and never upset with my constant questions about music and bands.
The thing I couldn't understand was how someone like Clark Weber could be so totally cool while my parents, who were similar in age, could be the squarest two people walking on the face of the Earth.
Go figure!
May God bless Clark and give him many more years of good health!
Thank you
Steve Sarley
I met Clark Weber through your connection and I thank you for that, Steve ... what a wonderful guy.  He has shared so much with me over the years ... and has been a HUGE supporter of our efforts here at Forgotten Hits.  (kk)   

Having moved into the range of Chicago radio in 1966, I was one of the multitude who enjoyed the wit and engaging style of Emperor Clark Weber over WLS and then WCFL when he moved there in 1969.  Clark was what I would call an "anchor voice" at both stations -- one of those compelling personalities who defined the image and appeal of The Big 89, Super 'CFL and Chicagoland Top 40 radio in total.  And while in 1973 I moved from the Midwest to L.A. (to find out if what the Beach Boys said about California girls was true), I've never been far from Clark's picture -- as it is on both sides of one of the oldies albums I've played the most on the air over the years: The WLS "Treasure Tunes" LP.
Gary Theroux 
"The History of Rock 'n' Roll"  



Thursday, March 12, 2020

More Clark Weber Memories

WLS fanatic Clark Besch has put together his own piece on Clark Weber, who he communicated with for years.  Some of those conversations, in Clark Weber's own words, are recounted below ... along with a few comments from me regarding conversations that WE had over the years that might help to show some additional insight.

With input from TWO Clarks, it's probably easiest just to identify as CB and CW for clarity's sake (with my own comments simply referenced as kk as usual) ... which I guess makes this whole experience a Clark Clark Kent Production!  (You'll find a few of the additional comments we've received at the end of this piece.)  kk 

CB:  I first met Clark Weber thru a mutual friend, Bob Hummel, in the early 2000's.  Like my friend, Bob, AND my dad, Clark was a HAM radio operator.  
Clark was writing his book (awesome one, at that) and I helped him with some tidbits of old info he used a little of.  From there and through Forgotten Hits, we started a long emailing campaign thru the years ever since, last hearing from him on January 9th of this year.  
I was a Ron Riley fan and thus on the opposite side of the Riley-Weber 60's fake radio feud, but Clark was a great friend in the 2000's as we both aged.  
Riley and Weber both came from Milwaukee in the early 60's to WLS, where they both became radio heroes to many of us Chicago AM top 40 radio fans before each moved to WCFL for a time and then on to other radio ventures.   
Clark did speeches in his last years on the past era of top 40 radio and such, even trying to get me to do the same and encouraging me on this passion I had shown him for the 60's WLS days.  He was such a nice guy to all that I could even forgive him when he judged the "Showcase '68" Cryan Shames episode and Archie Bell & the Drells won that show's talent prize. 
Below are some comments I have gleaned from his many emails to me over the years.  I was ALWAYS asking questions and he often replied with answers.  (Clark Weber's comments are shown in red.)

A general comment on me, the listener, and him, the performer:

CW:  Hi Clark;
I can tell how badly bitten you were and I totally understand. There was a magic on both ends of the microphone and whether you were a listener or a DJ, you knew it was a special time. The bond between the two lasted about 15 years, 1958 to about 1972, when rock radio began to loose its personality and exclusivity. That was due in part to programmers fighting for listeners' ears, the proliferation of FM stations going after the rock market and the erroneous idea that if you play the same music over and over again, the listeners will remain with your station. Each contributed to the problem plus the teens, who were the foundation of rock radio of the 50’s and 60’s, were growing up, getting married and taking on the mantle of adulthood. The listeners who followed you had a much larger choice of music and the pied piper who was calling them to the music no longer mattered. Today that special time is merely a memory. Mother Weber used to say. “The only one who likes change is a wet baby!”
The Other Clark  
 
CB:  As mentioned above, he was a HAM operator and I listened to WLS on my dad's Hallicrafter receiver: 
 
CW:  Read your recent comments on "Forgotten Hits" and had to chuckle at the picture of your Hallicrafter SX-28A. I was a Navy radio operator from 1950-1954 and spend four hours on and four hours off every day copying CW. The SX-28A was an orphan in our radio room, but because it reminded me of my civilian ham radio days, I adopted it as my main receiver. I often felt that it out performed the other receivers when the atmospherics were bad in the middle of the Yellow Sea off the coast of Korea. 
 
CB:  On his early career: 
 
CW:  It was 1958 when I went to work for the Balaban Broadcasting Company, which was a division of the Balaban & Katz, a Chicago Theatre Chain. At that time, they owned KBOX in Dallas, WIL in St Louis and WRIT in Milwaukee. I worked for WRIT from 1958 to August of 1961. I recall that only WIL was profitable due in part to the general economic times of the country. WRIT was the second station to rock in Milwaukee, as WOKY was the first. The entire Balaban radio division was run by a man named John Box. It was later discovered that prior to his directing the radio chain, he had spent time in jail for embezzlement. To the best of my knowledge, Storrs developed the first rock format although Drake certainly was also an early developer. Chicago began rocking in 1958 when Marshall Fields owned WJJD. He quickly grew tired of the format and sold it to Plough Broadcasting and, according to a 93 year old dj friend of mine, who was one of their first dj's, it still didn't make much money! It wasn't until Plough switched to country music that they started to see a reasonable profit. 
I recall the dilemma facing those early rocker s was cash flow. While they captured the teen market, it was a very difficult selling those ratings to the advertising market. Many, if not most stations and sponsors simply didn't believe those teen numbers translated into a viable market. WRIT struggled throughout its entire rock days trying to convince the market place that money could be made with those kids. It wasn't until WLS came along that those teen numbers were profitable. Even then, according to former LS salesman Ed Doodie, many clients who bought the station (which had huge numbers at night) were not pleased by the sales results. ABC, to their credit, insisted those kids had the money when, in fact, they didn't.  Balaban & Katz finally sold all of their radio holdings in the mid 1960's, as the stockholders became disenchanted with rock radio. 
It wasn't until I created my ad agency and I began to talk to other agencies and former clients of WLS that I discovered that while the glory was certainly there, and I reveled in it, that simply didn't translate into a profit for many of the sponsors. 
 
kk:  For the record, WJJD flipped to a rock format in 1956, not 1958, publishing their very first Top 40 Chart on June 11th of 1956.  WGN, WIND and even WBBM also dabbled in the rock and roll / Top 40 market in the late '50's ... and even after WJJD switched to an all country music format, their weekly charts continued as "The Top Tunes Of Greater Chicagoland."
When WLS made the switch in 1960, it was all but over for everybody else ... they became one of the giants in the industry.  But then, in late 1965, WCFL decided to give them a run for the money and, from 1965 thru 1975, we living here in Chicago were able to enjoy the greatest, most competitive era of Top 40 Radio. 
 
CB:  On some song placements on radio surveys: 
 
CW:  Some of these Silver Dollar anomalies can be attributed to the fact that a few Chicago distributors and national record companies discovered a way to scam the system. They would offer the record stores an incentive to misreport certain records sales. They, in turn, gave the stores free copies of certain other records that the stores would then sell and pocket the money. It was a payola in reverse. As I recall, we discovered this in 1968 when another distributor blew the whistle and told WLS what was going on. We then took immediate steps to prevent the further hyping of sales. We were unable to find out how long it had been going on. After I left WLS, I heard that ABC corporate cracked down on the music selection process at all of their music stations to prevent possible payola. While I was the PD (1966 to early 1969) and selecting the music, there was not even a mention or offer of payola because, frankly, I was being paid so well that I would have not risked jeopardizing my job for the money. After I left, I later heard rumors to the effect that the "Mob" labels were upping the anti and even offering new cars in returned for preferred airplay. Again, no exchange of money, no cribbing on the tax reporting and the "Mob" continued to call the shots on many of the so called hits. I don't doubt that it still goes on today as the power of the "Mob" was and still is enormous. 
 
kk:  Over the years of putting together Forgotten Hits, we have had MANY discussions about how the charts were assembled and calculated back in the glory days of Top 40 Radio.  Clark confided (and even put me in contact with the woman, whose name escapes me, who actually put these weekly charts together, who confirmed his analysis) that essentially only the Top 20 Records shown each week accurately depicted the ranking of the records as sold and played here in Chicago.  
The bottom 20 positions were records that the station was getting behind in the way of airplay or former Top 20 Hits working their way down the charts.  Quite often they would give a new premier a couple of weeks on the chart to see if it had any impact with the listeners and buying public ... if not, it disappeared just as quickly as it appeared.
Thanks to repeated airplay and heavy rotation (the most popular records getting played every 3-4 hours ... and a brand new premier by The Beatles, for example, every TWO hours), saturation helped make most of these songs ear-worms that continue to this day some 50-60 years later.  Keep in mind that back in the '60's and '70's, WLS and WCFL used to countdown their top hits every single day ... so you were assured of even hearing a "fly-by-night" track several times a week.  In between, they worked in "oldies" from the '50's, "flashback hits," brand new premiers, British imports, R&B tracks, album tracks and more.  It was, hands down, without question, the most exciting time in radio EVER.  Coupled with the engaging personalities of the jocks ... who were actually allowed to talk and entertain their audience ... it was pure magic. 
 
CB:  On the February 1967 winter storm and how WLS blew the coverage: 
 
CW:  I well remember Gene Taylor chewing me out the next day and I deserved it. The News Director, Hal Salzmann, lived on a farm south of town and was unable to get to the station to rally his news people.  The office staff had taken off and headed for home early because of the rapidly moving  storm and my air staff consisted of Dex Card, Art Roberts (Ron Riley was on vacation) and the Production director, Ray Van Steen, who left at 2 pm, plus Stan Dale in the newsroom. Even the ABC News Department on the 4th floor bailed out and headed for home. WGN beat us hands down that day because they had both the radio and TV people in the same building and did a great job of telling the story. I didn't and I learned! 
 
CB:  On pay scale at the Big 89 in the early 60's: 
 
CW:  Aside from Bernie Allen and myself, the rest of the airstaff was quite young and felt that the WLS union scale salary, starting at $32,000 a year, was a bonanza beyond belief. To the man, they came from medium sized markets where they were making, tops, $12,000 to 15,000 a year. That WLS salary plus one or two record hops a week added another $500 a week. Remember that a new Chevy at that time was $1800 to $2300 depending on the trim and engine. The afternoon drive paid $45,000 and mornings anywhere from $60 to $75,000. Over time, the mornings paid a little more topping out at $100 to $150,000. 
 
CB:  On Larry Lujack:
 
CW:  In some ways I think Larry evolved into Uncle Lar because of his huge disdain for all things showbiz. He was so anti-social concerning the business, the station and the other air guys that he was left to his own devices. Other than “Lil Tommy,” who rode Larry’s coat tails, the staff found it best to give Larry wide birth. They didn’t dislike him it was simply wise to give him wide birth. Because he was so morose.  Even playing golf with him was not fun as he was a man of few words. 
 
kk:  I have to defend Tommy Edwards here for just a moment.  Both before and after his association with Larry Lujack, Tommy was a VERY successful and highly regarded broadcaster.  The "Uncle Lar and Li'l Snot-Nosed Tommy" / "Animal Stories" pairing was pure magic ... and started quite innocently ... but soon snowballed things into massive proportions. Still, Tommy Edwards did just fine on his own.  (His retirement a few years ago was an emotional heartbreak, both for Tommy AND all of his years-long faithful listeners.)
Ironically, when Real Oldies 1690 launched and Tommy and Larry reunited (albeit Lujack via a phone line from his home in New Mexico), it was LUJACK who became the "sidekick" to Tommy, who pretty much ran the show.
 
CB:  Comments on the Silver Dollar Survey change of name to "Hit Parade" when Lujack came to the station in 1967: 
 
CW:  I’ll try to answer your questions ... however, bear in mind your trying to plumb the depths of a 86 year old man!
The “Super Summer” change to the survey was part of a promotion that took several months to bring about. Seems NY legal was very cautious about any changes, including our “Super Summer” idea. It turned out to be an great promotion that was conceived by our promotion director Frank Nardi. The change from the “Silver Dollar Survey" to the “Hit Parade Survey” was the work of John Rook, who proceeded me as PD. He was a fan of Gordon McClendon, who originated the idea of format radio in the late 50’s. It worked well until the advent of FM competition that overwhelmed it with their wide open play lists and wall to wall music. By 1970, the musical erosion of Top 40 radio had begun and sales suffered. 
As for the bottom of the playlist, Gene Taylor was right ... those songs were merely added to give some new variety to the lists. The record companies allegedly discovered another way to make money two ways. They gave the record stores many of those new releases for free as a bonus if they would report sales on those records. After all, they would point out, that LS was playing them. The stores pocketed the money without having to report it and the record companies generated interest in the artists. It was a  win / win situation and occasionally those bottom feeders would become hits. The mob was (and probably still is) ingenious when it comes to making money in the record business. Some of those labels may still be controlled by some very nasty people! 
As for SGT Pepper, I recall that Art, Ron and Don Phillips played the album cuts while the day staff stuck with the hit singles.
The AM radio hemorrhaging, of course, continued until 1984 when WLS  pulled the plug and went talk.
Today I have an 19 year old grandson who is head over heels in love with 60’s music. He can’t believe that I knew Mama Cass or Ringo. When I told him that doofus “Phony Joanie" Baez lived with Bob Dylan for a time and that they both became monosyllabic, he thought I was pulling his leg! 
 
kk:  There was NO love lost between Clark Weber and John Rook! Having befriended both of them through our efforts of Forgotten Hits, both of whom sang our praises on a regular basis, it was a fine line to walk sometimes, listening to them discredit and insult each other "off the record."
John Rook always believe in "The Hit Parade," dating back to the early '50's television show of the same name as being the most accurate way to present and showcase the week's biggest hits ... so once he came onboard, that was the very first thing he changed.  (I grew up believing that "The Silver Dollar Survey" was something COMPLETELY unique to the Chicago radio market, only to find out decades later that there were radio stations issuing silver dollar surveys all over the country ... kinda like the whole Boss Radio concept we talked about a short while back in FH.)
I know that Ron Riley had FAR more leeway in presenting The British Invasion Hits, even airing "The British Billboard" every week ... and playing import tracks that appeared on Beatles UK pressing that were cut from their US counterparts.  As such, we sometimes got advance sneak peeks on songs that would later make their mark on the American charts (although just as often we had to endure "flash in the pan" tracks that we couldn't believe the British teenage audience was embracing!)
It's funny, with Clark mentioning Ringo ...
One of our last public get-togethers was at The Downtown Hard Rock Cafe.
Greg Brown of 94.7 / WLS-FM was doing a live feed and Clark Weber was one of the invited guests that he was going to interview during the proceedings.  The cause for celebration was the fact that Ringo Starr and his All-Starr Band were playing in Chicago that weekend ... and The Hard Rock Cafe had a VERY large exhibit going on at the time of Ringo's photographs ... so there was also the rumor that Ringo might show up during this event.
I had planned to go regardless ... but the Clark invited me to take part in the Greg Brown interview with him as well.  (Unfortunately, Greg Brown wanted NO part of that, this despite the fact that he was quite familiar with Forgotten Hits and had even used a few of our programming suggestions on the air before ... so every time Clark would try to bring me into the conversation, Greg would steer the conversation in a different direction!)  Once again, I was fine with this ... Clark was there to talk about meeting The Beatles at the peak of Beatlemania and introducing The Fab Four at their Comiskey Park concert ... none of which had ANYTHING to do with me!  (Longtime FH readers will recall that although I had the chance to see The Beatles live at Comiskey Park in 1965, my dad refused to let me go because it would have meant a round-trip drive to Deerfield to pick up the next day from my cousins' house.  It was my one and ONLY chance to experience The Beatles live ... and has left emotional scars that still exist to this day!  lol)
Bernie Allen was driven to the event by his daughter, who I was able to spend some time with while he joined Clark on stage.  Sadly, Bernie passed away just a few short weeks later.  As such, this has become a very special memory for me.
 
CB:  Upon hearing of Clark's passing, James Holvay sent me this message: 
 
JIM HOLVAY:  I never met Clark.  I would’ve liked to thank him for giving The Chicagoans a little glimpse of recording success by naming our instrumental “Beatle Time” and our group“ The Livers”.He related from the Mob story site on how Clark NAMED his group and song! 
WLS, a Midwest powerhouse radio station, was having their annual Christmas Party. Sheppard invited DeFrancesco to go along with the Chicagoans tape in tow. While at the party, they played the tape for Clark Weber, who at the time was the Program Director for the station. He wasn't impressed with the vocalist; but, when the instrumental trak followed, it immediately caught his attention.
He asked Sheppard who the band was. Sheppard said, "It's a group called The Chicagoans". Clark said, "I like it. What's the name of the song?" There was no title, and so Clark named it "Beatletime". In order to take advantage of the British Invasion, he suggested changing the name of the band to The Livers, as in Liverpool, England. 
 
CW:  Clark, I will miss all the nice comments and passion you have had for broadcasting all of these decades.  Your memory will live long, as witnessed by the huge amount of comments in the press from listeners already.
 
CB:  Rest in peace, the OTHER OTHER Clark 
kk:  Amen
 
kk:  From Clark Besch's massive collection of newspaper, fan magazine and trade magazine clippings, here are some photos, etc., that he sent along to share
 
CB:  Clark did so many sock hops and dances with our local heroes and Tommy James and the "Shandells" (?), whose "Hanky Panky" was panned by Clark years before this gig in late 1966:
 

kk:  Clark readily admitted that he TOTALLY blew it in assessing Tommy James' career when Tommy first asked him if he would consider playing his band's new record on the air.  In fact, it became one of his more popular anecdotes over the years.  In his book, "Rock And Roll Radio:  The Fun Years, 1955 - 1975," Clark recounts the story this way:

CW:  I'm the first to admit that I didn't always hear "hit record" when a song was first played.  In 1965, I was doing a beach part record hop at the Glen Lord Beach Park Pavilion in Niles, Michigan, when a very polite teenager asked me if I would listen to a record that he and his friends had written and recorded.  I said that I would and put it on the turntable.  My first reaction was that it was a bit primitive, but I decided to be gentle in my response.  I told him that while it was a good first try, it wasn't something that WLS would have an interest in playing on the air.  Yet, soon after, a Pittsburgh DJ started playing the song, and in a while it took off.  Before you knew it, Roulette Records heard it and signed the singer to a contract in 1966.  It became such a big hit that people still dance to it today.  The kid's name was Tommy James, and the song was "Hanky Panky."

kk:  Now therein lies one of the many guffaws I referred earlier in Clark's book ... Tommy James didn't write "Hanky Panky" ... it was written by the songwriting team of Jeff Barry and Ellie Greenwich, and had previously been the B-Side of a record released by The Raindrops called "That Boy John."  Thanks to Tommy's experience working in a Michigan Record Store, he was familiar with the song ... added it to his band's repertoire ... and soon it became one of their most popular songs during their many live teen dance hops at which they were performing.  Based on the kids' reaction, Tommy KNEW that this one could be a hit ... yet it would take three years for that to happen.  (Tommy James and the Shondells first recorded it in 1963 for the small, local Snap Record Label and, other than copies he sold out of his trunk or at live performances, it went absolutely nowhere.  A deejay in Pittsburgh discovered the track in 1966 and started playing it on the air and the switchboard lit up like The 4th of July!)  It went to #1 all over the country, topping Billboard's Hot 100 Chart for two weeks in the Summer of 1966.  Here in Chicago it held the #1 spot on The WLS Silver Dollar Survey for four weeks and went on to become the #1 Hit of 1966 on their Year-End Chart.  Read Tommy James' fascinating book "Me, The Music And The Mob" for more insight.  (I think he forgave Clark Weber for misjudging him ... although I'm sure there was still at least a small hint of "I told you so!" in Tommy's mind!  lol) 
 
Months before Clark gave the Shadows of Knight a hit with "Gloria," he was doing gigs with the then unknowns:
 
 
kk:  The Shadows Of Knight scored a #1 Hit on The WLS Silver Dollar Survey in 1966 thanks to the suggestive hand of Clark Weber.
As the Program Director at the time, Clark decided NOT to play Them's version of the tune as he found it too suggestive for AM / teenage airplay.
Instead, he approached local record producer / manager / promotions man Bill Trout, who had The Shadows Of Knight in his stable of artists, and suggested that if his band recorded a CLEAN version of the track, WLS would play it on the air.
They did ... and so did he ... and the rest, as they say, is history.  "Gloria" is considered one of rock and roll's greatest anthems today ... and Jimy Sohns is STILL singing the song with his latest version of The Shadows Of Knight and as part of the very popular Cornerstones Of Rock shows that play all over the midwest.
Here is Clark's recap of these events, taken from his book ... with yet another misstep ... 
It wasn't the Zombies who recorded the original ... that distinction belongs to the Irish rock group Them, led by Van Morrison, who also wrote the track.

CW:  The program director is responsible for everything that goes on the air, including the music.  The job also involves making sure that the station doesn't lose its license because of what is said or played on the air, and that included songs with suggestive lyrics.  That was easy to do in the '50's and early '60's, but as we entered the mid-'60's, some lyrics began to cross the line.
In fact, the strangest local group came about because of another group and an objectionable lyric.
The Zombies were a British group that released a song with "hit" written all over it.  However, one of the lyrics was "I knocked on her bedroom door, and she let me in!" (Again, not 100% completely accurate ... but you get the idea.-kk)
In the mid-'60's, believe it or not, radio stations did a good job of policing such lyrics for two reasons:
They didn't want to lose their FCC broadcasting license for playing objectionable songs; and we programmers felt an obligation to keep the air waves clean.
Today, that sounds quaint, but it was very much on our minds in the '60's.  While I was listening to The Zombies' song, a Chicago record producer named Bill Trout came into my office. 
I commented that the song was great, but I couldn't play it because the lyrics included the idea about a boy knocking on a girl's bedroom door and her letting him into his room.
Trout asked, "Would you play that song if it didn't have that objectionable line in it?"
I said, "Sure" ... but I didn't give his comment another thought.
The next morning, Bill was in my office with a test pressing of the revised record.  He had been up all night rehearsing and recording the song with an unknown band.  I put the new version on the WLS playlist, and the rest is history.  The group was called The Shadows Of Knight ... and the million-seller was the song "Gloria." 

A few more pics ...
 



And of course, his on air battle with Riley and Clark's DC5 vs. Riley's Beatles battles:
 

No wonder this ad was appearing by 1966!
 
 
Even his wife, Joan, got celebrity status during WLS' "Super Summer" 1967!
 
More from our readers ...
 
Kent, 
Sorry I’m a bit late in responding to the passing of Clark Weber, but here are some thoughts I would love for you to share and add to all the great comments about Clark. 
He sure brings back a lot of great memories when we were just getting started. 
Our thoughts are with the family and friends of legendary Chicago DJ Clark Weber, as we just learned of his passing yesterday, at the age of 89. 
When the first Buckinghams' songs were getting played on the radio, he was an important part of our radio history as well ... not only as a DJ who introduced himself often as "Mother Weber's favorite son," but also for his well known "fun" feud with on-air rival Ron Riley. 
Beyond DJ, Clark became a radio consultant and program director to virtually every Chicago radio station, and wrote a book "Clark Weber's Rock and Roll Radio" based on his career experiences. 
His wit and wisdom will be missed but he will always be remembered with respect and regard. 
Robert Feder has a nice tribute article at https://www.robertfeder.com/20…/…/08/clark-weber-1930-2020/… 
and a great past story on Clark and Ron coming together for one special broadcast at: https://www.robertfeder.com/…/friendly-rivals-to-recall-wl…/
 
On behalf of the entire Buckinghams family, we share our sincere condolences. 
Carl Giammarese
The Buckinghams 
 
We've received quite a bit of praise for our tribute to Clark Weber as well (which incorporates the original Feder article): http://forgottenhits60s.blogspot.com/2020/03/forgotten-hits-remembers-clark-weber.html
I had forgotten all about the fact that Ron Riley was supposed to take part in that Hard Rock Cafe exhibit I mentioned above ... he couldn't make it in at the last minute.  (Maybe THAT'S why Clark invited me to attend!!!  NOW it all makes sense!)  And Bernie Allen coming by was an added treat, too.
Clark and Bernie played to the "older demographic" of the WLS audience ... they were much more mainstream and played a lighter (read soft rock / adult contemporary) mix of music on their programs.  Joel Sebastian is another Chicago broadcaster who comes to mind who fits this bill.
They left the rock and roll to the younger jocks at the station ... and the new kids who came along over the years ... including Larry Lujack, Ron Britain, Barney Pip, Chuck Buell, Kris Erik Stevens, John Records Landecker, Bob Sirott and others added their own new dimension to Top 40 radio broadcasting.  It was a VERY fun time to be listening to the radio.  Clark Weber wasn't one of those "hip and happenin'" jocks ... even early on at the station that distinction went to a guy by the name of Dick Biondi ... but he WAS an absolute broadcasting pro ... and his style and gift of gab appealed to many generations of listeners.  (And, to be fair, no matter how square he might have seemed sometimes to my 13-year-old self, being constantly taunted and battled with by Ron Riley made him one of MY favorites, too!)  kk
 
What a great collection of Clark Weber tributes and memories in Forgotten Hits. 
I didn’t know him real well, because when I was asked to join WLS in the late 60s for early evenings, his show was in the early mornings and with our two air times on the opposite sides of the clock, (both shows 6 to 10, AM and PM), we seldom saw each other except during “jock meetings,” or on the rare occasions of a full air personality lineup for a promotional photo shoot or at an appearance for a station promotion. But even with that little contact, and for the short time we were “Big 89 Broadcast Brothers,” no wait, make that, "well-established highly professional radio veteran and promising young eager hotshot!” what I read summed up the guy who I did know briefly spot on. A very special, and rare individual.
Chuck Buell

Hi Kent,
Other than the occasional static-filled captures of AM Chicago radio that I could occasionally pick up on my shortwave radio at night, I didn't hear much of the legendary broadcasts from the Windy City in the '60s and '70s.  But when I became somewhat of a radio guy myself as a young man, I heard many tales of that vibrant scene and availed myself of all the airchecks I could find.
So when I spotted Clark Weber's book at a local store a decade ago, I snapped it up and enjoyed his first-hand stories of his exploits and the era that had such a profound effect on me.  I managed to chase down an email address on him and wrote to congratulate him and offer the opinion that should a film on his career ever be made, his doppelganger Anthony Edwards (ER's Dr. Mark Greene) would have to be the actor to portray him.  He sent a gracious and amused reply and said that many people had made note of that resemblance over the years, especially since he gave up the toupee.
Even via such a remote connection, Clark just came across as a heckuva nice guy -- something that was confirmed over and over again by his occasional comments on Forgotten Hits, and certainly by your tribute and those of others this morning.
I'm sad that I never met him and sad that he's gone.  But he spent his life doing what he loved, he evidently had a lifelong happy marriage, and he was clearly admired by countless friends, fans and colleagues.  You can't do better than that.
My sincere condolences to you and Clark Weber's family and many friends.
Regards,
Scott Paton 
 
Hi Kent: 
That was a nice collection of tributes to Clark Weber that you posted today, a good cross-section of fans, musicians and media folk.  Clark Weber was never a radio superstar, but he’s proof that nice guys can make it in the business simply by doing their job well.  There’s a lot to be said for that. 
Also, I couldn’t believe my eyes when I got to your personal anecdote about his book, in the “Now it can be told” part of your blog.  
When Clark published his book back in 2008, I rushed out and bought a copy.  I reacted to it the same way you did — 
I couldn’t look past all the mistakes!  In fact, I wrote my own blog about it at the time, expressing my mixed emotions about it — how, on the one hand, I loved the delightful nostalgia of it but, on the other, my enjoyment was diminished by the fact that all those errors could have been avoided with some simple fact-checking.  I remember saying something like, “Couldn’t he have gotten someone to help him with the research or at least the proofreading?”  Now, after reading about your experience with the same issues, maybe I shouldn’t have been so harsh.  But, between you and me, the errors really got in the way. 
Thanks for including my comments and those of Neal Sabin in your obit. 
Have a good week. 
Rick O'Dell
The volume of mistakes bothered me to the point that I just couldn't let it go.  It meant a lot to me that Clark considered me a close enough friend and willingness to help in a positive way.  I just wanted the most accurate story to be out there, since it was such a great story to tell ... and my fear was that other memories in the book would come into question if too many full blown mistakes were left in ... all credibility could easily fall by the wayside.  (As such, I have to HIGHLY recommend the SECOND pressing of the book rather than the first, which is the edition that spurred me into action!)
One point I could NEVER get Clark to concede ...
He argued for as long as I knew him that the original records released by Vee Jay Records by The Beatles were of inferior quality ... stating numerous times that until Captiol Records went in and "cleaned up those tapes," these songs NEVER would have been hits.
This simply wasn't the case.
The songs that Vee Jay released were the exact same songs and mixes as issued by Parlophone in England the year before.  Capitol didn't clean up ANYTHING ... in fact, they didn't even release "Please Please Me" and "Twist And Shout" and "Do You Want To Know A Secret" until 1965 when they put out "The Early Beatles" album ... some two years AFTER these records were first released across the pond.  (In fact, "From Me To You" didn't show up on an LP until the so-called "Red Album" from 1973!)
Vee Jay issued "Please Please Me" as a single in the spring of 1963 to virtually no fanfare (other than a two week showing on the WLS chart, with the misspelled "Beattles" on the label.) Capitol passed on several of the early releases ("She Loves You" and "Love Me Do" being two other HUGE #1 Hits that they didn't feel had any potential) ... but there was absolutely NO difference in the mixes that eventually sat at the top of the charts once America caught on than the ones originally released and ignored the year before.  (In fact, if you listen to one of the WGN podcasts posted yesterday featuring an interview with Bob Sirott, you'll hear Clark tell this story AGAIN about the inferior early mixes of these hits.  It simply isn't true.)  kk 
 
Kent -- 
I have only one Clark Weber story, apart from having listened to him a lot when I was a tween, a teen, and as a college kid at DePaul. 
In 1977, I was prowling the ham radio bands on my Kenwood TS-520 from our house in Rogers Park, and heard someone calling CQ. (Basically, ham radio shorthand for "Anybody out there want to talk?")  I replied, and chatted with the chap for a minute or two, thinking, Damn, that voice is familiar. Then, my colleague said, "Name here is Clark" and it all fell into place. After years of talking to me (and millions of others), Clark Weber had listened to ME on radio, and we had a great conversation. He never said he was Clark Weber, and I never asked, but I was cool with that. There was no way on earth that it was anyone else but him. (I no longer have my log book from that era, so I don't recall his callsign.)
--73--
--Jeff Duntemann K7JPD
  Scottsdale, Arizona
 
 
Hi Kent:
Very sad news about Clark Weber. A True Classic. 
I listened to WLS up here in Brew Town a lot back in the day, so I heard many of the great WLS jocks as well as up here in Milwaukee. I did the WRIT book as you know, and Clark Weber was a jock there, right before heading to WLS. He was also born and raised in Wauwatosa, which is where I am from ... in fact, we even went to the same school. 
I don't know if it's more ironic or more appropriate he died at age 89! 
Ken
Clark Weber dying at 89???
I don't know that you could write a better final chapter.  (kk)