Saw the new Disney live-action film "Cinderella" this afternoon and felt inspired!
Be sure to visit the Forgotten Hits Website on Sunday Morning after 6 am Central Time and check out our brand new Joel Whitburn's Record Research Playlist Feature!
Saturday, March 14, 2015
Friday, March 13, 2015
A Brand New Monthly Feature
You'll want to be sure to check out The Forgotten Hits Website this Sunday, March 15th ...
That's when we launch our brand new Monthly Play List Feature in conjunction with Joel Whitburn's Record Research!
On the 15th of every month, we'll feature a time-capsule recap of the biggest hits of that month for any given year, 1955 - 1984. (This month it's all about "Where Were You In '62?")!
You'll get a recap of that month's 25 Biggest Hits (as tabulated by Billboard Magazine) along with a special medley of those 25 Hits put together by Joel Whitburn himself. We'll even direct you to his website so you can order copies of Joel's Play List Books for your own library. (These lists also make for GREAT programming ideas for all the jocks on our list!)
And, as he ALWAYS does, Joel's got another hot new release coming up!
Just as he did with all of The Billboard Charts from 1955 - 2009, Joel will soon be offering exact photo reprints of EVERY Cash Box Chart published in the 1970's!!!
These are black and white reproductions of Cash Box's Top 100 Pop Singles List for every week of the decade. (More books will follow ... but this first one is expected to be ready to ship by the end of May!)
You can check out all the details below (or visit Joel's website where you can even view some sample pages.)
Here's another GREAT book you'll want to add to your Record Research Library Collection!
https://www.recordresearch.com/billboard_chart_collections/cash_box_top_100_charts_the_seventies.php
That's when we launch our brand new Monthly Play List Feature in conjunction with Joel Whitburn's Record Research!
On the 15th of every month, we'll feature a time-capsule recap of the biggest hits of that month for any given year, 1955 - 1984. (This month it's all about "Where Were You In '62?")!
You'll get a recap of that month's 25 Biggest Hits (as tabulated by Billboard Magazine) along with a special medley of those 25 Hits put together by Joel Whitburn himself. We'll even direct you to his website so you can order copies of Joel's Play List Books for your own library. (These lists also make for GREAT programming ideas for all the jocks on our list!)
And, as he ALWAYS does, Joel's got another hot new release coming up!
Just as he did with all of The Billboard Charts from 1955 - 2009, Joel will soon be offering exact photo reprints of EVERY Cash Box Chart published in the 1970's!!!
These are black and white reproductions of Cash Box's Top 100 Pop Singles List for every week of the decade. (More books will follow ... but this first one is expected to be ready to ship by the end of May!)
You can check out all the details below (or visit Joel's website where you can even view some sample pages.)
Here's another GREAT book you'll want to add to your Record Research Library Collection!
https://www.recordresearch.com/billboard_chart_collections/cash_box_top_100_charts_the_seventies.php
|
Wednesday, March 11, 2015
Happy Together ... With A Twist
Forgotten Hits Reader Rich Turner caught a special edition of The Happy Together Tour in Plant City, Florida, earlier this month and wanted to share his review with our readers.
Take it away, Rich!
Take it away, Rich!
Kent,
Thought you might be interested in this. A couple of days ago, Monday, March 2, I caught the latest edition of the Happy Together Tour here in Plant City, Florida, at their annual event known as the Florida Strawberry Festival. I believe this was a one-off performance ... in other words, not part of any tour at this time. Their next tour starts in June. For the most part a very good show.
The featured acts were: The Turtles, Chuck Negron (of Three Dog Night fame), Gary Puckett, Gary U.S. Bonds and Gary Lewis. They were backed by a group referred to several times as "The Happy Band." Don't quite know how the band members felt about that moniker, but in my opinion THEY were the stars of the show! An excellent set of musicians that made each artist's particular songs sound just like the original recording, except even better. Job very well done fellows. They introduced the band but none of the names struck home with me so they will remain incognito for now but "Happy."
As far as the artists themselves go, IMHO I felt Chuck Negron was head and shoulders above and better than the others. What an outstanding voice he still has. He brought much new life into each of the five Three Dog Night songs he sang. Three of the songs he did were not even originally sung by him as the lead in the band back in the day, but they were outstanding. He opened with "Mama Told Me Not To Come" (as good as Cory Wells, maybe better), then went into "Celebrate" and brought the house down with "Eli's Coming", on which he received some help from the drummer and guitar player on vocals. Did I mention how great the Happy Band was?
The next song was "One" and apparently he doesn't have the same hard feelings about the other Three Dog Nighters that they do because he dedicated the song to ... and he personally named ... all the original members of the Three Dog Night band starting with Danny Hutton, Cory Wells, Joe Schermie, Mike Allsup, Floyd Sneed, and then he asked for a prayer for Jimmy Greenspoon as he "is pretty bad shape right now." He then closed his portion of the show with, what else, "Joy To The World."
He was also full of good humor and joked quite a bit with the crowd, especially when talking about the 60's. "It's kind of a blur right now." and "I hope you don't mind if I just kind of stand here by the microphone and sing because if I start moving around a lot, I have a tendency to get lost" ... and you get the picture. Very entertaining. Worth the price of the show right there.
The three Garys were all just fine. Their voices left a little to be desired (Mr. Bonds was probably the best of the three) but they all had a lot of energy and enthusiasm as they sang their individual hits for probably the millionth time.
And then, the featured act, The Turtles.
I personally was wondering if they were going to show. I had heard that lead singer Howard Kaylan had back surgery about four weeks ago and was supposed to be laid up for at least two months. They were still advertised to appear so was it going to be one Turtle or Flo or both Turtles (aka Flo and Eddie)?
When the Happy Band introduced the Turtles, who came out to my surprise but both Mark Volman and Howard Kaylan! I'm looking at Howard and I'm thinking, damn he's in pretty good shape for just having back surgery four weeks ago! But then he picked up a guitar (Howard Kaylan never plays a guitar in concert) and the group started into "She'd Rather Be With Me", with Mark Volman singing lead. Uh-oh, what's going on here? Is Howard temporarily not strong enough to sing? The next song was "You Baby" with Mark again singing the lead (and to be honest, the song was really missing Howard's vocals).
And then I figured it out. That was not Howard Kaylan up there at all, just someone with a very strong resemblance to him.
And who did that person turn out to be?
None other than Jim Pons, one of the original bass players in the Turtles back in the 1960's. So there were "two" Turtles on stage.
He was introduced by Mark as being retired here in Florida and decided to join the show for this one performance to help things out. After being introduced, Jim said into his microphone "Thanks, get well Howard." And that was the only reference made to the missing Howard Kaylan the entire night.
The group then played "It Ain't Me Babe", "Elenore" and closed with, of course, "Happy Together."
Mark's vocals left a lot to be desired (not necessarily bad, just different than Howard's) ... which left what seemed to me most of the crowd wondering what was going on with the singing. Obviously most were unaware of the Kaylan back situation so there did seem to be a lot of negative feedback and it wasn't helped by the Turtles not really making any reference to the missing lead singer.
The show ended with each singer coming back on stage to sing a snippet of their biggest hit and then into a huge crowd sing-a-long with "Happy Together."
After it was all said and done, a real good show with a great band and a great performance by Chuck Negron. The crowd of probably about 1,500 I believe left "Happy!" for the most part.
Rich Turner
Safety Harbor, Florida
Oh yes, the Happy Together Tour will be back here in Clearwater, Florida, in June with a different lineup (except for the Turtles). So I will check it out again, and hopefully Howard Kaylan will be back with the band!
The Happy Together Tour has received a bit of flack the past few years for not quite putting up on stage what was always advertised ahead of time. There were issues with The Grass Roots a few years back and last year Gary Lewis took ill mid-tour and missed a number of shows. Gary "U.S." Bonds replaced him on at least a couple of appearances, one of which was caught by another Forgotten Hits Reader who gave it an outstanding review ... that night, it sounds like it was Bonds who stole the show.
But The Turtles without Howard Kaylan on lead vocals just isn't The Turtles! (My guess is that this show was booked before Howard underwent surgery so they made the best of the situation ... but to not mention or acknowledge Howard's absence or health condition just seems wrong to me.) Best wishes for a speedy recovery, my friend ... it sounds like they need you!
The 2015 Happy Together Tour line-up includes The Turtles, Mark Lindsay, The Grass Roots, The Buckinghams, The Association and first-timers The Cowsills, who blew us away when we saw them a few months back.
That's one heck of a line-up and we're looking forward to meeting up with all these guys again this summer when the show hits Chicago. Here's hoping EVERYBODY stays healthy this year ... and fans get to see the artists they love and hear the music that never grows old.
Note: Concert dates are still being finalized at this time ...
Stay tuned to Forgotten Hits for more details as they become available
Tuesday, March 10, 2015
The British Invasion Show
Last Saturday Night, March 7th, The
2015 British Invasion Tour made its way to Chicago, stopping at The City Winery, a beautiful venue just outside the city limits.
Unfortunately, we were unable to connect with the venue in time to attend and, as such, ended up missing one of the shows I most wanted to see this year. (Talks for a second Chicago stop never materialized ... so they won't be coming back through town for a second leg ... and, in that Chicago wasn't a tour stop on last year's itinerary, I was quite disappointed, thinking that this very well may have been my one and only chance to see them.)
Thankfully, however, we heard from TWO Forgotten Hits Readers who WERE able to catch the show last week ... one in Wisconsin and the other in Ohio ... so we are now able to live vicariously through their reviews. (No, it's not the same as being there ... but it looks like this is about as close as we're going to get this time around!)
First up, Ken Freck, sharing HIS perspective of the show he saw play in Milwaukee last week. And then, a report from Tom Apathy, who not only caught The British Invasion Show last week in Ohio and sent us a review of the concert, but ALSO sent along some GREAT photos of the headliners.
Extra, extra ... read all about it ... right here, EXCLUSIVELY in Forgotten Hits. (Take it away, Fellas!)
Hi Kent:
Unfortunately, we were unable to connect with the venue in time to attend and, as such, ended up missing one of the shows I most wanted to see this year. (Talks for a second Chicago stop never materialized ... so they won't be coming back through town for a second leg ... and, in that Chicago wasn't a tour stop on last year's itinerary, I was quite disappointed, thinking that this very well may have been my one and only chance to see them.)
Thankfully, however, we heard from TWO Forgotten Hits Readers who WERE able to catch the show last week ... one in Wisconsin and the other in Ohio ... so we are now able to live vicariously through their reviews. (No, it's not the same as being there ... but it looks like this is about as close as we're going to get this time around!)
First up, Ken Freck, sharing HIS perspective of the show he saw play in Milwaukee last week. And then, a report from Tom Apathy, who not only caught The British Invasion Show last week in Ohio and sent us a review of the concert, but ALSO sent along some GREAT photos of the headliners.
Extra, extra ... read all about it ... right here, EXCLUSIVELY in Forgotten Hits. (Take it away, Fellas!)
Hi Kent:
I want to highly recommend the British Invasion Tour
that is going around. If you get a chance to see it, do so! It was outstanding.
Denny Laine, Chad & Jeremy, Mike Pender of Searchers, Terry Sylvester of Hollies, Billy J. Kramer & Peter Asher. If you love the songs by these guys, check it out. Who knows how many chances are left to see a quality cast like this.
I can give you a somewhat short synopsis of the event. My friend looked up the previous couple of shows and I guess Milwaukee got lucky on Friday Night. Apparently we got several more songs than those shows ... I guess because we were there to have fun, and the groups could sense it.
Denny Laine, Chad & Jeremy, Mike Pender of Searchers, Terry Sylvester of Hollies, Billy J. Kramer & Peter Asher. If you love the songs by these guys, check it out. Who knows how many chances are left to see a quality cast like this.
I can give you a somewhat short synopsis of the event. My friend looked up the previous couple of shows and I guess Milwaukee got lucky on Friday Night. Apparently we got several more songs than those shows ... I guess because we were there to have fun, and the groups could sense it.
It was a three hour show. The
night started with Terry Sylvester, who had a solid set of Hollies and Swinging
Blue Jeans hits, his two high profile groups. When you start the night with “I
Can’t Let Go”, you are living large. “Bus Stop” and “Hippy Hippy Shake were
highlights as well.
Next up was Mike Pender of The Searchers, who was
outstanding! His 12 String Rickenbacker never sounded better. He played the
great Searchers hits plus a welcome surprise of P.F. Sloan’s “Take Me For What
I’m Worth”, which is a killer underrated 45. The only problem with this set is
that it was about 30 songs too short.
Thirdly was Chad & Jeremy, who I
haven’t heard for a long while but was stunned at how great they still sound
together. Hearing them do “Summer Song” just gives you chills. They looked older
but the sound was pure 1964.
After a short break, Denny Laine took the stage, playing a
few early Moody Blues faves. He was in excellent form and “Lose Your Money” and “I’ll Go Crazy” were both great. Hearing him sing “Go Now” was special as well.
Next up was Billy J. Kramer. He had the longest set of all, including a couple of newer
tracks. He started out a little rusty and stiff, but after a few songs he was
in full stride. He did his Lennon-McCartney catalog highlighted by an
outstanding version of “Bad To Me”. A solid “Little Children” and emotional
“Trains, Boats and Planes” were highlights as well. He was cookin’ by the time
of his last song, a shockingly excellent rendition of “The Sun Ain’t Gonna Shine
Anymore”.
The final act was Peter Asher who also played emcee for the show. He
was spot on with great versions of Peter & Gordon’s first four hits including
“I Go To Pieces” and “A World Without Love”. After a whimsical version of
“Lady Godiva”, he went to a very warm tribute to Gordon, which peaked with Peter
singing a duet with Gordon’s video a few years back doing “True Love Ways”, which
was incredible and came off extremely well and left some eyes watering.
The crowd wanted more, so after thunderous applause, out popped Denny Laine who said
he was going to take us to the 70’s for one last song. He and the band got going
with “Band On The Run” which I wasn’t really looking forward to, but was
pleasantly surprised at how well they did it ... and they also had all the singers come
out and join in the song. It was a fantastic sight to see all those great
artists joining in a rousing version. The night was also filled with many great and humorous stories from the old days. A memorable night
indeed!
Ken Freck
Milwaukee
Ken Freck
Milwaukee
Kent,
It was a great show, focused on the 60's songs they were part of. Peter Asher was the emcee as well as a performer, telling stories about each performer before they came on stage.
Terry Sylvester started the evening performing Hollies classics like Just One Look, Bus Stop, as well as his Swinging Blue Jeans hits Hippy Hippy Shake and You're No Good, of which he claimed Peter Asher "stole" their version when he produced Linda Ronstadt.
Next up was Mike Pender, who at 74 years old, looked, sang and played guitar like it was 1964. He did all the hits ... Love Potion #9, Every Time You Walk Into the Room, Needles and Pins ... he did not disappoint.
Denny Laine was a bit of the odd man out ... doing mainly blues standards, like he did with the Moody Blues, and of course, Go Now. Since it was a 60's show, he did not do any Wings until the encore, when all of the artists came on stage for Band On The Run.
Chad and Jeremy were funny and sounded great ... Distant Shores, Yesterday's Gone, Willow Weep For Me, and other hits sounded great. The running joke was that prim and proper Jeremy Clyde still lives in London, while the shabby denim clad Chad Stuart lives in Idaho.
Billy J Kramer's voice sounded great ... doing all the hits ... Little Children, Trains, Boats and Planes, I'll Keep You Satisfied, as well as a song he wrote to get Brian Epstein into the Rock N Roll Hall of Fame.
Peter Asher was funny and charming all night ... and was introduced by a video from Eric Idle of Monty Python, talking about how great Peter was and how he shagged Marainne Faithful ... ha ...
The highlight was a video of the late Gordon Waller on the screen, with Peter singing a duet of True Loves Ways ... very touching.
A very well performed show with a kick ass backing band ... a must see if they come to your town.
All of these photos are from the March 4th Show at the Kent Stage ...
All of these photos are from the March 4th Show at the Kent Stage ...
(All photos courtesy Tom Apathy for use in Forgotten Hits ... thanks Tom!!!)
Sounds like we missed one heck of a show ... here's hoping they do this one more time next year so we get a second chance to see them.
Sounds like we missed one heck of a show ... here's hoping they do this one more time next year so we get a second chance to see them.
Meanwhile, here's a live track by Chad and Jeremy from an earlier show ... still sounding pretty darn amazing some 50 years later ...
Monday, March 9, 2015
50 Year Flashback - March 9th, 1965
WKLO in Kentucky is charting pretty much the same tracks as everybody else this week in 1965 ... although I have to admit that I'm pretty surprised to see Elvis charting so high with "Do The Clam" on some of these recent charts ... I never really considered that one to be one of Elvis' better known hits. (It comes from his movie "Girl Happy" and only reached #21 in Billboard ... but it's shown up on quite a few of our Top Ten Charts recently. I guess I always considered this one to be more of a "throw-away" by The King.)
WKLO ranks a few of these "hangers on" from the pre-British Invasion Era ... you'll also find Top 40 Hits by the likes of Del Shannon, Dean Martin and Frankie Avalon.
Jr. Walker and the All-Stars have the big mover this week ... their latest, "Shotgun" rockets from #39 to #11 ... that's a gain of 28 places! (So I guess technically "Shotgun" deserves a "bullet" this week, right???)
The Sounds Orchestral version of "Cast Your Fate To The Wind" climbs 14 places to #12 ... and something called "The Out Crowd" by The Squares is up thirteen spots from #35 to #22.
One we haven't seen much of ... and already working its way DOWN the chart ... is The Tradewinds and their cult favorite "New York's A Lonely Town"... so we've just GOTTA feature this one before it disappears completely!
WKLO ranks a few of these "hangers on" from the pre-British Invasion Era ... you'll also find Top 40 Hits by the likes of Del Shannon, Dean Martin and Frankie Avalon.
Jr. Walker and the All-Stars have the big mover this week ... their latest, "Shotgun" rockets from #39 to #11 ... that's a gain of 28 places! (So I guess technically "Shotgun" deserves a "bullet" this week, right???)
The Sounds Orchestral version of "Cast Your Fate To The Wind" climbs 14 places to #12 ... and something called "The Out Crowd" by The Squares is up thirteen spots from #35 to #22.
One we haven't seen much of ... and already working its way DOWN the chart ... is The Tradewinds and their cult favorite "New York's A Lonely Town"... so we've just GOTTA feature this one before it disappears completely!
Sunday, March 8, 2015
The Sunday Comments ( 03 - 08 - 15 )
It's been a VERY big week in Forgotten Hits ...
So once again we've got a very LARGE Edition of The Sunday Comments ...
ENJOY!!!
ONCE AGAIN, THE REST OF THE WORLD FINALLY CATCHES UP WITH FORGOTTEN HITS:
This one FINALLY made the news last week ...
But guess who first broke the story over a month ago ... (Yep, that would be me ... again!)
Hi Kent -
Like I always say, ask the master when you have a question!
Congrats on the Buddy Holly Investigation. I hope they televise a program about it! People don't
Hey kk,
Thanks for leading us off with the Serenity Prayer in today’s blog forum. I needed that.
I’ve seen The Buckinghams, Little River Band and Three Dog Night all in the past three years or so and wasn’t disappointed with any of shows. I guess the fact that they were all true to the music and their presentation meant the most to me. In the case of The Buckinghams, Nick and Carl are fantastic. Yes, I’d love to see Dennis but I’d also like to see Bobby Darin but I have no control over either.
We seem to not be offended when we see Gary Lewis without the Wrecking Crew and whoever sang on their hit recordings. Nobody seems to be offended at Gary Puckett (who can’t sing but puts on a heck of a show) without the Union Gap. To me it’s all about presentation and being true to the music.
I remember a concert years ago where I saw The Coasters, The Platters and The Drifters. During intermission I took a Drifter CD, by mistake, over to The Coasters autograph table. The Coaster at the table who couldn’t have been more than 35 years old, was offended that I accidently asked him to sign my Drifters CD.
kk, out the 16 to 18 gentlemen (and Lady) that took the stage that night there couldn’t have been more than two original members.
I think that the success of the Happy Together tours have to do with the fact that the majority of the acts feature all our lead men from their prospected groups and the emphasis is always on coming out for a good time rather than getting wrapped up in how true the acts our to their original sound. I guess that’s why I’m glad it’s called The Happy Together Tour due to the fact that Flo and Eddie have used this performing formula longer than any of the other acts on the bill.
As for Mr. B. Conover, I think he could use a good Serenity Prayer about now.
“KEEP COMING BACK”
Jerry
I just had to take a moment to blow smoke up your ass ... and tell you what a great job you've been doing lately. I consider this to be The Golden Age of Forgotten Hits ... some of the best stuff you've ever written. I look forward to reading each new post. Keep up the great work.
Steve Sarley
THE LITTLE RIVER BAND
Hi Kent,
Hope all is well. Some thoughts below regarding The Little River Band.
Looking back at the charts, it may not be too surprising that the LRB is now an American based group rather than an Australian one. They have had a lot of success in the US. Their first album, simply titled “Little River Band” charted in both Australia and the US in 1975. Of their first eight albums, through to “Playing To Win” in 1984, seven made the US album charts.
Looking at their singles, all of them, starting with “Reminiscing” through “Playing To Win” (the 45) in 1985, charted higher in the US than in their native Australia. In fact the #4 US charting “Reminiscing” could only make #35 in Australia. As good as that song was, it should have been a Top 10 everywhere, regardless of country of origin. But maybe the references to Glen Miller’s Band didn’t resonate with the group’s Australian audience.
Their 1979 release, “Cool Change” made the US Top 10 but did not register any showing on the Australian charts. It may not have even have been released there. Segue to 2001 and, in spite of “Cool Change” not making the charts, the Australasian Performing Right Association nominated the song as the 15th best Australian song of all time.
Incidentally, the top 5 on this list were: the Easybeats’ “Friday On My Mind”, Daddy Cool’s “Eagle Rock” (the inspiration for Elton John’s “Crocodile Rock”), Midnight Oil’s “Beds Are Burning”, Men At Work’s “Down Under” and Slim Dusty’s “Pub With No Beer”.
ENGELBERT HUMPERDINCK
I would LOVE to take my mother to the Engelbert concert coming up May 9. She and I went to see him about 30 years ago, and it would be fun to see how he is holding up! (My mother is 85 years old) ... I will suffer thru it for her sake, lol!
Kent,
GREAT shot, Tom ... thanks for sharing! (kk)
ON THE RADIO:
Scroll down to read our latest coverage regarding Chicago's hot new FM Station, Me-TV-FM! Here are a few more that just came in ... along with some OTHER radio news!
MORE re: ME-TV-FM:
My two cents ... Yes, they're outside the box. I heard Smackwater Jack from Carole King. Tapestry was such a hot album in 1971 that Mike McCormick put that song into rotation on WLS that summer. Not too many album cuts made in on the air on WLS during the McCormick (Rock of Chicago) reign, but cuts from Tapestry sounded great, even on AM. I've also heard the voice of Karen Carpenter more than once. Radio in general has been treating the Carpenters like they're some sort of anthrax from the 70's, so it's about damned time. Same holds true of Al Stewart. Aside from the softer AC stuff, I've also heard some good old fashioned Rock 'N' Roll and those lesser soul hits that you usually have to wait for Herb Kent (V-103) to play on Sunday afternoons. So they've got my attention.
My biggest complaint about METV-FM is that feeble image / station id voice they're using. As one with years of radio on-air and programming experience, I must say with all due respect that I wouldn't hire that guy to be on the air in Keokuk, much less Chicago. Come on! Cough up a few quarters and pay a classy, balsy image guy. It doesn't have to be me, but if I don't get the call, choose someone who's better. I'll be OK with it.
Bill Fortune
I like the new station, I've had it on all week, both coming and going from work and find it very refreshing. Anne Murray, Linda Ronstadt, early Michael Jackson, Neil Diamond, John Denver. I haven't heard a lot that stuff in a long time.
Ed Kristak
AND, IN OTHER RADIO NEWS ...
So once again we've got a very LARGE Edition of The Sunday Comments ...
ENJOY!!!
ONCE AGAIN, THE REST OF THE WORLD FINALLY CATCHES UP WITH FORGOTTEN HITS:
This one FINALLY made the news last week ...
But guess who first broke the story over a month ago ... (Yep, that would be me ... again!)
Forgotten Hits just may be the new enquirer!!! (OK, so we'll never be TMZ ... but I can live with that!!! lol)
http://www.cbsnews.com/news/buddy-holly-plane-crash-investigation-to-be-reopened/
http://www.cbsnews.com/news/buddy-holly-plane-crash-investigation-to-be-reopened/
Kent ...
I know you printed this already. I guess this makes it official.
Frank B.
Frank B.
Yeah ... that seems to be the way it works. (kk)
http://www.cnn.com/2015/03/04/entertainment/buddy-holly-plane-crash-reexamined/index.html
http://www.cnn.com/2015/03/04/entertainment/buddy-holly-plane-crash-reexamined/index.html
Saw this on CNN ... same story we read in FH over a month ago!
David Lewis
MORE ON THE BUDDY HOLLY INVESTIGATION ...
MORE ON THE BUDDY HOLLY INVESTIGATION ...
AND KUDOS FOR FORGOTTEN HITS:
Forgotten Hits Readers are diggin' our recent coverage of the reopened Buddy Holly plane crash investigation, another look into The Little River Band and the legal rights to band names ... along with our regular daily fare. (Reuniting Freddy "Boom Boom" Cannon with his long lost demo acetate for what would eventually become his first big hit, "Tallahassee Lassie" was also mentioned.) Hey, we HAVE been on a bit of a roll lately! (lol) And, fortunately, our readers know where these stories first originated ... even if the REST of the media continues to ignore our efforts! (kk)
When I read about this on FH, I felt LJ had very good thoughts and ideas. However, lots of times today, agencies like to SAY they might do this or that, but it is just to make you forget about it. I hope they actually LOOK at the plane and get the facts right.
Clark Besch
Forgotten Hits Readers are diggin' our recent coverage of the reopened Buddy Holly plane crash investigation, another look into The Little River Band and the legal rights to band names ... along with our regular daily fare. (Reuniting Freddy "Boom Boom" Cannon with his long lost demo acetate for what would eventually become his first big hit, "Tallahassee Lassie" was also mentioned.) Hey, we HAVE been on a bit of a roll lately! (lol) And, fortunately, our readers know where these stories first originated ... even if the REST of the media continues to ignore our efforts! (kk)
When I read about this on FH, I felt LJ had very good thoughts and ideas. However, lots of times today, agencies like to SAY they might do this or that, but it is just to make you forget about it. I hope they actually LOOK at the plane and get the facts right.
Clark Besch
Hi Kent -
Like I always say, ask the master when you have a question!
Congrats on the Buddy Holly Investigation. I hope they televise a program about it! People don't
realize how important these early rock starts were to us!!!
I heard that Brian Wilson will be appearing at Ravinia this year. When available, could you print the concert dates and any information on it??
Thank you and keep up the GREAT WORK!!!!
Carolyn
The Ravinia Summer Concert Schedule was announced on Thursday ... in addition to Brian Wilson on Monday, July 6th, they've also booked Steely Dan (July 24th and 25th), Lady Ga-Ga with Tony Bennett (June 26th and 27th), Aretha Franklin (July 11th), The Steve Miller Band (July 10th), Santana (August 29th and 30th), ZZ Top (August 27th), Chicago (August 22nd and 23rd), Gladys Knight with The O'Jays (September 11th), Jackson Browne (September 5th), Sheryl Crow (June 25th), The Doobie Brothers (June 30th), Rob Thomas (July 18th),
You have every right to be ticked off about your work regarding the Buddy Holly crash. I can tell you that 25 years ago you would have been given a verbal or chyron credit about busting the story.
However, in this frenzied twitter / instagram / facebook world, a "Breaking Story" is now old news roughly 45 seconds after its posted.
Take a deep breath ... the point is your readers know this is YOUR story.
It's my sincere hope that TNSB can provide us with new answers about the "Day the Music Died."
U rock, bro.
Chet Coppock
Host: Notre DameFootball - WLS Radio
Dear Kent:
I just wanted to say Thank You For All That You Do, and for your continued support and encouragement.
On March 4, 2015, The NTSB's Facebook and Twitter sites were inundated with folks wanting to register their Shares / Likes after reviewing the NTSB Postings of my petition to reconsider The Civil Aeronautics Board's findings of September 23, 1959.
This is a quote from The NTSB lead public affairs personnel Kelly Nantel on their Facebook site referencing my petition:
Through all of your efforts The NTSB has enjoyed a 'Rock Star' status on their Facebook site.
I looked back on The NTSB's Facebook site to January 1, 2015, and each of their postings never exceeded more than 70 Shares. This Petition Review alone registered 316 Shares that The NTSB should consider the review of the petition.
They also enjoyed Shares from two other Facebook postings and three other Twitter postings referencing this petition review.
The NTSB also posted this quote from The Civil Aeronautics Board's findings where the CAB found that the probable cause of the crash was “The pilot’s unwise decision to embark on a flight which would necessitate flying solely by instruments when he was not properly certified or qualified to do so.”
This is one of the CAB's 1959 findings that just doesn't hold true today in 2015 and didn't hold true then ... the 'flying solely by instruments', would have been referring to visibility. (Ah yes ... that famous Hollywood Snow Storm.)
In fact, the reported weather on the evening of February 3, 1959, was VFR and this is what Pilot Roger Peterson was certified to do with 711 hours total and 128 hours in The Beech Bonanza - 35 N3794N as an employee of Dwyer Flying Service. This is what Dwyer Flying Service was certified by The FAA to operate under (Day and Night VFR Charter Flights)
Jerry Dwyer has stated, "They knew about this flight day's in advance" ... why would Jerry Dwyer load the aircraft for this flight if this wasn't going to be an FAA certified VFR night chartered flight?
The weather report for The Mason City Airport at departure time was VFR ...
Measured ceiling 3,000 - Sky Obscured - Visibility 6 Miles - Altimeter 29.85 - Temperature 18 - Wind Southwest at 20 with gusts of 30. Only a trace of snow was reported to have fallen between 00:00 and 09:30 on February 3, 1959.
Sure, there was a dusting of snow on the Iowa farm field ... sure, there was a slight drifting from the southwesterly wind of 20 / gust 30 ... but examining those famous professional photos once more, you will notice that there is no snow storm inside or covering the wreckage and there was no snow covering any new introduced objects to that farm field ... not even the compass indicator layig on the ground.
The owner of the aircraft and the FAA Certified Tower Operator stood on the platform at the base of the FAA Tower and witnessed the aircraft N3794N's tail light, wing tip lights "in a slow descent" three miles from The Mason City Airport where they were standing.
You don't have a reported visibility of six miles and a witnessed visibility of three miles ... in a Hollywood snow storm production. (The above is only "one erroneous inconsistency" that the 1959 CAD recorded in their release of September 23, 1959.)
Kindest Regards,
LJ
LJ Coon
However, in this frenzied twitter / instagram / facebook world, a "Breaking Story" is now old news roughly 45 seconds after its posted.
Take a deep breath ... the point is your readers know this is YOUR story.
It's my sincere hope that TNSB can provide us with new answers about the "Day the Music Died."
U rock, bro.
Chet Coppock
Host: Notre DameFootball - WLS Radio
Dear Kent:
I just wanted to say Thank You For All That You Do, and for your continued support and encouragement.
On March 4, 2015, The NTSB's Facebook and Twitter sites were inundated with folks wanting to register their Shares / Likes after reviewing the NTSB Postings of my petition to reconsider The Civil Aeronautics Board's findings of September 23, 1959.
This is a quote from The NTSB lead public affairs personnel Kelly Nantel on their Facebook site referencing my petition:
Through all of your efforts The NTSB has enjoyed a 'Rock Star' status on their Facebook site.
I looked back on The NTSB's Facebook site to January 1, 2015, and each of their postings never exceeded more than 70 Shares. This Petition Review alone registered 316 Shares that The NTSB should consider the review of the petition.
They also enjoyed Shares from two other Facebook postings and three other Twitter postings referencing this petition review.
The NTSB also posted this quote from The Civil Aeronautics Board's findings where the CAB found that the probable cause of the crash was “The pilot’s unwise decision to embark on a flight which would necessitate flying solely by instruments when he was not properly certified or qualified to do so.”
This is one of the CAB's 1959 findings that just doesn't hold true today in 2015 and didn't hold true then ... the 'flying solely by instruments', would have been referring to visibility. (Ah yes ... that famous Hollywood Snow Storm.)
In fact, the reported weather on the evening of February 3, 1959, was VFR and this is what Pilot Roger Peterson was certified to do with 711 hours total and 128 hours in The Beech Bonanza - 35 N3794N as an employee of Dwyer Flying Service. This is what Dwyer Flying Service was certified by The FAA to operate under (Day and Night VFR Charter Flights)
Jerry Dwyer has stated, "They knew about this flight day's in advance" ... why would Jerry Dwyer load the aircraft for this flight if this wasn't going to be an FAA certified VFR night chartered flight?
The weather report for The Mason City Airport at departure time was VFR ...
Measured ceiling 3,000 - Sky Obscured - Visibility 6 Miles - Altimeter 29.85 - Temperature 18 - Wind Southwest at 20 with gusts of 30. Only a trace of snow was reported to have fallen between 00:00 and 09:30 on February 3, 1959.
Sure, there was a dusting of snow on the Iowa farm field ... sure, there was a slight drifting from the southwesterly wind of 20 / gust 30 ... but examining those famous professional photos once more, you will notice that there is no snow storm inside or covering the wreckage and there was no snow covering any new introduced objects to that farm field ... not even the compass indicator layig on the ground.
The owner of the aircraft and the FAA Certified Tower Operator stood on the platform at the base of the FAA Tower and witnessed the aircraft N3794N's tail light, wing tip lights "in a slow descent" three miles from The Mason City Airport where they were standing.
You don't have a reported visibility of six miles and a witnessed visibility of three miles ... in a Hollywood snow storm production. (The above is only "one erroneous inconsistency" that the 1959 CAD recorded in their release of September 23, 1959.)
Kindest Regards,
LJ
LJ Coon
WHAT'S IN A NAME?
About two weeks ago, my sister Julie Rae, who lives in Waupaca, Wisconsin, called me and asked if I knew that The Diamonds were doing a show in her area and would Fran and I be interested in attending. I said, of course, but please find out the names of the group members. I told her that two of the original members had died, one had retired and if the main lead singer Dave Somerville was on the bill, yes, for sure, I’d be there.
The lady at the box office said no, his name was not listed ... however, two of the group members were with the group for 30 years ... which would mean the earliest they would have become members would have been 1985. Anyhow, she told my sister that the show was sold out.
Don’t you wonder how the majority of the crowd felt when they must have expected a group of older silver-haired gentlemen to take the stage and instead they must have been somewhat bewildered knowing that “Little Darlin’” was their big hit some 60 years ago and these performers probably weren’t even born at that time!
I’ve talked to Dave Somerville several times in the past two years. He’s been inducted into the The Vocal Group Hall of Fame, The Doo Wop Hall of Fame, and The Rockabilly Hall of Fame. He’s wondering what his chances are for the Rock and Roll Hall of Fame. He’s turned 80 now and knows his chances are getting slimmer each year, but of all his awards and the work he’s done, he’d love to cap it off with this one last big award. I second that emotion!
Joel Whitburn
I've talked with Dave, too ... a GREAT guy ... who sold his rights to The Diamonds name several years ago. (He's been doing some EXCELLENT solo shows looking back at that whole '50's era of rock and roll ... if you don't already have it, try and pick up a copy of his "Rock And Roll Greyhound Bus" CD ... you'll love it!)
You're absolutely right ... fans who grew up loving the sound of The Diamonds back in the mid-to-late '50's had to be shocked to find performers on stage singing these songs who were half their own age. Such is the fate of far too many legitimate artists these days ... perhaps at some point they felt their legacy had no long-term value so they sold out as a means of cashing in their chips ... only to find the nostalgia craze doing just fine. (Remember when Jay Black had to sell off his own name to pay off his gambling debt several years ago? Thankfully he's still performing spot solo shows ... and Jay and the Americans are thriving, too, with several of the original members still onboard.)
You just never really know who you're going to see on stage these days ... so checking with the box office (as you did) is always a wise move. Like we keep saying, Buyer Beware! (kk)
About two weeks ago, my sister Julie Rae, who lives in Waupaca, Wisconsin, called me and asked if I knew that The Diamonds were doing a show in her area and would Fran and I be interested in attending. I said, of course, but please find out the names of the group members. I told her that two of the original members had died, one had retired and if the main lead singer Dave Somerville was on the bill, yes, for sure, I’d be there.
The lady at the box office said no, his name was not listed ... however, two of the group members were with the group for 30 years ... which would mean the earliest they would have become members would have been 1985. Anyhow, she told my sister that the show was sold out.
Don’t you wonder how the majority of the crowd felt when they must have expected a group of older silver-haired gentlemen to take the stage and instead they must have been somewhat bewildered knowing that “Little Darlin’” was their big hit some 60 years ago and these performers probably weren’t even born at that time!
I’ve talked to Dave Somerville several times in the past two years. He’s been inducted into the The Vocal Group Hall of Fame, The Doo Wop Hall of Fame, and The Rockabilly Hall of Fame. He’s wondering what his chances are for the Rock and Roll Hall of Fame. He’s turned 80 now and knows his chances are getting slimmer each year, but of all his awards and the work he’s done, he’d love to cap it off with this one last big award. I second that emotion!
Joel Whitburn
I've talked with Dave, too ... a GREAT guy ... who sold his rights to The Diamonds name several years ago. (He's been doing some EXCELLENT solo shows looking back at that whole '50's era of rock and roll ... if you don't already have it, try and pick up a copy of his "Rock And Roll Greyhound Bus" CD ... you'll love it!)
You're absolutely right ... fans who grew up loving the sound of The Diamonds back in the mid-to-late '50's had to be shocked to find performers on stage singing these songs who were half their own age. Such is the fate of far too many legitimate artists these days ... perhaps at some point they felt their legacy had no long-term value so they sold out as a means of cashing in their chips ... only to find the nostalgia craze doing just fine. (Remember when Jay Black had to sell off his own name to pay off his gambling debt several years ago? Thankfully he's still performing spot solo shows ... and Jay and the Americans are thriving, too, with several of the original members still onboard.)
You just never really know who you're going to see on stage these days ... so checking with the box office (as you did) is always a wise move. Like we keep saying, Buyer Beware! (kk)
Hey kk,
Thanks for leading us off with the Serenity Prayer in today’s blog forum. I needed that.
I’ve seen The Buckinghams, Little River Band and Three Dog Night all in the past three years or so and wasn’t disappointed with any of shows. I guess the fact that they were all true to the music and their presentation meant the most to me. In the case of The Buckinghams, Nick and Carl are fantastic. Yes, I’d love to see Dennis but I’d also like to see Bobby Darin but I have no control over either.
We seem to not be offended when we see Gary Lewis without the Wrecking Crew and whoever sang on their hit recordings. Nobody seems to be offended at Gary Puckett (who can’t sing but puts on a heck of a show) without the Union Gap. To me it’s all about presentation and being true to the music.
I remember a concert years ago where I saw The Coasters, The Platters and The Drifters. During intermission I took a Drifter CD, by mistake, over to The Coasters autograph table. The Coaster at the table who couldn’t have been more than 35 years old, was offended that I accidently asked him to sign my Drifters CD.
kk, out the 16 to 18 gentlemen (and Lady) that took the stage that night there couldn’t have been more than two original members.
I think that the success of the Happy Together tours have to do with the fact that the majority of the acts feature all our lead men from their prospected groups and the emphasis is always on coming out for a good time rather than getting wrapped up in how true the acts our to their original sound. I guess that’s why I’m glad it’s called The Happy Together Tour due to the fact that Flo and Eddie have used this performing formula longer than any of the other acts on the bill.
As for Mr. B. Conover, I think he could use a good Serenity Prayer about now.
“KEEP COMING BACK”
Jerry
Thanks, Jerry, I appreciate it.
For a rather surprising review of a recent Happy Together Concert, be sure to check out The FH Website later this week. (kk)
Spot on, Kent! The wife and I were in Vegas last weekend and saw the "Jersey Boys" stage show. It's made very clear you're not seeing Frankie Valli or any of the Four Seasons - but still a great show! I did see a billboard out there for the "Australian Bee Gees" and I was like, seriously? These sound-alikes with maybe one original (or less) have taken over music-oriented places like Branson MO or Pigeon Forge TN. No way I can shell out money to see that. Buyer beware!
- Larry Cave
50yearsagoonthehot100.blogspot.com
With "Jersey Boys" it's understood upfront that you're seeing the story of The Four Seasons as portrayed by actors filling the roles and featuring the music ... it is, hands down, one of the best stage shows I've ever seen.
We saw Frankie Valli a few years ago and while he's now in his 80's and still in fairly good voice (although many say he lip-syncs his entire performance), his new Four Seasons are all under 30 ... honestly, it just doesn't LOOK right ... but the sound and the feel is there. With only one surviving Bee Gee left, fans who still want to hear and see this music don't have much of a choice other than to go see a sound-alike band ... this makes even more sense when one considers that a ticket to Barry Gibb's show is probably $150- $200 and you can see The Australian Bee Gees for $50-$60. This is why I have no choice but to resign myself to the fact that it has to be about the music ... if I think too hard about it otherwise, I'll just have a mental breakdown!!! (kk)
By Bowzer's own accounts, Connecticut was one of the easiest states for him to get his proposal passed. I had been involved with other music educators in prepping the idea and teaching our students about "the buyer beware" when it came to concerts. By the time Bowzer was ready to approach CT, he already had allies in Congress who were the parents of these same students.
There is absolutely nothing wrong with seeing a great concert performance by anyone. It is just the name ... the truth ... that irks my sense of correct advertising. OK, "correct" and "advertising" are NOT two words that always go hand-in-hand ... BUT maybe it does all boil down to the word "truth".
It began with Charlie Thomas. There were so many "Drifters" that Charlie had a hard time making a living doing his own songs. That is just not right.
Spot on, Kent! The wife and I were in Vegas last weekend and saw the "Jersey Boys" stage show. It's made very clear you're not seeing Frankie Valli or any of the Four Seasons - but still a great show! I did see a billboard out there for the "Australian Bee Gees" and I was like, seriously? These sound-alikes with maybe one original (or less) have taken over music-oriented places like Branson MO or Pigeon Forge TN. No way I can shell out money to see that. Buyer beware!
- Larry Cave
50yearsagoonthehot100.blogspot.com
With "Jersey Boys" it's understood upfront that you're seeing the story of The Four Seasons as portrayed by actors filling the roles and featuring the music ... it is, hands down, one of the best stage shows I've ever seen.
We saw Frankie Valli a few years ago and while he's now in his 80's and still in fairly good voice (although many say he lip-syncs his entire performance), his new Four Seasons are all under 30 ... honestly, it just doesn't LOOK right ... but the sound and the feel is there. With only one surviving Bee Gee left, fans who still want to hear and see this music don't have much of a choice other than to go see a sound-alike band ... this makes even more sense when one considers that a ticket to Barry Gibb's show is probably $150- $200 and you can see The Australian Bee Gees for $50-$60. This is why I have no choice but to resign myself to the fact that it has to be about the music ... if I think too hard about it otherwise, I'll just have a mental breakdown!!! (kk)
By Bowzer's own accounts, Connecticut was one of the easiest states for him to get his proposal passed. I had been involved with other music educators in prepping the idea and teaching our students about "the buyer beware" when it came to concerts. By the time Bowzer was ready to approach CT, he already had allies in Congress who were the parents of these same students.
There is absolutely nothing wrong with seeing a great concert performance by anyone. It is just the name ... the truth ... that irks my sense of correct advertising. OK, "correct" and "advertising" are NOT two words that always go hand-in-hand ... BUT maybe it does all boil down to the word "truth".
It began with Charlie Thomas. There were so many "Drifters" that Charlie had a hard time making a living doing his own songs. That is just not right.
If a band readily admits they have no originals, allows their true story to be told (ie: The Raiders, The Grass Roots) or labels themselves as a tribute band, then I relish the chance to experience their music and promote the continuation of these songs that are so much a part of me. Dennis Tufano sings Bobby Darin. He doesn't say he IS Bobby Darin. There could be several 'Hermits' singing out there, but reality and truth says that there is only one 'Herman' performing. For me, if you are being honest about who you are, then we have "truth in music". Imitation is the highest of compliments, but admitting it is imitation, is key.
Shelley Sweet-Tufano
I was really hoping Bowzer would comment on how he views The Truth In Music Act today, circa 2015, but we never heard back from him. I was kinda surprised as Forgotten Hits was VERY instrumental in helping him get the word out about his campaign way back when at the time Truth In Music was just getting off the ground. (I guess I figured he owed me that much! lol)
In any event it all comes down to the same thing ... decide your REAL reason for wanting to attend any particular show and then make the call ... if it's just to hear the music, I'm sure you'll come away satisfied, as long as the performers on stage stay true to the arrangements and spirit of the music you love. If you only want to hear it presented by the original artist(s), then Buyer Beware. I really can't break it down any simpiler than that ... but DO YOUR RESEACH!!! (kk)
Great column today!!! Bravo ... and, so true!!!
David Salidor
Great column today!!! Bravo ... and, so true!!!
David Salidor
I just had to take a moment to blow smoke up your ass ... and tell you what a great job you've been doing lately. I consider this to be The Golden Age of Forgotten Hits ... some of the best stuff you've ever written. I look forward to reading each new post. Keep up the great work.
Steve Sarley
THE LITTLE RIVER BAND
Hi Kent,
Hope all is well. Some thoughts below regarding The Little River Band.
Looking back at the charts, it may not be too surprising that the LRB is now an American based group rather than an Australian one. They have had a lot of success in the US. Their first album, simply titled “Little River Band” charted in both Australia and the US in 1975. Of their first eight albums, through to “Playing To Win” in 1984, seven made the US album charts.
Looking at their singles, all of them, starting with “Reminiscing” through “Playing To Win” (the 45) in 1985, charted higher in the US than in their native Australia. In fact the #4 US charting “Reminiscing” could only make #35 in Australia. As good as that song was, it should have been a Top 10 everywhere, regardless of country of origin. But maybe the references to Glen Miller’s Band didn’t resonate with the group’s Australian audience.
Their 1979 release, “Cool Change” made the US Top 10 but did not register any showing on the Australian charts. It may not have even have been released there. Segue to 2001 and, in spite of “Cool Change” not making the charts, the Australasian Performing Right Association nominated the song as the 15th best Australian song of all time.
Incidentally, the top 5 on this list were: the Easybeats’ “Friday On My Mind”, Daddy Cool’s “Eagle Rock” (the inspiration for Elton John’s “Crocodile Rock”), Midnight Oil’s “Beds Are Burning”, Men At Work’s “Down Under” and Slim Dusty’s “Pub With No Beer”.
This leads to another chart curiosity. In a book entitled “The 100 Best Australian Albums”, the authors head the list with Midnight Oil’s “Diesel And Dust”. No real argument there but, almost as an afterthought, Men At Work’s “Business As Usual” lands at #99. Given that this album simultaneously topped both the US and UK album charts in 1983, as did the 45, “Down Under”, you’d have thought that national pride might have nudged the album a little higher. (Both the album and 45 reached #1 in Australia, too).
I digress but hopefully those involved with the LRB can offer us some “reminiscences” on the differences (and similarities) of being a hit act in the US and in Australia in the 1970 / 80s.
Best wishes,
Mike Edwards
I digress but hopefully those involved with the LRB can offer us some “reminiscences” on the differences (and similarities) of being a hit act in the US and in Australia in the 1970 / 80s.
Best wishes,
Mike Edwards
ENGELBERT HUMPERDINCK
I would LOVE to take my mother to the Engelbert concert coming up May 9. She and I went to see him about 30 years ago, and it would be fun to see how he is holding up! (My mother is 85 years old) ... I will suffer thru it for her sake, lol!
Janet
Could you please enter me in the Englebert Humperdinck free ticket give away? My Mom has always been a great Englebert fan and I believe owns every one of his LP's. She passed away but my wife and I became fans because of her. I would like to take my wife who is also a fan and a Mom and a Grandma.
Thank you,
Mr. Joseph Malin
Could you please enter me in the Englebert Humperdinck free ticket give away? My Mom has always been a great Englebert fan and I believe owns every one of his LP's. She passed away but my wife and I became fans because of her. I would like to take my wife who is also a fan and a Mom and a Grandma.
Thank you,
Mr. Joseph Malin
Kent,
Thanks for the posting of the song by Arnold Dorsey, aka Englebert Humperdinck. It has been a few years without question since I have heard anything by him. You were right. He was big back in his day.
Larry
We've still got a couple of tickets left ... so if you're interested in seeing Englebert Humperdinck at The Genesee Theatre on May 9th, please drop us a line. (kk)
LESLEY GORE
From Claude Hall's weekly commentary, this Lesley Gore story from Barry Salberg:
So sad to hear of the passing of Lesley Gore. I never met her, never got the chance to have her verify (or get her take) on this story from back in the day.
In December of 1962, my folks rented a house (that they could ill afford) near Marin Country Club. The owner of the house was Hugh Heller, who had just been promoted from his post as PD of KSFO and was moving down to Los Angeles (I assume to KMPC, as this was before the advent of the Heller-Ferguson jingle company). KSFO was in its Golden West heyday at the time, dominating San Francisco — billing itself as the WORLD’S GREATEST RADIO STATION. And it very may well have been, with a lineup that included the legendary Don Sherwood, Al Jazzbeau Collins, Jack Carney, and Jim Lange. As program director, Heller was directly responsible for the famed “Sounds of the City” KSFO jingle masterpiece. Young, hip, and well-heeled, Marin Country Club was part of the KSFO playground — Heller lived just off the course, and Lange played a lot of golf there, some with my step-father (who could ill afford to live or play there).
A year or so later, Lesley hits big with ‘It’s My Party’, ‘Judy’s Turn’, etc, and is heavily promoted as one of the lead acts on the giant Cow Palace rock‘n’roll show. These shows were big stuff, with seemingly a dozen or so featured acts all on the same bill, each doing their current hits. Well, my step-father was the NorCal sales rep for the apparel company of which Lesley’s father was the president. So my parents invited her to have dinner with us one night, as she would be in town for the Cow Palace show. I was a little younger than Lesley, and was clearly beyond enthralled at the thought. I think she declined, as my memory is vague now whether she cancelled us first, or whatever, but she never made it to the Cow Palace show. The official announcement was that she took ill and wasn’t able to appear.
Years later, Gene Nelson is on the air and he’s talking about the old Cow Palace shows, and he recounts the story of Lesley Gore. As he told it, the promoters would routinely quote a certain price to the performers and then when the artists got to town, ready to go on, the promoters would renege, offering half of the original quote in a take-it-or-leave-it situation. Most of the performers were kids, they were already in town, so they took it — but not Lesley. Remember, she was far from struggling financially, her family had money so, as a matter of principle, she told ‘em to take a hike, and wouldn’t go on, despite all their heavy pre-show promotion. Hence, the on-air announcement that I heard as a kid that she had gotten sick and couldn’t perform.
Well, as I say, I never had the chance to get HER recollections of the story — whether she actually made it to town and then cancelled the show, or as I suspect, never even made the trip. I would imagine there are a few folks out there who could shed some light. I don’t know how to contact Gene Nelson, but I think he’s still here in San Francisco. Gotta be a few other souls who could share a bit on this one?
Seems like virtually everybody in the music business back in the day was screwing over somebody with some crazy angle ... so I can't really say that this story surprises me ... but with back-to-back hits as big as "It's My Party" and "Judy's Turn To Cry", I've gotta believe Lesley was scheduled as a head-liner ... and since she probably helped fill more seats at The Cow Palace than many of the other artists on the bill, I can't believe the promoter wouldn't cave to honor their original agreement ... rather than risk pissing off a crowd stadium full of teenaged music fans! Cool story, Barry ... maybe some of the jocks on OUR list can help shed some light. (kk)
Kent:
Reading of the passing of Lesley Gore prompted me to think about her records and times I saw here in concert and the opportunities I had to interview her over the years. I found her to be a complete professional to work with and she was definitely much smarter than the typical pop star.
Reading of the passing of Lesley Gore prompted me to think about her records and times I saw here in concert and the opportunities I had to interview her over the years. I found her to be a complete professional to work with and she was definitely much smarter than the typical pop star.
Back in the 80s when I was PD of WPRO and PRO-FM in Providence, we sponsored a concert featuring Lesley and Lou Christie. (I've included a dressing room photo).
They both did their solo sets and then they treated us to a handful of tunes together. You could tell they had a terrific relationship. They both lived in NYC for decades, Lou still calling NYC home. And they continued to work together every time the opportunity popped up.
- Tom Cuddy
New York, NY
- Tom Cuddy
New York, NY
ON THE RADIO:
Scroll down to read our latest coverage regarding Chicago's hot new FM Station, Me-TV-FM! Here are a few more that just came in ... along with some OTHER radio news!
MORE re: ME-TV-FM:
Is this going to be a national format? Haven't seen anything here in the twin cities yet, but we do have the Me tv channel.
Bill
I haven't heard anything to that effect yet ... but if things work out here in Chicago, I don't see why it couldn't be. (In fact, I have maintained all along that if somebody would simply TRY this format ... and find it successful ... copy-cat stations would quickly pop up all over the country ... and radio would be interesting again.) I don't see ANY reason why, if Me-TV is successful in a market, Me-TV-FM Radio wouldn't be. Or, for that matter, anywhere where listeners are fed up with being force-fed the exact same music day after day after day ... which is literally EVERYWHERE these days. (kk)
Bill
I haven't heard anything to that effect yet ... but if things work out here in Chicago, I don't see why it couldn't be. (In fact, I have maintained all along that if somebody would simply TRY this format ... and find it successful ... copy-cat stations would quickly pop up all over the country ... and radio would be interesting again.) I don't see ANY reason why, if Me-TV is successful in a market, Me-TV-FM Radio wouldn't be. Or, for that matter, anywhere where listeners are fed up with being force-fed the exact same music day after day after day ... which is literally EVERYWHERE these days. (kk)
My two cents ... Yes, they're outside the box. I heard Smackwater Jack from Carole King. Tapestry was such a hot album in 1971 that Mike McCormick put that song into rotation on WLS that summer. Not too many album cuts made in on the air on WLS during the McCormick (Rock of Chicago) reign, but cuts from Tapestry sounded great, even on AM. I've also heard the voice of Karen Carpenter more than once. Radio in general has been treating the Carpenters like they're some sort of anthrax from the 70's, so it's about damned time. Same holds true of Al Stewart. Aside from the softer AC stuff, I've also heard some good old fashioned Rock 'N' Roll and those lesser soul hits that you usually have to wait for Herb Kent (V-103) to play on Sunday afternoons. So they've got my attention.
My biggest complaint about METV-FM is that feeble image / station id voice they're using. As one with years of radio on-air and programming experience, I must say with all due respect that I wouldn't hire that guy to be on the air in Keokuk, much less Chicago. Come on! Cough up a few quarters and pay a classy, balsy image guy. It doesn't have to be me, but if I don't get the call, choose someone who's better. I'll be OK with it.
Bill Fortune
I like the new station, I've had it on all week, both coming and going from work and find it very refreshing. Anne Murray, Linda Ronstadt, early Michael Jackson, Neil Diamond, John Denver. I haven't heard a lot that stuff in a long time.
Ed Kristak
AND, IN OTHER RADIO NEWS ...
Kent ...
Scott Shannon is on vacation this week.
3/3/2015 = Today is his one year anniversary on WCBS-FM.
They're celebrating on Friday, 3/13/ 2015. Listeners are invited to call in and convince Scott, Joe and Patty that they should be invited to the studio for the one year anniversary celebration.
According to Ron Smith's book = 3/3/1957 - Samuel Cardinal Stritch bans Rock & Roll from Chicago Archdiocese Roman Catholic Schools. Were you going to school at this time?
Frank B.
3/3/2015 = Today is his one year anniversary on WCBS-FM.
They're celebrating on Friday, 3/13/ 2015. Listeners are invited to call in and convince Scott, Joe and Patty that they should be invited to the studio for the one year anniversary celebration.
According to Ron Smith's book = 3/3/1957 - Samuel Cardinal Stritch bans Rock & Roll from Chicago Archdiocese Roman Catholic Schools. Were you going to school at this time?
Frank B.
On March 3, 1957, I was all of three years old ... so no, this didn't really affect me (although I'm sure that had I been older, I would have been outraged at the time!!!)
Congratulations to Scott Shannon on his first year at WCBS-FM ... he also took the week off from The True Oldies Channel ... but Scott and I talked recently and he's having the time of his life doing the new morning show, keeping True Oldies 2.0 alive and recording his syndicated "America's Greatest Hits" program. WTG, Scott ... one of the GREAT radio voices of our time. (kk)
Kent ...
This can't be true. An Upstate New York Radio Station is now playing Christmas Music all year long. I can't take it when they start playing Christmas Music on Thanksgiving! They're calling it Santa 105.7 FM
Frank B.
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