Tuesday, June 17, 2008

Shout!



We had the EXTEME pleasure of seeing a new musical here in Chicago this past weekend ... SHOUT! The Mod Musical is a whimsical, song-filled look back at OUR favorite decade ... The Swingin' '60's, London-Style. I had absolutely NO pre-conceived notions as to what to expect (as I had heard very little about this production) ... and I have to admit that I was TOTALLY charmed ... and we absolutely LOVED the whole experience!
The entire cast consists of just five young women growing up in the '60's in the heart of Jolly Ol' London ... back at the time when England truly DID swing like a pendulum do. (The cast that we saw included
LAUREN CREEL
as BLUE GIRL, MEGAN LONG as RED GIRL, AMANDA DANSKIN as GREEN GIRL, MAGGIE PORTMAN as YELLOW GIRL and AMY STEELE as ORANGE GIRL) and they were augmented by a stripped down three-piece ensemble band (two keyboards and drums) ... yet when they put it all together, they COMPLETELY filled the small DRURY LANE THEATRE in Chicago's WATER TOWER PLACE with powerful musical performances of some of our '60's Female Vocal Favorites!

While the play features TONS of music, it's a little short on dialog ... preferring instead to feature more "monologue" type vignettes and short soliloquies that move the story along ... some very reminiscent of those old LAUGH IN Party sequences where everything "freezes" just long enough for one of the actors to get off a quick one-liner. All in all, it's a VERY fast-paced 90 minutes of non-stop fun and music ... and I HIGHLY recommend it to anyone who fancies this particular musical era.



I was also quite surprised to find that a virtual songbook of TONY HATCH material was featured: DOWNTOWN, I KNOW A PLACE, DON'T SLEEP IN THE SUBWAY, COLOUR MY WORLD, I COULDN'T LIVE WITHOUT YOUR LOVE, A SIGN OF THE TIMES, ROUND EVERY CORNER, WHO AM I and DON'T GIVE UP ... all PETULA CLARK Hits from the mid''60's ... are prominently performed to GREAT effect throughout the play. Along the way, we were ALSO treated to stand-out performances of the DUSTY SPRINGFIELD classics ALL I SEE IS YOU, I ONLY WANT TO BE WITH YOU, WISHIN' AND HOPIN', YOU DON'T HAVE TO SAY YOU LOVE ME and SON OF A PREACHER MAN, a fun send up of GOLDFINGER (done here as "COLD"FINGER), LULU's TO SIR WITH LOVE and the title track, SHOUT, MARY HOPKIN's THOSE WERE THE DAYS, NANCY SINATRA's THESE BOOTS WERE MADE FOR WALKIN' and several other favorites of this same genre.


While ALL of the girls gave stellar performances, I was partial to LAUREN CREEL (as BLUE GIRL), who brought us all to laughter with her take on DON'T SLEEP IN THE SUBWAY and then to tears with her gut-wrenching performance of the CILLA BLACK Hit YOU'RE MY WORLD, done to GREAT effect as a medley of sorts (a COUNTER-melody to be more accurate) with the DUSTY SPRINGFIELD Hit ALL I SEE IS YOU. (That one TOTALLY choked me up, a feeling I shared with LAUREN during a brief "Meet And Greet" in the lobby after the performance. She confided that this part of the show gets to HER sometimes, too!!!)
All-in-all, HIGHLY RECOMMENDED ... but if you want to see it, you'd better act FAST!!! Whereas I had heard a couple of weeks back that the show had just been extended for its Chicago run, I understand now that the FINAL Chicago Performances will be held on June 29th. (That doesn't leave you with a whole lot of time to catch it before it skips town ... but if you ARE able to attend, it's WELL worth the trip downtown!!! Top the evening off with dinner at ED DEBEVIC's and you're sure to have a SWINGIN' '60's time!!! WE were fortunate enough to score tickets for the final performance that evening ... and that's EXACTLY what WE'RE going to do!!!)

And there's MORE good news on the SHOUT! front, too ... SHOUT! is now appearing Off Broadway in New York, in Great Britain and all over Japan ... and plans are in the works right now to bring the show to Las Vegas! (If they can pull it together in time, FRANNIE and I will go see it again when we hit The Strip for our anniversary in November!)
If you happen to have a night free between now and the 29th of June, here's a link to THE DRURY LANE THEATER ... as well as worldwide ticket information:
Click here: Drury Lane Water Tower - SHOUT!
Click here: SHOUT! The Mod Musical

***

Because we've got songwriter TONY HATCH on our FORGOTTEN HITS Mailing List, I just HAD to ask him what HE knew and thought about the show. Here's the response I got ... along with the promise of a further review after he sees the British performance next week:

Hi Kent,
Thanks for your email re: "SHOUT".
I first knew of this juke-box musical review several years ago when I was invited to a short season 'try-out' at the Jermyn Street Theatre, a tiny venue (70 seats) in the heart of London close to Piccadilly Circus. I thought it was a well-performed, enjoyable, fun, light-weight piece of entertainment especially as I had nine songs in the show! Not much of a story-line but there were some excellent impressions of 60's girl groups and singers, notably of Dusty Springfield, Lulu and Shirley Bassey. I also understood its birth was as an off-Broadway show. As I recall, there were nine of my songs in the show - all Petula Clark hits. The London producer told me then that he hoped to produce it on a larger scale in London and would keep me informed. I heard nothing more from him.
Then in January this year I received licensing notification from Sony / ATV Music relevant to a UK national tour of SHOUT - THE MUSICAL. My songs in the show are: COLOUR MY WORLD, DON'T GIVE UP, DOWNTOWN, I COULDN'T LIVE WITHOUT YOUR LOVE, I KNOW A PLACE, A SIGN OF THE TIMES, ROUND EVERY CORNER and WHO AM I. (One of mine seems to have been lost from the production I saw and I think it may be MY LOVE.)
The UK production is called SHOUT - THE MUSICAL not SHOUT - THE MOD MUSICAL. See
www.shoutthemusical.co.uk. It stars Claire Sweeney and Sue Pollard and has been touring the UK since February. By July it will have played in 21 theatres across the UK. I'll be seeing it next week in Bristol and will let you know what I think of it. I understand that the show you saw in Chicago may be different to the UK version. Both versions seem to have received mixed reviews.
There don't seem to be any plans at the moment to bring SHOUT - THE MUSICAL into London which is a pity.
Best wishes,
TONY

Please DO send us our review ... as someone INTIMATELY involved with this music and this exciting era, I would LOVE to hear things from YOUR perspective. Here in Chicago, it received a rousing, standing ovation and there was plenty of laughter, toe-tapping and singing along throughout the performance. I'll agree there's not much to it story-wise ... and "lightweight" is pretty much a DEAD-ON assessment ... but the music is SO good and SO strong that it just carries the thing along. We LOVED it!!!

We've decided to feature a couple of songs from the performance to help whet your appetite ...

First up, the TRULY FORGOTTEN HIT DON'T GIVE UP by PETULA CLARK ... one of my FAVORITES by her (yet one you just NEVER seem to hear on the radio) ... a #27 Hit in CASH BOX MAGAZINE in 1968. (My ALL-TIME FAVORITE PETULA CLARK song is DON'T SLEEP IN THE SUBWAY, which is one of the comedic highlights of the show ... but that one you DO hear now and again ... so we've gone in favor of the lesser-heard track ... I mean, this is, after all, FORGOTTEN HITS!!!)



Then, the show stopper, YOU'RE MY WORLD, a #26 BILLBOARD HIT from 1964. (In the musical, this song is performed as part of a medley / counter-melody with the DUSTY SPRINGFIELD hit ALL I SEE IS YOU ... a VERY powerful rendition used to GREAT effect in what I felt was the musical's most emotional scene.)



If you get a chance to see SHOUT! in your area, PLEASE drop us a line and we'll run your COMMENTS and REVIEWS in our regular newsletter COMMENTS PAGE. Thanks!













Frannie, Paige and "BLUE GIRL" (Lauren Creel)













Paige and "Red Girl" (Megan Long)

***

During the course of putting this little piece together, we had the pleasure of talking with VICTORIA LANG, one of the Co-Producers of the Chicago Production as well as one of the New York Media Coordinators. She tells us that SHOUT! first appeared on stage at THE DUPLEX in New York back in 2000 and was then transferred to London's JERMYN STREET THEATRE, which is where TONY HATCH evidently first got a chance to see it. It has since moved on throughout London, has been running successfully Off Broadway in New York, played to 72 performances here in Chicago and will open all over Japan in August. In addition to finding a home in Las Vegas, a multi-city US tour is ALSO expected to take shape later this year ... so hopefully some of our readers WILL have the opportunity to take in this fun evening of entertainment.

VICTORIA was also kind enough to send us this quick email:

Dear Kent:
Thank you for your kind words about SHOUT! I am so glad you enjoyed the show.

Thanks.
Victoria Lang
Co-President
PLUS Entertainment, Inc.

New York, NY

Thanks, VICTORIA ... we LOVED the show and are happy to help spread the word. (Maybe we can see it again in Las Vegas when we're out there for our anniversary in November!!!)

And then we also received a few words of thanks from LAUREN CREEL, the BLUE GIRL of the first performance that we saw:

Hey there Kent! My name is Lauren Creel and I'm the Blue Girl you saw in last Saturday's performance of "Shout!" I am the new Shout understudy and I was in the show the entire week last week! Victoria Lang, one of the producers, forwarded your blog to us and I am beyond pleased you enjoyed my performance so greatly ... especially since it was only my 5th show. Victoria also mentioned you would be coming to the final show on the 29th and although I don't forsee being in the show that day, I am going on for sure on Friday the 27th and hopefully Thursday the 26th as well.Thank you again for your kind words. I hope you enjoy the show as much the second time around! Lauren Creel

Thanks for taking the time to drop us a note, LAUREN ... I really do appreciate it. I hope a few others on our list will make the trip downtown to catch SHOUT! before hit leaves Chicagoland ... trust me, you'll be happy that you did!!!

Sunday, June 1, 2008

Forgotten Hits Interviews Denny Tedesco

DENNY TEDESCO may have spent a good portion of his life growing up as "The Son of Famed Guitarist TOMMY TEDESCO" ... but I've got a feeling that once word gets out about his brand new film documentary spotlighting not only the career of his father but ALL of the guys who made up the Legendary WRECKING CREW ... probably the most FAMOUS group of studio musicians EVER assembled ... he'll soon be known in his OWN right as Film Maker Extraordinaire DENNY TEDESCO!!! THE WRECKING CREW is an EXCELLENT film documentary, coming at a time when film documentaries seem to be back in fashion again, earning both the respect of the movie fans along with MANY awards of the movie industry ... and THIS one just happens to profile a topic and music era that's been VERY near and dear to OUR hearts for AGES now.
Is it for EVERYBODY??? No, probably not. Let's face it ... there's nothing politically incorrect or controversial about it ... nobody mentions anything about global warning ... or froze off any limbs while filming the rituals of its subject matter ... and, to the best of my knowledge, nobody ate ... and then regurgitated ... SO many hamburgers that a percentage of the film's potential profits had to be mopped up off the floor between takes ... but for us music aficionados, it's the film that we've all been WAITING for ... FINALLY giving credit to the many musicians behind the scenes who recorded the most popular music of the 1960's.
You can read OUR review of this hot new film in yesterday's FORGOTTEN HITS posting ... and today DENNY has agreed to talk with us about what it was like growing up during this exciting musical era ... and putting together this EXCEPTIONAL film paying homage to these unsung musical heroes.


FORGOTTEN HITS: How aware were you, growing up as a kid, as to the extent your father was involved in the music business? (Obviously, looking back at it now, even YOU have to be COMPLETELY astounded by the sheer VOLUME of hits he was involved with ... but how aware were you at the time?)
DENNY TEDESCO: I really didn't think my dad was doing anything different than other dads. He just went to work like everyone else. I never comprehended the amount of recordings he did until the last few years. You look at those work books and realize, "wow, he was busy".

It wasn't until many years later that I realized what projects he was actually on.

FH: Was THE WRECKING CREW a tight-knit bunch at the time? Did they "hang out" together outside of the studio, too ... or were they simply too busy working?

DT: The only hanging out they did was probably at work. At least for my father. They spent more time with each other than with their own families and that was in the studios. My father's extra activities included Gin Rummy. So he spent many of late hours and early mornings with one of his best friends, Producer Snuff Garrett. They could play for days. They would bet on anything. It didn't matter what the circumstances were, it was all about the bet. Snuff said that they would bet on where a rain drop would hit.

FH: There seems to be an underlying theme in everything I've read about these guys that they didn't DARE turn down a session for fear they might not be asked to the NEXT one!!!
DT: Turning down work??? ... Never!!! Only if he was too busy and couldn't do it. There was also a unwritten rule. Never tell the answering service or anyone that you were on vacation. You just told them that you were already booked.


FH: What about the recording artists themselves? Did the musicians form friendships and bonds with any of these artists? Who were some of the folks who might have stopped by YOUR house growing up as a kid?
DT: My Dad really didn't hang out with the stars. He went to work and came home. The musicians would come over for card games or parties but not the artists. I would occasionally go to sessions when school was out, but that was usually pretty boring. I remember going to TV scorings like The Six Million Dollar Man or CHIPS, but it was pretty boring for a kid. Not knowing that some of the musicians in the room were some of the greatest in the world. Guys like Shelly Mann would be playing drums or Emil Richards on percussion.

FH: From all that's been written, this was a VERY lucrative business back then ... HAL BLAINE implies that he's made (and lost) MILLIONS over the years ... who were some of the artists that your Dad enjoyed working with the most? (Maybe the biggest tippers?!?!? lol)
DT: My dad loved working with people like Sinatra, Streisand, and Elvis. Frank and Barbra were his favorite singers and they treated the musicians with respect. So did Elvis, who always catered lunches. It always came back to food with my father. It was a lucrative business and we were the lucky ones. My parents stayed together and my father continued working into the 80s with film work. So he created a pension which is something I can't say is possible for many of us today. The musicians union was strong at the time.

FH: What are some of YOUR favorite recordings from this era ... and why? (For me, one of the highlights of the film was that little flamingo guitar segment on the GARY LEWIS AND THE PLAYBOYS track SURE GONNA MISS HER ... NOBODY could touch that thing!!! lol)
DT: When my father played Gut String or classical guitar, he always gave more than anyone ever expected. You always can hear those fills of his. You hear his work on "Up Up and Away" as well as the opening of Elvis's "Memories". It starts off all guitar and then Elvis starts singing. One of the last songs that I added to the film was, Ray Charles singing, "It Ain't Easy Being Green". I just found out recently that Ray wanted strings to play behind him, but my father during rehearsal started to play his guitar and Ray stopped the session. He decided to use the guitar instead of the strings. My father played until he saw smiles. That day Ray, gave him a smile.












FH: Looking at some of the interview footage, it appears that this project has been in the works for some time now ... maybe 10-12 years ... is this accurate? When did the concept of putting this film together first come to light?
DT: I started the project when my father was diagnosed with Cancer in 1995, and I knew time wasn't with us. I decided to go forward and start filming. We had already lost Ray Pohlman on Bass and Steve Douglas on Sax. So I wanted to make sure I started recording my father's history as well as the others.

FH: What were some of the obstacles that you ran into along the way?
DT: 12 years ago, I started the project in 16mm film. I really had this vision that I wanted it to look a certain way and video of the time wasn't going to give it to me. But it was expensive and sooner or later, the video formats got better. Or at least the formats that I could afford. I regret not filming my father on any format. I should have kept asking him questions. Even a cassette would have been great.

FH: What was the hardest part about making this film?
DT: Not giving Up. I had a 14 minute piece that everyone thought was great, but no one would give me money to continue. So we had to do it ourselves. Thank God for my wife, who is also my producer. She urged me to continue as well as my other friends and producers, Jon and Mitchell.

FH: Are the members of The Wrecking Crew happy to finally hear their story told? Are they all still on pretty good terms? Are ANY of them still working today on sessions?
DT: I've gotten some wonderful feedback from all of them. Many have had tears in their eyes at public functions. The hardest part is not being able to put everyone in the film. I wasn't able to interview Larry Knechtel, Lyle Ritz, or Mike Deasy until Nashville. So the DVD is going to be packed with new extras that were not part of the original film. They all should be remembered and heard. Regarding work, Larry Knechtel is playing with the Dixie Chicks. That's amazing and Glen Campbell is coming out with a new album for EMI, called, "Meet Glen Campbell". That's amazing. I don't care what age you are, you can still produce at any age.

FH: Several of the artists who made some of these great recordings are interviewed during the course of the film: BRIAN WILSON, MICKY DOLENZ, NANCY SINATRA, CHER, GLEN CAMPBELL, HERB ALPERT, ROGER McGUINN, GARY LEWIS ... the recording artists involved seemed to genuinely enjoy participating in sharing their memories and reflections ... obviously, these behind-the-scenes musicians were "instrumentally" responsible for making their careers. Were there any other artists that you would have liked to include in the film but, for one reason or another, were unable to do so?
DT: I tried to get a few current artists that I know that were influenced by these folks but I could never get past their managers or agents. In some ways, I'm glad. It's better this way.

FH: I think it's great that additional footage is still being assembled ... the "theatrical version" that I saw is outstanding ... but these NEW snippets will make for EXCELLENT viewing as DVD extras. (How cool would it be to capture The Wrecking Crew NOW ... jamming at one of the Film Festival "After Parties"?!?!?!) You mentioned earlier the passing of a few members of The Wrecking Crew prior to the making of this film ... and, I believe a few others have passed on since this project first got under way, including your own father. It DOES seem that this film REALLY needed to be made NOW. I imagine that it had to be difficult in the editing stages, watching some of that footage that included your dad.
DT: To be honest, I thought it would be very difficult to carry on, but it was the opposite. It felt like he never left. Someone gave me an unedited radio interview a couple of months before he passed. I had never heard it before and something made him cry in the interview. That was hard to hear him like that. Very vulnerable.

FH: What other types of "extras" can we expect on the DVD release? Certainly there always seems to be film footage that never makes it past the cutting room floor. Was there more footage that you would have liked to include in the film? Any chance that some of this material will find its way to a DVD release?
DT: Absolutely. As I said earlier, I'm still interviewing guys. My editor Claire kept telling me to stop shooting. Her concern was and rightly so is the fact that you can't fall in love with these characters if they're only on for 20 seconds and gone. So having 40 interviews is not a great way to approach it. Plus there were whole sections about the business at that time period but I had to drop it from the final cut. Producer Snuff Garrett was one of my favorite interviews and he was awesome. But that section got cut. It'll come back as well as a section about the Gold Star guys. Cutting down from over 2 hours to 95 minutes was torture. But that's why God gave us DVDs.

FH: I mentioned earlier the need for a soundtrack album properly crediting these musicians for the very first time. I would have to imagine that between the recording logs and union contracts (albeit with a GREAT amount of time and effort!) these sessions could be accurately reconstructed, FINALLY giving these great musicians their due. In addition, I'm sure there are TREMENDOUS licensing fees involved. What do you think the likelihood of putting together a fitting soundtrack are at this stage?
DT: I'm praying every day that we will be able to find a sound track album. Even if its shortened version, that would be fine. There are 120 songs in this movie. You'll know 110 of them. The others are jazz recordings or individual recordings from the participants themselves. 99.9% of the music has at least a few of the LA musicians involved. The only music that doesn't involve these guys is stock music that was connected to the footage that was licensed. At one point, I needed some Dixie land Music to play under Plas Johnson's bio. So I called Conrad Janis who I knew recorded many Dixieland albums. He says, "I have the perfect recording, it features Plas on Tenor." That was amazing. It was meant to be. When we do have a sound track album, I'll make sure that the credits list the musicians. At the end of the film, I've listed all the musicians that played on the songs from the film. I was able to get the names through the AFM. It took many months of research on their end.

FH: Was it difficult to secure the rights to the music?
DT: This was a major obstacle over the years. People saw that the sound track was going to be the major, major issue. People had ideas on how to get around it but some ideas were pure stupidity. One person who was a pop music writer who wanted to be involved in the film suggested we do 'sound a-likes'. I couldn't believe my ears. That would be like a Milli Vanilli on top of a Milli Vanilli. Others suggested that I pick the top 20 songs. That's impossible as well. The whole point of these guys was the fact that they went from Sinatra to the Chipmunks or from the Beach Boys to Frank Zappa. You had to show the quantity to feel the impact. Finally the record companies finally starting signing on. I know it's not Politically Correct to compliment the record labels, but I think most of them see that this is only good for the industry as well as for the label. Nobody wanted to be left out in the end. They're still going to make money and get the publicity.

FH: That is VERY encouraging to hear ... and, I feel, a VITAL part of the success of this project. I truly do believe that one will fuel the other. What are the future plans for the release of the film? Are you looking for more of a theatrical run or a straight to DVD release? How about something like one of those Pledge Night PBS Fundraisers? Where do things stand right now regarding distribution and release?
DT: Our goal is to build steam with the film festivals, which is working very well for us right now. If there would have been buyers in Nashville or Seattle, there would have been a bidding war. It was amazing. Once we find a distributor, we hope to go city by city as a small theatrical run and then either cable or PBS. Every city has an oldies outlet and it's an easy film to market. Before I hit the city, I paper the town with Posters and Postcards at every recording studio, music stores and record shops. I've been able to sell out the last five screenings. I have to prove to distributors that people want to see this. So the more people that sign up on the web-site, the better chance I have.

FH: Well, we can certainly encourage OUR music fans to do that ... and to catch one of the film screenings if it happens to be in
their area. You've got a big one coming up in Los Angeles this month, don't you?
DT: We'll be in Los Angeles for the Grand Performances which is free to the public on June 28th. It's a wonderful outdoor setting and it looks like we'll have some of our Wrecking Crew Members playing that evening. You can check on the web-site for that.

FH: That'd be great if some of our readers could get in for this showing ... and you can't beat the price ... it's FREE!!! (lol)
DT: It's festival seating so there won't be a problem. They've had 7500 people there for Inconvenient Truth. The big drag for me is not having enough seats for my family and friends. If you get there by 7pm, you should be fine. Bring a small chair or blanket. I hope people will understand the Festival Seating Idea. It's downtown in a wonderful setting between the buildings and fountain, but its BYOC (Chair) Then we just got accepted into the "Don't Knock The Rock Festival", in Los Angeles. I'm VERY excited about that! That'll be happening in the beginning of August. You'll see some great Rock Documentaries and films at that festival and we're just honored to be there. So keep checking the web-site, which is: http://www.wreckingcrew.tv/

FH: I would love to see the LA premier ... but flying in with my own chair doesn't sound all that practical to me!!! (lol) Unless they'd let us use the floatation cushions from the airplane or something!!! But this August Rock Festival showing sounds REALLY cool ... perhaps we can fly in for that one ... maybe even get a few of our West Coast FH Readers to meet up with us there!
For more information on the June 28th festival, you can check out THIS link:
http://www.grandperformances.org/index.cfm/fuseaction/season_schedule.show_detail/s_id/229

Thanks again, Denny, for taking the time to talk with us today ... and congratulations on making an EXCELLENT film!
DT: Thanks to you, Kent ... in fact, I can't thank you enough. Its guys like you that are going to get this film a home. Talk soon.

Saturday, May 31, 2008

FORGOTTEN HITS Reviews The Brand New Wrecking Crew Documentary

Thanks to DENNY TEDESCO (by way of HENRY GROSS), I was just able to view an advance copy of the brand new WRECKING CREW Documentary that is making the rounds at a number of Film Festivals this spring ... and I can only tell you that it is OUTSTANDING!!!

These INCREDIBLE musicians have spent the majority of their lives as the Unsung Heroes of '60's Pop and Rock Music ... sure, us "insiders" came to know who they were as we grew as music fans ... but the world at large had NO idea that MOST of the music we were hearing on the radio at the time was being created by this same "Band Of Brothers" (and one sister ... lol) over and over again. MOST of these musicians did literally THOUSANDS of sessions back in the day ... and the Hit List that they provided as both the soundtrack to this film ... AND the soundtrack of our lives ... will simply bowl you over.

Along the way, we're treated to in-depth profiles of some of the studio elite ... HAL BLAINE, CAROL KAYE, GLEN CAMPBELL, JOE OSBORN, AL CASEY, EARL PALMER, PLAS JOHNSON and, of course DENNY's Dad, the INCOMPARABLE TOMMY TEDESCO ... often in the words of these fine artists themselves. In addition, we're treated to some rarely seen vintage clips of the era ... most of which has never been seen by the general public before. The film is presented in a loving way ... a TRUE tribute to the FINE musicianship of these behind the scenes artists who truly DID provide The Soundtrack To Our Lives, circa the 1960's ... chock full of the music we all grew up and fell in love with ... music that has STAYED in our hearts and in our ears throughout all the decades that have followed.

I can only say that the film will blow you away!!! (And, I can only HOPE that some sort of two or three companion CD Soundtrack is also in the works!!! To finally gather ALL of this great music in one place and present it WITH THE PROPER CREDITS as a companion piece only helps to serve greater justice to this fine group of studio musicians. It's WAY past the time that these musicians should be properly acknowledged for their contributions to The History Of Rock And Roll Music! I'm sure that licensing all these great tracks might present a HUGE stumbling block ... but I believe it's worth EVERY effort necessary to make this happen and FINALLY give credit where credit is due.) The sad truth is that virtually ALL of these guys went uncredited at the time ... the record labels didn't want the public to know that the artists themselves were not providing the music on their own LPs. (Sadly, the guys who took the brunt of this criticism at the time were THE MONKEES ... four actors PORTRAYING musicians on a television series. When word came out that they hadn't actually performed on their first two LPs, there was nothing short of a media OUTRAGE!!! Yet these VERY SAME MUSICIANS were ALSO recording the music for THE BEACH BOYS, THE MAMAS AND THE PAPAS, THE BYRDS, PAUL REVERE AND THE RAIDERS, GARY LEWIS AND THE PLAYBOYS, HERB ALPERT AND THE TIJUANA BRASS and literally HUNDREDS of others at the very same time ... and all the while the public at large was none the wiser!!!)

One thing that I can say that I was ESPECIALLY proud of is the fact that the film makers and musicians acknowledge early on in the film that these studio whiz-kids were NOT referred to as THE WRECKING CREW at the time of these original recordings. This was also OUR finding in an earlier piece that we did in FORGOTTEN HITS when we first heard about the release of this film. (Several of the recording artists on our list came forward with that bit of information ... the name THE WRECKING CREW came LATER as their recording legacy grew.) I am happy that the film makers decided to point this out as well ... despite the fact that virtually EVERYTHING published surrounding the recording careers of PHIL SPECTOR and BRIAN WILSON refers to them that way at the time.

This is a film you'll want to watch again and again. There are a few moments that will stick with you forever. One of the most touching and poignant scenes for me is the way DENNY handles the "winding down" stage of his father's career, legendary studio session guitarist TOMMY TEDESCO. Once the days of studio musicians were being phased out by up-and-coming new recording artists who actually DID provide their own musicianship on their recordings, this had to be a VERY difficult time indeed for the guys who made their livings putting in 15 and 16 hour days, running from studio to studio to lay down the tracks for pop music's biggest names ... most certainly, an emotionally tough time once the phone stopped ringing.

Near the end of his studio career, TOMMY wrote a beautiful, heart-felt song (with just a TWINGE of subtle "inside" humor) called REQUIEM FOR A STUDIO GUITAR PLAYER that addressed such issues ... it's a KILLER track that, thanks to DENNY, we're able to feature here today. (Things got so tight in the REAL world during this era that, in order to get his work of art heard, TOMMY had to dress as a ballerina and perform his song on THE GONG SHOW!!! The good news is ... HE WON!!!) I can't think of a single scene in ANY film that's so immediately poignant, sadly touching AND hysterically funny as this one is ... all at the very same time!!! Major Kudos to DENNY TEDESCO for having the courage, faith, confidence and insight to share this very special moment with us ... including what some might otherwise consider to be more of a "personal" moment ... for all of us to enjoy ... in MY mind, it clearly drives home the point of just how crucial and important this era of music really was ... all the while showing the love and respect this son has for his famous father.

THE WRECKING CREW: A DOCUMENTARY is a MUST SEE film ... for ANY music fan who grew up in the '60's ... a CAN'T MISS effort that you'll want to own to be able to watch again and again. As more information becomes available regarding this film's commercial release, you can count on us to let you know. In the meantime, here are a few more links to check out some of the details. (And be sure to check out the DISCOGRAPHY Page ... it'll blow you away!!!)

http://www.wreckingcrew.tv/trailer.html
http://www.wreckingcrew.tv/

(You can ALSO read our two PREVIOUS postings on THE WRECKING CREW Film here):

http://forgottenhits60s.blogspot.com/2008/04/wrecking-crew-part-1.html
http://forgottenhits60s.blogspot.com/2008/04/wrecking-crew-part-2.html

I've included today TWO songs that have ALWAYS touched my heart pertaining to the plight of a studio musician. First up, BARRY MANILOW doing a song TITLED "STUDIO MUSICIAN" ... I first saw BARRY perform this song on a SOUNDSTAGE Performance, filmed right here in Chicago back in 1976 or so ... it grabbed me IMMEDIATELY ... and, although it was never commercially released on ANY of his albums, he DID include it as part of his LIVE set when he performed at RAVINIA a short while later ... a concert that I was ALSO fortunate enough to have attended. (That performance was filmed and later shown as one of BARRY's television specials!) It's an EXCELLENT piece ... and just seems to fit in PERFECTLY with today's subject matter.























Secondly, a song I doubt many of you have ever heard before. This one comes from the very first SILVER album (those bubblegum guys who scored a MAJOR pop hit with WHAM-BAM-SHANG-A-LANG right around the same time as the MANILOW track referenced above.) This one's simply called MUSICIAN ... and it absolutely SHOULD have been a smash follow-up hit. (It certainly shows the diversity of the band ... and has been one of my all-time favorites ever since. Incredibly, the single never even charted ... probably TOO far off the beaten path of their hit record for radio to ever bother with it.) Give it a listen ... it's a BEAUTIFUL and amazing song that COMPLETELY captures the spirit of what it's like trying to make a living as a musician. (Anyone who's EVER picked up a musical instrument with the aspirations of "hitting the big time" will most certainly be able to relate to THIS little ode.)













And finally, thanks again to DENNY TEDESCO for allowing us to share his father's testament, REQUIEM FOR A STUDIO GUITAR PLAYER, to the best of my knowledge, the first time it's ever been presented publicly in its entirety.







TOMORROW IN FORGOTTEN HITS:
Don't miss our Brand New, EXCLUSIVE Interview with WRECKING CREW Film Maker DENNY TEDESCO ... you'll ONLY find it here on The FORGOTTEN HITS Blog Page!

Saturday, May 17, 2008

DAVIE ALLAN ... MOVING RIGHT ALONG

DAVIE ALLAN ... "The King Of Fuzz" ... had his BIGGEST Hit back in 1967 when BLUES' THEME (from the motion picture THE WILD ANGELS, starring PETER FONDA) ... went to #33 on the CASH BOX Chart ... (It was a #3 SMASH here in Chicago) ... and it STILL sounds JUST as fresh today as it did back then!!!
Here it is ... 40 years later ... and DAVIE's got a brand new CD out called MOVING RIGHT ALONG. (Quite honestly, he's never really stopped!!! Check out his website and you'll see ALL of the other releases he's had in between!!!)
Click here: Davie Allan and The Arrows

In fact, it was only a few months back that we were telling you about his brand new Christmas CD, FUZZ FOR THE HOLIDAYS 2!!! DAVIE was kind enough to give us an autographed copy of that one just in time for the Christmas Holiday ... and he's just sent us a signed copy of his brand new MOVING RIGHT ALONG CD, too. (We'll be giving this away before you can even officially BUY a copy ... which, of course, you can do at the same email address shown above!!!)

Today we're also featuring another cut from this hot new LP called LISTEN TO THE GUITAR MAN. On this one DAVIE pays homage to some of HIS guitar heroes ... legendary artists like DUANE EDDY, DICK DALE, LINK WRAY and NOKIE EDWARDS of THE VENTURES ... in kind of a camp / vamp guitar extravaganza!!! (Some pretty cool vocals by LISA MYCHOLS on this one, too!)


He's ALSO agreed to answer a few questions for FORGOTTEN HITS.


***

FORGOTTEN HITS: You seem to have hit a real creative streak here lately ... several new recordings have become available these past few years. What do you think has been the spark to get you up and out there again? Do you think that the release of your ANTHOLOGY CD had anything to do with it? A chance to "reflect back" perhaps on all you had done in your career?
DAVIE ALLAN: I never really took a break, just didn't have the management. The CDs on "Sundazed" were cool but I had to sign off on the 60's (ouch!) to get that deal in motion. The first of those five releases was the "Devil's Rumble" anthology in 2004 but one of my best new albums, "Restless In L.A." was released a year before in 2003. 2004 also brought some great shows in New York, Atlanta, San Francisco and Spain plus the release of my first Christmas album, "Fuzz For The Holidays".

FH: What about live appearances? Are you getting out into the clubs again? Any touring plans in the near future that we can tell our readers about?
DA: I did a short promo tour in '07 for the release of my second Christmas album, "Fuzz For The Holidays 2" with Dick Dale Alumni as my backing band plus a short tour in Texas in February. Coming up are record release parties for "Moving Right Along", the first one is on June 13th at the "Juke Joint" in Anaheim, CA.

FH: How about the latest version of THE ARROWS? Have you guys been together for a while now? Are these the same guys who played on the new album?
DA: The November shows for "Fuzz For The Holidays 2" featured former Dick Dale drummer Dusty Watson (for a couple of shows) and Dick's current bassist, Sam Bolle and current drummer Bryan Head on the other shows. In February, it was Dusty and Sam for the Texas shows. I no longer have a definite "Arrows" band. I would love to have it be Dusty and Sam but that's not possible since they are so in demand. They are in other bands (most notably "Agent Orange" and "Slacktone") plus Sam will be back with Dick soon. They are not on the new album but I hope to record with them on my next project.

FH: Tell us about the new CD ... there's a nice mix of instrumentals AND vocals this time around ... is this the most you've ever sung on a DAVIE ALLAN album?
DA: I sang two of the five vocals plus we had recorded a couple for "Restless In L.A" and a couple more on "Fuzz For The Holidays 2". I actually did a solo country album in 1983 that had nine vocal tracks (the album was titled "An Arrow Escape").

EDITOR'S NOTE: This dude can sing, too!!! In fact, he's got a VERY nice voice. (We featured DAVIE's Christmas track A WINTER SONG last time around and got ALL kinds of positive response to that one!!!) There is a nice mix of vocals and instrumentals on the new CD ... DAVIE ALLAN "purists" won't be disappointed as the LP features those trademark DAVIE ALLAN guitar calisthenics throughout ... and the inter-mingled vocal tracks make for a nice change of pace.

FH: DAVIE ALLAN AND THE ARROWS have somehow ALWAYS been linked to The Top 20 Hit SHAPE OF THINGS TO COME by MAX FROST AND THE TROOPERS (which, of course, was the VERY first song we EVER featured in FORGOTTEN HITS back on Thanksgiving Weekend, 1999!!!). For YEARS it was rumored that YOU guys were the backing group on this track ... most likely because you WERE on the soundtrack to WILD IN THE STREETS and the single was released on your record label at the time, TOWER RECORDS.
DA: I was getting the question about "Max Frost" and the song "Shape Of Things To Come" a lot so I saved an answer that I keep reusing (since February '05): I wish I could say that we were "Max Frost & The Troopers" but unfortunately, it's just not true. I DID play on the "Wild In The Streets" soundtrack along with studio musicians known as the "Hollywood Wrecking Crew" (Hal Blaine, Carol Kaye and Larry Knechtel) but none of us played on "Shape Of Things To Come". A band was hired to do that one and it was kept a secret as to who the members were (actually "Mom's Boys" featuring Paul Wibier). The mix-up started when my instrumental version was released as the last "Arrows" single on the "Tower Records" label. All I did was play lead on that pre-recorded track so everyone assumed that we and "Max Frost" were one and the same. I'm on some of the "Max Frost" tracks which includes those that appeared on "The Glory Stompers" soundtrack.

EDITOR'S NOTE: We featured DAVIE's brand new version of SHAPE OF THINGS TO COME from the MOVING RIGHT ALONG CD in one of our recent newsletters. Here it is again for the benefit of anyone who may have missed it!




FH: Now this isn't the FIRST time you've recorded SHAPE OF THINGS TO COME either, is it??? Haven't you released at least a couple of other versions over the years?
DA: It's up to four versions now with the new one. I also did a vinyl single version in '98 and another version in 2000 for the "Live Run" CD.

FH: One of my favorite tracks off the new LP is LISTEN TO THE GUITAR MAN. It's kind of a call-back of sorts to the old DUANE EDDY track DANCE WITH THE GUITAR MAN ... and I like the way you worked in your own little guitar tributes to some of the OTHER great guitarists of that era. Who were some of your musical influences growing up??? Who were the "Guitar Gods" you aspired to?
DA: Putting that tune together was a labor of love and my plan (actually my dream) was to get Duane, Nokie, Dick and Link to do the parts I wrote for them. My first hero was Elvis. Seeing him holding that guitar on TV did it for me. Then it was Duane and then Nokie BUT ..... my musical hero is Henry Mancini!

EDITOR's NOTE: Now THAT would make for an AWESOME video ... listen to the track ... can't you just visualize all these guitar greats up there on stage together playing this one ... and then stepping up to the spotlight as she calls their names??? Somebody needs to get on this idea ... stat!!!

FH: You've mentioned before doing some studio work with THE WRECKING CREW. How did you first happen to be singled out as a session guitarist? Who are some of the other artists that you've worked with over the years?
DA: I always try to avoid mentioning a certain person from the 60's but I started playing on all of Mike Curb's sessions that included The Hondells, The Paris Sisters, Linda Ronstadt's first Stone Poney's session, Jerry Naylor, Terry Stafford, Annette and others plus the two dozen soundtracks.

FH: You seemed to "click" in the Soundtrack Arena ... there was a certain "DAVIE ALLAN Sound" that a lot of these teen exploitation flicks were looking for. In hindsight, do you feel that this "typecast" you in any way? Are there other musical avenues you would have liked to pursue ... say a bit more outside your genre ... but perhaps the powers that be at the time prevented you from exploring these areas for fear that the public might not have accepted you in that role?
DA: I was so thrilled with doing those films that being "typecast" was never an issue. I did attempt a vocal career in the 70's and did a few singles but I had no success whatsoever. I tried it again as I mentioned earlier by doing a "Country" album in '83. Another disappointment. The vocals on the new albums have been received quite favorably but I am definitely more at home doing instrumentals. Even though the new album has a few vocals, I only do instrumentals on the "live" shows.

FH: What's next on the horizon for DAVIE ALLAN? What kinds of things can your fans look forward to in the next year or two?
DA: As you know, the music business is not what it used to be but I have a another project in the planning stages and I'm hopeful that "Moving Right Along" (and the official release of "Fuzz For The Holidays 2" in the fall) will lead to a new album next year.

FH: Thanks for taking the time to answer a few questions for us today in FORGOTTEN HITS ... I really do appreciate it!

DA: Thank you so much, Kent, for this interview and for your continuing to help me get the word out there!



***

So who won the new CD???

Put your hands together for MR. EDWARD POND of Lebanon, Oregon!!! (Yes ... THAT Edward Pond ... the guy who "went POND on me" a few years back!!! Believe it or not, he's remained a loyal FORGOTTEN HITS Reader ... and we're happy to send him a copy of this hot new CD release!) Congrats, ED!!!

Wow! How cool for me! -- Ed Pond

Enjoy the new DAVIE ALLAN CD ... and report back to us with your own personal review! Congratulations again ... and for all you folks who registered to win, don't worry ... your name will roll over for our next FORGOTTEN HITS Giveaway!!! (If YOU haven't registered yet to pick up something from our FH Prize Closet, get your entry in NOW!!! Just drop me an email and we'll add you to the list for our next drawing!!!)

Friday, May 2, 2008

Introducing Garry Berman

JUST FOR FUN:
With GARRY's kind permission, we put together this fun little GARRY BERMAN Tribute ... for all you die-hard BEATLES Fans out there!!! Check It Out!!!

FORGOTTEN HITS Presents:
SONGS, PICTURES and STORIES
(The GARRY BERMAN Edition)





INTRODUCING GARRY BERMAN

GARRY BERMAN
Garry Berman is a lifelong Beatles fan.
He has been a regular contributor to Beatlefan magazine and is the author of
Best of the Britcoms: From Fawlty Towers to Absolutely Fabulous.
He currently lives in Westampton, New Jersey.
"I was born in New Jersey and I make no apologies for it."
He says that he has always been a writer of one sort or another.
"Although I've been fortunate enough to have had two books published,
much of my humorous fiction has, until now, only been seen by the good folks at Kinko's."
He has written four comedy screenplays,
all of which have found a permanent home in his desk drawer
(the last being Roland's Gang,
which won an Honorable Mention in the Writer's Digest Annual Writing Competition).
Comedy has always been one of his passions.
Music has always been an important part of Garry's life
(and the Beatles in particular have always meant the most to him.)
He's a bit of a world traveler.
Travel destinations have included, first and foremost, Great Britain.
He has been to England and / or Scotland a total of seven times
(and even dipped into Wales on one trip.)
Other visits include:
The Netherlands (twice), Switzerland, Italy, Israel, and Puerto Rico (thrice).
Memorable U.S. trips include the states of California, Arizona, and Florida.


VITAL STATS:
Date Of Birth: 4/19/61
Place Of Birth: Paterson, New Jersey
Hair: salt & pepper (better than none at all)
Eyes: two
Height: 5'10" (since 1979)
Weight: a bit more than necessary
Favorite Beatle: can't say!
Favorite Beatle Song: "Strawberry Fields Forever"
Favorite Beatle Album: "Abbey Road"
Favorite Beatles Memory: too many!
Most Treasured Beatles Possession: scrapbook mentioned in my book's intro.
Favorite Food: edible
Favorite Actor: Humphrey Bogart
Favorite Actress: Meryl Streep
Favorite Movie: Local Hero
Favorite Singer: Basia
Favorite Television Series (Current): U.S.: "Desperate Housewives," "ER";
UK: "EastEnders" "Dr. Who"
Favorite Television Series (All-Time): Comedy: " 'Allo, 'Allo!", "Monty Python's Flying Circus" (plus too many Honorable Mentions to honorably mention);
Drama: "The Twilight Zone", "Columbo"
If I Couldn't Be An Author, Then I'd Like To Be: a comedy writer
You Might Be Surprised To Find Out That I: have friends

Kent ~ I had to laugh when I first saw how you (creatively) raided my web site. I think you're one of the few people on Earth who has actually visited it! I'm flattered that you've taken the time and effort to go this extra mile -- well, an extra few hundred yards, anyway. Thanks again! -- Garry Berman

No problem, GARRY ... I really enjoyed the book ... and know that OTHERS will, too ... so I'm happy to do it. And who knows, maybe they'll find your information on MY website since they seem to be ignoring yours!!! (lol)

Thursday, May 1, 2008

We're Going To See The Beatles!

The Forgotten Hits Interview with Garry Berman
(regarding his new book "We're Going To See The Beatles!")

A few weeks ago we mentioned a brand new BEATLES book that's out on the market called WE'RE GOING TO SEE THE BEATLES! It's described as "An Oral History Of Beatlemania As Told By The Fans Who Were There" ... and it makes for a VERY interesting, first-hand account by 40-plus "First Generation" BEATLES fans who were THERE back in late 1963 / early 1964 (and beyond) when BEATLEMANIA took America by storm. Author GARRY BERMAN has collected all of these first-hand memories and remembrances and put them all together in his new book. For the most part, he keeps his own memories and opinions to himself, preferring instead to let the fans who were THERE at the time, caught up in the moment and experiencing the "MANIA" first hand, tell the story. (BERMAN moves things along by taking on almost a "narrator's" role, introducing each phase of THE BEATLES' well-documented career, with more of a "Tour Guide" approach. He ties each chapter around comments from the fans who were truly living in the moment of BEATLEMANIA.) It's a FASCINATING look into what life was like back then, discovering the phenomena that NOBODY could have EVER foreseen would last (and continue to flourish) for SO many generations to come.

Today he joins us here in FORGOTTEN HITS to share some of his OWN experiences ... not only with what it was like putting together this "must have" book and hearing all of these fascinating recollections but also reflecting back on what THE BEATLES have meant to each and every one of us. (As is SO often my way, in addition to conducting the interview, I'll be sharing some of MY BEATLES Memories along the way, too!!!) We hope you enjoy our FORGOTTEN HITS / GARRY BERMAN Interview.
FORGOTTEN HITS: Hi Garry!!! First off, I want to say that I REALLY enjoyed your book. It was interesting to hear some of these "First Hand" accounts of what it was like to experience the earliest days of BEATLEMANIA as it first hit our shores in early 1964.

KENT KOTAL: Although I was only ten years old at the time, I remember VIVIDLY seeing THE BEATLES perform on THE ED SULLIVAN SHOW that fateful night back in February of '64 and seeing the impact it had on the girls in my third grade class the very next day!!! In fact, back then ... when barber shops were still open on Mondays ... my Dad took us three boys for haircuts the following day and the joking banter that afternoon was all about whether or not to give us kids "BEATLE Haircuts" or not!!! So obviously, their appearance had an IMMEDIATE effect on people of ALL ages. Youngsters on the list need to keep in mind that back in February of 1964, we only had THREE television channels ... and back then the ENTIRE family watched programs like THE ED SULLIVAN SHOW together on a Sunday Night because that's just what we did!!!

FH: Early on you acknowledge the fact that you were not an IMMEDIATE "First Generation" BEATLES fan when America first became aware of THE FAB FOUR in early 1964. (Having been born in 1961, that's COMPLETELY understandable ... and even the most RAMPANT BEATLE Fans on our list will forgive you coming around to appreciate The Music of THE BEATLES a little later in life!!! lol) What are some of your earliest recollections of THE BEATLES? Did you have older brothers or sisters who were playing this music around the house or did you pretty much come to discover it on your own?
GARRY BERMAN: My earliest recollections of the Beatles, as I mentioned in my introduction to the book, is dancing as a toddler to their songs playing on a portable record player in my family's basement. I have older brothers who got caught up, to varying degrees, in Beatlemania, so Beatles music was in my life from my earliest memory. A few years later, I remember listening to 8-track tapes of "Magical Mystery Tour" and "Let It Be" in my father's car (that was back when 8-tracks were considered a remarkable innovation!). So, my love of the Beatles has been constant and growing from my childhood onward.

FH: You mention in the book a particular turning point in your life that piqued your interest in reading and hearing more about what it was like to experience early BEATLEMANIA. Can you cover that again for some of our readers who may not have seen your book yet?
GB: Back in the late '80s or early 90s, my parents returned from an antique-hunting trip in New York State with a gift or two for me. One was a scrapbook which was lovingly assembled by a teenage girl in Massachusetts during the height of the Beatlemania years. She didn't miss much -- she carefully glued every newspaper and magazine article and photo of the Beatles she could find onto the black construction paper pages. I could tell how the Beatles had totally taken over her life! I'm very happy to have that scrapbook now. It's a tangible, personal example of how the Beatles affected teenagers during that time.

FH: Is this a book that's been in the works for quite some time ... and by "in the works", I mean even in the back of your mind? Obviously, this must have taken a fair amount of time to collect all of these first-hand memories!
GB: I had the idea to do this book several years ago, but my agent at the time wasn't terribly interested. So, without his support, I had to pretty much put it on the back burner. We eventually parted company. When I later decided to contribute an article to "Beatlefan" magazine commemorating the 40th anniversary of the first Shea Stadium concert, I printed up a flier and distributed it at the Beatlefest that year, hoping to find anyone who had attended the concert. A friend of JoAnne McCormack's saw it and told her about it (JoAnne lives in Florida), and JoAnne sent me an e-mail enthusiastically offering her recollections. I then found Debbie Levitt, who was also at the concert, and who, during our conversation, triggered my dormant idea of expanding the article into a real book.

FH: When all was said and done, you were able to round up an INCREDIBLE list of contributors for this tome. In all, 40-some first generation fans came on board to share their memories of the mania. How did you first go about rounding up this group of first-handers?
GB: I found the contributors to the book using a variety of means. I began on the Internet (of course), finding message boards and web sites dedicated to the Beatles on which people offered their own memories. I still had to track down each person who interested me, so I could talk to them directly. It took a bit of detective work, and I ran into a few dead-ends along the way. And, dealing with so many female names, I knew that in most cases they would be using their married names now. I also went to libraries to look through microfilm from '64-'66 of newspapers in cities that had hosted Beatles concerts. To my amazement, I discovered that it was commonplace at that time for newspapers to actually print the full names and street addresses (or at least hometowns) of the fans interviewed for the articles! So it was back to the on-line White Pages to see if anyone with the same family name was still living at the address given in the articles over 40 years ago. In many instances, they were! I would then send a letter, and perhaps a copy of the original article, asking if the family member in question could contact me for a phone interview. The scrapbook I mentioned came in handy that way, too. I found some of the contributors, such as Janet Lessard and Kathy Albinder, via articles pasted onto those pages. I'll never forget the amazing feeling of sitting at my computer, looking down at the yellowing articles in the scrapbook on my lap, and then looking up at White Pages site on the computer screen to see the same family name listed at the same address. It was like experiencing two time dimensions sharing the same cosmic space at the same time!

FH: Virtually ALL of these people were fortunate enough to see THE BEATLES perform at any number of the stops on their U.S. tours ... you were even able to find JO ANN McCORMACK, whose face was prominently displayed as one of the screaming fans at their first SHEA STADIUM Concert. (Preserved for ALL posterity in the posters and concert film!!!) SHAUN WEISS started out as a BEATLES fan and then got to meet and work with THE FAB FOUR for APPLE RECORDS ... as you point out, he may be the ONLY living person who attended not only their first live appearance on THE ED SULLIVAN SHOW but also their infamous, impromptu rooftop concert filmed for the movie LET IT BE. LINDA BINNS LILES who is seen on the DVD of THE BEATLES FIRST VISIT TO AMERICA sitting with and talking to RINGO STARR on the train. How on earth did you track down all these people?
GB: Well, as I mentioned, I found a good number of these through Beatles Message Boards and old newspaper articles. After that it became Beatles Networking ... once I met a few of these people, some of them were able to put me in contact with other fans they had met over the years who had also shared in the first-hand experience of Beatlemania. It's probably a tad more accurate to say that only about a half-dozen or so of the 40+ contributors already knew each other before speaking with me; some of their friendships go back to childhood, others became friends later in their lives. By the way, it was only a happy coincidence that JoAnne mentioned her appearance in the official Shea concert film. It was a real hoot seeing her screaming like crazy in several shots throughout the film.

FH: I was surprised to hear that a couple of people on The FORGOTTEN HITS List were interviewed for your book. (The list has grown to the point now where I honestly don't know who is and isn't on it anymore!!! lol) Over what period of time did you collect these reminisces ... was most of this done via email or phone conversations or live, in-person interviews? You clearly rekindled some of the HAPPIEST days of these people's lives by giving them the chance to tell the story of seeing THE BEATLES one more time!
GB: Out of the 42 contributors to the book, 2 sent me their contributions via e-mail, but I interviewed all of the others by phone and transcribed our conversations word-for-word, then carefully arranged all of their comments and stories chronologically, so they are basically telling the history of Beatlemania straight through. I'm pleased that many pages flow as if they were all in the same room at the same time, taking turns to speak about the subject at hand. But I only interviewed one at a time -- although some of the contributors do know each other. Barbara Allen was the first contributor whom I met in person, since we live within driving distance of each other. But for this most recent Beatlefest in New Jersey, Fest producer Mark Lapidos, my agent, and I arranged to invite several of the book contributors to take part in panel discussions throughout the weekend, so fans could hear them relate their stories in person (JoAnne McCormack, Shaun Weiss, and Linda Binns Liles were among those who took part). They all got along great, posed for pictures together, exchanged numbers & addresses, etc. I'm probably most proud of having found Linda Binns Liles, the "girl on the train" as I sometimes refer to her. The Maysles Brothers documentary of the Beatles' first visit to the U.S. has often been shown at Beatlefest (I have to call it Beatlefest, out of habit, and also because it's so much easier to type than "The Fest For Beatles Fans").

FH: WE still call if BEATLEFEST, too ... that's what it was known as for SO many years when we faithfully attended every Chicagoland appearance. Honestly, I don't know WHY he changed it!!!
GB: Many times I'd hear people in the audience watching the footage of Linda meeting and talking with each Beatle on the train from New York to D.C., and saying, "that girl was so lucky! I wonder whatever happened to her!" I often wondered that myself. Well, out of another combination of luck and detective work, I was delighted to finally find Linda. To my surprise, she said she hasn't been asked about her experience as much as I would have guessed, so she was happy to give me such a detailed account. I found Shaun Weiss on an on-line message board, and knew that I HAD to talk with him, considering his history. His father, Nat Weiss, was Brian Epstein's business associate and attorney for the Beatles' American interests.

FH: Thanks to your book, we hear from girls who stampeded the airport, snuck into the hotels where THE BEATLES were staying, sat through repeated viewings of A HARD DAY'S NIGHT, watched (or were present) at their appearances on THE ED SULLIVAN SHOW and then, later, in concert. What were some of YOUR favorite stories told by these first-hand fans?

GB: I have so many favorite stories told by the contributors, it's difficult to pick out just a few ... JoAnne's "Pope Story" stands out: She was on her way to her Catholic school in New York with her friends on the bus when the subject turned to the school's plans for a field trip to see the Pope during his visit. JoAnne declared, "I'd rather see the Beatles than see the Pope!" A woman overheard her and reported her to the school principal, who was not amused by the blasphemy. Joanne stood by her comment, despite the danger of being reprimanded, and having her parents called in! Other stories involve creative attempts by fans to get as close to the Beatles as possible in hotels, press conferences, etc. But I don't want to give too much away!

FH: No, we certainly don't want to do that ... we want people to go out and BUY a copy of this book so that they can experience the joy of reliving some of these memories themselves!!! And we've ALL got some!!!

KK: Reading JOANNE's "Pope Story" I couldn't help but wonder if perhaps SHE was the inspiration for JOHN LENNON's infamous "THE BEATLES ARE MORE POPULAR THAN JESUS CHRIST" comment years later!!! (lol) The plain and simple truth is, they WERE!!! The kids of 1964-1966 were turning to THE BEATLES, Pop Music and Pop Culture more than they were to the church ... and MOST would have blown off the opportunity to see THE POPE or attend a church service in favor of a live BEATLES concert ... (or even a BEATLES party!!!)
Early on it wasn't "cool" for the boys to like THE BEATLES ... but I clearly remember buying both I WANT TO HOLD YOUR HAND and SHE LOVES YOU on the same day and literally wearing out both sides of these records because I couldn't decide which song was my favorite. (By the way, we recently did an online poll asking music lovers to name their ALL-TIME FAVORITE, FORGOTTEN B-SIDE. In order to qualify, it had to be a record that DIDN'T chart in The National Top 40 on its own. When all was said and done, over 63,000 votes were cast ... and the hands-down winner was I'LL GET YOU, flipside of SHE LOVES YOU!!! You can find the complete list of THE TOP 200 FAVORITE, FORGOTTEN B-SIDES on The FORGOTTEN HITS Web Page at www.forgottenhits.com.) Shortly thereafter, I picked up their first U.S. L.P., MEET THE BEATLES, and played it till the wax came out of the grooves and stuck to my needle!!! I clearly remember walking home from school with a group of four girls (who were absolutely MAD for THE BEATLES) and calling out my requests along the way: "OK, now sing ALL I'VE GOTTA DO" and, as soon as that was done, "OK, how about ALL MY LOVIN'" to which the girls sang track for track EVERY song off the new LP, already knowing all the words by heart.

FH: You were able to line up a couple of VERY impressive guests to write the forward to your book ... SID BERNSTEIN, the U.S. Concert Promoter who booked THE BEATLES for their first U.S. concert appearances, including the then unimaginable performances at CARNEGIE HALL and, later, the legendary SHEA STADIUM Concert ... and MARK LAPIDOS, FOUNDER of BEATLEFEST (now known as THE FEST FOR BEATLE FANS) ... these are a couple of very high-profile, BEATLE-connected acquaintances and fans!!! How were you able to get copies of your book to these guys ... and did you have the opportunity to talk with them one-on-one?
GB: I attended my first Beatlefest in New York in 1978, at the old Statler Hilton. I was only a junior in high school, so I pleaded with my parents to drive me into the city so I could spend a few hours at the event (we lived in New Jersey, only 10 miles from NYC). I was overwhelmed. I told my Beatle friends all about it, and the following year, with the Fest being held at the Americana, we chipped in for a room so we wouldn't miss a minute of it. This past Fest marked my 30th consecutive year attending, so Fest producer Mark Lapidos and I had gotten to know each other a bit through the years. He was happy to work on his preface with me, and then recommended that I talk with his friend (and music business legend) Sid Bernstein, whom I spoke with, and then shaped our talk into his own piece to lead off the book.

FH: SID BERNSTEIN reveals (in his segment) the truth behind an often-repeated story, presented as evidence that BEATLEMANIA was waning by the time THE BEATLES returned to SHEA STADIUM in 1966, amidst public record-burnings due to JOHN LENNON's comment about THE BEATLES being more popular than JESUS CHRIST. Much has been made about the fact that THE BEATLES did not sell out SHEA STADIUM that night ... and that as many as 11,000 seats may have been empty. Would you like to relate the truth behind THAT story for our readers?
GB: Sid told me how he made a deal with a Singer sewing machine store in Rockefeller Center to sell tickets there for the Beatles' Shea concert in 1966. Sid and his babysitters counted off thousands of tickets into shoe boxes to bring to the store. Sometime after the concert took place he discovered several undelivered boxes of tickets in his apartment -- which explains why some sections of Shea stadium had empty seats for the concert!

FH: Did you KNOW this prior to your conversation with SID BERNSTEIN? That's a pretty amazing and revealing fact to come out all these years later ... and I, for one, had never heard that story before!!!
GB: As for Sid Bernstein's story about the "missing" tickets, after he related it to me, he added that he doesn't think he had ever told anyone about that before. I don't have the book that he wrote a few years back, so I can't say if he included the story there, but it's obviously not a well-known anecdote.

FH: And, obviously, one more fascinating and revealing anecdote you'll find in GARRY's new book, WE'RE GOING TO SEE THE BEATLES!

KK: I remember wanting to see A HARD DAY'S NIGHT when it first came out in theaters ... and my parents refusing to take me because they had read about the sheer pandemonium that was going on inside the movie theaters. As such, I had to see it for the very first time at the DRIVE-IN!!!!! I'll never forget the experience of listening to all this great, new BEATLES music through this tiny, tinny little speaker propped up in my Dad's window!!! NOT the proper way to view and appreciate this film!!!
One more quick personal story and observation ... I have to admit that BEATLEMANIA quickly bit The KOTAL Boys, too ... all three of us ended up picking up musical instruments ... guitars, bass, piano, drums ... and playing in various bands over the years. Early on, we'd mime to the records strumming imaginary guitars and shaking our heads so vigorously that we'd have to lie down with headaches afterwards!!! ... eventually graduating to strumming rakes and shovels, then cheapie plastic or inflatable guitars, followed by almost as cheap SEARS and Japanese models, before finally graduating to the real thing. Early on, we thought GEORGE HARRISON looked JUST like BUD BEHER, one of my Dad's coworkers (which will mean absolutely NOTHING to anyone other than my brothers who may be reading this!!! lol), with longer hair, and, in 1965, in one of the most TRAUMATIC days of my youth, I was actually invited to see THE BEATLES perform LIVE at COMISKEY PARK!!! We were visiting my cousins in Deerfield, Illinois, some 35 miles from where we lived at the time, and they announced that they had ONE extra tickets to see THE BEATLES perform the next day. They invited me to stay over night at their house and then take me to the concert ... all my Dad had to do was drive back and pick me up the following day. I remember smiling from ear to ear and literally jumping up and down at the prospect of seeing THE BEATLES perform live ... but my Dad put the kabosh on that, saying that it was just too far to drive back round-trip the next day. As far as I know, the extra ticket was never even used!!! (Talk about emotional scars ... that day ranks right up there with the time he burned my comic book collection!!!)

FH: I'm sure that you heard LOTS of stories like mine during the course of putting together your book ... how did you react to some of these ... were you at all surprised by the PASSION that still exists in some of these fans as they recounted these early days? Certainly the chance to speak with you and tell these stories again ... knowing that fellow BEATLES Fans all over the world would soon be reading them ... must have sparked and ignited this passion all over again with many of your interviewees ... EVERYBODY likes to "go back" to a happier, more innocent (and less responsible) time!!!
GB: I was somewhat surprised, but pleasantly so, by the strong passion that most of the book contributors still feel when recounting their years as teenage Beatles fans. As I've said, with some of them the Beatles have been a constant presence and source of great happiness in their lives ever since the initial "invasion." Others may have "outgrown" their Beatles fanaticism in the intervening years, but their memories are still vivid, and I could definitely hear that original excitement in their voices as they told me what it was like to experience Beatlemania firsthand. As for those contributors who were forbidden to attend a Beatles concert or film event for whatever reasons (frightened or disapproving parents, in most cases), I'd venture to say there is a bit of residual resentment, but as those contributors say, there was really no way to know at that time, what the special significance of seeing the Beatles in concert would become. I hope they've since come to terms with it!

KK: I think my own feelings may have actually been somewhat amplified over the years of realizing what a truly important event I missed that weekend. Nothing we can do about it, of course ... but, in my case anyway, it truly WAS a "Once In A Lifetime" opportunity. Over the years, I was fortunate enough to see PAUL, GEORGE and RINGO perform live in concert ... JOHN simply never came out this way (and didn't do many live shows.) But it's not quite the same of seeing all four BEATLES at the absolute HEIGHT of BEATLEMANIA.

FH: In my earlier assessment of your book, I called it "the perfect companion piece to BRUCE SPIZER's THE BEATLES ARE COMING!" Any thoughts on this? BRUCE has become recognized as one of the elite, most complete historians when it comes to THE BEATLES and their record releases ... did you have the chance to talk with him when you were working on your book? Was his book a valuable point of reference for you, regarding documenting dates and appearances ... and some of the memorabilia that went along with these early tours? (BRUCE has been a member of The FORGOTTEN HITS List for quite some time now and, in fact, he paid thanks to us in his book, THE BEATLES ARE COMING!, for our series spotlighting WHO PLAYED THE FIRST BEATLES RECORD IN AMERICA, which is ALSO available on The FORGOTTEN HITS Website:
www.forgottenhits.com).
GB: Bruce Spizer's "The Beatles Are Coming!" is on my Beatles bookshelf, and it did prove extremely valuable while I was preparing my book (as I noted in the bibliography). I spoke with him and exchanged e-mails on occasion, when I needed a fine historical point either confirmed or elaborated upon. And, of course, we're both regulars at Beatlefest.

KK: The reason I consider these two books to be perfect companion pieces is this ... BRUCE SPIZER's book documents the entire first visit of THE BEATLES to America ... but more from a strictly HISTORICAL point of view. There are all kinds of facts and figures down to some of the most minute details. Quite honestly, it's my FAVORITE of his in a long series of BEATLES reference manuals because it DOES take more of a "You Are There" approach to things. GARRY BERMAN's book, on the other hand, features the first-hand accounts of some of the kids who actually WERE there ... and BERMAN does an EXCELLENT job of getting these people to relive their experiences ... one cannot help but feel all of the excitement and emotion that was tied to this VERY important and significant part of their lives.

FH: As a latter-day fan, have you accumulated a pretty substantial BEATLES memorabilia collection of your own? Do you go to the BEATLEFESTS and Collectors' Record Shows? Is there some particular piece that YOU'VE been looking for that you haven't yet been able to get your hands on?
GB: As a Beatles memorabilia collector, I must say that I'm a sort of middle-of-the-road. I've never had the budget to go for the more highly valued items, but I do have a trunk full of magazines, picture sleeve 45s, books, buttons, photos, posters, etc., and perhaps a few hard-to-find items as well.

FH: Have you heard anything about this recently discovered pristine box of BEATLES Butcher Cover albums ... I want to say it was a complete box of 25 or 50 LPs that was set aside by the LIVINGSTON family back in 1966 ... suddenly there are absolutely MINT, sealed copies of this rare album available on the auction block!!!
GB: I've heard many stories about sealed, original first-pressing Butcher covers that, when sold, would have easily put the seller's children through college with change to spare. In 1990, I produced and hosted a half-hour show about Beatlefest for local cable TV, and I interviewed a vender from L.A. who specialized in Butcher covers, and who had a lot of stories about boxes of them that had been put away at the time and of their astronomical value now!

FH: Will you be appearing at any of THE FESTS FOR BEATLE FANS this year in an effort to promote your book? This will be a GREAT opportunity to mingle with some of the elite / elite who've been covering THE FAB FOUR now four years ... and a chance to meet even MORE fans who may have first hand accounts of having seen THE BEATLES during that first go-round ... which, I guess, leads to the next obvious question: any plans for a sequel? (Certainly once word gets out about what you've already done, I can see a number of fans wanting to contact you to tell their stories ... how might some of these first-handers get in touch with you? And is there a website of choice that you've set up to order copies of the book? Are you, by chance, offering autographed copies?
GB: As I mentioned, I attended the New York area Fest in late March, and had the chance to meet many of my book's contributors, as well as other authors. I've been asked to consider attending the Chicago Fest this summer, but whether or not I will be able remains to be seen. Martin Lewis, who moderated an authors' discussion at the March Fest, suggested to me that I consider assembling a similar book of memories, but gathering stories from Beatles fans who were behind the Iron Curtain during the '60s. On stage, he jokingly commissioned me to do it. I've been pondering the idea, but we'll see. As for how one might go about picking up a copy of my book, I have a "We're Going See The Beatles" page on my website, with a link to Amazon.com for ordering the book, but at the moment, my site is not quite as up-to-date as I'd like it to be. Readers who are interested in ordering the book can do so just as easily by going to Amazon.com, Borders.com, or BarnesandNoble.com.

FH: Well, if you DO end up coming to the Chicagoland BEATLEFEST this year, be sure to let us know so that we can stop by and say hello!
Finally, there is one other point that I would like to address before we say goodbye. Much has been made over the years about how BADLY America NEEDED something like THE BEATLES to come along at the time that they did. We had just suffered through the KENNEDY assassination ... music was starting to get stale again (recent #1 Records included THERE! I'VE SAID IT AGAIN by BOBBY VINTON and, incredibly, DOMINIQUE by THE SINGING NUN!!!) ... the argument has been made that this (coupled with CAPITOL RECORDS' million dollar advertising campaign) made for the PERFECT opportunity for THE BEATLES to take off and have the impact that they did. While all of these circumstances may, in fact, be true, this theory GREATLY diminishes and discounts the TREMENDOUS impact that THE BEATLES CONTINUED to have ... and the fact that their music has stood the test of time ... and will continue to be a VITAL part of our culture long after all of us are gone. Keep in mind, they were already playing to screaming, sell-out crowds all over Europe before they ever came to America ... and even some of the girls interviewed in your book best described their screaming as almost a chain reaction, "out of body" experience ... they literally could not stop themselves. Now that you've had a chance to hear so many of these "first hand" stories about how THE BEATLES affected their lives ... and, with the benefit of 40+ years of hindsight ... why do YOU think THE BEATLES made the initial impact that they did?

GB: Your question about why I think the Beatles made the impact they did at that specific point in time is a good one! First of all, it is not a unanimous opinion that the Kennedy assassination had a direct correlation to the outburst of Beatlemania in early '64. I think that line of thinking has become a tired cliche through the years. It's true that the Beatles were already enormously popular in Britain and Europe. So, I think the events as they happened would have happened even if Kennedy had not been assassinated. There is no real reason to assume otherwise. American music was in a bit of a creative rut, teenagers were hoping to hear something new and exciting -- and even those not actively searching were positively jolted by hearing the first few Beatles singles -- and the sheer talent and charisma of the Beatles themselves made their success pretty much inevitable (easy to say with hindsight, I realize). The ironic thing to me is that the frenzy of Beatlemania took place BEFORE the Beatles created their best music! But as book contributor Debbie Levitt pointed out, they needed to do "She Loves You" and "I Want To Hold Your Hand" before they could do their later, more sophisticated songs. It was a stunning progression over a relatively short period of time.

FH: GARRY, thanks so much for joining us here today ... I really appreciate it and I have to tell you one last time that I really enjoyed the book. I believe that anybody who was there at the time will find it fascinating reading ... and anyone else who was maybe too young ... or not even born at the time ... who finds it hard to believe that BEATLEMANIA was as crazy as it's been made out to be ... would do well to pick up a copy of WE'RE GOING TO SEE THE BEATLES! ... and watch some of this old video that we've talked about to see JUST how crazy things really were.
GB: Kent ... Thanks for a great set of questions and for giving me a chance to talk with your Forgotten Hits Readers about my new book.


NOTE TO ALL THE DEEJAYS ON THE LIST:
Wanna have GARRY BERMAN on YOUR program to talk about his new book,
WE'RE GOING TO SEE THE BEATLES! ??? Drop us a line and we'll be glad to help you set something up. Be sure to check back to The FORGOTTEN HITS Blog Page tomorrow for MORE on GARRY BERMAN!!!