Tuesday, May 6, 2014

More Concert Reviews: MICKY DOLENZ and THE COWSILLS

Thanks to the kindness of Ron Onesti and Onesti Entertainment, we were able to send five lucky winners to The Arcada this past Friday Night to see Micky Dolenz of The Monkees with The Cowsills. 

There wasn't a concert I was looking more forward to this Spring than this one ... but as things timed out we were unable to go.  (All cards on the table, I wouldn't have missed our Friday Night for the world ... Youngest Daughter Paige starred in the lead role of Belle in her final High School Musical Production  of "Beauty And The Beast" ... and it was nothing short of outstanding.  A stellar performance through and through ... and with Prom the very next night let's just say that we were hopping all weekend!!!) 

So, please allow US to live vicariously through these reviews as well.  (From the sounds of things, Ron REALLY needs to bring The Cowsills back ... GLOWING reviews across the boards for this one!!!  Plus I really wanna see 'em, too!!!)



Thank you, Kent, for the Forgotten Hits tickets to the Mickey Dolenz / Cowsills concert! 
It was my first visit to the Arcada Theater. Either the seats became narrower, or I've gotten wider ... guess which! 
I had heard a few takes on the sound system, so I'll give my opinion. The venue could benefit from adding more speakers to the areas on both sides of the stage, and although I couldn't see the subwoofers, possibly there as well. The opening act was muddy on the low end, the bass being undefinable. By the time the headliner was on, the engineer had it backed off and dialed in as well as possible. But there was simply not enough "sonic space" to allow for great reproduction of the drums, bass, and vocals at the same time. The Cowsills keyboards were generally not audible. On to the performance. 
The Cowsills were a very pleasant surprise! The original three vocalists were terrific. Simply put, excellent singers. Most notably Susan Cowsill. The backing band is all family ... sons, husband, etc. Their choice of material was great ... "You Were On My Mind", "Monday Monday", a couple of more obscure folk tunes ... but we didn't mind because they were perfect for the moment ... and rendered so professionally. And of course, all the hits and charted numbers the band had back in the day. I have to admit that I enjoyed the Cowsills more than Micky's set, the reason being the strongest vocal work ... plus, the Cowsills seemed to have the energy and spirit going for them. They really were having fun, and we knew it. I believe that comes from their relatively recent formation of this touring band. It was fresh for them.  
By the time Micky Dolenz came on, a couple of hundred fans were still in the long hall outside the seating, waiting to meet the Cowsills. And it didn't appear to be a sold out performance to begin with, so there were quite a few empty seats ... and I think the Dolenz crew were a little disappointed. But that didn't stop any of them from performing as the pros they are. Micky's backing band was very good, the highlights being his sister CoCo on vocals, a young lady on second keyboard who also played a mean sax, and his bandleader guitarist, who had excellent tone! Micky himself is absolutely a better vocalist and showman than he was as a young man. He hasn't lowered the keys of any of the material, and he only had a problem with Pleasant Valley Sunday at the tail end ... which any normal human would! His choice of covers were all linked to a personal story he shared ... "Oh Darlin'", "Purple Haze", "Johnny B Goode" ... mildly entertaining. Micky left the stage twice to allow Coco to do a solo vocal, which she did very well, each time saying he was leaving to get a lobotomy ... and when he returned he said it was successful and he could now do another song or two. That comment wasn't lost on us, as you knew he was tired of performing the songs for the millionth time. Although the Monkees allowed him to make a comfortable living, as an artist I'm sure there are times you wish you could move on. 
So all in all, an entertaining evening. I probably wouldn't see Micky again at today's ticket prices, but I'd make every effort to see the Cowsills again. And you should, too ... if you love 60's music like I do, you won't regret it!  
Woody Johnson  

First of all, thank you, and thank Mr. Arcada a million for those tickets. I'm so happy I could go ... it was worth only getting a little bit of sleep. Mitch loved it, too!! 
I'm surprised at how many Cowsills songs I actually know. I was expecting to know about two. Yeah, they did some covers (and did them QUITE well) but I was so pleasantly surprised by them. I have to say ... and you know what a huge statement this is for me to make ... they were better than Micky. *gasp*!!! 
Here's their set list with a few comments: 
- The Rain, The Park And Other Things -- GREAT way to open the show. Their harmonies were flawless.  
- You Were On My Mind (We Five) -- Susan, while she looked a little uncomfortable, nailed it. 
- I Miss You Most of All 
- Deliver Me    
- We Can Fly 
- The Boxer (Simon and Garfunkel) -- really very well done. I was so pleased. 
- Indian Lake -- complete with brother Paul's extremely spastic, hand over the mouth "Indian holler". That dude is one serious spazz!
- Be My Baby -- Still not minding all these covers. They treated them perfectly.
- If I Had My Way
- Helplessly Hoping (Crosby, Stills and Nash) -- this was a surprise. I could have done without this one, but again ... so well done. 
- Monday, Monday -- haha, this one took the wind out of all three of them. Such a hard song to maintain, but they did it
- I Believe In You
- Love American Style -- I NEVER KNEW THE COWSILLS WROTE THIS SONG!!!!!!!!!!! How did I live my entire life not knowing this???? I think this made me the most excited of the whole show!  My son Mitch was laughing at me!
- I Think I Love You -- How could they not do this song? 
- Hair -- I really appreciate their version most of all because it's so much like the original Broadway recording. As it turns out, per their story, they were given the original Broadway recording and told to learn it, so they did. And it was a big hit for them.    
They were adorable, they were down to earth, they are in extremely good voice. I was sorry to learn about them losing two of their brothers pretty much at the same time, one in hurricane Katrina. I wiki'd this, and he (Barry) was found floating in water. He'd had his name and either number or address (I can't remember which) written on a piece of paper, stuck in his pocket. He must have known he wasn't going to make it. Terribly sad story. 
Brother Paul ... my god, what a tall, hyper drink of water he is. He fell of his chair, twice, during the Q&A. They don't seem to notice so much, I'm sure they're used to it.  (lol)
So then ... the moment I've been waiting for my whole life ... that I've seen quite a number of times now. Micky Dolenz. We were sure we were going to hear many of his original songs, but he didn't do one of them. They were mostly Monkees songs with a few covers thrown in there. 
I'm sorry to say, his voice has pretty much lost it. He either scooped the notes too much, or he syncopated them too much. On only two songs did I notice that he was really singing. He's got the volume and the projection, just not able to sustain notes, pretty much at all. It was still a cool show, and I'm so glad my boy could finally see it. I felt so guilty seeing the Davy memorial tour without him. 
Here's the weird thing ... and I might have missed the explanation for this, as I had to go to the bathroom: He opened AND closed the show with I'm a Believer. I found that to be really odd. Of that enormous library to choose from, he does he do the same song twice?? 
I told my son, word for word ahead of time, how the Jimi-Hendrix-opening-for-the-Monkees story was gonna go, and I was totally accurate. One nice surprise was sister Coco doing Mike Nesmith's "Different Drum". 
Here's his set list:
I'm a Believer
Steppin' Stone
That Was Then, This is Now
She
Words (Mitch seemed VERY excited to hear this one) This was one of the ones he seemed to really be singing. 
Sometime in the Morning
DW Washburn
Last Train to Clarksville
Johnny Be Good -- there was a story attached to this, and now I can't remember it
*Purple Haze / Hendrix Story* ... into the rest of Purple Haze
Crying in the Rain
Different Drum
Daydream Believer
A Little Bit Me, A Little Bit You. Mitch and I both LOVE this song ... this was exciting!
Sugar Sugar ... odd choice
Oh Darlin' ... after an amusing story about meeting the Beatles and being called "monkey man" by Lennon. The band was super good on this one. 
Goin' Down ... meh. Big meh ... but he did that little dance ... and that tickled me greatly!
White Rabbit -- sister Coco again
Pleasant Valley Sunday ... also "meh"
Gimme Some Lovin' ... loved it, but too many covers at this point
I'm a Believer ... again. 
So I get in my car this morning to get to my job, and when the radio came on, it was the Cowsills' Rain, Park andOther Things. Thank you satellite radio!!!!!
We stayed for only part of the Q&A.  I'm working two jobs right now and it was a long drive home. So we cut out of there when I noticed that there were big lines at the mic after just one question. Micky was, as always, charming and witty. It was very gracious of him to sit down and take, what I assumed to be, a ton of questions. Mr. Arcada (Onesti??) seemed to be truly a fan and not just a music business man. That's always nice to see. And he was a really good host. It was a super night, and Mitch and I very much want to go back for Peter Noone and Jay & the Americans. (Mitch has played with members of J&TA before). So thanks again!! I loved it!! And I loved sharing it with my rock-god son.
Kristy White  



Had a wonderful time.  I thought the Cowsill's were there to truly entertain and meet their fans.  We all know they really only had three major hits, and they didn't disappoint by performing those. They led off with The Rain, The Park and Other Things and it sounded wonderful.  (20 second film clip attached) 
Micky Dolenz was fine as well, but being a true Monkee fan, I was hoping for more Monkee hits. I guess I will have to save that for my box seats I already purchased for May 31st at Star Plaza when Michael and Peter will join Mickey.  (If you decide to go to that show, please text me ... I would love to meet you and say hello!) 
Song List for Cowsills in order:  
EDITOR'S NOTE:  Same as shown above but I've listed Bob's personal comments where applicable    
We Can Fly (also as noted done by Al Hirt and Lawrence Welk )  
If I Had My Way  (originally done by Peter, Paul and Mary) Helplessly Hoping  (Beautiful acoustic version by the three original members of Cowsills)  
Just Believin - written by Susan Cowsill  
Love American Style - from the tv series 
Songlist for Mickey Dolenz
Johnny B. Goode  (as Mickey noted, this was his audition song that got him the job in The Monkees)
Crying in the Rain (tribute to Carole King from Micky's "King For A Day" album)
Different Drum (written, of course, by Michael Nesmith ... and sung by Koko Dolenz, Micky's sister
Sugar, Sugar (very Bluesy version)
Oh Darlin (Mickey was at Abbey Road to watch the Beatles record this)
I'm a Believer  - Closed with this repeated song
I was surprised that Mickey didn't perform Valleri, especially since he had quite the gifted guitar player.
The most amazing part of the evening was the Q 'n' A session Ron Onesti held with the members and fans (after the concert), who were invited to walk up to the mike and ask questions.
Micke explained the Head album, different perspectives with Michael and Peter, The Cowsills talked about how Carl Reiner invited them to do a song for his tv show to perform, and gave them the song Hair to work with ... and that Susan lost many, many valuables and keepsakes from Hurricane Katrina.
Funny story about "Gonna Buy Me A Dog" ... they were in the studio, tired and not really wanting to record such a silly song, which is why they are heard laughing and being downright silly in the recording of this.
The Cowsills spoke about the Showtime Special (If anyone has this to share to watch, I don't have access to Showtime) but they lamented about suing Universal and that they had "won" but not talking about any major windfall of money.
Thanks to Forgotten Hits for the chance to attend and to Kent Kotal!
Bob Morrow






Kent, 
Thanks again for the tickets for Micky Dolenz and the Cowsills. 
The show was presented by Ron Onesti at the Arcada Theater in St Charles, IL. Ron is on a mission to present us fans with the very best entertainment in the midwest. Ron is also a super fan of the 50s - 60s - 70s  - 80s - and 90s. There was a full house at the theater. Ron did his introduction of the Cowsills talking about their hits starting in 1965-66 and how they were the motivation behind the Partridge Family tv show and how their show was based on the Cowsills Band. I have to say it again ... Ron Onesti and the Arcada Theater in St. Charles, IL is the best music venue in the midwest.  
The Cowsills walked out looking fantastic.  They started singing The Rain and The Park. I have to say that it was like going back in time with the sound and music ... I got goose bumps. They literally, after all these years, sounded of "perfection". They played all of their hits and had lots of fun kidding each other.  They played Indian Lake, Hair and all of their other hits right up until intermission.  They had left music for over 30 years and about 10 years age they got back together for one show and they were amazed how good they sounded and had a great time. They decided to reform the Cowsills and have been back in the music industry ever since. For anyone that sees this review, do yourself a favor ... if the Cowsills come to your town, definitely go see them. You will not be disappointed. Go to Facebook Cowsills or Cowsills.com and you can hear the music and some other very interesting stuff about the band and their surprising trials and tribulations. The Cowsills lit up the stage and the way they rocked perfection, made them a hard act to follow. 
Micky Dolenz came walking out, also looking fantastic. He does not look his age (69).   I was in awe of how he looks and his physical shape. Micky has not aged since the sixties. I have seen Micky Dolenz a few times and he never disappoints. He is a true entertainer. His high energy on stage and his voice is perfect.  When he sang his first song, I'm A Believer, his voice missed the first few notes. I said to myself, oh no. He never missed another note for the whole performance.  He did sing most of the hits and the song he sang for his audition performance for The Monkees tv show, that being the Chuck Berry song Johnny Be Goode. I have to say that Micky's band was great and Micky's sister CoCo was a perfect vocal blend with Micky's.  
After the show Micky talked about how there are other versions of all of the Monkees songs by Peter, Mike, Davy and Micky. It was nice hearing Micky's telling of how at the recording by the Beatles studio sessions for Sgt Peppers Lonely Hears Club Band. John would keep calling Micky "monkey man". If you ever have the opportunity to see Micky Dolenz, definitely go. 
-- Tom Crowe  

Hi Kent, 
I so enjoyed the Cowsills and Micky Dolenz in concert Friday night at the beautiful Arcada Theatre in St. Charles!  Thanks to Forgotten Hits and Ron Onesti for a wonderful evening. 
The concert started right on time and "I knew, I knew, I knew" I liked the Cowsills, but I didn't realize how MUCH I liked them!  Wow!  They came out with so much enthusiasm, raring to go.  I could tell they were genuinely thrilled to be playing for us and opening for Micky.  
First song was the iconic "The Rain, the Park and Other Things", which they nailed.  It sounded exactly like it did in 1967.  Their harmonies were perfect.  The band consists of the three Cowsill siblings, Bob , Susan and Paul.  Susan's husband plays the drums and two of the Cowsill children play guitar and keyboards.  Their energy was contagious and they had the crowd on their feet, singing along.  Next was the We Five classic "You Were On My Mind", followed by Deliver Me, We Can Fly, Simon and Garfunkle's The Boxer and Indian Lake.  Susan then sang, Be My Baby, and this was followed by a few folk songs, which they said was their true roots.  Next, Monday, Monday (which Susan joked that she always thought this was a Cowsill song, not the Mamas and Papas), Just Believing, and the Love American Style TV program theme song.  Can you believe that was their song?!  The crowd sang along with I Think I Love You, the Patridge Family classic and we heard great stories as to how the Patridges were copies of the Cowsills.  The one-hour set ended with a rousing rendition of "Hair".  Everyone was on their feet, a definite fun blast from the past.  I loved it and I know the crowd did too. 
After the intermission, it was time for Micky.  Of course he came out singing "I'm a Believer" and quickly sang seven more songs: I'm Not Your Stepping Stone, That Was Then, This Is Now, She, Words, Sometime In The Morning, and D.W. Washburn.  He was dressed all in black, as was his band, and wearing his signature hat.  He then picked up his guitar and said hello to all of us Monkee fans. He didn't make us wait and sang Last Train to Clarksville, which sounded great. This song is a Boyce and Hart classic.  (Thursday night I went to the Logan Theatre in the city to see the world movie premier of a Boyce and Hart documentary, "Boyce and Hart: The Guys Who Wrote 'Em", for the CIMM festival.  It was a great film dooumenting the songwriting of this duo, who were so instrumental in the Monkees' success. After the film, Bobby Hart himself answered questions and talked to the audience.  What a thrill!)  
Micky then talked about his audition for the Monkees and the song he sang, which was Chuck Berry's Johnny Be Goode.   He also told us the story of how at one time early on, Jimi Hendrix opened for the Monkees!  He even treated us to Purple Haze.  Mickey's sister, Coco, is in the band and she sang a few songs for us as well ... Crying in the Rain and the Mike Nesmith song, Different Drum.  This song was submitted to the Monkees to sing, but was rejected, and of course became a huge hit for Linda Ronstadt!   Then the closest we got to a tribute to Davy Jones was a sing-a-long to Daydream Believer.  There were a few tears in the crowd as everyone remembered Davy, including the band.   The mood switched gears and this next song, A Little Bit Me, ALittle Bit You, even had the Cowsills dancing in the aisle.  Next Micky sang a slow version of the Ron Dante song, Sugar, Sugar.  I thought it was a great version of this song ... in fact, I liked it better than the original arrangement.
Micky talked about meeting the Beatles and sang Oh Darling.  This was followed by Coco singing White Rabbit.  As you can see, this concert had a little bit of everything.   The last song, before the encore, was Pleasant Valley Sunday and he had the crowd on their feet.  The encores were Gimme Some Lovin, followed by I'm a Believer again.  The show was an hour and 25 minutes of pure fun! 
Ron Onesti opened the floor to a Question and Answer period and the Cowsills and Micky came out and talked to us.  There were many jokes, much remembrance of Davy Jones, and some inside information that they were willing to share.  We learned, among other things, that Carl Reiner (Rob Reiner's dad, Micky clarified) sent the Cowsills "Hair" to record!   Susan Cowsill joked endlessly about her massive crush on Davy Jones!  The Question and Answer period went on for about an hour.  So the entire night lasted four hours!  How's that for getting your money's worth!  And I do have to say, there is not better place to see a concert than at the Arcada Theatre.   Thanks again Forgotten Hits for a memorable night. 
Janet     

re:  Up-Coming Shows At The Arcada:    
Alan Parsons will be making a VERY rare live appearance at The Arcada Theatre on May 10th for TWO Shows (7:00 and 9:30 pm).  Parsons has had his hands on the boards for some of the most memorable music ever recorded, including albums like "Sgt. Pepper's Lonely Hearts Club Band" by The Beatles and "Dark Side Of The Moon" by Pink Floyd.  In addition, he racked up quite a few hits of his own as The Alan Parsons Project ... but he hasn't done a lot of touring ... and has been absent from the music scene for quite a while ... so this will be a REAL treat to see him live in concert on the 10th.      

Examiner / AXS Entertainment Columnist Peter Roche tells us a lot of this has to do with the brand new, massive box set being released to commemorate Parson's extensive body of work ... and he had an opportunity to sit down with Alan recently to discuss not only this new release, but also his return to live performance.  You can read it all here:   
Click here: Alan Parsons releases box set, returns to Cleveland for greatest hits concert - Cleveland Music | Examiner.com   

Meanwhile, a limited number of tickets to see The Alan Parsons Live Project are still available through the OShows website:  www.oshows.com 

And, later this month, don't miss your chance to see Peter Noone and Herman's Hermits along with Jay and the Americans.  They'll be appearing at The Arcada Theatre on May 30th.  This show is ALWAYS a good time ... Peter is one of the most entertaining performers around and we guarantee he'll keep you smiling and singing along all night long. 

Other shows in May include Air Supply THIS FRIDAY NIGHT (May 9th) and Blue Oyster Cult (May 17th).  And don't forget the very special "Wrecking Crew" screening on May 13th!!! 

More details and ticket information for ALL shows can be found at the oshows.com link above.

Monday, May 5, 2014

Baby Boomer Legends Concert Review

Baby Boomer Legends 
The Franklin Theater, Tuesday April 29, 2014

Artist / writer / producer / studio owner and Nashville’s “go to” guy for benefits, Buzz Cason, put this show together as a fundraiser for 2nd Chance 4 Pets. Chris Lucky, morning air personality at media sponsor Hippie Radio 94.5, emceed the event. The show was preceded by a “meet and greet” for sponsors and premium ticket holders. It actually turned out to be a “meet, greet and eat” since they served food and had an open bar! I arrived for the soundchecks, which began about noon.

The Franklin Theater is a fully restored 1930’s movie house with a capacity of about 300.  It has a magnificent sound system and there is not a bad seat in the house.  A concert there is truly an upscale experience.

All of the artists who performed live in the Nashville area. Pat Upton, of the Spiral Starecase, was also scheduled to perform but couldn’t make the drive from his home in Alabama because of storms and tornado warnings. Nashvillian Mark Volman of the Turtles did not perform, but attended and donated some memorabilia to the silent auction.

In the interest of brevity, I’ll say upfront that EVERY artist did a great job and the Sons of the Beach, who backed most of the artists on the show, made the songs sound just like the records. Each artist was well received,  even though I suspect many in the sold out audience were there to support the cause and not necessarily familiar with the music.

The Sons of the Beach opened with leader Steve Jarrell performing “Walking The Dog”, an appropriate start for at pet benefit.  Vicky Carrico, of the Beachettes followed with “Think”.  The Sons of the Beach is largely composed of Nashville studio vets who, as Chris Lucky pointed out, “have played on more hits than the sum of tonight’s performers”.

Dickey Lee was the first legend on the bill and he performed “Patches” and “I Saw Linda Yesterday” accompanying himself on the left handed guitar in addition to the band. I never get tired of seeing him perform those songs.  I asked him to sign a poster for the event, saying “Dickey, I hate to bother you … " ... he cut me off and said (smiling) “Ed, you have been bothering me for fifty years”. Not much of an exaggeration.

Buzz Cason followed singing the hit recorded as Garry Miles “Look For A Star”. He was then joined by Richard Williams, who with Buzz was a member of Nashville’s first rock and roll group, The Casuals – which later backed Brenda Lee on her live shows. They performed the Casuals’ local hit “My Love Song For You” which Buzz and Richard wrote and recorded in 1957.

Billy Swan then sang “Lover Please”, which he wrote and became a hit for Clyde McPhatter, followed by his own million seller “I Can Help”. Although Billy is proficient at many instruments, he chose to just do the singing tonight.

Bucky Wilkin (Ronny of Ronny and the Daytonas) was next up. Backing him on vocals were Ted Hillary, Steve Jarrell and Buzz Cason who have constituted the Daytonas when Bucky has played most recently. Bucky played his signature lick on “Little GTO” on an acoustic guitar and he received the first standing ovation of the evening. He followed with “Sandy”, with Buzz doing the harmonies as he did on the original recording.

Dallas Frazier next performed his song “Alley Oop”, a 1960 hit for The Hollywood Argyles (and for Dante and the Evergreens on some mostly east coast stations).  He closed with his 1966 single “Elvira”, better known from the Oak Ridge Boys’ multi-million selling version. It’s always special to me to hear songs interpreted by the person who wrote them.

Jimmy Gilmer then performed his number one hit “Sugar Shack” followed by his later hit “Bottle of Wine”. He added a verse to the latter which was written by the songs’ composer Tom Paxton, but not recorded on the Fireballs’ version. I told Jimmy he was having too much fun on stage.

Bruce Channel sang “Stand Up”, his song that was a 1985 country hit for Mel McDaniel, but still a good fit with the rock and roll songs of the night. Before finishing his set, he told the audience that Delbert McClinton, who played harmonica on Bruce’s biggest hit, was recovering from triple bypass surgery so could not join him this evening.  That song, “Hey Baby” received the second standing ovation of the evening.

There was a ten minute intermission.

Henry Gross resumed the show with a version of “Blue Moon” reminiscent of his days with Sha Na Na. It was not the song he did at soundcheck, but that didn’t matter because instead of using the band, he was accompanied only by his own guitar and by bass player Mike Chapman, who I recognized from his playing with Garth Brooks.  The instrumentation seems to have worked well for him, because Henry’s performance of his 1976 hit “Shannon” brought the crowd to their feet for another standing ovation. Of course the pet loving crowed could have also been swayed by Henry’s introduction, where he explained the song was inspired by his and friend Beach Boy Carl Wilson’s dogs, who were coincidentally both named Shannon (a story detailed in Forgotten Hits). He also mentioned that it had been named “best dog song of all time” by some organization.

Chris Lucky then reminded the audience that Henry had performed at Woodstock (as a member of Sha Na Na) and introduced the other act on the bill that had performed at that festival, Melanie.

Melanie, accompanied by her son Beau Schekeryk, performed “What Have They Done to My Song, Ma” with verses in German and French and interrupted by short comments. No, this was not “just like the record”, but kept the crowd thoroughly entertained and in the palm of her hand and won her a standing ovation.  She then performed “Brand New Key” with the same audience response. Melanie then asked permission to do a third song – all previous acts had only performed two. She apparently got approval and sang “Candles In The Rain”, into which she now incorporates “Give Peace a Chance”.  Yet another standing ovation for “The Queen of Woodstock”.

Garry Talley, lead guitar for The Box Tops, then performed their hits “Cry Like A Baby” and ‘The Letter” with the Sons of the Beach. Afterwards I overheard some of the other artists saying that they were surprised that without Alex Chilton, these songs could sound so much like the records.

Robert Knight followed with his hit “Everlasting Love” backed by, in addition to the Sons of the Beach, the song’s writers Mac Gayden and Buzz Cason  - who had backed Robert on the original recording session. Robert is so smooth; he’s one of the acts the other acts come out in the wings to watch.

Clifford Curry, billed as “The King of Beach Music”, closed the show, as he has closed every show where I’ve seen him perform. I don’t care how many hits you have had, you don’t want to follow Clifford Curry on stage. If you have never seen him, he was an inspiration for the band in the movie Animal House and can work a crowd like no other artist that I have ever seen. He performed his hit, “She Shot A Hole In My Soul”, with the song’s co-writer Mac Gayden remaining on stage to play, as he did on the original record. He then went into “Louie Louie” and by then everyone in the house was out of their seats and dancing. The other artists on the bill joined Clifford on stage as he went into an extended version of “Shout” as the show’s finale. I don’t think I will ever forget Clifford Curry with Melanie beside him as they and  the entire cast of the show sang “Shout”.

Behind the scenes stuff: right before the show, Henry Gross picked up a guitar that was hanging on the wall of the green room and he and Bucky Wilkin lead all of us who were there in several Beach Boys songs. Henry said “that’ll get you warmed up”.

And a good time was had by all, but especially me.

Questions, comments and corrections are welcome.

-- Ed Salamon

Ronny and The Daytonas got the night's first standing ovation 
with "Little GTO" (rehearsal photo)
 Headliner Clifford Curry and Ed Salamon

Henry Gross and Bucky Wilkin lead a preshow 
Beach Boys singalong in the green room

 
Jimmy Gilmer and Ed Salamon
What does Mark Volman do when his Turtles are not leading 
the Happy Together tour? Go to another oldies show! 
Here's Mark backstage with Robert Knight.

 Ed Salamon, Bruce Channel and Henry Gross

The finale: the "King of Beach Music" Clifford Curry 
leading the cast and audience in "Shout" with Melanie by his side. 
This photo taken by my friend Ron Halman and sent with his permission for use in Forgotten Hits. (Ed Salamon)

Saturday, May 3, 2014

The Sunday Comments ( 05 - 04 - 14 )

re:  High Praise For The Cryan' Shames:   
>>>I haven't heard the CRYAN' SHAMES record for years so can't really remember it but would have been very pleased to have them cover it.  Pretty good for a 48-year-old record but the lyrics are the most basic (or do I mean banal?) ever written. I think that resolves the issue of the songwriting credit. I wrote the tune. Fred wrote the lyrics.  (Tony Hatch)  
It's really hard to believe that Tony Hatch would actually describe his song "Sugar and Spice" as "banal."   Yes, he's written a lot of classic hits, but "Sugar and Spice" -- as arranged and performed by the Cryan Shames -- has to be one of most perfect portraits-in-sound of the euphoria of young love.  It works musically, lyrically and as a timeless recorded performance. I've always liked The Searchers ("Don't Throw Your Love Away," "Needles and Pins," "Love Potion #9," etc.) but have also always felt that their original version of "Sugar and Spice" sounds uninspired, like a routine demo.   In contrast, The Cryan Shames added passion, propulsion and a surge of unbridled joy that transformed the song into a pure romantic rush.  Female equivalents: The Crystals' "Da Doo Ron Ron" and Dusty Springfield's "I Only Want To Be With You."   Had The Cryan Shames' version only been released on a major label with good distribution (rather than tiny Destination) in 1966, I'll bet it would have gone #1.   As it was, the single (despite limited distribution) did well enough to land the group a deal with one of the majors, but unfortunately it was Columbia -- the label Mitch Miller had kept rock free until only shortly before --  when they signed Paul Revere & the Raiders (and then bungled THEIR first releases).  Columbia at that time was simply not set up to maximize the potential of an act like The Cryan Shames, which is why their subsequent singles that should have gone Top 10 ("I Wanna Meet You," "It Could Be We're In Love", etc.) didn't.  In my estimation, The Cryan Shames' "Sugar and Spice" is one of the most emotionally effective records released in the '60s -- and 48 years later it still makes my heart soar every single time. 
Gary Theroux 
High praise indeed, coming from such a renown musicologist and also the author of the widely-syndicated radio special "The History Of Rock And Roll" ... hearing an authority such as yourself heap such high praise on The Shames was quite satisfying.  I forwarded a copy to the guys.  (kk)

I was thrilled to get this response from James Fairs, who doesn't speak about "the old days" very often: 
Thanks, gentlemen! 
It was the times, guys. Love was in the air, music was new and fresh, and an incredible number of children were coming of age, and convinced themselves that this feeling could change the world.
Although it didn't play out that way, the sound you hear is sheer optimism … not yet damaged.
My very best to you!
James 
(still trying' to make a difference) … ;))

And this from Tom Doody ...
Wow, nice words!
Tom   

re:  This And That:  
When we think about "The Girl Groups" sound, we tend to be a bit more "vintage" in our thought process ... the girl groups sound dominated the '60's and has a very loyal following.  So when we heard that Billboard Magazine was saluting The Top 40 Girl Group Records of All-Time, we couldn't wait to see the list. 
Needless to say ... we were a bit surprised ... I guess I just never expected to see artists like Destiny's Child, The Spice Girls, The Pussycat Dolls and En Vogue heading up a list like this!  (In fact, The Emotions' 1977 Hit "Best Of My Love" tops the list.) 
Well, in all fairness, they never really established a criteria ... and they DO say "of all time" ... so I guess I get it.  (Yes, sometimes it's hard letting go!!! lol) 
And some of OUR favorite girl groups do make the list.  (The Supremes, The Angels, The Shirelles and The Chiffons are represented ... although The Shangri-Las failed to make the list ... but to find these titles, you'll have to wade through some pretty undistinguishable titles by artists like 702 (who?), Divine (huh?), SWV (wha'???) and Sweet Sensation (I give up!).  And while the hit records listed by the likes of TLC, The Bangles, The Go Gos and Wilson Phillips certainly made their mark at that time along the way, it's just difficult to see them lumped in with ... and, in most case, finishing well ahead of ... some of our all-time favorites.  You can count 'em down ... and listen to the songs that put them there ... here:  Click here: Top 40 Girl Group Songs Of All Time | Billboard   

>>>Which came first ... the cool band or the great car?  (Blossmwrld)  
Ford produced two models of cars with acrylic roof panels, both called "Skyliners"; one in 1954 and another in 1955 and 1956. They then applied the Skyliner name to cars with retractable hard tops in 1957, 1958 and 1959. 
The group took their name in 1958. According to Jimmy Beaumont and Skyliners' manager Joe Rock, the group was named for the song "Skyliner", used as a theme by big band leader Charlie Barnet, so that's the story I wrote in the liner notes for the Skyliners' 40th anniversary CD on Collectables. However, original group member Jackie Taylor says that the group was named for the car. In an interview I did with him for "Soul Up North" Magazine, Jackie said that Joe was hoping that he could get cars for the group. 
Ed Salamon 
LOL ... I kinda think the second story makes a whole lot more sense!!!  (lol)  Thanks, Ed!  (kk)   

>>>Unfortunately this won't be the "colorized" version that we campaigned for earlier (kk) 
It's true that a one-time viewing of 'A Hard Day's Night' in colour might interest me, but it could never surpass the black and white film.  The original has the capability to transport me (and, I suspect, anyone else who grew up at that time) to those gritty, rain-sodden English streets all over again.  Now, I understand from a monetary point of view that they might find it hard to resist cashing in on our penchant for all things new.  However, I really believe that colourizing would alter the essential character of the work, just as colourized film noirs lose their ominous, moody cast when they are altered.  Sorry, Kent, but I have to disagree with you on the merits of this one. 
MSpins 
I think it'd be cool to have BOTH versions available ... kinda like what they did with "Jailhouse Rock" several years ago.  (Still my favorite Elvis movie ... and I can watch it either way ... but the "colorized" version makes it a bit more palatable for folks seeing it for the first time ... and adds a little spice and variety for old-timers like me.)
Honestly, I wouldn't have really thought much about it had I not seen these colorized clips on YouTube ... to say the least, I was immediately intrigued.  As a fan of the film, give these clips a once-over and see if you don't agree that it'd be pretty cool to at least have this available as an option.








And then this one for comparison's sake:




And, speaking of rockin' movies ... 

ON THE TUBE ... A 'replay' movie channel has shown this repeatedly this last week or so.  I finally stopped to watch a bit and was pleasantly surprised. 
According to Wiki:  The Girl Can't Help It is a 1956 musical comedy starring Jayne Mansfield in the titular role, Tom Ewell, Edmond O'Brien, Henry Jones, and Julie London.  The movie was originally intended as a vehicle for the American sex symbol Jayne Mansfield, with a satirical subplot involving teenagers and rock 'n' roll music. The unintended result has been called the "most potent" celebration of rock music ever captured on film.-- Renfield

YOU CAN EASILY 'WORK-AROUND-THE-PLOT'!  
Gary 
It's been a while since I've seen this one but I noticed it's been on quite a bit lately ... might be worth a couple of hours to catch it again.  That song list alone is enough to make me want to tune in.  Thanks, Gary!  (kk)    

Kent - 
For those of your group that loved the Cruisin' series, I have an unreleased master of 1963 WKBW / Joey Reynolds that was done in the late 1990's or early 2000's that, because of clearance on the songs, has never seen the light of day. I wrote the liner notes for the release for Increase but we were never able to release it.  I will have to try to find the master, as it was very well done, as only Joey Reynolds could have done!  The best part of it is him interviewing Little Eva (Boyd) and it is hilarious! 
CLAY PASTERNACK  
Hmmm ... I wonder if the statutes of limitations has run out on this yet where we could maybe "sneak peek" a track or two on the website!!!  Let us know if you find anything, Clay!  (kk)  

It's great seeing Pete Drake in the Top Ten in Chicago. He lived near us and had kids our age. We knew their dad was a studio musician, but there wasn't any hoopla when he did "Forever." These were just regular neighborhood folks.
David Lewis
I always loved Peter Drake's "Forever" and the sound of his "talking guitar" ... GREAT track.  We featured this one recently in our Saturday Surveys.  (kk)

Hey Kent,
It's fun to read the WLS charts from fifty years ago! One song listed, I had forgotten about, was "Wonderful Summer" by Robin Ward. I absolutely LOVED it, and I was only eleven at the time, when it made the top ten! I guess I had a crush on her voice. The song was so romantic! Robin also went by Jackie, which was another stage name. Besides her one-hit wonder, she was known for Shirley Jones' singing voice in "The Partridge Family" and the Rice-a-Roni commercials. She's had a life-long body of work in the studio and has sung with zillions of the greats. I'd like to know what small town in Nebraska she was raised in, but can't find it anywhere. Here is a very interesting interview about her work in the business.
- John LaPuzza

http://www.cmongethappy.com/interviews/jw/
We've profiled Jackie Ward a few times before in Forgotten Hits ... the Robin Ward "Wonderful Summer" single is one of my favorites, too ... and it was a #1 Hit here in Chicago.  It's also one of those that has always scored well when we've done our FH All-Time Favorite Summer Songs Polls in the past.  One of those GREAT ones that still sounds good today ... if they'd ever play it!  (kk)





>>>Eric Clapton's 'Journeyman' Album (Featuring George Harrison, Chaka Khan, Daryl Hall, Robert Cray, Phil Collins and others) Is Now Available On Hybrid SACD 
"Bad Love" from Clapton's Journeyman album is just such a terrific piece of work on every level. Written with Mick Jones, from Foreigner, it embodies the over-indulgent times. 
Watch the accompanying video - http://www.youtube.com/watch?v=SlRuOQ91DXo   
Eric was going through his Versace - rock god status ... playing great and looking great. The video with Phil Collins on drums; Nathan East on Bass and Greg Phillinganes on keyboards is terrific. 
Great song; great video; great album! 
David Salidor     

Hello Kent,
Thanks a lot for your thorough vetting of my 'questionable' trivia fact regarding 'Chapel of Love'.
I hope you enjoyed researching that wonderful year of our musical expansion. I do know that one of my many CD inserts had stated the facts as I 'mis'-understood them. ha ha Someday I may find it and will forward it along to you.
Well paraphrasing from one of my all time favorite movies "I Love You, Kent" (surely you will figure this out) When a young girl ask Wolfman Jack how old he is and he responds 14 she replies 'I love you Wolfman'.
Take Care,
CharlieOFD

Kent and Gary,
I found this picture, which I had seen before in a Beatles "coffee-table book", on a blog spot titled On My Mind.  It shows my Uncle Art looking on as The Beatles stand backstage with Ed Sullivan.  I sent it to my sister Vyn (that email is below), and thought I would share it with you both.  I think this is from one of the later appearances by The Beatles on Ed's show, judging by the haircuts and the differing stage clothes they wore that night.  During the first appearance they all dressed the same. (in this pic, Paul is hidden behind John Lennon's left shoulder)
Thanks for the e-mail back in February(!) Kent, sorry it took so long to reply, and thanks for adding my comments to Forgotten Hits.  Gary T., would be fun to exchange memories with you, I enjoyed your past story on Forgotten Hits about working with my Uncle Art at KIIS in LA, sounds like you guys had a nice friendship and mutual respect.
The photo link is at the bottom of the page.
Gary Hannes
Here's a copy of my original email to Vyn, my sister, about spotting this photo on the "On My Mind" blog:
This is the pictures that I was telling you about.  Ed Sullivan in the center, with The Beatles around him; Ringo to the right (back to camera), George Harrison to the left, John Lennon farther to the left, with Paul McCartney hidden behind John Lennon (note the change of the collar line and left shoulder line of John Lennon).  Other pictures from this show depict the differing outfits they had on, with John and Paul’s very similar.  I think this was from one of their late / last appearances on the Ed Sullivan show.
To the very far left, with clipboard (?) in hand and headset microphone on, our very own Uncle Art!!  Standing two feet away from The Beatles, and looking a little bored?!
Here's the link to the photo:
(Singing in my head:  "It's a small world after all ...")  Don'tcha just love it when all this stuff comes together?!?!?  The "On My Mind" blog is put together by Rick Phillips, a LONG-time Forgotten Hits Reader.  How cool that you found this photo ... then connected with regular FH contributor Gary Theroux (he's the guy who wrote the syndicated "History Of Rock And Roll" radio special ... and ALSO worked with your Uncle Art Hannes at KIIS back in the day!) ... all thanks to our daily Forgotten Hits postings!  VERY cool (even if it DID take you several months to respond!!!  lol)  Just kidding ... it never ceases to amaze me how "connected" we all really are ... even some fifty years later!  Proof yet again of the INCREDIBLE bond of music we all share. Great to hear from you, Gary!  (kk)

Hi Kent, 
Sorry to say I cannot remember where I got the following information from so just in case it was something you ran in Forgotten Hits, please accept my apologies for wasting your time with the following.  The other day you mentioned Tony Hatch saying to you that "Downtown", in fact, was based and inspired by the Drifters' Hit "On Broadway".  I read / or was told recently that the intro to Pretty Woman by Roy Orbison was based on Lucille by Little Richard! If you listen to them both there is no doubt in my mind.  
Take care,
Rockin’ Lord Geoff (in England)
That didn't come from me but now that you mention it, it sure does sound obvious!  And did YOU know that Bobby Goldsboro, a  one-time member of Roy Orbison's band, took the opening riff from "Oh Pretty Woman", turned it around and played it backwards and created his own Top 20 Hit in the process with "Little Things"???  Proving once again that when it comes to great rock and roll music, one good turn deserves another.  (John Lennon often mentioned how he took Beethoven's "Moonlight Sonata", which he heard Yoko playing on the piano, turned the chords around backwards, and created "Because", the beautiful three-part harmony piece that graces side two of "Abbey Road".)  What goes around, comes around!  (kk)

And then this begat that ...  and then that begat that ...

And that's why rock and roll music will never die!






May 1, TOLEDO, OH - Over a dozen celebrities have teamed up with Ohio-based Veterans Matter to generate awareness about the issue of homeless veterans and to help raise funds that will decrease the number of unhoused vets on our streets. The campaign is supported by media giant Cumulus Media which is airing Veterans Matter celebrity-voiced public service announcements in 110 U.S. markets May 1 - 31, 2014.  
The thirty-second announcements, encouraging listeners to pledge support by texting “VETS” to 41444, are voiced by musicians Kid Rock, Kix Brooks, John Fogerty, John Mellencamp, Darius Rucker, Darryl Worley, Stevie Nicks, ZZ Top's Dusty Hill, Emerson Drive, Jennifer Nettles, Natalie Stovall and The Drive as well as author Mitch Albom. 
"It’s really important to me that we take care of our service men and women,” says Kix Brooks. “There are so many precautions taken to be sure they’re safe while they’re serving, but we also need to keep in mind what happens when they get home.” 
Veterans Matter, a national program of 1Matters, a 501 (c) 3 not-for-profit with roots back to 1990, was started by founder Ken Leslie in 2012, after learning that the biggest obstacle facing some 60,000 homeless veterans eligible for housing assistance was the lack of a rental deposit, which is not covered by the HUD-VASH voucher assistance program. 
“When you are working on the streets you see veterans beaten, robbed, even killed, yet if that happened behind enemy lines Americans would be outraged," explains Leslie. "Veterans Matters is just some regular Americans taking care of our own one at a time, just because we should, and because we can, everyone can."
To date, Veterans Matter has housed 235 veterans, and veteran families, in six states. Partnering with the US Department of Housing and Urban Development (HUD) and Veteran Affairs (VA), Veterans Matter provides rental deposits for homeless veterans who qualify for voucher-assisted living but are unable fund the initial housing costs. With the outpouring of celebrity support and the backing of Cumulus Media, Veterans Matter has high hopes of being able to help house 1,000 more veterans in 2014. 100% of funds raised go toward the program. 
“We must help get these warriors back into housing and recapture their lives,” says Dusty Hill of ZZ Top. “We must take care of our own. Veterans Matter.” 

Visit VeteransMatter.org and Facebook.com/VeteransMatter for more information and to join the campaign. 


Very sad news this week as we lost Larry Ramos of The Association.  Larry always stood out on stage ... there weren't a whole lot of Hawaiian Rock Stars back in the '60's!!!  He will be missed.  And I think you'll find this VVN piece very touching.

Kent, 
I really enjoy seeing the surveys of other radio stations in other markets and in particularly what records made their surveys but didn't here in the OKC area. I always like to look up on you tube and find and play those songs which did make other markets  but didn't make it here in OKC.  It kind of makes me think about what songs I missed out on by them not charting here (or maybe I didn't miss out on them.)  LOL!
The one thing I immediately noticed about the surveys posted today in that the DJ's on WLS apparently worked every day of the week for some 2-3 hours on the average. Here in OKC, the DJ's worked some 4-5 hours a day Monday through Friday with some working a shortened air shift on either Saturday or Sunday.
Larry
Back in the day before voice-tracking, I believe a lot of these jocks pre-taped their weekend shows during the week for airing over the weekend.  I don't know that any of these jocks REALLY did live shows seven days a week ... but I asked Clark Weber what he recalled.

Hi Kent; 
As the morning man I only worked six days however and they ran church programs on Sunday ... however I recall that both Art Roberts and Ron Riley taped their 7th days. What I don't recall is if they actually taped a 7th day or it was an amalgam of stuff that was spliced together.  Art Roberts recorded his Sunday night show during the week and called it a "Hootenanny" where he featured the likes of Winn Stracky, album tracks by Bob Dylan and other folk artists of the day and even played his banjo.
Clark

re:  On The Radio:
Is anyone listening ?
I'm still a radio junkie, listening via my WiFi radio all across the nation to formerly award winning facilities decline into an embarrassment for a once proud industry.
Depending on the radio group I tune in, the sloppy, noncaring programming of this group is more than I can take. It's unfortunate that some very good on air hosts must put up with the magnets for tune out, encouraging many like me to simply change the dial.
All across America, one radio group above the others demonstrates over and over, they either have no programmers or they are not aware those who tune in to hear their favorite program also must endure the content in commercial breaks.
I saw it coming a few years back when I received an inquiry of my availability to program a major market facility. Explaining to the president of the company that I could not accept a position to program again without total control of all programming. It was when he understood that included all commercial content too, that he responded “that's not programming's responsibility John, that's sales”. I replied, “oh, so the listeners don't hear that huh”.
Tuning into this groups stations, one can not listen for a full hour without enduring what would have sent most program directors in the past rushing to make sure it didn't happen again. Not only does this group have very little paid commercial content, they “fill” those vacant slots with the exact same dozen public service announcements, aired on all of their stations nationally, with the exact same one airing up to three times in a single hour. The repetition alarm once understood to create tune-out, is totally ignored by this group. Even worst, “filling” a commercial break, all four minutes of it, with a monotonous 15 second bumper played over and over. On a regular basis, two units at the same time are programmed, ten second drop in's collide with a host returning to the air. Not to forget the exact same newscast running time and time again.
It goes on and on with this group that demonstrates it has little if any programming guidance available or they simply don't consider programming of importance. They consider their stations as distributors of commercial content, they pay little attention to any programming, including over all content.
Regardless of ones feelings about the radio industry today, it's interesting to me that in programming, this groups competitors very seldom have similar problems. I also find both CBS radio and Clear Channel pay attention to programming suggestions.
Of course both CBS and Clear Channel headed up by two with major experience as programmers, Dan Mason and Bob Pittmann, understand it all begins with programming.
It's unfortunate that the “dog” in the industry, Cumulus Media, either has no programmers or just simply don't care they are an embarrassment to radio.
I'd almost forgot those days when a WLS sales department found need to produce a video about their program director.
http://www.youtube.com/watch?v=SV0v2kIZDzo

John Rook

Even second and third generation oldies music fans are appalled by the way radio treats this music today.  Check out this blog posting sent in by FH Reader Frank B:
Kent ...
I think you'll agree with her after reading this article.
Frank B.
Honestly, all she's saying is exactly the same thing WE'VE been saying for the past fifteen years ... but it goes on to prove two of my on-going points.  Give the next generation(s) a chance to discover and fall in love with this music and they will ... it's timeless, infectious pop that could live on forever, if only given the chance.  And the fact that even a "newbie" is disgusted by the complete lack of respect radio holds for its listeners shows you just how far this situation has truly deteriorated.
She also hits on a key point ... "True Oldies" ... "Real Oldies" ... not this 1975-1992 crap they're passing off as oldies and classic hits today.  SOMEBODY needs to step forward and dedicated a program, a format, a designation of TRUE, REAL, GENUINE Oldies Music, 1954 - 1975, and run with it.  And let it be known that that's ALL that you play ... and the audience will come.  And NEW audience members will be added every day as they, too, discover the rich legacy of this music.  (kk)   

re:  Then Again, It Only Takes ONE To Turn Everything Around:  
If I was a little bummed out last week by the email I received from former WLS Jock Dex Card (and I was ... but some of you were, too ... to the point that I can't even run some of the responses that I received!!!  lol) ... then this email from ORIGINAL WLS Jock Bob Hale certainly perked me right back up again.  Thanks, Bob ... that was a HALE of a nice thing to say!  You truly made my day!  (kk)

Hello Hail from Hale ...  
I continue to marvel at your web site. INCREDIBLE. It's not only a work of love, it's a work of dedication, perfection ... and darned good fun!!!  As one who was, for a while, close to the WLS scene and pop music, I relish the time spent wandering through your efforts. I am applauding the work ... and I hope that all of this will be kept together, available and used by researchers when you and I are gone to the big radio studio in the sky! (That last sentence will be never be seen by my pastor for poor theology, but once in a while we have to break format!)
Hale and Farewell! (For the moment!)
Thanks, Bob, that means a lot ... and on THAT up-note, we're outta here!!!  Be sure to check the web page next week for more concert reviews. Enjoy the rest of your weekend!