Thursday, February 2, 2012

Thursday This And That


re:  DON CORNELIUS: 
By now I'm sure you've heard the news ... Don Cornelius bought his own ticket on the Soul Train to the great beyond yesterday. 
We received several reports from our readers ... here are just a few: 
 
LOS ANGELES (AP) - Don Cornelius, creator of the long-running TV dance show "Soul Train," shot himself to death Wednesday morning at his Los Angeles home, police said. He was 75.  Officers responding to a report of a shooting found Cornelius at his Mulholland Drive home at around 4 a.m., police said. He was pronounced dead of a self-inflicted gunshot wound at 4:56 a.m. at Cedars-Sinai Medical Center, said Los Angeles County Assistant Chief Coroner Ed Winter. 
"I am shocked and deeply saddened at the sudden passing of my friend, colleague, and business partner Don Cornelius," said Quincy Jones. "Don was a visionary pioneer and a giant in our business. Before MTV there was 'Soul Train,' ... that will be the great legacy of Don Cornelius. His contributions to television, music and our culture as a whole will never be matched. My heart goes out to Don's family and loved ones."  
"Soul Train" began in 1970 in Chicago on WCIU-TV as a local program and aired nationally from 1971 to 2006.  It introduced television audiences to such legendary artists as Aretha Franklin, Marvin Gaye and Barry White and brought the best R&B, soul and later hip-hop acts to TV and had teenagers dance to them. It was one of the first shows to showcase African-Americans prominently, although the dance group was racially mixed. Cornelius was the first host and executive producer. 
"There was not programming that targeted any particular ethnicity," he said in 2006, then added: "I'm trying to use euphemisms here, trying to avoid saying there was no television for black folks, which they knew was for them." 
Cornelius, who was inducted into the Broadcasting and Cable Hall of Fame in 1995 and has a star on the Hollywood Walk of Fame, said in 2006 he remained grateful to the musicians who made "Soul Train" the destination for the best and latest in black music. 
"I figured as long as the music stayed hot and important and good, that there would always be a reason for 'Soul Train,'" Cornelius said. 
The series spawned a franchise that includes the Soul Train Music Awards, the Soul Train Lady of Soul Awards and the Soul Train Christmas Starfest.
Cornelius stepped down as "Soul Train" host in 1993.
In his later years, Cornelius had a troubled marriage. In 2009, he was sentenced to three years' probation after pleading no contest to misdemeanor spousal battery. In his divorce case that year, he also mentioned having significant health issues.
-- Celebrity Death Beeper (reporting the AP story)
 
Soul Train Creator Don Cornelius is dead, an apparent suicide.
The creator of Soul Train, Don Cornelius, was found dead this morning at his home in Sherman Oaks, California.  According to law enforcement sources the cause of death appears to be suicide.
Officers responding to a report of a shooting found Cornelius at his Mulholland Drive home at around 4 a.m., police said. He was pronounced dead of a self-inflicted gunshot wound at 4:56 a.m. at Cedars-Sinai Medical Center, said Los Angeles County Assistant Chief Coroner Ed Winter.
The cause of death was a gunshot wound to the head and officials believe it to be self-inflicted. A complete investigation is underway. 
Cornelius created Soul Train in 1971 and was the shows host until 1993. He was instrumental with introducing black musicians, like James Brown, Aretha Franklin, and Michael Jackson, to a larger audience and familiarizing the country with R&B, soul, hip hop, funk, jazz, disco, and even gospel music. 
Cornelius was also known for his smooth, deep voice and catchphrase which ended every episode of Soul Train, “… and you can bet your last money, it’s all gonna be a stone gas, honey! I’m Don Cornelius, and as always in parting, we wish you love, peace and soul!”
-- from WCBS-FM (courtesy of Frank B ... natch!)
 
Don Cornelius, who with the creation of Soul Train helped break down racial barriers and broaden the reach of black culture with funky music, groovy dance steps and cutting edge style, died early Wednesday of an apparent suicide. He was 75. 
Officers responding to a report of a shooting found Cornelius at his Mulholland Drive home at around 4 a.m., police said. He was pronounced dead of a self-inflicted gunshot wound at 4:56 a.m. at Cedars-Sinai Medical Center, said Los Angeles County Assistant Chief Coroner Ed Winter.  
"I am shocked and deeply saddened at the sudden passing of my friend, colleague, and business partner Don Cornelius," said Quincy Jones. "Don was a visionary pioneer and a giant in our business. Before MTV there was Soul Train, that will be the great legacy of Don Cornelius. His contributions to television, music and our culture as a whole will never be matched. My heart goes out to Don's family and loved ones."
The Rev. Al Sharpton said he was shocked and grief-stricken.
"I have known him since I was 19 years old and James Brown had me speak on Soul Train," Sharpton said in a statement from New York. "He brought soul music and dance to the world in a way that it had never been shown and he was a cultural game changer on a global level."
Soul Train began in 1970 in Chicago on WCIU-TV as a local program and aired nationally from 1971 to 2006.  It introduced television audiences to such legendary artists as Aretha Franklin, Marvin Gaye and Barry White and brought the best R&B, soul and later hip-hop acts to TV and had teenagers dance to them. It was one of the first shows to showcase African-Americans prominently, although the dance group was racially mixed. Cornelius was the first host and executive producer.
"There was not programming that targeted any particular ethnicity," he said in 2006, then added: "I'm trying to use euphemisms here, trying to avoid saying there was no television for black folks, which they knew was for them."
Soul Train, with its trademark opening of an animated chugging train, was not, however, an immediate success for Cornelius, an ex-disc jockey with a baritone rumble and cool manner.
Only a handful of stations initially were receptive.
"When we rolled it out, there were only eight takers," he recalled in a 2006 interview with The Associated Press. "Which was somewhere between a little disappointing and a whole lot disappointing."
The reasons he heard? "There was just, 'We don't want it. We pass,'" he said, with race going unmentioned. "No one was blatant enough to say that."
Audience reaction and the high-powered talent the show attracted helped it spread. Over the years, Soul Train showcased some of R&B's biggest stars, including Gaye and Brown, as well as crossover white artists. In later years, it featured rap stars, although Cornelius acknowledged that he was no fan of the genre or the racier dance moves that younger teens had embraced.
The show's highlight was a dance line. Teens strutted and pranced their way between two lines of dancers awaiting their turn to show off. Over time, the dance line worked its way into American culture and is now an integral part of wedding receptions and parties.
Cornelius, who was inducted into the Broadcasting and Cable Hall of Fame in 1995 and has a star on the Hollywood Walk of Fame, said in 2006 he remained grateful to the musicians who made Soul Train the destination for the best and latest in black music.
"I figured as long as the music stayed hot and important and good, that there would always be a reason for Soul Train," Cornelius said.
The series spawned a franchise that includes the Soul Train Music Awards, the Soul Train Lady of Soul Awards and the Soul Train Christmas Starfest.
Cornelius stepped down as Soul Train host in 1993. The awards returned to the air in 2009 after two-year hiatus. Last year's awards were held on Nov. 27 in Atlanta, with Earth Wind & Fire receiving the "Legend Award."
In his later years, Cornelius had a troubled marriage. In 2009, he was sentenced to three years' probation after pleading no contest to misdemeanor spousal battery. In his divorce case that year, he also mentioned having significant health issues. 
LAPD representatives did not immediately respond to requests for comment. 
--- Jeff Wilson (AP)
(submitted by Billboard.com)
Associated Press writers Nekesa Mumbi Moody in New York and Robert Jablon and Lynn Elber in Los Angeles contributed to this report. 
 
Don Cornelius, who developed and hosted the “Soul Train” television program that ran for 35 years, died of an apparently self-inflicted gunshot at his Sherman Oaks, California home Wednesday (February 1). He was 75. The show began locally on WCIU-TV in Chicago in 1970, produced with Don’s own money. He took no salary until he could get advertisers to support the black entertainment music program. His faith justified, “Soul Train” moved to syndication in 1971 in seven cities, including Atlanta, Cleveland, Detroit, Houston and Los Angeles. Don stopped hosting the show in 1993 and it ended its run in 2006, but not before becoming television’s longest-running syndicated program. Don’s ending words became legendary and make a fine epitaph: “I’m Don Cornelius, and as always in parting, we wish you love, peace and soul!”
-- Ron Smith  (oldiesmusic.com)
 
For some personal memories of Don Cornelius, be sure to check out Artie Wayne's website posting!
Kent ...
Berry Gordy, Jr. might have introduced MOTOWN as the “SOUND of YOUNG AMERICA”, but it was Don Cornelius who brought the “SOUL of ALL AMERICA” into our living room for 35 years. His syndicated TV show, SOUL TRAIN was the safest place to see the latest fashions, the newest dance steps, and for a long time the only place to see African-American performers on a regular basis.  http://artiewayne.wordpress.com/2012/02/01/don-cornelius-r-i-p-rock-in-perpetuity/
Regards,
Artie Wayne
 
re:  THIS AND THAT:
Kent,
I have a few short comments to make on what I read today.
First, this being the Year of the Dragon, don't forget Tommy James' DRAGGIN' THE LINE. (I know, I know, that's a stretch).
Second, I always liked Norman Greenbaum's followup called CANNED HAM. Finally,Petula Clark's DOWNTOWN was mentioned but I think I just might prefer to go UPTOWN with the Crystals.
Larry
In order ...
First, I think the "Draggin' The Line" idea was pretty darn clever!
Secondly, I like "Canned Ham", too ... and we've featured it several time on Easter (along with The Jelly Beans' hit "I Wanna Love Him So Bad".)  Scroll back through the archives and I'll bet you find these at least twice!
Third, I'm a Petula fan all the way ... no showdown here ... I don't think "Uptown" holds a candle to "Downtown"!!!  (kk)
 
Sadly, the Esquire interview proves Berry was right in not allowing interviews.
My father, like him, really, seriously needs a hearing aid. Dad still has a few years on Chuck.
-- BOB FRABLE

For a great look back at The Lovin' Spoonful, be sure to check out Jeremy Roberts' latest post:
 
Kent ...
The story behind this song, 25 years ago.
Frank B.
Ironically, one of the songs that got "bumped" from our Sound Advice column a couple of weeks ago when we missed three days of postings!  The history behind this one is quite well known ... but it's great to hear it again.  (I had it doubled-up with Billy's 1968 Hit "With Pen In Hand" as part of our on-going "One You Know ... One You Didn't Even Know You Forgot" series.  (kk)
 
And congratulations are in order for Charlie Gracie, who's back on the charts again with his new single release "Baby Doll"!
CHARLIE GRACIE will be on cover of the Philadelphia Inquirer tomorrow -- MONDAY, JANUARY 30TH!  Be sure to pick up a copy! (Normally, one has to commit murder today to get front page coverage!)
Charlie is back on the national charts with BABY DOLL, proving you are never too old to
R-O-C-K!
With his new ABKCO CD "FOR THE LOVE OF CHARLIE" and book of memoirs coming, there's still lots to learn from the unassuming man who ushered in the Philly Sound who is beloved around the world!
 
 
Well, maybe not commit murder ... but "Baby Doll" IS a "killer" new track from Philly's original rocker.  Glad to see he's getting some mileage out of this ... this album's been a long-time coming!
 
Speaking of which, you'll find more on Charlie Gracie's new CD on WCBS-FM.com (courtesy of Frank B.)  Man, we've been telling you guys about Charlie's new sessions for over a year now ... 'bout time the rest of the world caught up!  (lol)  kk
 
Kent ...
Here's a story about one of our favorite guys.
Frank B.
 
Kent:
Mel Carter has finished filming his new video in Los Angeles for “Crying in the Chapel.”  It can be viewed at: http://youtu.be/jjHRgPgKpqA
“Crying in the Chapel” is one song of 12 available on Mel’s new CD, “The Other Standards,” available www.mel-carter.com and www.cdbaby.com
We featured a couple of tracks from Mel's new CD last week in Forgotten Hits ... now you guys can check out his new video, too!  (kk)
 
How about a short bio on Question Mark and the Mysterians? Saw them  live at Ravinia one summer and his appearance on TJ Lubinsky's show was FANTASTIC ... to say the
least!  Excellent musicians, great keyboard sounds and what personality!
96 Tears one of the Greatest Garage band records ever!!!!!
Carolyn
If somebody is up to putting something together on ? and the Mysterians, I'd be more than happy to run it.  Rock And Roll Roots Host Bob Stroud told me a story one time about how he once opened a show for ? and the Mysterians and then stuck around to see the headliners perform ... and was blown away by their performance.  He went backstage to tell them how great they were and referred to ? by his real name, Rudy Martinez.  Martinez immediately shut him down, telling Stroud, "It's Question Mark".  (Some guys just can't take a compliment!!!  lol) I've never had the pleasure of seeing them live but I hear it's a pretty wild show.  Again ... if somebody out there would like to take on this project, drop me a line!  (kk)
 
Kent,
You are correct in that the Kingsmen had other songs besides LOUIE LOUIE. I always
liked their version of MONEY and one of their 1965 songs ANNIE FANNIE held its own here
in OKC. The song you posted, JOLLY GREEN GIANT, even though it was not a number one
song, was always number one with a man by the name of Del Monte.
Larry Neal

Wednesday, February 1, 2012

A Few Mid-Week Comments (Current Music News)


re:  ADELE: 
>>>So while congratulations are certainly in order for Adele and her 17 weeks at #1 on Billboard's Album Chart ... (and it's a GREAT album!) ... she's still got a LONG way to go before she hits the record books!  (kk)
Back in 1963, The Singing Nun became the first artist to have a #1 album on the Billboard charts at the same time a single from that album ("Dominique") topped the Hot 100. Not long after that, the Beatles became the second act to accomplish that feat when Meet The Beatles and "I Want To Hold Your Hand" were #1 simultaneously. This week, Adele's "Set Fire To The Rain" becomes her THIRD single from the 21 album to be #1 at the same time as the album is in the top spot. Now, THAT'S one for the record books!
-– Randy Price
 
re:  ETTA JAMES:
In Memory of Etta James:
I was saddened to hear of the passing of Etta James. She was a great singer and her music was fabulous. I will miss her. She could really belt out a song. She will greatly be misses. May she Rest In Peace.
Arlene 
 
The Rhythm & Blues Foundation Mourns the Loss of Etta James
Family of 1989 Pioneer Award Winner & Former Board Member to Continue Her Legacy through R&B Foundation Memorial Contributions
PHILADELPHIA – As legendary blues singer Etta James is laid to rest tomorrow in Los Angeles, the Rhythm & Blues Foundation wishes to express its sorrow at the loss of “our friend and Rhythm & Blues Pioneer” and its deep appreciation to her family, which is asking for all donations to be made out to the organization. All contributions in her memory go to the Doc Pomus Fund to help artists in need of financial or medical assistance.  
A recipient of the R&B Foundation’s first Pioneer Awards ceremony in 1989, Etta James also served on the Board of Directors of the Rhythm & Blues Foundation during the formative years. A statement from Damon Williams, Chairman of the R&B Foundation reads:  
“Etta’s lifelong contributions to Rhythm & Blues music have paved the way for generations of artists, and we are grateful to her family for furthering her impact by selecting our organization as the recipient of memorial contributions to help our mission to preserve and celebrate the music and its artists. Etta James was a one-of-a-kind artist with a one-of-a-kind voice; she was an absolute Rhythm & Blues Pioneer. Etta was part of the fabric and spirit in which the Rhythm & Blues Foundation was built on. Awarding Etta James the Rhythm & Blues Foundation’s Pioneer Award in 1989 was one of the finest moments in our mission to celebrate the legacy of Rhythm &Blues artists. Our hearts go out to Etta James’ family and her long time manager, Lupe De Leon.”  
The Rhythm & Blues Foundation is the only non-profit organization solely dedicated to preserving Rhythm & Blues music and celebrating the artists who create it.
The Rhythm & Blues Foundation’s Pioneer Awards Program has recognized over 150 legendary artists whose lifelong contributions have been instrumental in the development of Rhythm & Blues music. The award honors the career achievements of solo artists, vocal groups, songwriters and producers who are nominated and selected by members of our board of directors.  As part of the Pioneer Awards, most recipients receive an honorarium.  Since 1989, the Pioneer Awards Program has given over $1.5 million to worthy honorees and will continue to celebrate legendary Rhythm & Blues artists. 
Contributions to the Rhythm and Blues Foundation can be sent to:
Rhythm & Blues Foundation
P.O. Box 22438
Philadelphia, Pa. 19101
 
Lots of glowing tributes to Etta James ... another artist who wasn't ever appreciated to the degree she deserved to be during her lifetime.  Even her best known hit, "At Last", only reached #47 on The Billboard Pop Chart when it was first released back in 1961.  (In all fairness, it fared better in Cash Box, where it peaked at #30.)  In the last 20 years it's become a true classic.  (Kind of like Louis Armstrong's hit "What A Wonderful World".  This record didn't even crack the Top 100 when it was first released in 1968 ... then, twenty years later it became a HUGE hit after it was included in the soundtrack to the Robin Williams movie "Good Morning Viet Nam") ... proof again that if you simply introduce this music to the public at large, they WILL embrace it!  We talked the other day about how big The Righteous Brothers' "Unchained Melody" became after it was featured in the film "Ghost".  Prior to that, it was all but a forgotten oldie.  "Shout" by The Isley Brothers gets TONS of airplay now since the song was revived (by Otis Day and the Knights) in the film "Animal House".  It's happened again and again and again ... why aren't the right people paying attention?!?!?  (kk)
 
Key Etta James tracks:
Wallflower  (1955); All I Could Do Was Cry (#23, 1960); If I Can't Have You (with Harvey Fuqua, #32, 1960); My Dearest Darling (#25, 1960); Spoonful (as Etta and Harvey, #78, 1960); At Last (#30, 1961); Trust In Me  (#25, 1961); Fool That I Am (#50, 1961); Don't Cry Baby (#39, 1961); Something's Got A Hold On Me (#20, 1962); Stop The Wedding (#22, 1962); Next Door To The Blues (#67, 1962); Pushover (#24, 1963); Tell Mama (#23, 1968); Security (#35, 1968)
How do you put together a hit list like this ... and STILL not get any airplay on the radio?!?!?  (kk)
 
By the way, speaking of Etta James ... and the new Billboard Charts ... guess who's sitting on top of the Blues Albums Chart right now!  You got it ... Etta's "Icon" album is #1 in Billboard this week.  And the Etta-inspired "Good Feeling" by Flo Rida is sitting at #3 on Billboard's Pop Chart, too.  It's a GREAT track that brings a whole new (good) feeling to an old classic!  (kk)
 
Kent ...
Stevie Wonder performed at the funeral for Etta James.  Christina Aguilera was also there.
Yeah, Christina made headlines (and caused a YouTube sensation) for whatever it was that was dripping down her legs during her performance of "At Last".  Quite emotional and near tears before she started singing, she completely butchered the song as far as I'm concerned ... and I'm a BIG Christina Aguilera fan ... I think she's legitimately got one of the BEST voices out there amongst the new breed of female singers ... but she COMPLETELY oversang and oversold it during this bare-bones performance ... and this somber occasion.  (On the plus side, she didn't forget the lyrics like she did during "The Star Spangled Banner" ... but she's got a whole NEW controversy going now surrounding this "mystery leakage"!!!  Proof again that not ALL publicity is GOOD publicity!!!)  Then again, "The Voice" kicks off right after The Super Bowl ... so she'll be pretty much in our consciousness for a while yet!  (kk)
CHRISTINA AGUILERA MYSTERY FLUID:
CHRISTINA AGUILERA PROVING HOW WELL SHE CAN REALLY SING AN ETTA JAMES TUNE ... SOMETHING'S GOT A HOLD ON ME FROM "BURLESQUE":
 
re:  FUTURE ROCKERS:
Got this clip from FH Reader David Lewis ... a real "School Of Rock" moment ... what a GREAT way to introduce these young kids to the classics! (kk)
 
re:  NEW MUSIC:
How unusual to get BOTH of these emails during the same week ...
Makes you want to check this out, doesn't it???
 
Hi Kent,
Sunday Morning on CBS is a favorite show of mine. This morning they did a story about a British singer / songwriter named Rumer. I confess I hadn't heard of her before. I was blown away. I think she is incredible. They compared her to several other artists but what I kept hearing was Karen Carpenter. She has that same clear, pure sound. It's weird to hear her speak with her British accent and then not even a hint of that in her singing. The lyrics are so clear and lovely that you don't need to wonder what she is singing about. I immediately went on Amazon and purchased her CD entitled "Seasons Of My Soul" ... I love it.
Stacee
 
I need to tell you about a new singer known as Rumer ...
I have never been one to tout new talent because there is so much great stuff from my era, that I don't trifle with current screamer / fake backing music on a computer / singing with "goofy sounds" that don't seem real or is used constantly by EVERY current artist.  Yes, I love the old artists and music.  Yet, Sunday on CBS' Sunday Morning, I gotta say that an artist known as Rumer seems to have the Bacharach / David female song vocal to rival Dionne Warwick of the 60's.  The show opened with her cover of "Alfie" which was just great (as is the Warwick version).  If you added the echo effects of Dusty Springfield records, she might rival her sound as well, it would seem.  IF I were to buy a current artist's CD, it would probably be this one.  Recently, I commented on another site how Pickettywitch's 45 "Days I Remember"  (lead vocal by Polly Brown of "Up in a Puff of Smoke" fame) sounded so much like the old Bacharach sound of the 60's and THAT 45 was out in 1971!  I thought that sound was gone by THEN and was surprised to hear THAT great vocal back in 1971, so you can imagine my pleasant surprise at hearing this Rumer music.  Now, I will return to the 60's and you can judge Rumer as you wish.  Check out the CBS Sunday Morning video and story:
http://www.cbsnews.com/video/watch/?id=7396768n&tag=contentBody;cbsCarousel
And then, there's James McCartney's TV debut on Letterman Monday night.  I did not care for his song and his stage presence was NOTHING.  He must not like Letterman just like his dad, since Dave was gracious with him and shoook his hand and he showed NO emotion at all. 
In the end, "Rumer has it" and James does not, I guess.
Clark Besch
 
re:  MADONNA / THE SUPER BOWL:
Kent ...
I guess there's no point in watching half - time show ... Madonna promises no malfunctions.
Meanwhile, Elton John has given Madonna some Half-Time Show advice ...  Click here: Elton John Gives Madonna Some Half Time Show “Advice”
Kent, 
I don't think they like each other!
Frank B.
 
re:  UP-COMING SHOWS:
A few good shows coming up on the local scene in and around Chicago ... Don't forget about the Crash Landing show coming up this weekend at SPACE in Evanston.  Our FH Buddies Quent Lang and Mike Flynn have assembled some of Chicago's top session musicians and have put together an entire program of classic rock that Quent describes as "a very enjoyable tour de force".  More details here:
Hope you and our old fans can join us !!!!!
Quent Lang
 
Meanwhile, Michele Abrams tells us about another show that sounds pretty cool:
Legendary sax player Bobby Keys will perform with Hot Rocks, the Rolling Stones Tribute Band on Friday, February 17th at Chord On Blues in St. Charles and on Satuarday, February 18th, at Chicago City Limits in Schaumburg.
Contact the clubs for tickets and more information:
chordonblues.com or chicagocitylimits.net
http://www.hotrocksband.com/
Bobby Keys will perform many of his signature Rolling Stones sax solos like Brown Sugar, Live With me, Can't You Hear Me Knocking along with classic rock songs he recorded with Dion, John Lennon, and other music legends accompanied by Chicago's 
Hot Rocks band.
 
And don't forget about these dates at The Arcada Theatre:
http://www.Oshows.com- A Nite of Zeppelin with Kashmir -- Friday, 2/17/12, 8 PM  
- Eddie Money -- Satuarday, 3/3, 8 PM
- Frankie Avalon -- Friday, 3/9, 8 PM 
- A Nite of RUSH with Animation -- Saturday, 3/10, 8 PM
- The Righteous Brothers with Bill Medley --
Friday, 3/30, 8 PM 
- Joan Rivers Television Taping -- Saturday, 3/31  
(Two Shows:  7 PM and 9 PM) 
- The BoDeans -- Friday, 4/20, 8 PM 
- Echoes of Pompei - The Pink Floyd Tribute -- 
Saturday, 4/21, 8 PM 
- A Night of Chicago with 25 or 6 to 4 -- 
Saturday, 5/5, 8 PM 
- ABBA-Mania -- Friday, 5/11, 8 PM 
More dates to be announced
 
New York, NY (January 30, 2012)--Roger Hodgson, the legendary voice of Supertramp, will embark on his Breakfast in America Tour next month, kicking off with two sold out shows at the Pechanga Resort Casino in Temecula, CA.
Fans the world over have been thrilled with Hodgson's unforgettable songs such as "Breakfast in America," "The Logical Song," "Dreamer," "Give a Little Bit," "Take the Long Way Home," and "School." Hodgson and his band will perform these timeless songs, as they take you on a magical musical journey.   
Universally recognized as one of the most gifted composers and songwriters to have ever put pen to paper, Hodgson helped define a generation of progressive rock. Founding Supertramp in 1969, Hodgson's dulcet tones and beautifully crafted lyrics helped the band sell in excess of 60 million albums, transforming them into a worldwide phenomenon. Although he departed the band in 1983, he is still regarded as the spiritual and creative force behind Supertramp.  
For a taste of the live Hodgson experience, Take the Long Way Home - Live in Montreal, is available on DVD from Eagle Rock Entertainment.  Click to view songs from the DVD: "Take the Long Way Home," "Breakfast in America" and "Give a Little Bit." 
Reflecting on his tour and DVD, Roger said "I love performing these songs, which continue to resound for me as a performer and for the fans.  My songs come from a very personal place inside me and they carry my beliefs and my dreams and my philosophy of life.  I understand the deep connection that fans have with my songs that have been a part of so many peoples' lives around the world."
Roger Hodgson will perform at the following venues:
February 24 and 25 Temecula, California, Pechanga Resort Casino 
February 26 Chandler, AZ, Wild Horse Pass Casino 
February 28 Tulsa, OK, Hard Rock Casino - The Joint 

March 2 Hinckley, MN, Grand Casino Hinckley 
March 3 and 4 Milwaukee, WI, Potawatomi Casino / Northern Lights Theater 

March 7 Hollywood, FL, Hard Rock Live 

March 8 Ft. Pierce, FL, Sunrise Theatre 
August 17 Lincoln, RI, Twin River Casino Event Center 

More dates to be announced in the coming weeks!  For details:   http://www.rogerhodgson.com/documents/tour.html
 
 
 
 

Tuesday, January 31, 2012

Hoping That These Will Put A Smile On Your Face This Morning!

Too funny not to share ...

If you're a Ferris Bueller fan (and we sure are!!!),
then you're just gonna LOVE this GREAT new Honda commercial that Matthew Broderick put together for The Super Bowl!!! 




And, for all you Super Bowl Fans out there, let's not forget that Eli's Coming ...

Eli Manning that is!




And, from our "Equal Time" Department comes this one ...




re:  A CAREER AFTER POLITICS?:

When President Obama sang a line of the Al Green Hit "Let's Stay Together" at a recent fundraiser, it became an Internet sensation.  (Honestly, he doesn't sound bad!!!)  Apparently, The Reverend Al Green was in the audience that night at The Apollo Theater ... and get this ... the following week, 16,000 people downloaded Green's hit, spiking an increase in sales of 490%!!!  (Ah, the power of the Internet!) 

Check out the clip here if you haven't already seen it:


Kent ...
Here's a new way to bring back an old hit.
Get the President to sing it.
Maybe he can sing YOUR song ... in exchange for a donation.
Frank B.
I'm probably in greater need of a donation than HE is right now ... but this IS a cool clip!  (kk)
Kent ...
I'm taking the Rev. Al's version over the President's version.
Frank B.


 


I was never all that fond of this song ... but it certainly has proven to be quite the classic.  Tina Turner did a pretty good version of this, too ... a #24 Hit in 1984.  (kk)


Here's a suggestion from Jersey John ...

Ray Stevens and "Mr. President"!!!





Meanwhile, we had some pretty good response to our Burton Cummings piece yesterday ...


Here's a clip of one of my favorites ...


I bought Burton Cummings first solo album and was totally blown away by his voice and talent. Stand Tall is one of my all time favorite songs. It's good to hear he is still wowing them.
Bob Hughes

Great stuff on Burton Cummings the other day -- one of my favorites, too.  Glad to see he's still got it.  (Now how do we get him to come back to Chicago?)
Danny
Based on what Tom Cuddy wrote, it sounds like Burton will be touring The States more often in the future ... and we can't wait!  (kk)
And congrats on "These Eyes" going over 4,000,000 airplays!!!  That's incredible ... especially when I hear "American Woman" about 20 times more often!!!  (Makes you wonder where THAT one falls in the ranking!)  kk 



Hey Kent -
Thanks for this ... I know Burton will appreciate the kind words. 
This past run was awesome and finishing in the historic little theatre in Tarrytown in a snowstorm rocked ... lol    
I've passed it along to Burton.
Sam Boyd
Tour Manager
http://www.bmfproductions.com/

And since today is all about havin' fun, how about this great Burton Cummings clip, paying tribute to fellow Canadian Recording Artist Gordon Lightfoot! 

Monday, January 30, 2012

BURTON CUMMINGS

We teased it last week ...

And now it's here!!!  

Check out our special Burton Cummings Concert Review ... 

Along with EXCLUSIVE FORGOTTEN HITS photos and video!!!


After over 35 years in the radio business I can count on one hand the recording artists I would like to see, but never had the chance, and I would still have a couple of fingers left.  Guess Who front man, Burton Cummings, was one of those rock stars.  

Then came last weekend (Jan. 21st), when Burton ended a small two week tour of the Northeast with a very memorable set (almost two hours) in Westchester County, New York, at the Tarrytown Music Hall.
Burton gave up smoking a few years back, which certainly didn’t hurt protecting his voice, which I’m thrilled to report, is now as versatile, expressive, and powerful as it’s always been.  

The 64-year-old singer - songwriter is an incredible conversationalist.  He would make a great deejay or talk show host.  His love and knowledge of music is very evident.  He can recite songs, artists, album cuts, B-sides and trivia going back to the beginning of rock and roll.  

The sad part had been that for a musician who enjoyed 15 Billboard Top 40 hits, he seldom performed in the United States in recent years.  Most of his concerts had been in his native Canada, even though he’s had a house in Los Angeles for decades.  Burton’s routine has been to split his time between California and Canada each year.  And the reason why he hadn’t been more active in the States is because of the “karaoke Guess Who,” as Burton calls them, who seemed to be always touring the U.S.  That touring contingent doesn’t include Burton or his Guess Who partner and co-songwriter Randy Bachman.  He and Randy gave the rights up to the name years ago.  And Burton was uncertain how many American music fans would be passionate about buying tickets to see show without being able to use the GUESS WHO name in the promotion of the show.   

That’s all changed recently as Burton has discovered U.S. fans do remember him by his own name and still have a warm spot in their hearts for Guess Who music.  And those fans have been coming out in large numbers to see him energize the songs they grew up to on the radio.  He takes great pride in performing the songs just like the fans remember them blasting out of their radio speakers.   

Yes, Burton spends most of his show singing his hits behind the keyboard, but you soon discover this guy isn’t only a keyboard specialist, because from time-to-time he’ll grab a guitar for a song or a flute.

It’s impossible to walk out of a Burton Cummings performance disappointed.  He does ALL the Guess Who hits you come to see, from the very first one, “These Eyes,” to the very last one, “Clap for the Wolfman.”

Plus, he reveals to the crowd, “About a year ago we put this song back into the set,” and then he dives into his first solo hit, “Stand Tall,” from 1976.

Burton, who became a U.S. citizen in the past year, is just finishing the final mix of a live concert CD that will soon be available to fans and has plans to continue touring the U.S.

When Burton came out for his final encore in Tarrytown I was quietly asking myself, I wonder what song he’ll close with, since he already performed all the hits.  “Because this is the final night of our short tour, we’re going to do a tune we don’t usually do.”  He then counted down his gifted band and they got everyone up on their feet for a building shakin’ version of ‘Louie, Louie!”
-- Tom Cuddy

One of my all-time favorite recording artists has got to be Burton Cummings ... I've probably seen him close to a dozen times over the years ... both with The Guess Who and as a solo artist ... as well part of the Cummings - Bachman Band Reunion from a few years ago.  

ALWAYS one of my favorite vocalists, Cummings is in a group by himself ... nobody has ever come close to duplicating his sound.  (Even Randy Bachman used to joke, after forming Bachman-Turner Overdrive, that he knew he had to go in a different direction because he realized that he could never compete with "the voice".)

One of the strangest billings I ever saw was right after Burton's first solo hit, "Stand Tall", was released.  Cummings opened the show for Alice Cooper ... about as mis-matched a set as you could imagine.  (You wouldn't think that Alice's crowd ... the folks who packed the stadium to see the headliner behead dolls live on stage ... would hold any affection for Burton Cummings' music ... but the music of The Guess Who is TIMELESS and crosses ALL musical boundaries.  Cummings said in an early interview that he thought the group had to have "one of everything" in order to compete with The Beatles ... so The Guess Who did ballads (like "These Eyes"), hard rockers (like "No Time" and "American Woman") and even jazz (like "Undun").  Between 1969 and 1975, they placed 13 songs on Billboard's Top 40 List, and nearly every one of them has proven to remain a classic.  (How it is even remotely possible that these guys are NOT in The Rock And Roll Hall Of Fame?  This is nothing short of a ludicrous injustice ... for two years, The Guess Who outsold ALL of the other Canadian Recording Arts COMBINED!!!  There has never been a bigger rock act to come out of The Great White North ... and there is absolutely NO excuse for this ridiculous omission!)


Teaming Burton Cummings with Alice Cooper boggled the mind back then ... one of The Guess Who's best known album tracks was "Glamour Boy", a swipe at artists like Cooper and David Bowie, about whom Cummings sang, "for $37,000 you can look like your sister tonight".  The very next show I saw him in ... just a few months later ... was opening for Melissa Manchester!)  Another highlight was when Burton toured as part of Ringo Starr's All-Star Band ... limited to just a couple of songs, he routinely stole the show night after night with his rousing performances of "American Woman", "No Time" and "These Eyes".



Too bad this  was a limited tour ... I would love to see Burton Cummings in concert again.  Checking for tour dates, I found nothing listed Stateside as of this moment in time.  (Man, would Burton sound GREAT at The Chicago Theater or what?!?!?  He could sell that place out for a week!)

Thanks for the great concert review, Tom ... and all the other little goodies you sent us, too!  (Read On!)  kk


EXCLUSIVE FORGOTTEN HITS PHOTO BY BRAD JOBLIN



(Don'tcha just LOVE the fact that Burton's wearing a Beatles T-Shirt ... and how cool is it that he got to tour alongside one of his all-time idols, Ringo Starr!!!  Burton is also a HUGE Bobby Darin fan ... and ... at one time anyway ... his doorbell played "Mack The Knife" if you were fortunate enough to be invited over to his house!!!)  kk


And, as promised, another Forgotten Hits EXCLUSIVE VIDEO!!!
Video shot by Brad Joblin
Post Production: Blake Joblin

Sunday, January 29, 2012

44 Years Ago Today


If you turned on your radio on January 29th, 1968, you were likely to hear "Chain Of Fools" by Aretha Franklin, "Woman, Woman" by The Union Gap, "Nobody But Me" by The Human Beinz, "Hello, Goodbye" by The Beatles, "Daydream Believer" by The Monkees, "I Second That Emotion" by Smokey Robinson and the Miracles, "I Wonder What She's Doing Tonight" by Tommy Boyce and Bobby Hart, "Dock Of The Bay" by Otis Redding and "Baby, Now That I've Found You" by The Foundations.  

Turn on your radio today and, with the wide variety of music scattered across the dial, odds are you'll hear most ... if not all ... of these songs again, some 44 years later. 

Forgotten Hits has always stressed the fact that this music is "Timeless" ... it's just as powerful (and just as popular) today as it was back then ... and new people are discovering this music each and every day.

This hasn't always been the case.  Imagine turning on your radio on January 29th, 1968, and having the deejay flash back to 44 years earlier ... odds are pretty good that there wasn't a station on the planet successfully playing the music of 1924 ... or very many listeners craving to hear those long-forgotten songs from "the good ol' days". 

I offer this up as proof again that this music will never die.  Cliched as it is, it not only represents "The Soundtrack Of Our Lives" ... but it has also become the soundtrack to the lives of each generation to come along since. 

Other favorites from 44 years ago today?  The #1 Record in the Country was "Green Tambourine" by The Lemon Pipers.  It had just displaced "Judy In Disguise" by John Fred and His Playboy Band in the top spot.  Rounding out the Top Ten were Chicago's own American Breed with "Bend Me, Shape Me", The Classics IV with their breakthrough hit "Spooky", the biggest instrumental hit of the year, "Love Is Blue" by Paul Mauriat, "I Wish It Would Rain" by The Temptations and the stunning Lettermen medley of "Goin' Out Of My Head / Can't Take My Eyes Off You."  (By the way, the #11 Record that week was another Chicago-based hit, "Susan" by The Buckinghams.) 

Oldies staples like "Different Drum" by The Stone Poneys (Linda Ronstadt's first chart hit), "Itchycoo Park" by The Small Faces, "Darlin'" by The Beach Boys and "Simon Says" by The 1910 Fruitgum Company played side-by-side with Forgotten Hits like "Skip A Rope" by Henson Cargill, "Tomorrow" by The Strawberry Alarm Clock, "Bottle Of Wine" by The Fireballs and "Zabadak" by Dave Dee, Dozy, Beaky, Mick and Tish! 

Timeless Music ... remembered today in Forgotten Hits!
kk