Wednesday, May 21, 2014

Some Of Your Mid-Week Comments

re:  Satisfaction:  
Kent;
I, too, had heard the story of the Stones recording "Satisfaction" at Chess. I assumed it was the straight scoop.
I did a lot of voice recording work for a couple of ad agencies at Chess in the 60's and early 70's and remember hearing the engineer (whose name I've long since forgotten) tell me about that recording session.
Keep in mind that the group was not well liked by some in the industry due to their snarky attitude, wild behavior and flaunting drug use. I did a WCFL concert with them at McCormick Place in 69 or 70 and the Chicago cops placed them in squad cars after the concert and personally drove them to O'Hare to make sure they left town.
As for Dick Be-Oldie being at the session, nah, not a chance as Dick was bitter and I suspect embarrassed over his Chicago departure ... which by the way was strictly his fault!
Clark Weber

re:  The Stories Behind The Songs:
Thanks for posting the story behind the dog Shannon – I always loved the ballad and I wondered if there was a trutht behind the lyrics. 
Regards,
Martijn
After posting a bit last weekend about the origins of the stutter in the #1 Bachman-Turner Overdrive hit "You Ain't Seen Nothin' Yet", folks have been checking out our "Stories Behind The Songs" feature on the OTHER Forgotten Hits Website:


And, speaking of that Bachman-Turner story ...
>>> Randy Bachman’s brother, whom has a stutter, had recorded vocals on the demo for “You Ain’t Seen Nothin’ Yet,” which the record company had loved. They insisted BTO go back into the studio and record it again. The response Bachman and the band received was not what they expected.
The A&R person said, ‘Whoa whoa whoa, what happened to the B-B-B-baby and N-N-N …?’”   
As it turns out, the record execs wanted the stutter. Randy Bachman had to return to the studio and mimic his brother’s stutter for the song, which it has become well-known for.  (Mark Rivera)  
Kent,
Mark Rivera's pretty close to the actual story ... but you might as well hear it from Randy himself.  This is that song's intro from a six hour 'Anniversary of Rock' program that I wrote and produced in the mid 1990's (it only aired on Canadian radio stations). 
I had three well known Canadian musicians as hosts: Denny Doherty (The Mamas and The Papas), Ian Thomas ("Painted Ladies") and Randy Bachman.
This is Randy's ad-libbed intro and the story behind "You Ain't Seen Nothing Yet" in his own words. 
Doug Thompson in Toronto




re:  Paul McCartney:
Paul McCartney had to cancel his Japanese tour this week due to illness.  (Macca had hoped to reschedule a couple of shows ... but doctors insisted he rest and not perform.)  Personally, I'm a little surprised he EVER went back there!!!  There can't be a lot of pleasant memories of his last visit!
Meanwhile, he also released a brand new, pretty hi-tech video this past week for one of the songs from his "New" album, "Appreciate".


re:  Beatles Memories:
Hey Kent,
Looking at all the surveys from 1964, it's fun to find a particular song that reminds you of something that was happening in your life at the time.
In the summer of that year, my family went on a small vacation at Lake Okaboji, IA. It was a nice getaway that wasn't too far away ... plus my dad had built houses for the owner of one of the motels, so we would always get discounts during our stays.
On the way to our destination we stopped for dinner in a town called Spencer. After we ate, we walked through a shopping mall that was closed because it was Sunday. Remember those days? You could still walk through it, but all the stores were closed.
On the way out, I noticed some gumball machines. One of them contained key chains of The Beatles. Excited, I put my money in (maybe a nickel?) and turned the crank. Out came a red plastic key chain. On one side was a raised figure of a nondescript face of a bowl-haired man. It was sort of close to John's, but really a "Mr. Nobody". On the reverse side, were raised letters that read, "BEETLE"! I was so mad at the spelling, I threw it in the nearest trash can! I knew somebody out there was trying to make a quick buck from manufacturing that junk.
I recently tried to find it on Ebay and other sites to see what it would be worth today ... so if someone is out there who has one, please share your memories!
Another Beatles experience on our vacation was when we were at Arnold's Park, a tourist area on the Lake. There was a pool hall we walked by and, being underage, my brothers and I couldn't enter. The song "You Can't Do That" was loudly playing on their juke box ... and you could hear all the "hustlers" singing along! Every time I hear it, that's what I think of.
- John LaPuzza

re:  This And That:
After some health issues earlier this year, we are happy to announce that Jay Proctor, lead vocalist of Jay and the Techniques, is feeling fine and ready to head back out on the road!
Proctor had three straight Top 40 Hits ("Apples, Peaches, Pumpkin Pie", "Keep The Ball Rollin'" and "Strawberry Shortcake") and he's lining up gigs now to take him through the end of the year.
Check out this email from manager Rick Levy: 
JAY PROCTOR ... the phenomenal voice behind JAY & THE TECHNIQUES is back ... and ready to work ... late summer, fall, winter and on CLASSIC AMERICAN SOUL REVUE 
Apples, Peaches, Pumplin Pie, Keep the Ball Rollin' ... plus Memphis, Motown and Philly Soul
Great for packages, tours, concerts and fundraisers
RICK LEVY MGT - 904 - 806 - 0817

Last week we told you that Jeffrey Foskett was rejoining The Beach Boys band.  The Beach Boys are booked solid through the rest of the year ... and Jeff's soaring falsetto is being welcomed back with open arms (and high expectations.)
"Endless Summer Quarterly" Publisher David Beard caught up with Foskett recently and put together this short interview:

That new Michael Jackson song that you featured with Justin Timberlake is a #1 Hit if I've ever heard one.  I can't believe it's sat locked in a vault for 31 years!
Top 10 Kid
I agree ... Jackson wrote the song with Paul Anka ... which'll put 57 years between Anka's first #1 Hit ("Diana" in 1957) and today's!  
I really enjoy the Justin / Jackson remix ... SO much stronger than Michael's original version (which I don't believe would have been anywhere near as big a hit had it been released in its original state.)  That being said, I've got mixed emotions about these reworkings.
Yes, they've given it a completely contemporary sound ... not unlike the Elvis "Bossa Nova Baby" treatment I mentioned the other day in the Heineken commercial.
Let's face it ... you're probably NOT going to hear "Bossa Nova Baby" anywhere else these days ... and if this new remix entices a brand new audience to seek out more music by this artist ... or the original version ... then that's a good thing ... and they ARE making this music much more accessible to a whole new generation ... which I also like.  (Kinda like colorizing old movies I guess ... many HATE the idea ... but I find them often to be more "watchable" this way ... we just don't live in a black and white world anymore.)  However, I still appreciate the opportunity to enjoy BOTH options at my own choosing.
Another interesting track on the album is "A Place With No Name", a reimagining and reworking of the #1 America hit "A Horse With No Name", done with their full support.  (I could have lived without the song where Jackson mentions exploiting children and even uses the phrase "child abuse" ... and I would have thought the LABEL would have nixed this track as well!)  What did you think of Michael's "live performance" at The Billboard Awards the other night?  I've heard everything from the coolest thing EVER ... to downright creepy!!!  (kk)





TOLEDO, OH, May 20, 2014 – Grammy winning recording artist, actor and filmmaker Ice-T has added his efforts to the growing roster of notables helping the Ohio-based nonprofit program Veterans Matter to house many of the over 57,000 veterans living on the streets and in shelters.  
Ice-T’s public service announcements begin airing nationally today on Cumulus Media Radio and digital properties, joining musicians Kid Rock, Kix Brooks, John Mellencamp, Darius Rucker, Darryl Worley, Stevie Nicks, Dusty Hill, Emerson Drive, Jennifer Nettles, Natalie Stovall and The Drive, and author Mitch Albom in the effort.  
"Thousands of veterans are homeless and living veterans on the streets of our nation tonight. Streets where they are being beaten, robbed, even killed. Let’s take care of our own.” said Ice-T of the Veterans Matter campaign to house veterans.  
Veterans Matter, a national program of 1Matters, a 501(c)3 not-for-profit, was started in 2012 in Toledo, Ohio, by Ken Leslie, himself a formerly homeless alcoholic. He became aware that the primary obstacle facing many homeless veterans eligible for long-term housing assistance was the lack of an average $750 rental deposit, which is not covered by the HUD-VASH voucher assistance program. He created the Veterans Matter program to pay that deposit directly to the landlord and join the national effort to house all homeless veterans by the end of 2015.  
“We had one veteran in Texas who had been in a shelter for four years, ever since Hurricane Ike hit.  She has issues that make working and staying focused difficult. HUD-VASH and Veterans Matter were able to get her a pillow under her head in her own bed, in her own room, in her own house,” explains Leslie. “Multiply her story by a thousand more veterans and you see why we are working so hard. We can and must take care of our own.”    
The effort to house homeless veterans has the national support of broadcast heavyweight Cumulus Media, where a campaign of public service announcements by the aforementioned artists encourage Americans to send donations of any amount to Veterans Matter by texting “VETS” to 41444.
“Cumulus, the artists, and all of those involved with Veterans Matter, are just examples of how we, as Americans, are all just pitching in to do one small part to help house even one more veteran,” says Leslie.
Veterans Matter partners with the U.S. Department of Housing and Urban Development (HUD) and Veteran Affairs (VA) to provide rental deposits to homeless veterans that qualify for voucher-assisted living but can’t fund the initial housing costs. According to Leslie, some of the artists have even anchored fundraising in their home states, helping to raise a good share of the almost $250,000 raised so far. 100% of the money raised goes to the program, as overhead costs are donated in-kind. 
Leslie cites a recent email received from a VA social worker that underscores the worth of the efforts that are uniting Ice-T, his fellow supporting artists, along with Cumulus and other Americans in the campaign:
“When I told the veteran this has happened and he received his key to the apartment he became tearful and said, “I have been homeless for several years and thought this would never happen, ever."  Later I dropped him off at the library.  He called about 20 minutes later and said, “I just realized that I have a key to my own place, I know where I am going to be sleeping tonight. It is like the stress of the last several years has been lifted off my shoulders at once. Thank you so much for helping me." This IS why we do what we do.  You and Veterans Matter are such a huge part of this and I thank you so much!” - Larry S., VA social worker, Bloomington, Indiana
Summing up the campaign, Ice-T says, “They fought for us. Now we fight for them. Veterans Matter.” 
Visit VeteransMatter.org/broadcast and Facebook.com/VeteransMatter for artist photos, psa's, and information.  
VeteransMatter.org contact: Jean Mollmann | jean@veteransmatter.org | 206.947.5326
It's all about giving back, folks.  Please support this very helpful organization.  (kk)

Kent,
I want to tell you what I started doing yesterday (Monday afternoon) and will continue to do so until further notice. (I will decide when further notice is due).
In FH many times you have stated that while you are in your car that you channel surf and no matter what station you tune in to, the same song or songs are always playing. Basically here in OKC, we just have the one station that plays the same songs over and over and probably you can hear them once every 4-5 hours.
Here in OKC we have no less than four stations that program sports talk, four stations that program news talk, and your guess is as good as mine as to how many stations program country (classic country, new country, legends of country, etc,) We do have one station that supposedly programs AOR but they changed frequencies months ago and supposedly they are still on the air but who really knows.
Now the above formats I have listed I have never really listened to through the years primarily I am not interested. For all practical purposes I really don't have that many CD's and really don't play them in my car. Also at home for that matter. So what I have started doing is just turning my car radio off, driving in my car where I need to go and not even thinking of turning it on. To be honest with you, in the back of my mind I know the radio is not on but really I have not missed it at all. I feel that I am not missing anything at all, no new "oldies" being played, all the sports talk stations
talk about the same topics no matter what station you are listening to, so really I feel that I am not missing out on anything.
BULLETIN: Would you believe as I was typing this e-mail to you, I saw on television just now that Sirius radio is going to be available free until June 2. So I take that back about my radio in my car being off until further notice. Tomorrow I will tune in to Sirius with the fifties at five and or sixties at six since it is being made available for free until June 2. I have never subscribed to it.
Larry

re:  Ronnie Dove:
As mentioned by Jim Foster in his review for the Jackson, Tennessee Kool Caravan Of Stars, all of the acts were spectacular. Of course, I went mostly for Ronnie Dove, but I enjoyed every single other act that was on stage. It was also a thrill to meet every single one of them. Too bad it wasn't a real Caravan Of Stars with a traveling show, as I would go see it again if I could. Billy Joe Royal is one of my longtime heroes and it was a thrill of a lifetime to meet him and tell him how much I loved the music he made, much of it with the help of another hero of mine, Joe South. Billy Joe Royal told me he first worked with Joe South in 1959, I had not previously known that. 
Jim mentioned an upcoming cd by Ronnie Dove from Real Gone Music. It is something that has been a long time coming for Ronnie; a cd that, for the very first time ever, includes every single chart hit Ronnie had for Diamond records during the 1960's, in the very best available sound quality. The cd contains 20 songs that hit the Billboard Hot 100 and one that bubbled under. Two of these have never been on cd anywhere in the world (one of them has been on cd as a 1980's re-recording, however), and several songs are making their debut in stereo on cd, with 16 of the 21 tracks appearing on the cd in stereo.
I was involved in pretty much every aspect of this cd from the very beginning, mostly by supplying tons of memorabilia used in the 12 page booklet (along with some memorabilia Ronnie provided -- with as much as we did use in the booklet, it's probably only 1/3 of what was available to use) and by providing disc dub sources to use for comparison for mastering purposes or for dubs if tape sources could not be located, and giving feedback regarding memorabilia used in the booklet along with placement of artwork and the overall layout. 
This will be the definitive Ronnie Dove collection for anyone looking to get just the hits that Ronnie had in the 1960's (though he had plenty of B sides and album cuts that were just as good as a lot of his hits). I couldn't be prouder to have been a part of this project. Several other great people worked on it ... Marty Wekser and Evren Göknar did the stellar mastering for the cd, Joseph Lanza wrote the great essay inside which contains brand new quotes from Ronnie himself, and John Sellards did a fantastic job with the artwork and layout for the project. The booklet, front cover, and inside tray liner and back tray liner went through many changes all around before we found a final product we were all happy with, and I know everyone who buys the cd will be happy with it too. It is visually pleasing while also being audibly pleasing. 
The cd will be out from Real Gone Music on July 1, 2014. The first 75 people to order it through Real Gone will receive an autographed booklet for the cd as well. More information can be found at the Real Gone website, and they will begin taking preorders for the cd soon. 
-- Tom Diehl
I have a Ronnie Dove Greatest Hits CD on Stardust that I thought was pretty definitive ... all of the necessary hits are there (20 tracks in all), most of which overlap with the new, upcoming release ... but it sounds like this one has some extra love and care so it might be time to "upgrade" my collection!  Thanks, Tom!  (kk) 

The Stardust CD, which uses a lot of mono disc dubs, has 16 chart hits on it plus four newer recordings.

Tom



re:  Forgotten Hits Origins:
As mentioned several times over the years, Forgotten Hits began as an offshoot of my time spent in the old AOL Music Oldies Room.  One of the guys who held court there was simply known as "Sev" ...
Pasquale Severino was the founder of Mystery Lyrics, a popular daily game that at its peak had hundreds and hundred of players and participants from all over the country.
Inspired by the success and commaradrie of this game (and another one called Mystery Wavs, headed up by Ed and Diana Parker), I boldly asked the group one night:  "You know, there are SO many great songs that we all know and love that don't get played on the radio anymore ... if I started a newsletter, and wrote a little something about these songs and artists ... would you read it???"
From those innocent and humble beginnings, the very first Forgotten Hits Mailing List (of 35 subscribers!) was born ... and it has grown and blossomed and (at times) exploded ever since, rounding up oldies music fans from all over the world, uniting them by our common bond of love for all this great music. 
We lost Sev this past weekend ... and we've heard from some other early Mystery Lyrics players who are also grieving by the sad and unexpected news.

I need to catch up with FH more often ... I am not online nearly as much as I used to be and a lot gets passed by me without much notice. I, too, am saddened to hear of Sev's passing as I had been a part of Mystery Lyrics since 1999, which, being 15 years, is more than half of my life.  I can't think of too many other people who could lighten the spirits of everyone around them, but Sev always did just that.
Tom Diehl

Thank you for posting a little somethig about Sev. I don't think the world knows just what a wonderful person it lost today. :(
Kristy


Tuesday, May 20, 2014

Another Exclusive Forgotten Hits Interview

We have been anxiously (and, I might add, a bit impatiently) waiting for the film version of "Jersey Boys" to hit movie theaters. 
And now that date is FINALLY upon us ...
The Clint Eastwood-directed film will start showing on the big screen on June 20th.
Eastwood seemed about as unlikely choice as any to helm this film, a musical chronicling the career of Frankie Valli and the Four Seasons.  (We saw the "Chicago On Broadway" production SIX TIMES while it was playing here ... and loved it more each and every time!)  We figured HE must have loved it, too ... or why take on this task?
So, when we had the opportunity to interview Broadway-veteran Donnie Kehr (who performed the role of loan-shark Norm Waxman on Broadway and is now essaying that role in the movie), we jumped at the chance to speak with him!
Forgotten Hits: I read somewhere that you had done over a THOUSAND stage performances as Norm Waxman on Broadway.  What was it like to portray him for the silver screen ... how different was it than performing onstage?
Donnie Kehr: Norm Waxman is the same guy on screen as on stage.  He's a business man who likes to get paid for the services he provides. Plain and simple ... no bullshit. So that’s how I played it. Making the movie was easy because I had eight years to rehearse the role. 
FH: How big a fan were you of the Four Seasons prior to getting involved in this production? You saw Frankie Valli recently in Atlantic City, right?
DK:  I grew up listening to The Beatles, Led Zepplin and Motown. I was a fan of Frankie Valli and the Four Seasons in the 70's. I saw Frankie in Atlantic City a month ago.  I went to see his show and I'm in the audience and he starts talking about Jersey Boys. He then suddenly says my name and a spotlight hits me and I realized he was giving me a shout out. So of course I stood up and waived, but I was pleasantly surprised and honored to say the least.
FH:  We saw Frankie a couple of years ago and were pleased to see that he is still in such great voice.  (His "Seasons Sidemen" are probably about one-third his age now!!!  But he keeps right up with them and really drives the show.)  What about Clint Eastwood?  What was it like being directed by him?
DK: Being directed by Clint Eastwood was inspiring and a tremendous learning experience. He taught me a lot about teamwork, being prepared and on time.  On my birthday, I told him I was getting old … he simply said, "Don't let the old man in." Now it's my mantra.
FH:  Now THAT'S inspiring!  Is he in the movie at all?
DK:  Clint is in the movie, but you have to pay close attention.
FH:  Kind of a "Hitchcockian" cameo maybe?  Were you a Clint Eastwood fan as well?  Obviously this guy has had an INCREDIBLE career.  Is he much of a story-teller on the set?  Or is he "strictly business" once the cameras start rolling?
DK:  Cant say more about the Eastwood cameo ... you'll have to wait and see.  I've always been an Eastwood fan.  He's an incredible director.  On set, there's an overwhelming sense of calm.  He's strictly business, but he's gentle and truly a no nonsense kind of guy. 
FH:  Most would agree that he was a pretty unlikely choice to head up a movie like this.  (Although he DID do a tribute to Charlie Parker many years ago called "Bird".)  Did he ever discuss HIS connection to this music and The Four Seasons?  Eastwood was already well on his way to stardom when The Four Seasons burst on to the music scene.
DK:  I would never underestimate Clint Eastwood, to think that he wouldn't be the right person for this movie.  He is a great story teller and this story needed a leader like him who also understands the music.  My first day on the set he told me he'd been listened to all of the Frankie Valli catalogue for a couple of weeks straight prior to shooting, and what an impressive catalogue he thought it was.
FH:  A number of casts have come and gone on Broadway over the years, filling the various shoes of the real life Four Seasons ... and those are some pretty big shoes to fill when it comes to hitting those Frankie Valli notes night after night after night.  Early on, these guys were described as "The SOUND of Frankie Valli" ... because there really was none other quite like it.  How does the movie cast stack up against some of your past Broadway co-performers?
DK: The movie cast was thankfully headed up by John Lloyd Young who originated the role of Frankie on Broadway and won the TONY award for his performance.  Several characters in the movie are played by Jersey Boys Broadway and Tour alumni, so it was a top notch group. The movie cast that was not in the show were great additions to the Jersey Boys family. Everyone brought their A game.
FH:  I imagine that "Jersey Boys" will continue to be performed live on stage long after the movie comes out ... there are touring companies around the world bringing this great show to the masses.  Will you continue to be involved in any live, on stage productions?
DK: I did the LaJolla Production, then Broadway, the 1st National Tour and the Movie. I will always be there for my Jersey Boys family whenever they need me.
FH:  After hearing this music for 50 years ... and live on stage for over 1000 performances ... what are some of YOUR favorite Four Seasons songs?
DK:  My favorites are “Working My Way Back  To You,” “ Can’t Take My Eyes Off Of You,” “Beggin,”, and “Silence Is Golden.” 
FH:  And what's next for you, Donnie?  Do you have a couple more projects lined up that you can tell us about?
DK: There are a couple of things in the works but I'm not at liberty to discuss them yet.  But I can tell you that my annual charity concert ROCKERS ON BROADWAY will be this coming November in New York City honoring the legendary Micky Dolenz. (AND THAT'S A FORGOTTEN HITS EXCLUSIVE!!!)
FH:  Thanks so much for taking the time to talk with our Forgotten Hits Readers today.  Again, the movie opens nationwide on June 20th ... so be sure to check out "Jersey Boys" ... coming soon to a theater near you!

Monday, May 19, 2014

Feeling A Little Bit Less Than Satisfied

re:  See, This Is The Kind Of Shit That REALLY Pisses Me Off:   

So once again I have been GROSSLY let down by radio.  

A couple of weeks ago (Tuesday or Wednesday, May 6th or 7th I believe), Brant Miller (Morning Man on WLS-FM ... don't even ask me WHY I was listening ... but I was button-pushing as usual, trying to find something decent and worth listening to and just happened to land there), was telling the story about how The Rolling Stones' #1 Mega-Hit "Satisfaction" was recorded on that day back in 1965 at the legendary Chess Studios, right here in downtown Chicago ... and that mega-popular, legendary WLS Jock Dick Biondi was there IN THE STUDIO with the band when they laid down this legendary, landmark track ... and how Dick would be talking about this game-changing musical event later that night on his program.   

Now right off the bat, this struck me as INCREDIBLY odd ... if not virtually impossible ... and it's been bothering me ever since.  

Biondi left Chicago in 1963 in a highly-publicized (and still-talked-about) firing ... and headed out to KRLA in Los Angeles where, a year later, (after being the first disc jockey in America to play a record by The Beatles), he introduced The Fab Four live on stage at The Hollywood Bowl.   

He was still there in 1965 ... so I found it HIGHLY unlikely that he flew back to Chicago to attend a Rolling Stones recording session at Chess Studios.  

Then, purely by coincidence, later that night, I read in Harvey Kubernik's EXCELLENT new book "Turn Up The Radio!  Rock, Pop, And Roll In Los Angeles, 1956 - 1972" about how The Stones recorded their biggest hit to date, "Satisfaction", at the RCA Studios in Los Angeles.   

So next I checked the liner notes to the recently released "Out Of Our Heads" CD reissue (the album that contains the aforementioned track "Satisfaction") to see if perhaps these might shine a little more light on the subject ... only to find that the recording credits list the LP as having been recorded in Hollywood, Chicago and London.  Hmmm ... could there be more to the story?    

Rather than jump to any conclusions, I decided to read and research a little bit further ... I read through the original LP liner notes, written by Rolling Stones Manager Andrew Loog Oldham, and say that way back in 1965 he told us that this LP was recorded in three different studios across the globe:   

"From Chicago come the Otis Redding songs 'That's How Strong My Love Is', 'Have Mercy' and the Stones' own tribute to the backroom boys of the music business, entitled 'The Under Assistant West Coast Promotion Man'.  

"From Hollywood come the Marvin Gaye opus 'Hitch Hike', their two recent smash singles, 'The Last Time' and 'Satisfaction', 'Play With Fire', and two new inkings from song-scribes Mick and Keith, 'The Spider and the Fly' and 'One More Try'.  The boys have included a great Solomon Burke ballad, 'Cry To Me'.  The last outing from Hollywood is by way of a tribute to the late Sam Cooke (the news of whose death was reported while the Stones were recording this LP - kk), who was one of the greatest talents to emerge in the rock 'n' roll era.  The Stones have given a great treatment to Sam's 'Good Times.'    

"Last, but not least, from London, we have included a number recorded during the last Rolling Stones Concert Tour of Great Britain, a great live rendition of their own composition, 'I'm All Right'."     

Now I've gotta believe that Andrew Loog Oldham, writing this AT THE TIME, AS IT HAPPENED, would have a pretty good handle on what was going down during these sessions ... he virtually never left their side back then ... and, as such, he would have to be a pretty trust-worthy source for information at this point ... but just to be sure, I did a little more digging.   

Checking out the INCREDIBLE Rolling Stones website run by Nico Zentgraf (every detail you could EVER want to know about every day of their career), it looks like "Satisfaction" (a VERY early version that included a harmonica solo) was, in fact, recorded in Chicago on May 10th at Chess Studios.  (This version was not used or ever issued ... The Stones scrapped it and started over from scratch the following day in Los Angeles at RCA Studios, putting in sessions on May 11th and 12th and completing the final mix for single and album release.) 

Click here: The Complete Works of the Rolling Stones - Database      

So while I suppose technically The Stones DID, in fact, spend a day in the Chess Recording Studio working on "Satisfaction" (laying down tracks for a version that would never see the light of day), it was NOT the legendary hit single that we all fell in love with during The Summer of '65 ... and it did NOT happen on the date indicated by Miller (which would have been around the 6th or 7th of May, not the actual date of the 10th) ... and it was still HIGHLY unlikely (not to mention virtually impossible) that Dick Biondi would have been there for this session.   

That being said, it is ENTIRELY possible that Dick DID attend the Stones' recording session in Los Angeles, which makes a WHOLE lot more sense since that's where he was working at the time.  (Even more so when one considers that The Stones did an in-studio interview at KRLA on May 11th!!!  They very well may have invited him back to join them in the studio that evening to give him an exclusive glimpse of what they were currently working on.)    

Technically, I guess Brant, Dick and WLS just kind of "combined" the facts in order to create a whole new truth that played out a little more "listener friendly" than the truth ... and, let's be honest here ... I can't imagine that ANY other listener out there who heard this so called "fact" that morning would have taken the time to do the research that I just did ... instead, they would have just accepted Brant's information as gospel truth (and probably shared it with a few friends, family and coworkers later that day), thus spreading the fallacy even further.    

Frustrated, I wrote to Dick Biondi, confronting him with the results of my research, and asked for further clarification ... thinking that perhaps having the facts laid out if front of him might spark a moment of clarity.  (Dick knows my commitment to spreading "the most accurate truth" as it certainly benefited him when I did my "Who Played The Very First Beatles Record In America" series several years ago.)  Surely he would want to set the record straight on this front, too!    

As expected, I never heard back.   
kk