Tuesday, January 19, 2016

Forgotten Hits Remembers GLENN FREY


When The Eagles asked to postpone their Kennedy Center Honors last year due to Glenn Frey's health conditions, the hope was he would be able to go through the "major surgery and lengthy recovery period" necessary to return to form and be so honored in 2016.  He was evidently in worse medical condition than any of us released ... and passed away yesterday from "complications from Rheumatoid Arthritis, Acute Ulcerative Colitis and Pneumonia" according to the statement released by the band on their website.  

Frey co-founded The Eagles with Drummer Don Henley when both were still members of Linda Ronstadt's back-up band, which also included Randy Meiser, an original member of Poco and bassist for Rick Nelson's Stone Canyon Band and Bernie Leadon, late of The Flying Burrito Brothers.  Those four players formed the nucleus of what the world would come to know as The Eagles.  

I'll never forget seeing Ronstadt when she opened for Blood, Sweat and Tears here in Chicago in 1971 and she set aside a portion of her show to allow her back-up band to share the spotlight with her and perform a couple of songs they had just recorded for their first album.  That night they played "Take It Easy" and "Witchy Woman" and I remember making a mental note, "I'll have to keep an eye out for these guys."  Trooper that she was, Linda wished them well in their upcoming pursuit of success knowing full well that she'd now be tasked with finding their replacements.  (She also recorded a version of the first song that Frey and Henley ever wrote together, "Desperado", a track never released as an Eagles single but one of their best known songs nevertheless.)  

Both of the songs I heard that fateful night in 1971 went on to become Top Ten Hits for The Eagles in 1972.  ("Take It Easy" peaked at #6 and "Witchy Woman" at #8.)  More hits followed ... fifteen Top 40 Hits in all before the band called it quits in 1980 and Henley and Frey pursued solo careers.  (See The Eagles Hit List at the end of today's posting)  

The popularity of the group seemed to grow with each new album release ... as did their abilities as songwriters and song-crafters.  The line-up changed from time to time ... Meisner and Leadon were eventually replaced by Don Felder, Timothy B. Schmit and Joe Walsh ... and then, years later by a cast of side musicians once Felder was ousted from the band.  (Schmit and Walsh, along with Henley and Frey, became the "core" members of The Eagles.)  

It was a bitter break-up in 1980 that prompted Frey to declare that The Eagles would perform together again "when hell freezes over" ... so when they decided to regroup in 1994 to release a mini-album of new material it was apropos that they called their reunion tour the "Hell Freezes Over" tour.  

The timing couldn't have been better ... Classic Rock Radio had just been born and the music of The Eagles was all over the airwaves.  (The Eagles' first Greatest Hits Album, 1971 - 1975, has been certified platinum 29 times over ... and continually ranks as the #1 best selling album of all-time, alternating that position with Michael Jackson's "Thriller" album on a regular basis.)  Although only a couple of their new songs charted with any significance ("Get Over It", #31, 1994 and "Love Will Keep Us Alive", #22, 1995), their Hell Freezes Over Tour, their Eagles Reunion Tour and their History Of The Eagles Tour kept the band on the road for the majority of the next 21 years.  

Without question, second to The Beatles, The Eagles were the most important band in my life ... I devoured their music and was fortunate enough to see them perform half a dozen times ... never a cheap ticket ... but ALWAYS a breath-taking performance.  They were often criticized for reproducing their best-known songs note-for-note on stage ... but to my appreciative ears, that just paid even higher praise for their ability to do so.  

When the band first split, Frey hit the charts quickly and often with hits like "I Found Somebody" (#23, 1982); "The One You Love" (#12, 1982); "All Those Lies" (#37, 1983); "Sexy Girl" (#20, 1984); "The Heat Is On" (from the Eddie Murphy film "Beverly Hills Cop" ... and also my cell phone ringtone ... #2, 1985); "Smuggler's Blues" (#12, 1985); "You Belong To The City" (#2, 1985) and "True Love" (#13, 1988).  Frey even took a stab at acting, doing a couple of TV spots, most notably on "Miami Vice" which featured his hits "Smuggler's Blues" and "You Belong To The City" prominently on their television soundtrack.  He was in the best shape of his life at the time ... buff, clearly working out to almost Joe Piscopo proportions.  



Rumors of health issues have plagued him for years.  In fact, many said at the time of The Eagles reunion in 1994 it was because Frey had cancer and they wanted to go around one more time while Frey was still able to do so.  (No substantiation of this ever materialized to the best of my knowledge ... although more health facts may come to light now due to his passing ... but I remember it being a widely-circulated rumor at the time.)  

If you haven't already seen it, be sure to check out the three hour "History of the Eagles" documentary put together by Showtime a few years ago and now available for home purchase on DVD and BluRay.  It's an AMAZING story of an AMAZING band ... TONS of vintage footage and plenty of "no pulled punches" interviews with the various members of The Eagles over the years.  On it, Frey comes across as the defacto leader of the group ... as well as the biggest asshole ... but he knew what he wanted ... and he went out and got it.  As lifelong partner Don Henley stated after news of his death went public, "Rest in peace, my brother. You did what you set out to do, and then some."  

Other "Rock And Roll Brothers" in Frey's life would have to include Jackson Browne (with whom he wrote The Eagles' first hit "Take It Easy", J.D. Souther, a friend and frequent songwriting partner and Bob Seger, dating back to Frey's Detroit days.  (Listen closely and you can hear Glenn Frey singing background vocals on Seger's first big pop hit, "Ramblin' Gamblin' Man".)  

This has been a rough week for rock and roll.  First David Bowie ... then Gary Loizzo of The American Breed ... and now Glenn Frey of The Eagles ... all big contributors to the soundtrack of our lives.  A sad way to begin 2016 ... but another reminder to appreciate this music while we have the chance to do so.  
kk
Kent Kotal
Forgotten Hits



Here's the official Billboard Magazine report on Glenn Frey's death ...  

Glenn Frey, a founding member and guitarist of the Eagles, one of the most popular and commercially successful artists of the 1970s, has died. The band confirmed the news on Monday (Jan. 18) with a statement on its website.  

"Glenn fought a courageous battle for the past several weeks but, sadly, succumbed to complications from Rheumatoid Arthritis, Acute Ulcerative Colitis and Pneumonia," read the statement. "Words can neither describe our sorrow, nor our love and respect for all that he has given to us, his family, the music community and millions of fans worldwide."  

Frey had been battling intestinal issues that caused the band to postpone its Kennedy Center Honors. A statement from the band said then the recurring problem would require "major surgery and a lengthy recovery period."

Eagles drummer and vocalist Don Henley issued the following statement:  

"He was like a brother to me; we were family, and like most families, there was some dysfunction. But, the bond we forged 45 years ago was never broken, even during the 14 years that the Eagles were dissolved. We were two young men who made the pilgrimage to Los Angeles with the same dream: to make our mark in the music industry -- and with perseverance, a deep love of music, our alliance with other great musicians and our manager, Irving Azoff, we built something that has lasted longer than anyone could have dreamed. But, Glenn was the one who started it all. He was the spark plug, the man with the plan. He had an encyclopedic knowledge of popular music and a work ethic that wouldn't quit. He was funny, bullheaded, mercurial, generous, deeply talented and driven. He loved his wife and kids more than anything. We are all in a state of shock, disbelief and profound sorrow. We brought our two-year 'History of the Eagles Tour' to a triumphant close at the end of July and now he is gone. I'm not sure I believe in fate, but I know that crossing paths with Glenn Lewis Frey in 1970 changed my life forever, and it eventually had an impact on the lives of millions of other people all over the planet. It will be very strange going forward in a world without him in it. But, I will be grateful, every day, that he was in my life. Rest in peace, my brother. You did what you set out to do, and then some."  

Frey was born on November 6, 1948 in Detroit, and grew up in nearby Royal Oak. He grew up on both the Motown sounds and harder-edged rock of his hometown. He played in a succession of local bands in the city and first connected with Bob Seger when Frey's band, the Mushrooms, convinced Seger to write a song for them. Frey can also be heard singing extremely loud backing vocals (particularly on the first chorus) on Seger's first hit and Frey's first recorded appearance, 1968's "Ramblin' Gamblin' Man."  

But it wasn't long before warmer climes called and Frey followed then-girlfriend Joan Silwin to Los Angeles. Her sister Alexandra was a member of Honey, Ltd., a girl group associated with Nancy Sinatra producer Lee Hazelwood, and she introduced Frey to her friend John David Souther.

It was a portentous introduction. Before long the two were living as roommates in East L.A. with another aspiring songwriter named Jackson Browne. All three quickly became deeply involved in the burgeoning L.A. country-rock scene centered around the Troubadour nightclub that started with the Byrds, proliferated with Gram Parsons and the Flying Burrito Brothers and would, in softer form, dominate American airwaves for the bulk of the 1970s. But first Frey and Souther would pay their dues as an unsuccessful duo, Longbranch Pennywhistle. The pair released a self-titled album on the short-lived indie Amos Records in 1969, but soon split up.  

In 1971, fellow future country-rock superstar Linda Ronstadt was seeking a backing band and, on the advice of Souther, her boyfriend, hired Frey along with drummer Don Henley, ex-Poco bassist Randy Meisner and former Burritos guitarist Bernie Leadon. The band gelled so well that they broke off on their own after completing the tour and became one of the early artists signed to David Geffen's then-new label, Asylum. The group was an instant success, riding on the back of its first single, "Take It Easy" -- a song written almost entirely by Jackson Browne, with some lyrics added by Frey. 

Via a long string of mid '70s hits like "Peaceful Easy Feeling," "Desperado," "Tequila Sunrise," "Best of My Love" (No. 1, March, 1975) "Witchy Woman", the funkier "One of These Nights" (No. 1, August, 1975) and the harder-edged "Already Gone" (many written by band members in collaboration with Souther), the Eagles became the standard-bearers -- and Asylum Records became the epicenter -- of the California soft-rock explosion. Guitarist Don Felder filled out the band's sound in 1974, and after Leadon left the following year, guitarist Joe Walsh joined – beefing up the band's sound and lofting them to even greater heights with the 1976 "Hotel California" album, which spawned No. 1 singles with the title track and Frey's "New Kid in Town," possibly his defining song. Along with Fleetwood Mac's Rumors, those albums defined the denim, drugs and decadence of the jet-setting late '70s California rock scene. 

But drugs, egos and success soon took their toll, and it was some three years before the Eagles released a follow-up album with The Long Run. Spurred by the Hot 100 No. 1 single "Heartache Tonight," the album was a commercial success -- and helped bring the music industry out of a post-disco sales tailspin -- but the band succumbed to infighting and split in 1980. 

Frey embarked on a successful solo career, enjoying a series of '80s hits, the biggest of which were tied to soundtracks like Beverly Hills Cop ("The Heat Is On") and Miami Vice ("You Belong to the City"). 

But the Eagles' solo hits began to dry up in the 1990s, ad before long a reunion tour was masterminded by Irving Azoff, the group's longtime manager. The tour's title mocked the acrimony with which the group split up: "Hell Freezes Over." The group continued to tour periodically -- and lucratively -- over the past two decades, releasing just scattered new material and focusing on solo works. In 2012, Frey released his first solo album since the 1990s, a collection of pop standards called After Hours. 

While the Eagles were reviled as much as they were revered during their heyday, there's no questioning the enduring quality of their hits or the freshness of their sound, particularly the keening harmonies of Henley, Frey and Meisner. But more lasting may be its success:  For years the group's 1976 collection Their Greatest Hits 1971-75 regularly swapped places with Michael Jackson's Thriller as the top-selling album of all time -- and has been certified a whopping 29 times platinum by the RIAA. 

Discussing the superb 2013 History of the Eagles, Part 1 documentary with Billboard, Frey said: "You couldn't have asked for a better script for a bunch of guys in their 20s trying to make it into the music business. We were young, we made mistakes, we still make mistakes. It's the story of an American band, but it's also the story of the songs we wrote and what those songs did to [people]. We're here because everybody likes the songs."


Ron Smith's oldiesmusic.com website reports it this way ...

Glenn Frey, guitarist, songwriter and vocalist with the Eagles, died Monday (January 18) a month after his health sidelined the group from receiving Kennedy Center Honors. He was 67. 

The cause of death was attributed to Rheumatoid Arthritis, Acute Ulcerative Colitis and Pneumonia. 

Born in Detroit, he worked in several local bands and even sang and played on Bob Seger's recording of "Ramblin' Gamblin' Man", which led to his move to Los Angeles. There he worked with J.D. Souther and met Randy Meisner, Bernie Leadon and Don Henley, who eventually were hired as Linda Ronstadt's touring backup band. In 1971, they formed the Eagles and their success rivaled even Linda's, with hit singles like "Take It Easy" (#12 - 1972), "Lyin' Eyes" (#2 - 1975) - both with Glenn on lead and five #1 hits - "Best Of My Love" (1975), "One Of These Nights" (1975), "New Kid In Town" (1976) - again with Glenn on lead, "Hotel California" (1977) and "Heartache Tonight" (1979). 

The group broke up in 1980 and Glenn went on to a successful solo career, with recordings like "The One That You Love" (#15 - 1982), "You Belong To The City" (#2 - 1985) and "The Heat Is On" (#2 - 1985). As an actor, he had a recurring role in the NBC-TV series, "Miami Vice" and appeared on the series "Wiseguy" and "South Of Sunset," as well as the movie, "Jerry McGuire". 

The Eagles reunited in 1994 (the album was humorously entitled "Hell Freezes Over") and continued to tour to record-breaking crowds. They were inducted into the Rock 'n' Roll Hall of Fame in 1994, the Vocal Group Hall of Fame in 2001 and their first Greatest Hits album was honored as the Best Selling Album of the Century in 1999.

THE EAGLES TOP 50 HIT LIST  
(National Peak shown for each entry)

1972 -   Take It Easy - #6
             Witchy Woman - #8

1973 -   Peaceful Easy Feeling (#18)
           ABOVE THREE FROM "THE EAGLES", THEIR FIRST  ALBUM
            Tequila Sunrise (#40)
            Outlaw Man (#49)
          ABOVE TWO FROM "DESPERADO"

1974 -  Already Gone  (#17)
            James Dean  (#49)
             Best Of My Love ( #1)
          ABOVE THREE FROM "ON THE BORDER"

1975 -  One Of These Nights  (#1)
            Lyin' Eyes  (#2)

1976 -  Take It To The Limit  (#4)
           ABOVE THREE FROM "ONE OF THESE NIGHTS"

1977 -   New Kid In Town  (#1)
            Hotel California  (#1)
            Life In The Fast Lane  (#11)
            ABOVE THREE FROM "HOTEL CALIFORNIA", ONE OF THE BIGGEST SELLING ALBUMS OF ALL TIME ... AND THE #1 ALBUM IN AMERICA 39 YEARS AGO TODAY

1978 -  Please Come Home For Christmas  (#18)
          SPECIAL SEASONAL SINGLE THAT GETS MASSIVE HOLIDAY AIRPLAY EVERY YEAR SINCE 1978

1979 -   Heartache Tonight  (#1)

1980 -   The Long Run  (#4)
            I Can't Tell You Why  (#7)
            ABOVE THREE FROM "THE LONG RUN"

1981 -   Seven Bridges Road  (#21)
           FROM "THE EAGLES LIVE" DOUBLE ALBUM ... RELEASED IN THE HOPES THAT THE BAND WOULD RESOLVE THEIR DIFFERENCES AND BEGIN WORK ON A NEW LP ... IT WASN'T TO BE

1994 -    Get Over It  (#31)

1995 -    Love Will Keep Us Alive  (#22)
            ABOVE TWO FROM "HELL FREEZES OVER"

Monday, January 18, 2016

We Just Lost A Cornerstone of Chicago Rock ... Gary Loizzo of The American Breed Passed Away This Weekend


We received some VERY sad news on a local level yesterday when we heard that Gary Loizzo, lead singer of The American Breed, had passed away from cancer on Saturday.

The American Breed had just performed together for the first time in over four decades as part of the WTTW "Cornerstones Of Rock" program celebrating the hit bands of Chicago from the '60's and '70's.  Thankfully, that final performance is now preserved forever on the accompanying DVD that will be released next month.  (Loizzo was in FINE voice for the program, where The American Breed, backed by Jim Peterik and The Ides Of March performed their 1968 #1 Hit "Bend Me, Shape Me".)  

Other Top 40 National Hits included "Step Out Of Your Mind" (#20, 1967) and "Green Light" (#22, 1968).  

The American Breed were expected to perform as part of the live Cornerstones Of Rock Shows being held in St. Charles and Skokie later this spring.  (kk)     


Gary Loizzo, lead singer and guitarist with Chicago's American Breed, died of cancer Saturday (January 16) at the age of 70. Formed as Gary and the Knight Lites, the group saw some local success in 1963 with "If I'm Lonely Tomorrow" on Kedlen Records and continued recording for three other labels before being discovered by officials of ACTA Records who were snowed-in during Chicago's blizzard of 1967. With a name change to the American Breed, the group scored success that year with "Step Out Of Your Mind" (#24 - 1967) before hitting with "Bend Me, Shape Me" (#5) early the next year. But the follow-up, "Green Light" (#39 - 1968) proved to be their only other top 40 tune (though they charted locally with "Ready, Willing And Able" that year as well). Nevertheless, the American Breed were in high demand for commercial jingles, including such products as Coca-Cola, American Airlines, Partridge Weiners and the TV show, "Temperature's Rising." A change to more R&B-flavored records as Ask Rufus (later shortened to Rufus) followed Gary's departure and eventually led to fame for lead singer Chaka Khan. Gary, meanwhile, formed a suburban Chicago recording studio where he engineered (and sometimes produced) the city's top talent, including Styx, REO Spedwagon, Survivor and Dennis DeYoung. He was twice nominated for Grammys for his engineering work.
-- Ron Smith
We were fortunate enough to spend time at Gary's Pumpking Studios in the late '70's ... it was a trip to see Styx's gold records prominently on display on his walls.  SUCH a shame to lose him now, just as he stepped back into the limelight after such a long hiatus.  (kk)


This is a true shock to me.  Lead singer of the American Breed Gary Loizzo has passed away at 70 years of age.  I just watched him in the Chicago reunion show just a couple months ago singing "Bend Me Shape Me" with the original members of the American Breed.  How sad.  I wrote the liner notes for the Breed's greatest hits CD on Varese Sarabande in 1993 and interviewed him.  He was a great guy and until his death was working sound and keyboards for Styx for over a decade and operating Pumpkin Studios in Chicago for decades as well.

I first met Gary at a Jim Lounsbury Record Hop. It had to be in ‘62/’63. His group was called Gary & The Nite Lights.
Years later, I re-connected with him when he owned Pumpkin Studios and he was recording some tracks for Paulette McWilliams with Al Ciner producing.
God bless you, Gary.
Jim Holvay 

I am certain we can all say we will miss Gary ...
a generous, kind and talented man.
RIP friend
Tom Doody


Gary was truly a good guy.  I knew he had cancer, but he looked so good (and sang well, too) on the PBS Special I thought maybe he was doing better.  Such a loss.  
He was the nicest person to be around backstage – no big ego here.  I remember talking with him a number of years back to see if the Breed would play out, but he just loved his studio so much he was like “Nah, Sue,  Pumpkin it is.”  Everyone that used him for recording could not say enough good things about his professionalism and quality of his work.  
He will be missed.  
Sue Christenson Patterson  
PR Creative


From Jim Peterik ...    

I just heard the sad news that our dear friend Gary Loizzo has lost his brave fight with cancer.   
The Ides got to play on the same bill with Gary and the Nite- Lites back in 1965 in a little club on Chicago's north side.  We were blown away by their professional sound, talent, great equipment, dance steps and more than anything the vocal talent and vibe of their lead singer, Gary Loizzo. He had it all - voice, good looks and guitar chops. He was also a genuinely nice guy.   
One day a few years later we heard a great new song on WLS called Bend Me Shape Me by The American Breed. We soon realized it was the same group we saw as the Nite-Lites with a much better name and a national record deal. We were impressed and so glad for these four guys.  Flash forward to 1975 when I was looking for a good, budget priced studio to record demos for my Don't Fight The Feeling album.  A buddy said "I heard of this guy who records in his garage in Oak Lawn. He calls the place Pumkin".   
I booked time and soon I was cutting with none other than a reinvented Gary Loizzo. The sound we got our of his suburban garage rivaled anything I'd heard and when he moved to his store front on 95th, he went pro.   
I showed up at his door with a newly minted Survivor to record a demo of songs in 1978 then in '79 recorded our future classic Rebel Girl with Gary manning the console. I cut the demo for Wild Eyed Southern Boys there as well and returned often for other projects.  
Then the world became aware of the epic albums he made with Chicago's own Styx and the great live mixes he did at their concerts.  
Gary's best piece of gear was his well calibrated set of ears.  
When Joe Thomas green lighted the Cornerstones of Rock PBS special in late 2015, we knew that no bill of Chicago bands from the 60s would be complete without Gary and the American Breed. When I called Gary in September, he informed me that he wasn't sure if he could do it and hesitantly told me he was fighting cancer. I was shocked and saddened. He called me a week later and said he probably would not be doing it. Beside his health, his band members had not played in years ...  but I pressed on and after a few conversations with gentle assurance all would be great, he and Chuck, Al, and Lee showed up at WTTW for the rehearsal and then the taping on Oct 16.  
Gary came healthy looking and focused and he and the band members backed by the Ides of March knocked it out of the park as we knew they would.  
Bend Me Shape Me was one of the highlights of this epic show. And there were many.   
I'll never forget Gary's gentle eyes when it was all over. "Well, we did it Jimmie. Thanks for believing we could."
I answered "No Gary - thanks for all the years of music - and believing you could."
We love you, Gary. Rock in Peace.  
Jimbo
Keep Rocking!
Jimbo


And from James Fairs, original guitarist for The Cryan' Shames (who reunited with Tom Doody and Jim Pilster for the Cornerstones Of Rock PBS Special) ...

Gary Loizzo and I first met in the very early 70's. I have a ton of stories from that time, and almost each and every one of them includes at least some measure of his generosity ... whether it was complimenting me on a musical choice, or on my songwriting or production ... or using his degree in electronics to help me hot rod one of my tape decks. 
I never knew him to be anything other than straight and true, and he certainly demonstrated that quality at the Cornerstones Show. 
This may sound like a cliche' ... but I seldom say it: I will really miss Gary Loizzo  ... truly. 
James Fairs

A very nice write-up from Vintage Vinyl News ...   

Gary Loizzo, the lead singer and guitarist for the American Breed and a very successful producer and studio owner, has died after a two-and-a-half year battle with pancreatic cancer. He was 70.

The Shadows of Knight posted the following on their Facebook page on Sunday afternoon:
I'm deeply saddened by the news that my longtime friend Gary Loizzo of the American Breed has passed away ... we've lost another great one ... Gary was a good friend, a great singer ... and I worked with him in the studio as an engineer and a producer on many projects ... his work with Styx is legendary ... he will truly be missed and remembered fondly ... Bend Me Shape Me any way you want me will live on in our hearts.
Todd Sucherman, drummer for Styx with whom Loizzo had worked extensively, said:
Gary Loizzo, RIP my dear friend. This is a hard one to write as it’s one of our own. Gary Loizzo has been our front of house engineer since I joined the band 20 years ago but before that he was the (Grammy nominated) recording engineer on many of the Styx records of the 70s and 80s (and 90s and 00s.) And before that he was the lead singer of The American Breed, most famous for the song “Bend Me, Shape Me.” He was a man of exceptional taste, wonderful musicianship, eagle sharp ears, but most of all he was a shining example as how to conduct yourself as a man, a professional, a husband and father. In 20 years I never saw him lose his cool or raise his voice to anyone, and believe me, the road can be frustrating at times. He just made everyone feel good. He was a magical person and I know everyone in our organization feels they are a better human being having had the privilege to wok along his side.

Can we please cure cancer? Enough already.

Gary stopped touring with us in early summer 2015. When we played Chicago on September 5th, Gary and his amazing wife, Diane and the whole family came out to the gig for a party before show time. We had worked up “Bend Me Shape Me” and brought him on stage to sing it mid set. The large screen behind us displayed an image of Gary from the late 60s as he came out on stage with the energy of a teenager, all smiles, and sang the hell out of his hit song in front of 20,000 people in his home town. What a send off my dear, dear friend! I love you, and you will continue to be an inspiration and a shining example of how to live life.
Loizzo was one of the founding members of The American Breed (originally known as Gary & the Knight Lites) in Cicero, IL. The group played around the Chicago album until, during a snowstorm in January 1967, Mercury Records VP Kenny Myers was stranded at a Universal Recording in Chicago where he met with producer Bill Traut who had worked with the American Breed on their initial recordings. Myers signed them to the new subsidiary Acta where they released their first single, I Don't Think You Know Me, written by Carole King and Gerry Goffin.

The American Breed with Loizzo on lead hit the charts the first time in early 1967 with Step Out of Your Mind (1967 / #24) but it was two singles later that they hit it big with Bend Me, Shape Me (1967 / #5 U.S. / #24 U.K.). Overall, the band charted five singles on the Billboard Hot 100.

When the band's singles stopped charting, members began to break off even though Loizzo tried to keep them going into 1970.

Loizzo moved forward in business by opening his own Chicago studio, Pumpkin, where he produced many local artists. Over the years, he worked with REO Speedwagon, Bad Company, Slash, Survivor and a number of Styx and Dennis DeYoung albums. As mentioned above, he was also Styx sound engineer for over twenty years.

Loizzo and the other original members of the American Breed also reunited to record an album in 1986. They continued to reform over the ensuing years for special events around the Chicago area.

Among Loizzo's engineering and production credits:

  • You Can Tune a Piano But You Can't Tune a Fish - REO Speedwagon (engineer)
  • Cornerstone - Styx (engineer)
  • Premonition - Survivor (engineer, producer)
  • Paradise Theatre - Styx (engineer)
  • Kilroy Was Here - Styx (engineer)
  • Caught in the Act - Styx (engineer)
  • Desert Moon - Dennis DeYoung (engineer, vocals)
  • Return to Paradise - Styx (engineer)
  • Brave New World - Styx (engineer)