Monday, July 9, 2018

CORNERSTONES - The Last Word

We’re going to wrap up our Cornerstones Commentary with this issue … meaning that from this point forward, we’ll dispense with the commentary and instead simply enjoy the show. 

We have only ever offered constructive criticism in this regards ... suggestions that might make for an even better show than it already is.  Sometimes artists lose sight of what pleases their fans most and ... as they have said since the beginning of time ... without the fans, there is no show.

But the plain and simple truth is that there is absolutely nothing that I can say or suggest that is going to change anything anyway.  We can all opinionate to our hearts’ content … but the show is going to go on the way THEY want it to … and if their collective conscience has no trouble sleeping at night, then I’ve said all that I’m prepared to say. 

And really, what’s to argue?  Start to finish, it’s a GREAT show … THOROUGHLY enjoyable throughout … put on by a bunch of guys that I truly love and care a great deal about.  It has rejuvenated our collective love of this music and has had nothing but a positive result, with sell-out show after sell-out show after sell-out show.  (I’ve probably seen the show a dozen times already and could see it five dozen more and still not tire of the way this music is being presented.  It has been such a HUGE part of my life that I feel honored to be affiliated with these artists in ANY capacity … and my love and appreciate for this music will never die.) 

So let’s go to the mat one last time … and then sit back and enjoy the show.  (kk) 

We attended the Cornerstones of Rock show, driving up from Rockford, and found it an incredibly pleasant experience. The traffic was not a problem as we parked in a Park and Ride facility on the southwest edge of town and took the shuttle bus in for $3.00, which reflects a senior citizen discount. From there on in, it just got better.
It was Throwback Thursday and admission was only $5.00 and beers were half price. As advertised on your site, some of the band members mentioned a 3:00 pm to 3:30 pm start instead of the posted 4:00 pm start shown on the websites. The daily schedule also stated 3:00 pm. As it turns out, the start was at the original 4:00 pm time slot, even though the stands were packed at 3:00 pm.
The only problem with this time frame was that the bright sun was directly over the unlit covered stage and for about the first hour you had difficulty seeing the actual bands on stage. The bright sun is typical of the problems that I want to have these days. In addition, there were spotty problems with the sound system during small portions of the show. With so many competent singers on stage, it was if the sound guy was having difficulty highlighting the volume on the individual microphones as vocals switched from singer to singer. These were minor details and all in all it was a good show.
The sets were expanded from the previous shows. My highlight of the show was seeing and hearing "Mr. Unreliable" performed live for most likely the first time since 1968. Contrary to your statement, I am in agreement with Jim Fairs in the fact that some of the songs could use a little tweaking to reflect the advancements in sound equipment, not to mention the 40 - 50 plus years of additional practice time available to the musicians. I felt like a little edge had been added to the performance of "Mr. Unreliable" and I was OK with that. Although Jim Fairs did not attend the show, as indicated one of his original guitars apparently did.
Although I enjoyed all of the performances last night, I felt that the top performances came from The New Colony Six and The Buckinghams. Let's get some more 4:00 pm shows on the schedule. That time frame fits in better with my current life style.
Robert S. Campbell

Kent -- 
When I first started interviewing musicians for my website 60sgaragebands.com, I was often indignantly criticized by the interviewees for using the term “garage band.”   Years ago (and the perception still persists today to a lesser degree), the word “garage” symbolized to many musicians a “lack of professional status.”  Many of these musicians couldn’t understand how a pro group could be considered a “garage” band, not realizing the term reflected more of a sound than a skill-set level. Now, of course, having been in a 1960’s “garage band” is almost a badge of honor, and — as with the Cornerstones show — even used as part of a group’s marketing angle. But, if we’re being honest, the best known songs — i.e., the hits — by the Buckinghams, the Cryan’ Shames, the Ides of March and the New Colony Six, all fall squarely outside what is typically categorized as “garage rock” (granted, all of these groups recorded excellent songs that favorably compare to the best of ‘60s garage rock … but it’s not what they’re remembered for.) 
The one Cornerstones group that personifies true garage rock, of course, is the Shadows of Knight. Although they had a later “bubblegum” phase, they’ll always be remembered for ‘Gloria,‘ 'Oh Yeah.,’ ‘I’m Gonna Make You Mine’ and other legendary garage rockers.
To be clear, I am in no way knocking any of the groups that form the Cornerstones, as I am a huge fan of each. But when listing the best 1960s garage bands from Chicago (again, Shadows of Knight excluded), none of them would immediately come to mind. Bruce Mattey, as a member of the Revelles (their song ‘Little Girl’ is included in Cornerstones shows), however, perhaps represents the concept of a “garage band” better than any of the true headliners (Shadows of Knight excluded).
My point? If I was to organize an authentic Chicago garage rock concert, I would instead feature groups like the Knaves, the Little Boy Blues, Dirty Wurds, and Shady Daze (along with the Shadows and, yes, the Revelles.)   To me, hearing songs like Mattey’s garage pop ‘Little Girl’ is always a highlight … and helps lend some credence to the garage band angle of the shows. In fact, I think the Revelles’ ‘You Love Me No More,’ written by Forgotten Hits’ contributor Freddie Glickstein, should be added. It’s a garage rock classic. 
In my opinion, as enjoyable as they are, the Cornerstones show is better represented as a “Chicago’s Hitmakers” performance rather than a “garage band” concert.
Mike Dugo

We made the trip up to Milwaukee to catch the Cornerstones show at Summerfest last week … first time for me (although I had read so much about it on your site before that I felt as if I already knew the show by heart.)  
Still, there were a few surprises as each act (with the exception of Jimy Sohns) performed extended sets as promised in your posts the week before.  (I'm not sure what happened with Jimy, but he didn't look well.  He left the stage after only three songs … and never performed his biggest hit, "Gloria."  I'm worried about him … what have you heard?)
As for the rest of the show, The Ides Of March proved to be a very suitable "back-up band" for the other acts … and also performed a killer set of their own.  But if I had to pick a "winner" at the Summerfest show, I'd have to give it to The New Colony Six who I believe performed the strongest set of the night.  It was great to see both Ronnie Rice and Ray Graffia, Jr. singing their hits together again and I thought Bruce Mattey made an interesting contribution with his own Revelles' hit "Little Girl."
Having read more of the controversy regarding The Buckinghams and their failure to include original singer Dennis Tufano as part of the Cornerstones mix, I have to say that they still put on a very strong set to close the show.  While I would loved to have seen Dennis and Carl trade off vocals, just as they did in both the original PBS Soundstage Cornerstones broadcast and the Benefit Concert for Marty Grebb, I understand that Carl is the voice of The Buckinghams today … and has been for the past 30-35 years now.  Still, I understand your point that it would make for a nice olive branch gesture to have Dennis participate in the Cornerstones shows only if only as a way of keeping these performances unique … and I believe that this might actually spark more opportunities for Cornerstones to tour outside the Midwest, as The Buckinghams had, by far, the biggest national hits of all the acts featured.
It's a tough call … but I still have to believe that SOMETHING could be worked out that would allow the band provisions and an understanding that they could all live with as well as providing a means to better satisfy their audience who grew up with all of this great music.  One can only hope that something can be worked out that creates a "livable" situation for all parties concerned.
You raise another good point … with health issues already plaguing Jimy Sohns and Jim Pilster … and having already taken all three members of Aliotta, Haynes and Jeremiah from us as well as Gary Loizzo of The American Breed … coupled with the fact that the novelty of these acts will eventually fade away unless they continue to expand the play list to include more surprises and variety … just how many more Cornerstones shows are in all of our futures?  I would love to see these groups go out on a high note … I love the idea of Ronnie and Ray performing together again … perhaps Jim Fairs can team back up with Hooke and Toad of The Cryan' Shames and, with a little bit of luck and compromise, Carl and Dennis singing together again in The Buckinghams.  Who knows … that change in attitude just might keep fans coming back again and again.
Don  
The truth is, Cornerstones seems to draw many of the same, faithful fans again and again and again already, myself included.  They really don't need to change a thing and people will still come out to see the show.  We never tire of hearing this great music presented in a way that rewards all of us who have remained faithful for the past five decades.  But I believe that our suggestions for keeping the show fresh and mixing things up now and again would not only keep things more interesting for the fans, but for the artists themselves as well.  The burden for this falls squarely on The Ides Of March, as they are the ones who have to back up all the other artists on stage ... but I don't doubt for a minute that they'd be up for the challenge.
To clarify a couple of points in my previous post … it was not my intention to slam Bruce Mattey's participation with The New Colony Six … he has been a member for over thirty years now, all during a time when Ronnie Rice didn't want to be associated as a member of the band but rather as a solo artist.  Likewise, thirty-something years ago Dennis walked away from a permanent Buckinghams reunion in order to pursue other solo career options … and it has been Carl and Nick that have kept the "brand name" going and viable … and they have been VERY successful in doing so, headlining on many of the Oldies Cruises and Happy Together Tours.  This has all been THEIR doing, thanks to a commitment to keeping this great music alive by presenting it to fans who have always loved it and still want to hear it.
My feelings, more to the point, were that there can be NO possible logical way that justification can be made for Bruce Mattey to be included in every Cornerstones show but that Dennis Tufano shouldn’t be.  It just doesn’t make rational sense.
That being said, I read an interesting quote in Chuck Negron's autobiography the other day.  Although several opportunities presented themselves over the years once Chuck was clean and sober again, the original members of Three Dog Night never performed together again.  Danny and Cory toured as Three Dog Night (or Two Dog Night or Two-Thirds Dog Night) for decades while Chuck's only option was to carve out a solo career.  (As probably the most recognizable voice in Three Dog Night, he, too, has done very well for himself, touring as part of many oldies packages as well as Oldies Cruises and Happy Together Tours.)  He has cleaned up his act and has become a huge concert attraction on his own.  With the passing of Cory Wells a couple of years ago, the option of a full-on Three Dog Night reunion is no longer possible … and that's something Danny and Chuck will have to live with for the rest of their lives.  (When Carl and Nick and Dennis and Marty Grebb got back together for the benefit concert that Dennis organized, it was an electric moment that can't be described any other way.  It was the combination of these four guys … plus dearly departed drummer Jon Jon Poulos … that made the magic happen way back when … and resulted in The Buckinghams being named The Most Popular American Band in 1967.  But a key part of that success was the fact that Dennis Tufano sang the lead vocal on EVERY hit The Buckinghams ever had.  It wasn't Carl's guitar playing or Nick's bass playing that sold the records ... quite often those roles were filled by studio musicians on the records ... it was the total sum of ALL the parts that made The Buckinghams a success.)
Chuck relates an incident that happened in 1993 that could have allowed all three members to perform together again …
MCA Records, which now owned the Three Dog Night catalog had just released a very successful anthology album … Chuck was recording again as a solo artist and MCA Executives wanted to see Chuck perform before a live audience to see if they might be interested in signing him back to a record deal and tour.

Here's how Chuck tells it:
Danny … now blaming Cory for keeping me out of the band … told me on the telephone that Three Dog Night had a big concert scheduled at the Universal Amphitheatre in Los Angeles.  He said I could join them for at least one number if Cory consented to the idea.  I called Cory and assured him that I would work for no pay.  I merely wanted a chance to show them what I could do on stage.  Cory said no.  He explained, "Chuck, I can't help you.  We've been giving them hamburger for so long that if I bring a piece of steak on stage, I'll never be able to give them hamburger again."  So that ws the end of it.  I wouldn't get a chance to sing with Danny and Cory again.
This story puts a lot of things into perspective, dontcha think?  (kk)

I was not able to attend the Cornerstones show at Milwaukee's Summerfest but I wish that I would have been able.  I liked your post about group members burying the hatchet and singing together for a few shows.  You hit the nail on the head. It is a similar story with many of the groups of that era.
Phil Nee – WRCO

I saw the Buckinghams two years ago as part of the Happy Together tour.  In my humble opinion it's hard to look at a band doing all their hits without the original lead singer. 
Yes, The Buckinghams were just fine, but not my favorite part of the show simply because that voice I heard coming out of my radio wasn't there.
Sorry, Bucks. I'm happy that you are still getting work, but you aren't the Buckinghams to me without the real voice out front.
I also agree that when bands go out and do their hits, do them the way we remember them. I've been in bands for many years, and the tribute band that I'm in does our very best to replicate the songs we do simply for that reason.
Bill
Carl has been the voice of The Buckinghams for so long now (35+ years) that he and Nick have become the accepted version of the band … and they have toured virtually non-stop, successfully, during this era.  (When Dennis elected to walk away to pursue other opportunities, the band could have simply died right there … but Carl and Nick decided to percevier … and they have done an amazing job of keeping the brand alive.  Having Dennis appear, even at special events like a Cornerstones show or the aforementioned Marty Grebb Benefit Concert (which Dennis organized, by the way, inviting both Carl and Nick to participate), confuses the public.  (Carl once told me that he has spent the past 30+ years trying to get the audience to forget that he’s not the original lead singer … and for the more unsuspecting crowd, it seems to have worked.)  Still, as stated previously, I think it would be nice to include Dennis in the Cornerstones shows because that is the foundation on which they were built.  I can accept each act performing their separate shows the rest of the year … and fully support BOTH of them in their efforts to do so.
Please keep in mind that Carl and Nick ARE The Buckinghams ... this is THEIR baby ... and they don't have to do anything they don't want to do.  (The other side of that coin, of course is that they CAN do whatever it is that they want to do ... and that common "want" does not seem to include Dennis in the Cornerstones shows.)
But Dennis WAS the voice of The Buckinghams … if you hear them on the radio, THAT’S the voice you’re going to hear.  (Incredibly, I heard 60s on 6 / Sirius XM play “Hey Baby, They’re Playing Our Song” the other day … and the deejay announced the band as “Dennis Tufano and the Buckinghams” … which tells me that either those in the know want it to be known that Dennis was the voice on the records … or the Sirius XM 60s guys are Forgotten Hits Readers!  (lol)

That being said … (‘cause I feel like we have beaten this to death once again), I’m going to share one more detail from Chuck’s book with you …

As the positive reviews of my concerts started coming in, I was asked to play more and more solo shows.  Promoters across the country booked me to sing at everything from casinos and corporate events to festivals. The popularity of my shows quickly became a concern for Danny and Cory.  They felt I was taking business away from them and they were determined to make sure that didn’t happen.  Instead of talking about it, they decided to try and put me out of business instead.
I found out what they were up to when I was booked to do a show in San Diego.  As the date approached, the promoter called me to say there was a problem and maybe I didn’t need to show up.  He had received a letter from the agency handling Three Dog Night stating that if he billed as “The Voice Of Three Dog Night” or anything related to Three Dog Night, the agency would stop doing business with him.  The promoter didn’t want to be boycotted by a large talent agency and he was scared.
When we saw a copy of the letter, my lawyer checked around and found that the same thing was happening in a lot of places … the agency was threatening to sue or boycott businesses that booked me and used the Three Dog Night name. 

Can you believe this???  The agency that was handling the bookings for Three Dog Night (Cory and Danny) was strong-arming venues behind the scenes if they were considering booking Chuck on his own, threatening to withhold not only Three Dog Night from performing any future shows at their venue but also dangling the rest of their stable of artists as being “off limits” should the venue book a Chuck Negron solo show.  (Can you even imagine this … going out of your way to deprive a key part of your OWN success from making a living???  Pretty underhanded stuff, right?  Now of course OUR guys would never do something under-handed like this … would they???)  kk

Kent -
I'll send my review of the Cornerstones show later … but how is Jimy Sohns?  He did not look good and had to sit while singing one of his songs. Hope he is Ok.  He did not even sing Gloria. Worried.
Mike DeMartino
We received about a dozen emails asking about Jimy Sohns after word went out about his shortened set during the Cornerstones Summerfest Concert.  Obviously, fans are concerned, especially after Jimy suffered a stroke a short while back.  Honestly, I don’t know how they do it … so many of the performers we write about are now well into their 70’s and yet they’re still out there, giving their all on stage and, in many cases, in 90 - 100 degree heat!  This can’t be healthy for ANYBODY!!!  (I can’t stand to even sit out there in this extreme weather, much less perform!)  I made several attempts to contact Jimy over the past week and a half just to see how he’s doin’ … but never received any sort of a reply back.  We can only hope that he’s doing OK, and saving up his strength for future shows.  (Take care, Jimy!)  kk

And then …

Kent -
Finally got the time to get back to you.
The Cornerstones concert was great. A few negative items but I am not going to mention them and dwell instead on the positive.
As always, the Ides backed up all of the bands except the Bucks.  Especially with the Shames and the NC6, it was a “harmony heaven” with the Ides joining in vocally.  I would say it was a great show. As I mentioned before, I’m most concerned about Jimy Sohns ... I certainly hope he is OK!
We are so fortunate to have a show like this, showcasing acts from Chicagoland from the great era of the 60's.
I can die now having heard not only "Superman" but "Rollercoaster," too … THANK YOU, Jimmy and the Ides!
I feel bad about Dennis not being included in the show. I thought the bad blood was over with! C'mon guys … grow up! We love you all and it hurts your fans to see this nonsense!
Finally, I would love to see the Flock do a number from their “Destination" days.
Love ya, Kent!  Hope to catch you somewhere in the summer.
Mike De Martino 
We have suggested that they add The Flock tune “Take Me Back” to the Cornerstones set several times now … we saw Bruce Mattey perform this at one of the Bob Stroud / Rock And Roll Roots Release Parties a few years ago and he blew the doors off with this one.  Add in the Ides Horn Section and this would be a GREAT way to salute yet another Chicago ‘60’s Band … and also liven up the set with another killer, up-tempo track.  (kk)

I want to thank you for telling it like it is regarding the exclusion of Dennis Tufano from the Cornerstones concerts.  If anyone should be there, it's Dennis.
I was not too shocked to hear that he wasn't invited AGAIN, but none the less, I was disgusted.  You called it embarrassing.  I agree.  It's also shameful and hurtful to exclude a founding member. To shut out a band member whose voice made the songs hits is absolutely incomprehensible.  Thus, I would say the Cornerstones of Rock lacks authenticity and has lost its purity. 
If it's any consolation to Dennis, his fans love him, and they know that he can outperform and outclass just about any other singer on the bill.  Hmm, maybe that's the problem.
Thanks again, Kent.
Sincerely,
Kathy Cook

Read your Summerfest post ... betcha get more than a few others chiming in and will be interested to see if they are posted.  That being said, I have to say that I am pretty proud of the bonding that those of us who have been blessed to still play our “ancient’ music have been enjoying as part of Cornerstones.  On a side note, I have to agree that if Bruce (Ronnie’s voice in NC6 now for 30 years) and Ronnie can get along and share the stage and time behind the scenes, why cannot all of us?  “Why can’t we be friends?  Why can’t we be friends? Etc.”   
As such, I agree with your premise and find it difficult to understand that whatever injuries both / either Carl and / or Dennis suffered in the past are not able to be laid aside and a new / refreshed friendship begun (or at least tolerance shown).  I guess (as a totally uniformed outsider) that the hurting must run incredibly deep.  Shifting gears…
Regarding your comment that several readers had singled us out as being a highlight of the event, that was exhilarating and super satisfying, however our set was only expanded to a sextet, although with the additions of I'm Just Waitin’ and Roll On to at least vary things a smidge I couldn't help but wonder why not Can't You See Me Cry acoustic, which Bruce and I have performed as part of Cornerstones in the past, as nobody would have had to learn anything and it would have added less than 2.5 minutes to our set.  Oh well, perhaps another time!  (By the way, Bruce sang Roll On yesterday, including the bridge, which Ronnie did on the record ... Ronnie said he'd rather not do it, so Bruce handled the whole song.)  
Heading back to the homestead after typing this to see how much stuff appeared on Facebook – fingers crossed for some vids posted as I, too, thought we were at our best yesterday. 
Coming to any of our solo Colony gigs this summer?  Hope so!  
We have firm commitments so far this summer include the Colony appearing at:
  • the Sheffield Garden Walk in Chicago on 7-22 (http://www.sheffieldgardenwalk.com/content/entertainment);
  • Del Webb Sun City in Huntley, IL on 7-31 (yep – a Tuesday and done by / before 9 but unsure of any way to secure tickets other than to call the facility – could not find anything online … yet?);
  • an outside fest in Hillside in August (http://www.hillside-il.org/event/summer-nights-in-the-commons-08-14-2018/) and …
  • one more performance but this one may be a private dealie for a reunion – notes I have are not crystal clear but that’ll be in the southern suburbs on 9-22 and I’ll fill you in with details if it will be open to the public! 
Peace, brother Kent;
Happy Weekend
Ray Graffia, Jr.
The New Colony Six

Hope to make it out to at least one of these.  Meanwhile here’s the only video clip we could find on YouTube from the Summerfest Concert … a group effort tribute to The American Breed’s #1 Hit “Bend Me, Shape Me” …



You can read more from Ray’s Facebook posting here:

That’s it … we’re out of gas on this one.
If you have the opportunity to see the show, PLEASE do so … you will NOT be disappointed.  And if somewhere down the line they decide to spice things up with a few song revisions here and there  (or an unexpected face and voice happens to appear on stage), so be it … consider yourself lucky to have been there to witness the experience. (kk)

UP-COMING CORNERSTONES SHOWS:
11/24 – The Arcada Theatre  (St. Charles, IL)

IDES OF MARCH SHOWS:
7/21 – Sheffield Garden Walk  (Chicago, IL)
7/27 – Wood Dale Prairie Fest  (Wood Dale, IL)
7/28 – Brookfield Zoo  (Brookfield, IL)
8/21 – The Ides Of March sing The National Anthem before the Chicago White Sox Game  (Guaranteed Rate Field / Sox Park – Chicago, IL)
8/25 – DeKalb Corn Fest  (DeKalb, IL)
9/7 – Winfield Good Old Days (Winfield, IL)
12/15 – The Arcada Theatre (St. Charles, IL) – The Ides Annual Christmas Show  (This is NOT to be missed!)

JIM PETERIK’S WORLD STAGE
10/6 – Moraine Valley Community College  (Palos Hills, IL)
1/12/19 – Wentz Hall  (Naperville, IL)

THE NEW COLONY SIX SHOWS:
7/22 – Sheffield Garden Walk (Chicago, IL)
7/31 – Del Webb Sun City  (Huntley, IL)

RONNIE RICE
7/21 – Colletti’s Restaurant (Chicago, IL)
11/10 - Temple Chai School Days, Temple Chai, South Social Hall  (Long Grove, IL)

THE SHADOWS OF KNIGHT SHOWS:
7/22 – Sheffield Garden Walk  (Chicago, IL)

THE CRYAN’ SHAMES SHOWS:
No upcoming shows listed

THE BUCKINGHAMS SHOWS
7/21 – Sheffield Garden Walk  (Chicago, IL)
7/28 – Wood Dale Prairie Festival (Wood Dale, IL)
8/28 – Hillside Fest (Hillside, IL)
9/29 – Hot August Night  (NYCB – Westbury, NY)
10/19 - Golden Nugget Casino  (Las Vegas, NV)
10/20 – Golden Nugget Casino  (Atlantic City, NJ)
10/26 – Woodstock Opera House  (Woodstock, IL)
11/17 – Bergen Performing Arts Center (Engelwood, NJ)
12/14, 12/15 – Belfry Music Theater  (The Buckinghams Christmas Show)  Delavan, WI
DENNIS TUFANO
9/23 – Copernicus Center  (Chicago, IL)
9/29 – American Music Theatre (Lancaster, PA)


Sunday, July 8, 2018

The Sunday Comments ( 07 - 08 - 18 )


Hi Kent –
I love this! And no matter what the conversation is about Sinatra - he was and will always be the Chairman of the Board !!!'
Carol Ross
No doubt about it, Frank was one of a kind … but tell me if you feel quite the same way after hearing him destroy “Mrs. Robinson” below, trying WAY too hard to live up to that "hep cat" image.  (kk)

Great job on your Frank Sinatra special. 
You mentioned Frankie Valli singing "Can't Take My Eyes Off You." 
My friend Marianne is at a park concert right now listening to Frankie and she just sent me a clip of him singing "Can't Take My Eyes Off You."
Frank B.

>>> I was one of four guitarists and the only one to play in E-Flat with a capo  (Glen Campbell) 
>>>I've seen this before, but it strikes me as odd in a few ways … I'd have sworn that he said "without" a capo when I first saw this.  (It's not too unusual for some guitarists to use a capo for flat keys, but in my 58 years of gigs, of those who choose to use them, I've never heard of anyone having a problem WITH a capo.  It's difficult for me to believe that any guitarist who was at the level of doing a Sinatra session would have any kind of problem playing in any key and would use a capo for anything other than a special situation of wanting "open" strings in a flat key.   "Strangers ..." is in F and modulates to G, so it has nothing to do with the key of Eb.  So I can't help but wonder if Campbell was confusing this with some other session.  (Gary E. Myers / MusicGem)
​It seems to me that if you tune a guitar down a half step to E flat and put a capo on the second fret your ARE playing in F.  So what's the big mystery?
George Van Win

Frank Sinatra was my dad’s music.  Growing up, I was never a fan … however, the years have mellowed me a bit.  That's Life or Summer Wind were far better records than Strangers, in my humble opinion.
I worked for a radio owner in the eighties that thought he was
Sinatra.  He even looked like him a little and would walk out with his
hat on and his coat over his shoulder.  One time he was showing one of
his rich buddies around the station while I was on the air.  He must
have wanted to impress the guy that as the owner he could do whatever he wanted.  He came in with a Sinatra album and put it on the empty turntable and placed the needle on the last track.  "Play that next", he said.  I did not argue, as I needed the work.  We went from a mid-80s pop hit right into Frank's version of Mrs. Robinson.   It was a train wreck segue.   Some listeners thought I did it as a joke and thought it was pretty funny.

The PTA, Mrs. Robinson,
Won’t OK the way you do your thing,
Ding ding ding
And you'll get yours, Mrs. Robinson,
Foolin' with that young stuff like you do
Boo hoo hoo, woo woo woo
Phil – WRCO
OK, now I’ve just GOT to hear it!!!  (lol)  kk

OMG … my opinion of Frank just dropped about 4000 points!!!  (kk)

I have the 45 of “The Men In My Little Girl’s Life,” but I don't want to dig it out and download it because it DOES suck.  However, I THINK you may be playing the stereo alternate and not the 45 version of the hit.  Not sure, but it doesn't sound quite like I remember cringing to when it came on the Silver Dollar Survey countdown.  Hey, why don't you just give me a paper cut instead ... OR play "Hush Hush Sweet Charlotte," a song that also tortured me that year.
Clark Besch

Mike Douglas, who is best remembered today as a long-running daytime TV variety-talk show host, first won fame as a featured singer with big band leader Kay Kyser snf his Orchestra between 1945 and 1950.  Douglas sang lead on several Kyser hits, among them the 1945 chart-topper "Ole Buttermilk Sky" (Columbia 37073).   In 1950, Mike also provided the singing voice of Prince Charming in Walt Disney's animated feature "Cinderella."  His 20-year TV talk-variety series began in 1961 and featured guests ranging from John Lennon, Kiss and the Rolling Stones to Freddy Cannon, Aretha Franklin and The Three Stooges' Moe Howard.  Mike quickly became the hottest host on daytime television.   According to TV Guide, his impact was such that “dishes go unwashed and shirts remain unironed when Mike Douglas comes on.”  His syndicated show ran on nearly 200 stations and was viewed each day by close to six million housewives (and kids home from school).   In 1967, Mike won an Emmy Award for “Outstanding Daytime Performance.”  The beloved and genial Douglas and his series were at the peak of their popularity when he was handed "The Men In My Little Girl's Life,” a moving part-recitation with words written by Mary Candy and Eddie Deane and music contributed by Gloria Shayne (the co-writer of “Do You Hear What I Hear.”)  For any big band singer to make a comeback on the pop charts after two decades away – and do it in 1966 among such prime rockers as The Beatles, The Beach Boys, The Rolling Stones and Elvis Presley – seems like it would have been absolutely impossible.  However, you must remember one thing.  Unlike today, when all contemporary hits sound cookie-cutter similar, back in the ‘60s pop radio was open to hot hits of ALL kinds and styles – be they country, show tunes, hard rock, soft rock, folk ballads, blues, orchestral, novelty numbers, Motown magic and even spoken word.  Within a few minutes on Top 40 radio back then you could hear Jack Jones, George Jones, Tom Jones and The Rolling Stones back-to-back and no one would even bat an eyelash.  Top 40 then mean the best 40 hit singles regardless of style.  It was that diverse – and that exciting.   And it was into the context that “The Men in My Little Girl’s Life” was released (Epic 9876).   The song condenses into less than four minutes the stages a young woman goes through from childhood to adulthood – as seen from the perspective of her loving Dad.    You didn’t have to be a father – or any kind of grown-up – in 1966 to understand the perfectly crafted emotional underpinning of that track.   And the result soared into the Top 10 – peaking at #6 – just as the new year began.   Mike Douglas never scored another hit and ended his TV series in 1981.  In 2007, the year after Mike’s passing, PBS aired the documentary "Mike Douglas: Moments and Memories."
Of note:  Two years after “The Men in My Little Girl’s Life,” Perry Como scored one of his final chart hits with “The Father of Girls,” a single expressing much the same feelings as Mike’s record.   Here’s a live version:  https://www.youtube.com/watch?v=jpjhk_ZIJ4Q
Gary Theroux
"The History of Rock 'n Roll"

Regarding the Mike Douglas song “The Men In My Little Girl’s Life,” we always used to sing “Dad, there's a boy outside, his name is Chuck...."  
Dube
Lol ... yep … that one works on “The Name Game,” too!  (kk)

HA! 
Thanx to Jerry Reuss for sharing in Forgotten Hits that his mid-1960s English teacher told him the length of a good report should be, “Like a lady’s dress. Long enough to cover the subject, yet short enough to be interesting.” 
It reminded me that just a few years earlier, I on the other hand, after giving my campaign speech for President of my High School Class, was questioned by a teacher about the appropriateness of my choice of words when I had opened my speech by saying it would not be a long one. “It would be more like a French swimming suit and cover only the essential points!
~~ Chuck Buell

kk –
More from Connie Francis’ new book …
Connie was making her fourth appearance on the Ed Sullivan Show.  She sang "Mama."
CF:  I prayed that Ed would not call me over to take a bow. Everybody knew he couldn't ad lib his way out of a paper bag.  Connie , is your mother still dead? She shot Ed a baffled glance.
During another appearance Connie was going to sing "Yiddishe Momme," from her "Jewish Favorites" album. Sophie Tucker (and Jerry Lewis) threatened to walk off the show. In the mid 20's this song was considered to be her song.
Ed advised both of them --- if they walked, they'd never appear on CBS-TV again. They both backed down.
Connie decided to sing another song and everybody was happy.
FB
I’m going to have to order this book … sounds like a really fun read.  (But I’ve still got something like nine more to finish before I can start this one!!!  Lol)  kk

I own all of 'em on original 45s, and play them ... except for the almost pukeville, U.S.A resident on the chart, "Girl In Love" by the Outsiders.  I have the 45 in the collection for the killer B side, "What Makes You So Bad, You Weren't Brought Up That Way" ... haha!  (Mike Markesich)
Not being familiar with EITHER A or B side here, I listened to them. Now I understand why I do not remember them.
A side: What a downer! There are break-up songs and lost love songs, but really now?? Just depressing.
B side: Good beat, love the harmonica reminiscent of Beatles and Rolling Stones, but the lyrics? Hmmm. Especially the ‘hit you in the head’ part.
Just one girl’s point of view.
Shelley
I just returned from a Wi-Fi free week at the lake and was breezing through the last few articles. I noticed somewhere in the Friday article there was a reference to some “pop and garage artists” including a band referenced as the MC2(?)  Now just out of curiosity, was there an actual band named The MC2 or was this a miss-print referencing The MC5?  Now in jest the MC5 are sometimes referred to as the MC2 by their loyal fans as there are only 2 of them left.
The MC5 have never been accurately captured on audio or video and you have no idea how good they really were unless you saw them in person. If this is a miss-print I would like to see them get as much credit as possible.
Robert S. Campbell
I thought the same thing when I read that but didn’t question it … but, in light of your inquiry, I asked Clark Besch (who submitted that segment) to clarify further …
No, MC2 is an actual group.  In fact, I did a bit of research for the Now Sounds label, who is either or already has released a CD of their output.  A nice mellow sound to the group, as were most Reprise artists.  Jim Keltner of Lennon / Harrison / Ringo fame was in the band and THIS is my fave by them.  GREAT sound, I think.  This is actually a LIVE version of the great 45 they had in 1969 ... VERY much like the We 5, IMO.


Kent,
Your idea of putting together a tour of lead singers with a “house band” to back them has already been done, albeit at a smaller scale. Larry Hoppen of the band Orleans started an organization called RPM - Rock and Pop Masters in the mid-2000s which featured lead singers from 80s bands backed by the group Orleans and a few standout musicians. An RPM show featured 4 - 6 singers doing their greatest hits as well as Orleans doing theirs. Among the singers I saw at the three concerts I attended (Madison, WI., Weston, FL., and Branson, MO.) were David Pack of Ambrosia, Edgar Winter, Jimi Jameson of Survivor, John Ford Coley, Robbie Dupree, Wally Palmar of The Romantics. The shows I saw were “pop” shows while RPM also did harder-edge “rock” shows. RPM never really caught on big and the shows stopped after the death of Larry Hoppen in 2012. The shows I saw were tremendous, with hit after hit by the vocalists that made them famous
With a little web research you can find shows featuring two or three vocalists sharing the stage with a supporting band. The remaining members of Orleans still do this. It would be great to try the RPM format again.
Bob Verbos
Yes, we’ve seen several of these shows, too … but something a bit more permanent like this … with some of the biggest names in pop music who simply can’t identify themselves with the groups they helped make famous would be the key … how can Burton Cummings’ name NOT be associated with The Guess Who?  Or Chuck Negron’s with Three Dog Night.  It’s just plain WRONG!!!  (I’m telling you, there’s money to be made here!) kk

kk …
I bet not many of your reader's have heard "The Horse," with lyrics.
Frank B.
Ah yes … but those are the newly made-up lyrics to cash in on the dance craze started with Cliff Nobles’ huge instrumental dance hit.
Listen to the entire story told in this YouTube clip and you’ll see that the song was recorded as a vocal FIRST (“Love Is All Right”) and THEN stripped down to an instrumental track to stick on the B-Side.  It was the B-Side, however, that took off … and gave Cliff a #2 Pop Hit almost exactly 50 Years Ago Today.
Here is the original vocal version of “Love Is All Right” … the INTENDED A-Side … that never really saw the light of day once the deejays turned the record and played “The Horse” instead.  (kk)


I thought the group might be interested in this article, if it hasn't already been referenced and posted. 
It ran in The Chicago Tribune, just two days ago:
"She used to listen to Chicago Radio's Dick Biondi under her pillow … Now she's making a movie"
I also noticed that there's an event on August 8th in the far south Beverly neighborhood where she discusses her film, and both Dick Biondi and John "Records" Landecker will be present.  It might behoove me to try to be in Chicago on that date.
Frank Merrill
Yes, this is the film that we’ve been talking about for months now … Pam Pulice is the one putting all of this together and we have been trying to help to spread the word and get the word out about her fund-raising efforts.
Beverly is a bit of a hike for me … but let me know if you’re coming in for that … it would be GREAT to finally be able to say “hello” to you in person after all these years.
Thanks, Frank!  (kk)

Kent:
Another WLS item ...
Do you remember back in December of 1968 that WLS and Roulette Records gave away a special gold label 45 of The Shondells' Crimson and Clover?
I do not know if they mentioned it on air or not, but I saw a little writeup in Billboard.  At the time I had subscriptions to Billboard, Variety and Daily Variety (LA edition).  So, I wrote for a copy and they sent me one on 12/03/68, which I received the next day.
It seems that the number of copies that WLS received was 800.  I do not
know how many copies Roulette gave away, or if they had the same gold WLS label.  They sent it in an envelope in which they received 45s from Dot records.
Here are images of the envelope and 45:
http://vidiot.com/images/WLS/WLS-Crimson_and_Clover-Premiere-Envelope.jpg
http://vidiot.com/images/WLS/WLS-Crimson_and_Clover-Premiere-Record.jpg

It was a very cheap pressing and single sided.  Very thin vinyl.
For more info about this song and the release history, visit
https://en.wikipedia.org/wiki/Crimson_and_Clover
Mike Brown 

Yes, we covered this one eons ago (not even sure how I’d find it at this point) but what you sent is EXTREMELY cool … very high quality photos of the record and the envelope (hard to believe they hand-wrote out all that information below the mailing label!)
The Wikipedia listing is interesting, too … and, if you scroll on down to the bottom where they list their reference sources, you’ll find a link to the Billboard article that you may have seen to initially prompt you to write in for your free copy.
Program Director John Rook could probably have shed even more light on this topic but unfortunately he left us a few years ago.  (He used to participate with Forgotten Hits quite a bit and we would often have hour-long phone calls about just about ANYTHING to do with radio.  I miss those talks.)  kk

UPDATE:  While I didn’t find our original piece on this very rare “promo” single, I did find this from a few years ago, which also mentions the piece.  (I don’t think the information is anywhere near correct … 10,000 free copies, given away at a Tommy James concert?!?!  That just doesn’t sound right to me.  And if it WERE the case, I’m sure something about this would have been mentioned in Tommy’s book.)
By the way, “Crimson And Clover” made our list of Top 20 All-Time Favorite Psychedelic Songs about thirteen years ago.  (How is that even possible?!?!?)  Incredibly, this entire series still holds up very well and has been read by over 2 ½ million people.  (It also makes for an EXCELLENT radio countdown!)
You can check out the whole thing here:

kk:
On July 7, 1972, WCBS-FM switched to an all "OLDIES FORMAT."
FB
And, back in 1972 … and probably throughout the ‘80’s, they played REAL oldies … and not all the ‘80’s and ‘90’s tunes they play today AS oldies.  (Referencing your comment about their 4th of July Countdown of The Top 101 Songs of the 1980’s) …

kk …
See what we missed.
FB
https://wcbsfm.radio.com/blogs/wcbs-fms-top-101-songs-80s-list?utm_source=second-street&utm_medium=email&utm_campaign=Top+101+Songs+Of+the+%2780s+List+++More

And you'll find more Dan Ingram here …


I’ve got to tell you that DJ Don “Records” Ludden did a VERY nice job putting together his Countdown of The Top 50 Favorite Summer Hits (as determined by our Forgotten Hits Readers a few years ago.)
This is DEFINITELY worth a listen …
And, of course you can find the COMPLETE list here …

And, speaking of summer (it certainly has been HOT enough this year) … just got this from our FH Buddy Chuck Buell …

And now, this Special Chuck Buell Forgotten Hits Summer Swimming Reminder.
During the hot Summer months of 1963, it was pretty standard to see teens sitting high atop the strategically placed Life Guard Towers at Beaches, Lakes and Swimming Pools all around the country.
Today, that once young demo perched in those chairs has grown older. With fewer high schoolers interested in a previously prized adolescent summer job of the 1960s, it’s not unusual today in the Summer of 2018 to find older adults, even retirees and perhaps some Forgotten Hits Readers manning those iconic white wood observation towers!
The Washington Post reported that a 70-year old woman in Texas is currently watching over the waters of a popular swimming area. The American Lifeguard Association has recruited people in their 80s to help keep swimmers safe! 
Now, if it turns out that this is something you’ve secretly wished you had done in your youth, it’s not too late for you to pursue this new experience during your personal Golden Oldie years. But like those 70 and 80-year-olds, you’ll first need to complete a Lifeguard Certification which consists of your ability to drive that more mature body of yours to successfully swim 500 meters in less than 10 minutes and run a mile - on a sandy Beach - in less than seven and a half minutes.
And who knows?  YOU too may soon be the object of adoration once again as Diana Ray so lovingly sang in her Top 30 1963 Hit, “Please Don’t Talk to the Life Guard!”



OK, so let’s see … over the years I’ve now been dressed up as a lifeguard AND a cheerleader … and probably at least a dozen other special images along the way!  (Hey, I don’t care … as long as you guys keep reading!)  Thanks, Chuck … I think.  (kk)