Tuesday, November 29, 2022

JOEL WHITBURN DAY

As promised, here is the 1st Annual Forgotten Hits Joel Whitburn Day, kicking off with this proclamation by Chuck Buell ...


Next, how about the answers to our Joel Whitburn Trivia Contest, with answers and commentary provided by long-term Record Research Employee Paul Haney ...

Q 1: Name the Wisconsin city where Joel Whitburn born?

A: Wauwatosa – A bit of a tricky question ...

While Joel was raised and lived most of his life in Menomonee Falls, he was actually born in Wauwatosa, which is another suburb of Milwaukee.

Q 2: What was Joel Whitburn’s middle name?

A: Carver – A somewhat unusual middle name, it derived from his ancestors, some of which had the surname of Carver.

Q 3: Joel’s wife, Fran, is a native of which Central American country?

A: Honduras – Joel and Fran both attended Elmhurst College in Illinois, but they didn’t meet until Joel’s younger sister Julie introduced her friend Frances Mudgett (who had come to the U.S. to study) to Joel.  Just one problem ... Fran was already engaged to someone else!  Fran eventually broke up with her other beau and ended up marrying Joel in 1964.  Much of Fran’s side of the family still lives in Honduras to this day.

Q 4: Name the sport that Joel played on a semi-pro level in the 1960s.

A: Basketball – At 6’6”, Joel excelled at basketball.  He even had a court built directly above his famous record vault at his home in Menomonee Falls.  Every week we’d play a pickup game and once in a while I had the nearly impossible task of guarding him and took more than one of his elbows to the chops.  Joel had an outstanding mid-range shot that he rarely missed.


Q 5: What year did Joel Whitburn publish his first reference book?

A: 1970 – Joel started his weekly research in September of 1965.  By 1968, he began typing up individual artist cards.  However, it wasn’t until 1970 when he published his first actual book, simply titled Record Research.  One of his first customers was a West Coast DJ by the name of Casey Kasem.  Coincidentally, American Top 40 launched at almost the exact same time as Joel’s company.



Q 6: “The Joel Whitburn Record Research Report” column debuted in Billboard magazine in what year?

A: 1973 – In early 1973, Joel and Billboard publisher Claude Hall came to an agreement.  In exchange for advertising his books, Joel would write a column that would focus on different chart facts and feats.  Thus, in the Billboard issue dated February 3, 1973 (on page 22), the first column was published.  Many consider it to be a precursor to the Chart Beat column, which Paul Grein started in 1981.

Q 7: When discussing his favorite recording artists, Joel often mentioned “the three E’s” – Name them.

A: Duane Eddy, The Everly Brothers and Elvis Presley – Joel’s favorite artist of all-time was Duane Eddy.  It was a huge thrill for Joel to become good friends with Duane.  In fact, Duane and his wife Deed attended Joel’s daughter Kim’s wedding in 1994.  What a thrill it was for me to spend over an hour drinking beer and talking with Duane about his life and career at the reception that day.  For the record, the other two artists in Joel’s all-time Top 5 were Ricky Nelson and The Beatles.

 
Duane Eddy, flanked by Larry Knechtel and Joel Whitburn

Q 8: According to Joel Whitburn, what was the worst 45 rpm record of all-time?

A: “There Is A Tavern In The Town” by Wally Cox – This non-charted novelty song by TV’s “Mr. Peepers” was released in 1953.  Joel bought it without hearing it and once he did listen to it, he instantly regretted it!  Just a couple weeks before he died, he played it for me and once again reiterated the fact that it was “the worst song ever recorded.”

Q 9: What year was Joel Whitburn inducted into the Menomonee Falls High School Fine Arts Hall of Fame?

A: 2015 – Joel was honored when his Alma Mater notified him that he would be inducted into their Hall of Fame.  Over the years, I have made similar pleas for Joel to be inducted into the Rock & Roll Hall of Fame as a non-performer.  Maybe someday …

Q10: Name the title and artist of the so-called “phantom record” that Record Research employee Paul Haney tracked down for Joel Whitburn in 2016.

A: “Ready ‘N’ Steady” by D.A. – Ever since it first appeared on Billboard’s Bubbling Under chart in the summer of 1979, Joel always kept a lookout for this record.  We even offered a reward for anyone who could produce this record.  I’ll never forget the day we got the recording in the mail ... Joel was so excited to finally cross the final record of his want list.  The whole story has been well documented elsewhere, but I will say that tracking it down has been a big highlight of my 30+ years of working at Record Research.

Here's a copy of this elusive track, sent in by Paul Haney himself, so our readers can enjoy it.  (It's actually not a bad little track!)  Really weird how this managed to chart based on Billboard's strict criteria at the time ... and yet somehow it managed to bubble under for three weeks, peaking at #102.

From Joel's own "Top Pop Singles" book:

"Rock band formed in San Francisco, California.  Led by Dennis Armand ("D.A.") Lucchesi (vocals) and Jim Franks (guitar) with Stu Blank (piano), Ira Walker (bass) and Dean Revello (drums). Also know as D.A. and the Dukes. The 'Bubbling Under" charts published by Billboard in 1979 showed the label and number as Rascal 102, even though there were no actual records pressed.  (Although there would later be an actual Rascal record label started by Lucchesi's brother, David).  For several years, this was thought to be a "phantom" recording.  An investigation by Record Research in 2016 finally unearthed he actual recording, which never made it past the studio master stage.  Dennis Lucchesi died on 8/18/2005 (age 60)." 

How Billboard gathered ANY information on this unknown track (or even knew about it!), is beyond me ... yet incredibly, they charted it ... a record that didn't actually exist, a record you couldn't really buy and a record that virtually NOBODY had ever heard!!! (lol)

Here it is today, in Forgotten Hits, for of our curious readers out there ...

https://www.youtube.com/watch?v=ppC-MoELrcQ

And there you have it ... all ten answers to this year's trivia contest.

Did anybody get 'em all???

Yes ...

In fact, we had FOUR folks on the list who knew all of the answers to the questions presented in this year's contest ...

Ed Erxleben, Randy Price, Scott Paton and Colin Donahue (who prefaced his answers with the comment "Damn, Kent, I didn't do this much research for my college essays!") ... got all of 'em right ...

And it was Ed Erxleben of Oak Lawn, Illinois whose name was drawn out of our proverbial "hat full of qualifiers" to claim the Record Research Book of His Choice.  (Which was, by the way, TOP POP SINGLES, 1955 - 2018)

You can take YOUR pick of the litter (with literally dozens and dozens to choose from) at The Record Research Website.  EVERY book will make an EXCELLENT edition to your music book library!  (kk) 

https://www.recordresearch.com/

Twenty of Joel Whitburn's books line the shelf of my library.  Two of them are gifts from Joel himself, inscribed by Joel personally.  I've purchased several more than that.  

When a new edition came out, I would donate the old one to the library.  Some I had to discard because they were just too worn out.  His books were often a buyer's guide for me introducing me to new music and artists.

Ed #1

Ed Erxleben

After having collected Record Research chart books since the first one in 1970, It was my pleasure to talk to Joel on the phone when we were both attempting to complete our collections of Music Vendor chart data for the period of January-April 1964. Those issues are missing from the Library of Congress collection, and issues from that period were only occasionally offered on eBay. At that time, each of us had a few issues that the other didn't and we sent each other scans of the charts from those issues. Eventually, we were able to track down all the issues from that period, so Joel was able to include complete chart data in Record Research's Hit Records book, featuring the history of the Music Vendor/Record World pop charts, and I was able to incorporate that data in my SuperCharts for those months. 

It was with great sadness that I learned of Joel's passing earlier this year, and I'm happy to see that his name, and the Record Research company, will be kept alive under the able management of Paul Haney and Joel's daughter Kim Bloxdorf.

– Randy Price

 

Hey Kent,

I never had the good fortune to meet Joel Whitburn in person, but, happily, I had several nice conversations with him over the phone.  

My first acquaintance with his flagship book, “Top Pop Singles,” was when I started working at “American Top 40” in 1976.  This compendium of all the Billboard Hot 100 hits was like the Holy Grail, and I treated the well-worn, yellow paperback with great reverence.  At the office, we never referred to the book by its actual title ... it was always “The Whitburn.”  

It wasn’t until I left AT40 that I took the plunge and bought my own first copy of a Record Research book.  This started a tsunami of acquisition that continues to this day.  Ardent record and book collector that I am, over the past 40-some years, I have purchased almost every book that Joel and his staff have created.  I am a completist collector, just as he was.  A few days ago, I received my copy of the new Gavin Report book, and it was bittersweet knowing that it was Joel Whitburn’s final project.  

My admiration for Joel could not be greater, and not just for his invention and industry in creating such a valuable resource for music lovers and historians, but because he spent his life pursuing his passion and created a great professional and personal life for himself and his family.  

Whenever I reach for “The Whitburn,” I will remember the really good man behind it.  

Hope you and the family have a nice Thanksgiving in store.

Gotta throw my hat in the ring on the Whitburn trivia contest.  

Having purchased nearly every one of his books over the past 40 years, I surely wouldn't mind winning one of the remaining volumes I need.  

My responses are below.

Thanks, and all my best to you and your family.  

Scott Paton

Joel Whitburn’s sudden and unexpected death earlier this year hit all of us who knew him or purchased volumes from his vast catalog of reference books hard.  (It all sounds a little too “It’s A Wonderful Life”-ish, I suppose … but you never really realize how many lives a person has touched until they’re gone.  Joel Whitburn was part of MY life every single day since I first discovered his books back in 1973.  There hasn’t been a single day since that I haven't consulted at least one of them for one reason or another.)

 

The latest Record Research book to be published is “The Gavin Report: 1958 – 2000.”  This project was very near and dear to Joel’s heart.  We talked for several years about how cool it would be to gather all of these influential reports into one historic volume, both acknowledging it to be a near impossible task … I mean, who saved all of these weekly newsletters for the past 64 years?!?!

 

And yet, he was able to pull it off … and his dedicated staff worked diligently to make it all happen.  Paul Haney, a Record Research employee for over thirty years, told me how much it would have meant to Joel to hold the final product in his hands.

 

You can buy this book (along with dozens and dozens of others) through the Record Research Website … https://www.recordresearch.com/

 

Today, we do our small part to help pay tribute to the innovator and entrepreneur that Joel was …

 

Who knew that there were so many of us chartaholics out there?!?!

 

But his books tapped into every aspect of the music fan … from record collector to music and chart historian to deejay to program director.

 

Thank you for joining us in our First Annual Joel Whitburn Day celebration.  (kk)

 

I first talked with Joel back in the mid-70s, shortly after his second paperback music book came out.  Since then, I have talked with him a couple of times and been a regular purchaser of many of his books.  I've used the books while DJing at a half-dozen stations from Illinois to Alaska.  However, I never realized he was an alum at Elmhurst College, Elmhurst IL.  For 15 years, I was the faculty advisor for Elmhurst's WRSE-FM, where we used his books regularly.  I left there during 2009, but just this week I learned of his association with Elmhust when I read his name in the college's memorium section of its magazine.  Thanks, Joel, for helping me sound more informed on the radio than I deserved.

Jon M

St. Charles, IL

 

We have two daughters who also graduated from Elmhurst College, so your letter hits close to home.

 

In all the years I worked with Joel as a colleague, I only actually met him in person once.  (I will kick myself for the rest of my life for never making it up to Menomonee Falls, Wisconsin, to see his massive, one-of-a-kind record vault, housing EVERY record to make EVERY chart in the three major trade publications.  I had an open invitation for YEARS to do so … yet every time we talked about going, another year would pass and, much like The Chicago Cubs said for decades, it always became a case of “Maybe Next Year.”  We were both amused by the idea of our “two Frans” getting together, too, while he took me on what could only be the most incredible musical journey.)

 

While Joel and I talked numerous times over the years of doing Forgotten Hits (of which Joel was a TREMENDOUS supporter, often giving away copies of his latest books to a “lucky Forgotten Hits Reader”) … covering everything from new book ideas, philosophies on how the charts were calculated, to starting the official Top 40 Hall Of Fame … the only time we ever met in person was quite by accident many years before Forgotten Hits was even a glimmer in my eye.

 

In Joel’s quest to collect every chart record, no matter how minor or seemingly insignificant it may have been, we bumped into each other in a used record store in Oak Park, Illinois, one day.  He had a stack of albums under his arm.   

 

By then, I was already a long-time fan and collector of his books, having discovered the very first one in the Rosary College Library in neighboring River Forest.  When I saw that such a book existed (this was a “library bound edition” that ran through 1969 … but had an addendum at the end to capture the chart information for 1970), I was completely blown away!!!  Where could I get such a book?!?!  (Turns out, you couldn’t … not yet, anyway ... he hadn’t made them available to the public yet) … so I would spend my lunch hour in the library every day, copying all of the details of my personal favorites into a huge notebook, rediscovering records I hadn’t heard in years and, in many cases, forgotten all about.  (Hmm … maybe Joel’s first book was the subliminal inspiration for Forgotten Hits after all!!!)

 

Naturally, as soon as I found that you COULD buy a copy, I ordered it IMMEDIATELY. (My first was the little bitty orange 1972 edition, which I still have stored away somewhere, the perfect binding unable to keep up with my repeated use, finally giving way and forever ever after being held together with a massive rubber band!  Lol) … but that day we just chatted for a few minutes and he showed me what he had found … and said that he regularly made the rounds to the used record stores wherever he might find himself … Joel himself working from his own, very specialized “Want List” just like the rest of us!

 

Back then, many of us were regular visitors to the then monthly record shows that were happening all over the Chicagoland suburbs.  (Joel’s books BECAME the Want List for many collectors out there … I can’t tell you how many people I would run into at these shows carrying a copy of a book and then verifying their check list to see if the 45 they just found in somebody’s For Sale Bin was one of the ones they needed or not.  In fact, in some of Joel’s specialized editions over the years, he would actually PRINT a check box next to the title so that you could keep track of what you still needed to complete your collection!  The guy TRULY knew his audience!) kk

 

You can read our original tribute to Joel when we first learned of his passing …

https://forgottenhits60s.blogspot.com/2022/06/our-forgotten-hits-tribute-to-joel.html

Monday, November 28, 2022

1972 - Coast-To-Coast Surveys - IDAHO - November 28th

 

Another survey showing Cashman and West's "American City Suite" at #1 ... how did this song not do better on the national charts?  (And in this case, it's in at least its second week on top!)

Gilbert O'Sullivan's "Alone Again (Naturally)" has finally been replaced by his follow-up hit, "Clair," which already sits at #4 on this week's list.

We've also seen several surveys now that show J.J. Cale's hit "Lies" listed ... that one only made it to #42 in Billboard.

And notice that Boise's KFXD is also showing a couple of album tracks that are evidently getting enough airplay and/or positive listener response to chart with the rest of their Top 36 Hits ...

"Naughty Girl" by Mac Davis" and "Leave A Little Room" by The Fifth Dimension ... not songs that you typically associate with AM airplay (especially since both artists currently had other hits on the chart at the time.)

Billy Lee Riley makes another appearance with his hit "I Got A Thing About You, Baby," a song that topped the charts three months ago in Georgia.  Again, there's that "consistency" factor we keep talking about ... if it takes 3-6 months for a record to catch on in different markets, that record will NEVER have enough momentum at any given point in time to make a noticeable enough mark on the charts ... and that's a real shame ...

Imagine a record that reaches #1 in three major cities, spread out over a four month period ... that record might only achieve an accumulative ranking of #42 on the national charts and completely slip thru the cracks in the cities where it wasn't played.  (The same would be true of an artist out on tour, say as an opening act.  They knock the socks off their audience everywhere they go but by the time those new fans are going to the store to buy their latest record, it's already too late because the record peaked a month ago somewhere else.)  The charts are only as good as that moment in time.

New this week is one of my favorite early James Taylor tunes ... "Don't Let Me Be Lonely Tonight" premiers on the KFXD Chart this week at #34 ... right behind Eric Clapton's "Let It Rain" ... BOTH are tracks well worth listening to today.  (kk)

Sunday, November 27, 2022

THE SUNDAY COMMENTS ( 11 - 27 - 22 )

Chuck Buell digs deep into his personal archives to share with us his Rare Historical copy of this 23-year-old Chicago Newspaper!

 


Because this year's FHs anniversary is on a Saturday, Forgotten Hits World Headquarters will be "Partying Like It's 1999!" 

( Some may have to do the math to get this reference. )

 


So, Kent, to you ~~~~~ !

 


CB ( which stands for "Circulation Boy!" )

 

And I don't know what to do with this information other than pass it along to you.

I just learned tonight that the Rockette that has been with the show the longest has been dancin' for 23 Seasons!

So she first started kickin' up her legs about the same time you've started kickin' up the oldies!

CB


Well, as you saw on your recent visit here, Kent Kotal and Forgotten Hits are pretty well loved and revered here in Chicago ...

 


 

Kent,

Congratulations on your 23rd anniversary. I know you started with 35 peeps. What was the latest number the blog has gone over? I know it's a big number.

Again, congrats,

Glen

Glen Fisher
Doo Wop Revival

Once the website started (2008), we pretty much did away with the regular mailing list.  (It had gotten so large that even with an AOL Bulk Mail Account that allowed us to email up to 500 people at a time) we were having to send out up to sixteen mailings a day at one point, just to remind people to check the site.

Nowadays, we only send out about 800 reminders to the folks who have asked us to keep them on our “send it all” list when something special goes up on the site … and even at that, we only do this once or twice a month at most … it just got WAY too out of hand trying to keep up … not to mention all the bounce backs we’d receive because email accounts were either over-quota or folks were no longer using that particular account.  (To send out an email reminder as a service and then get 200 bounce backs just wasn’t worth all the effort!!!)

So today we just tell people to check the site regularly (incredibly, we still publish something nearly every single day … or at least several times a week) … and then have to trust that folks will go there on their own without any kind of reminder from us.  As of this morning, we are closing in on 6,320,000 views … so, thankfully, folks are still going, even after all these years!  (kk)

 

And new people are discovering it all the time …

 

As attested by the following email …

 

kk,

I was part of the back-up band for the Sonny Geraci Benefit in Streetsboro, OH.  It was such an honor to be a part!  I owe many thanks to Dennis Tufano for inviting me!  Those two days were definitely two of the most memorable performances of my musical career.

To be a part of being on stage again with many old friends and new ones was such a thrill!  To see the love shared by all the performers made me so proud of a musical era that I am so blessed and proud to be a part of!  I’m not sure today’s rock n rollers have the same compassion we feel for each other.  I hope so.

As for me, I will always be available when asked to a part of any benefits that need me.

Kindest regards,

Steve Jarrell

GREAT to hear from you, Steve!

What a shame such a special event had to be marred by somebody’s greed and lack of compassion for the very nature of the event.

What we find is that even now, all these years later, people will randomly search for virtually ANY topic of interest and, if at any point in the past 23 years we happened to cover it in Forgotten Hits, a link to our site will pop up and new folks will discover what we do every single day.

And yet earlier in the week we got an email from our old buddy Mike Wolstein who said he was talking up Forgotten Hits at the last Chicagoland Record Convention and NOBODY there had a clue what he was talking about … and that’ right here at home!

I guess until you happen across us on your own, we’re still oldies music’s best kept secret.

So what we’re going to ask everybody to do, in honor of our 23rd Anniversary, is to once again help to spread the word but contacting people who you just KNOW would love reading Forgotten Hits.

If they’re oldies aficionados, music fans, radio fans … whatever …

If you think they would dig what we do here, let them know about us … friends, family, folks on your own social media sites …

Let’s do one last big blast to get the word out there (and maybe we’ll pass the 7,000,000 readers mark next year!!!)

Thanks, folks … we’re counting on you to get the word out! (kk)

 

 

Irene Cara, who enjoyed three Top Ten Hits in the early ‘80’s (including the #1 smash “Flashdance … What A Feeling,” which topped Billboard’s Hot 100 Pop Singles Chart for six weeks in 1983) passed away this weekend at the age of 63.  “Flashdance” also won an Oscar for Best Song that year, as did her #4 hit version of “Fame” (from the film of the same name) three years earlier.  (Cara also starred in the film.)

 

Paul Haney of Record Research sent us this first-hand memory of Irene Cara ...

 

Hi Kent,
With the sad news of Irene Cara's passing today I just have to share this story ...
Several years ago, Record Research got a call from Irene Cara's press agent.  She told me that Irene had seen her bio in one of our books and wanted to let us know that she was born in 1962, not 1959.  I told her that every source we had at the time said that 1959 was the correct year and that I would gladly change it if she could send us some proof (such as a copy of her birth certificate.)  Well, a few days later Irene herself called and told us to change it.  I repeated what I told her press agent and instantly she got very upset and starting cursing and screaming at me over the phone.  I tried to calm her down, but she was pissed!  Of course, she never sent us any proof and it turns out that 1959 was the correct year all along.  Fortunately, that interaction didn't diminish my love for her music.  I always thought she was beautiful and had tremendous musical and acting ability.  
May she now rest in peace.
Paul Haney 
Record Research
 
Too funny ... Best Classic Bands ran this in their tribute Saturday night ...
 
Cara was born on March 18, 1959, in New York. 
(The bio on her website shows 1962 as the year of her birth.) 

Kent:
In June of 1995 I produced a dance concert for NYC radio station WPLJ at the Theatre of Madison Square Garden. 
Irene Cara was featured on the bill, along with Vickie Sue Robinson, Tavares, Rose Royce, Alicia Bridges, and our headliner: the Village People.
It wasn’t a touring show.  It was a one night only special salute to disco and I wanted to track down one or two acts who seldom played NYC.
The mission was accomplished with Alicia Bridges and Irene Cara. I’m not aware of either artist playing NYC again after this engagement.
The concert sold out so fast that we added a second show the following night with all the same artists. 5,700 attendees each night.
At the time, Irene was not on tour and it was challenging to track down who represented her.
Once she agreed to return to her hometown and perform three songs at each show, she was a delight to deal with.
I found her to be on the shy side until you got to know her.
Without any technical enhancement, her voice at the PLJ concerts was incredible.  She hadn’t lost any of her vocal quality or power. 
- Tom Cuddy


Two totally contrasting personality profiles!  (lol)  I love it!

There is no question Irene was a very talented artist ... and the fans loved her!

 

Saw this posted from Jennifer Beals, who starred in the movie "Flashdance" ...

 

Thank you, brilliant Irene, for your open heart and your fearless triple threat talent. It took a beautiful dreamer to write and perform the soundtracks for those who dare to dream. 

Jennifer Beals

 

Happy Birthday, Tina Turner!

It's always a bit difficult to describe what it was like hearing and witnessing the Ike & Tina Turner Revue in the sixties around Southern California, and then seeing Tina on stage in the seventies and eighties.

I will always fondly remember interviewing Tina in 1975 for "Melody Maker" at Bolic Sound studio in Inglewood, and having dinner with her at Chasens restaurant afterwards.

In the late seventies, David Bowie and Rod Stewart complimented me on this piece when I interviewed them, and both of these gents later played instrumental parts in her career renaissance. Tina: I will always remember your words, "it's not really about coming back.  It's about a continuation."  

My last glimpse of Tina was probably 20 years ago. She was visiting family locally, flew in from Switzerland, and made a stop at my cousin Shelia's beauty and cosmetics store in Encino. Tina stayed in a car while one of her sons picked up some supplies. She looked regal parked on a curb on Ventura Blvd. I felt no need to re-introduce myself. My friend Heidi said "to look at it as a wink." 

Happy birthday to the public dancer. 

I've received many kudos from this multi-voice narrative story I did on the duo and Tina's solo career. So thought I would share it.

https://www.musicconnection.com/kubernik-tina-turner-documentary

Harvey Kubernik

 

Our FH Buddy Bob Lind celebrated his 80th birthday this past Friday (the 25th) – Happy Birthday, Bob!  (kk)

 

Bob Dylan made what can only be described as a lame excuse for not signing the books Simon and Schuster were selling at a premium (and are now having to refund full payment on for misrepresenting the fact that these are NOT authentically signed copies!)

Deep down inside, I was hoping that Dylan was unaware of what was going on … but the world-class poet instead said that he was in on the decision to use an autopen signature instead of his own as, due to vertigo, he found it impossible to sign the 900 copies he committed to … even with the help of five able-bodied assistants at his disposal.  (Seriously … you had a frickin’ year to sign these things … if you only signed three a day you could have held up your part of the agreement and looked like a king.  Got a bad day here in there in the mix?  Fine, don’t sign any that day.  Got a particularly GOOD day in the mix?  Excellent … sign a dozen … 25 … 50 … whatever … to stay ahead of the demand.  But to say that you couldn’t sign ANY is just ludicrous!)

 

In an official statement, Dylan essentially said that he had made “an error in judgment” in using machine technology to affix duplicate signatures to artwork and books that were advertised and sold as hand-signed over the past three years.   

 

He says the use of autopen signatures only occurred since 2019, when he was afflicted with a case of vertigo, and the practice went on through the pandemic, when he was not able to have staff assist him with the hand-signing he had previously done. Dylan says that he was given “the assurance that this kind of thing is done ‘all the time’ in the art and literary worlds.”  Now that all of this has come to light, the singer-songwriter-poet says, “I want to rectify it immediately. I’m working with Simon & Schuster and my gallery partners to do just that.”

 

Dylan’s official statement reads as follows:

“To my fans and followers,

"I’ve been made aware that there’s some controversy about signatures on some of my recent artwork prints and on a limited edition of ‘Philosophy Of Modern Song.’ I’ve hand-signed each and every art print over the years, and there’s never been a problem.

“However, in 2019 I had a bad case of vertigo and it continued into the pandemic years. It takes a crew of five working in close quarters with me to help enable these signing sessions, and we could not find a safe and workable way to complete what I needed to do while the virus was raging. So, during the pandemic, it was impossible to sign anything and the vertigo didn’t help. With contractual deadlines looming, the idea of using an auto-pen was suggested to me, along with the assurance that this kind of thing is done ‘all the time’ in the art and literary worlds.

“Using a machine was an error in judgment and I want to rectify it immediately. I’m working with Simon & Schuster and my gallery partners to do just that.

"With my deepest regrets, Bob Dylan.”

I couldn’t have afforded a hand-signed edition anyway … and Dylan’s work just never meant enough to me to even consider it … although I do believe his new book is VERY interesting and very well done … and I am curious enough to want to read it (albeit in the more traditional “over the counter” edition!  Lol)

 

After selling the rights to his music catalog a couple of years ago, Dylan is set for life … and for many generations to come … so it’s not like he needed the extra money by selling limited edition, signed copies (at $600 a pop!)

 

Then again, never underestimate a millionaire rock star …

 

Paul McCartney just sold out of his limited edition solo singles box sets … and Ringo Starr is now marketing signed, life-size bronze and stainless steel statues of his hand flashing the peace signal for $2000 - $5000 …

 

And let’s not forget concert tickets to see The Boss for five thousand bucks, too!!!

 

Here is Variety’s take on the whole Dylan book controversy …

https://variety.com/2022/music/news/bob-dylan-regrets-autopen-signatures-art-books-apology-1235442296/

 

Kent,

I enjoyed Phil Nee's talk with David Gates. Always did like LET YOUR LOVE GO. One of the earlier records by him I have is his 1959 SWINGIN' BABY DOLL on East West Records.

And I almost forgot about the song MY ONE AND ONLY JIMMY BOY he wrote for the Girlfriends in 1963 (Colpix). I liked that one as well.

Larry

This one sneaked into Music Vendor’s Top 40 in early 1964, peaking at #39.  (It placed ten spots lower in Billboard … and way down at #77 in Cash Box.)

David also mentioned up his follow-up release with The Murmaids in 1964.  It was a tune called “Heartbreak Ahead” and once again fared better in Music Vendor than it did elsewhere, reaching #96. (It bubbled under in both Cash Box - #110 – and Billboard - #116.)

“Popsicles And Icicles” was also a #1 Record in Music Vendor, peaking at only #3 in Cash Box and Billboard … so they were definitely looking at these records’ success from a different perspective.

Still, it’s been awhile since we did a full-blown Girls Group Feature … so here’s a rare double-feature for you! (kk)


 

Great interview with David Gates.  Thanks to Phil Nee for all the great interviews he has been presenting throughout the past year.  I’ll miss them.

Ted

David Gates and Bread have always been amongst my all-time favorites … so I was VERY proud to run this week’s clips.

To think that these guys … on a reunion tour no less! … were having so much fun together again that they would actually head on down to the bar after their show and play a few more songs for their fans says a lot about what great guys they really were.

Sadly, Gates is the only one remaining at this time … and he’s long since been retired … but he sure left us with a great legacy of music to cherish.  (kk)

 

Dick Clark would have been 93 this coming Wednesday, November 30th.
Mike
Wolstein

 


And how wild is this ...


FH Reader Tom Cuddy sent us these great American Bandstand clips starring Neil Sedaka and Freddy Cannon …

 

 

Tom also shares these incredible chart milestones …

Bruce Springsteen and Elton John's Latest Chart Feats: Ask Billboard
https://www.billboard.com/music/chart-beat/bruce-springsteen-elton-john-ask-billboard-1235176492/

 

Kent,

In today's FH, you mentioned you co-wrote a song called NICKELODEON on Cash Records. Was this the same Cash records that Dickie Goodman made JAWS (1975) on and I believe out of New Jersey

Larry

Actually, yes, it was - and they had a local studio here in Chicago as well run by a Group of guys out of Nashville.  In fact, they had a framed gold record of the Dickie Goodman hit proudly displayed on their wall.  (Mr. Jaws went to #1 here in Chicago!)  kk

That's interesting to hear. You also mentioned you dropped Brenda Lee's THANKS A LOT at the last minute because you didn't know how many  people would have remembered it. Kent, don't under-estimate your readers.(and I know you don't). I am going to go out on a limb and say that the majority of your readers would have remembered it or maybe just rang a bell with them. Now, I could be wrong. You also mentioned you didn't have a copy of the song(record) you made I am assuming on vinyl. I know of at least one local recording artist and or group here in the OKC area that made at least one record that got air play but for some reason do not have a copy of said record.Sometimes that boggles my mind. I know if I had made a record either individually or with a group, I'd have at least one copy of it.

Larry

I don’t have a physical copy of the record … but somewhere buried in the garage I have a reel-to-reel tape of the original demo I made of the song (just me on the piano), followed by the record release (by, I believe, The Lendrian or Lendrien Sisters … which I thought was about the WORST possible name they could have come up with, since it was so close to The Lennon Sisters … but I cannot help but wonder, in hindsight, if perhaps that was the strategy all along, since the song itself reckoned  back to that 1920’s era sound), followed by my OWN version of the song, which we took to Nashville in 1976, trying to see if we might be able to interest a record company there in either releasing it or having me record it myself. (Needless to say, NONE of this ever happened … but I DO still feel a certain fondness for the song, even after all this time.  My cowriter, Mike Votava, a VERY close high school friend, passed away quite unexpectedly a few years ago … he would have really gotten a kick out of the fact that we were still talking about this tune, written in 1972!, all these years later!) 

I’m just going to have to find a way to dig this thing out, burn an MP3 and play it for you all … because now I want to hear it again, too!  (lol)

Meanwhile, here’s Brenda Lee’s 1965 mini-hit, “Thanks A Lot.”  (kk)

 

And finally, from Harvey Kubernik ...  

 

In the Chicago region ... on Huntley Radio ... Harvey Kubernik discusses the "Jimi Hendrix:Voodoo Child" book on the Jim Summaria and Mark Plotnick-hosted radio program and podcast "That Classic Rock Show."