Sunday, October 24, 2010

The Sunday Comments ( 10 - 24 - 10 )

It's another heavy dose of Forgotten Hits Comments ... a little bit later than normal (hey, we had a late night last night ... saw Peter Noone and Micky Dolenz in concert at The Star Plaza ... more on that next week!) ... but better late than never! Enjoy!

re: ENGELBERT HUMPERDINCK:
>>>And I still maintain that if a record was good enough to make The Top 20, then it ought to receive SOME airplay ... so, based on that criteria, you'd have to include "Release Me" (#3, 1967); "There Goes My Everything" (#20, 1967); "The Last Waltz" (close enough at #21, 1967); "Am I That Easy To Forget" (#18, 1968); "A Man Without Love" (#18, 1968); "Winter World Of Love" (#13, 1970) and "After The Lovin' (#5, 1977). kk
Hi Kent,
Now that you have mentioned it, Engelbert Humperdinck doesn't seem to get much space on blogs, air or even Forgotten Hits. I have known 'Enge' for many years, going back to when he was Jerry Dorsey (a name one must never mention in his company or you will ostracized for life). I toured with him as Jerry and did many recordings, broadcasts and television shows with him as Engelbert. I don't know whether you know this but he was hospitalized for two years with TB as Jerry Dorsey and following visits from Gordon Mills, who was in a local harmonica trio, they got together and, along with Tom Jones and a name change, hit the big time. Last time I saw Enge was in Florida, playing to a full house of what can be best described as 'The Blue Rinse Brigade.' I was on all the records you listed and very occasionally hear them on the radio. Unfortunately, the accent being on very occasionally. It is a shame, as he is a great performer and entertainer and should have a much higher profile. I do seem to write to you about these stars of yesteryear but after all it is 'Not Quite Forgotten Hits.'
Very best wishes.
Vic Flick
I'm not denying that Engelbert deserves a spot SOMEWHERE in oldies rotation ... the man had some very big, legitimate hits (back in the day when EVERY kind of music could be played together side-by-side without segregating your audience!) Remember the fuss caused in Great Britain when Engelbert's recording of "Release Me" prevented The Beatles from hitting the #1 spot for the first time!!! Unreal! (kk)

Dear Forgotten Hits:
A friend of mine's mom just loves Englebert Humperdinck! She has lots of his music. When I read your 10/17/10 online edition of The Sunday Comments, I had to write in and tell you this. I have heard some of his music and I like the song "After The Loving". I just had this thought about how maybe, for her mom's next birthday or Mother's Day, I could help my friend get ahold of some Englebert Humperdinck paraphernalia. Do you or anyone out there know about how to do this? I would appreciate it very much if I could find out about how to do this.
Thanks,
Leonora "Leah" Jordan
Well, I'm happy to mention it but your best bet is probably to check Humperdinck's website for authentic merchandise ... or eBay for some of the older, more collectible stuff. Meanwhile, let's see if any FH Readers are forthcoming with some ideas and suggestions. Good Luck! (kk)
Click here: The Engelbert Humperdinck Online Store
And here's another one for all the Engelbert fans on the list!



re: TAMOURE':
Last month when we were celebrating The Biggest Songs Of Summer, we had some discussion about a song called "Tamoure'" by Bill Justis ... just got word from Music Expert (they don't call him "Mr. Music" for nothing!!!) Jerry Osborne that his latest column covers this in great detail, too ... check it out!!!

DEAR JERRY:
Your recent column about Hawaiian music gives me hope you can provide some information about a record that must have been from the Islands.
In mid-1963, amidst all the dance, surf, and hot rod hits, was a Hawaiian vocal by a female group. It may be titled “Dance of Love,” or at least they use that line.
I know where I was — taking summer classes at Northwestern — and I know this was a big hit in Chicago. It was played as often as other songs, but, unlike “Surfin' U.S.A.” and “It's My Party”, this infectious tune has, to my knowledge, never been played again anywhere. When I ask for help identifying it, no one even knows what I'm talking about.
Do you?

— Sandi Mason,
Kenosha, Wisc.
Here's Jerry's answer ...
DEAR SANDI:
I do, but only because of the Chicago connection. There are, as you're about to learn, many possibilities.
Your mystery song is “Tamouré” (tam-or-RAY) one of those countless 1963 dance numbers. But, unlike the bird and bossa nova, the Tahitian-born tamouré never caught on in America — neither the record nor the dance.
The “Tamouré” in the WLS Top 10 in Chicago is by Bill Justis (Smash 1812), and it peaked at No. 7 in late May and early June.
Bill Justis is the famous sax player whose “Raunchy” (1957), is a R&R classic, yet neither he nor his sax is heard on “Tamouré.” He is the arranger and conductor, but the un-credited vocals are by the Stephen Scott Singers.
Despite many Polynesian cultural connections between Tahiti and our 50th state, there is nothing Hawaiian about “Tamouré.”
The real tamouré, a dance with extreme booty-shaking maneuvers, can be done to many different recordings, most of which are a variation of “Vini Vini.”
The earliest U.S. release of “Vini Vini” is on the 1958 LP by Terorotua and His Tahitians, titled “Lure of Tahiti” (ABC-Paramount 271). It is sung in their native language.
For about four years, the tamouré remained relatively unknown beyond French Polynesia.
Then in 1962, in France itself, a tamouré craze struck, fueled by recordings such as “Dansez le Tamouré (Elle Est Partie le Tamoure) [“It is the Tamouré Party] “Special Danse” featuring “Tamouré Vini Vini” (Vogue EPL 8-049).
This is why the picture sleeve for the Bill Justis “Tamouré” single reads: “The French Dance Rage Comes to America.”
Well, it definitely came to Chicagoland, as reported in the June 1, 1963 Billboard:
“CHICAGO - Bill Justice's [sic] “Tamouré” on Smash was the hottest of the new sides here last week.”
Far beyond Chi-town and France, a tamouré tune could be heard on nearly every continent in mid-'63.
From that same magazine comes this rave from George Hilder in Sydney, where “Tamouré” is No. 1 in Australia:
“The current sensation in the local industry has been the phenomenal success of “Tamouré” by Bill Justis [Philips BF-26]. It jumped from No. 89 to No. 1 on the Top 100. Philips started to publicize the disk with a double-page spread in a Sunday newspaper five weeks ago, which aroused immediate interest. Paul Turner of Philips organized a national tie-up with the Fred Astaire studio and a dance competition with the winning couple receiving a flight to Tahiti, plus $100 expense money” (before you laugh, that is approximately $1,000 in today's money).
The Australian picture sleeve shows the title as “Tamouré (The Dance of Love),” the sub-title being the line in the song that stuck in your memory.
That sleeve also promotes the Philips dance contest with a “Win a Wonderful Flight on TEAL to Fabulous Tahiti” banner.
Elsewhere, local recordings topped their respective charts. Especially noteworthy are “Wini-Wini” by Die Tahiti-Tamourés (Polydor 24-991), in Germany, and “Wini-Wini” by the Waikiki Tamoure (Triola TA-5), in Scandinavia. In Japan, rather than a version by one of their own, Philips repackaged the Bill Justis “Tamouré” (Philips M1055).
Inexplicably, this American (Nashville) recording by an American artist was enormous overseas and never even made the Top 100 in America, though that didn't keep numerous others in the States from trying to claim a piece of the tamouré mania so successful elsewhere.
Among those efforts are: “Tamouré” by Don Costa (Columbia 42785) (1963); “The Tamouré Shake” by Lester Lanin and His Orchestra (Epic 5-9624) (1963); “Tamouré, Tamouré, Amoure” by Joye Bell (Glass Piano 201) (1964); “Tamouré” by Carlos Rubio (Fontana 67515) (1964); “Vini Vini (Tamouré)” by Manuia & Maeva (Almo ) (1965); and “Vini Vini (Tamouré)” by Dick & Dee Dee (Warner Bros. 5652) (1965).
I'm told the Dick & Dee Dee tune was a minor hit in Hawaii.
IZ ZAT SO? Two tamouré records actually did make the U.S. Top 40, but only because each is merely the flip side of a hit:
“Orange Tamouré” is the B-side of “Charade,” from the 1963 film of the same name, by Henry Mancini & His Orchestra (RCA Victor 47-8256), and on the reverse of “Hawaii Tattoo,” by the Waikikis, is “Tahiti Tamouré” (Kapp 30) (1964).
-- Jerry Osborne
You won't BELIEVE how much you'll learn on Jerry's site ... here's a link you'll want to bookmark and check often:
Click here: "MR. MUSIC" . You'll find a new feature posted every week (and watch for an upcoming piece on "Davy Jones Presents", inspired by ANOTHER feature we did recently here in Forgotten Hits! Jerry's detailed answer will appear later this week.) kk



re: MS. JUNIOR:
Kent ...
We were talking about Lada Edmund, Jr, the Hullabaloo Girl. She's pictured with Herman's Hermits, The Beatles and The Beach Boys. As she's sitting there with the Beach Boys, I can almost hear her singing "I Get Around."
I have to take you back to the 40's for my female junior. The Modernaires had a female singer - Paula Kelly. She was later replaced by her daughter - she always went by Paula Kelly, Jr., so we could tell the difference between the two.
Frank B.

... and, speaking of Female Juniors ...

re: CORRECTION:
>>>Another female “Jr.” is soul singer R. B. Hudman, Jr., who recorded two singles for Bill Lowery’s 1-2-3 label and another for Atlantic. She’s shown with the “Jr.” only on the first

1-2-3 release.(Michael)
Michael!
The late Robert B. Hudmon, Jr. (I believe only a couple of his releases said R.B. Hudman while most others said R.B. Hudmon) would be insulted at you calling him a female! He was just a kid when he cut his records; hence why he sounds the way he does.
He cut a version of Joe South's tune Yo-Yo (first recorded by Billy Joe Royal but turned into a huge hit a few years later by the Osmonds) as R.B. Hudman for A&M records in 1968 when he was just 13 or 14 years old ... He died just a few weeks after his 41st birthday, in 1995.
http://www.sirshambling.com/artists/R/r_b_hudmon.htm





R.B. Hudman's version somewhat follows the arrangement of Billy Joe Royal's version ... I believe Joe South produced R.B.'s version as well -- I'd have to dig my 45 of it out to be 100% sure but right now it's not easily accessible.
Tom Diehl



Hi Kent,
Just reading over the comments from the last couple of days.
Did you say that Bobby Sherman was the host of Shindig? Someone did, but actually it was Jimmy O'Neill. The voice of Jimmy was also in an episode of The Flintstones. He played the host of Shinrock, and Betty and Wilma wanted tickets to see the show with special guests the Beau Brummelstones. Ann-Margret was also featured in an episode.
Ah, The Flintstones ... I love 'em!
Bill
My bad ... Jimmy O'Neill WAS, in fact, the Host of "Shindig" ... Bobby Sherman was just one of the "regulars" who performed often on the show ... ironically YEARS before he'd have his first official hit on the charts. (He was already gracing the covers of all the teen magazines, however ... and continued to do so for years to come!) His BIG acting break came on the television series "Here Come The Brides" and for two years he dominated the pop charts with hits like "Little Woman" (#1, 1969); "La La La (If I Had You)" (#9, 1970); "Easy Come, Easy Go" (#7, 1970); "Hey Mister Sun (#23, 1970); "Julie, Do Ya Love Me" (#3, 1970); "Cried Like A Baby" (#10, 1971) and "The Drum" (#22, 1971). He first recorded back in 1962.
DIDJAKNOW?-1: The Shindogs (the back-up band that performed behind many of the regulars and guest stars on the series) included such luminaries as Glen Campbell, Delaney Bramlett, James Burton, Billy Preston, Larry Knechtel and Leon Russell!
DIDJAKNOW?-2: When "Shindig" was finally cancelled in 1966, it was replaced by the camp / cult hit "Batman"!
As for The Flintstones, we did a feature YEARS ago spotlighting Ann-Marget's role as Ann-Margrock and even ran a clip of The Beau Brummels performing as The Beau Brummelstones!
Check out this YouTube clip ... you'll even see Jimmy introduce the band!
Click here: YouTube - Beau Brummelstones "Laugh Laugh" (Live)
Click here: YouTube - Ann-Margret singing as Ann-Margrock

... and, speaking of corrections ...

re: CHEAP TRICK:
Kent ...
Read this in today's newspaper:
In a collision of classical music and classic rock, the New York Philharmonic is suing Cheap Trick. The 1970's power pop group had the temerity to list the orchestra on linear notes of its Sgt. Pepper's Lonely Hearts Club Band 40th Anniversary recording, a suit filed in Manhattan Federal Court says - Cheap Trick "falsely suggested to the public that the New York Philharmonic, or members thereof, performed on or otherwise participated in defendants'
record album," the suit says. The suit cites the Philharmonic's illustrious 168-year history, and suggests the rockers behind hits like " The Flame " and "I Want You To Want Me" confused the New York Philharmonic with the Los Angeles Philharmonic. I guess they feel it's an insult to be listed on a rock album.

Frank B.
Some people have absolutely NOTHING better to do ... than to complain about falsely being accused of actually being HIP for a moment. Unreal!!! (Now if it really WAS The Los Angeles Philharmonic, I could understand THEIR being pissed ... and, for all anybody knows, Cheap Trick performed these tracks with any variety of orchestras across the country ... how would one really recognize themselves from another when they're all playing from the same score?) But hey, it gets Cheap Trick's name back in the news for a change, so all is good. (I remember many years ago when a Creedence Clearwater Revival album came out titled "The Royal Albert Hall Concert" ... many years later, they discovered that these tracks were actually recorded at The Oakland Coliseum!!! When the LP was re-released in the '80's, it was retitled "The Concert" ... and simply left at that ... probably the SAFEST way to go on some of these live deals!!! lol (kk)

... and, speaking of live concerts, here's the latest on our Live Garage Bands Series!!!

re: GARAGE BANDS ... and THE FORGOTTEN HITS DRIVEWAY!:
>>>And, since I didn't get ANY takers on somebody naming the alley behind their house "Forgotten Hits Alley", I've moved on to my next campaign ... anybody got a DRIVEWAY they wanna name after us?!?!? Think about it ... The Forgotten Hits Driveway ... and then once a month we'll throw a Concert In Your Garage ... an OFFICIAL Forgotten Hits Garage Band Concert ... LIVE from The Forgotten Hits Driveway!!! (C'mon ... it's got a certain ring to it, doesn't it???) And we can bring back Garage Bands in the process! Any takers?!?! (kk)
I have two driveways available for naming rights. Also I just had a new furnace installed in my shop and it, too, is available for naming rights.
Jack


I was returning from THE bakery ... (the pecan pie one a few towns away) ... and noticed (again) the street sign put up to honor RIchie Sambora in Woodbridge, NJ ... and although it's a great honor, it ain't much of a street!


No houses, no street addresses ... it's just a side road that leads to the high school parking lot. NOT THE MOST PRESTIGIOUS LOCATION ... But I'd take anything for myself!
Put up a RENFELD BOOGALOO BLVD. sign on a 10 foot dead end and I'm in hog heaven!!!
Renfield
http://www.riprenfield.com/
Oh sure, now EVERYBODY'S gonna get into the act!!! (lol) Now I'll NEVER get my Forgotten Hits Driveway!!! Hey, if you can buy your own star on The Hollywood Walk Of Fame, then why not!!! (kk)


re: GENERAL JOHNSON:
Kent,

Just a few comments if I may while I peruse your Sunday Comments.
This first comment will just take a MINIT.
Scott Shannon this past Friday during the noon hour gave a great tribute to General Johnson. Here in OKC back in 1961, IT WILL STAND was a very very big record. I don't really know why the record label. re-released it in 1964. I am sure they had their reasons. To me, the Showmen's IT WILL STAND and Danny and the Juniors' ROCK AND ROLL IS HERE TO STAY, go hand in hand.
As for the Chairmen of the Board, as you know, they had a song in 1971 entitled CHAIRMEN OF THE BOARD. There weren't all that many records, I believe, in which the artist and or recording group had a song whose title was the same as the name of the group or artist.
One final thing about the Showmen. They had a followup in 1962 called THE OWL SEES YOU which made our local survey. No other records by them, the Showmen, made the survey.
Larry Neal



"It Will Stand" by The Showmen was a VERY big record here in Chicago, too ... it went all the way to #5 when it was first released back in 1961. (Nationally, it stopped at #58 in Cash Box!) For the longest time, Bob Stroud used the "Rock / Roll" intro to kick off his Rock And Roll Roots Radio Program. (He still may for all I know ... I'm rarely up at 7 AM on a Sunday to find out!!! lol) We've featured a few "same as" songs before in Forgotten Hits ... "Yellow Balloon" by Yellow Balloon, "The Boys In The Band" by The Boys In The Band ... of course, there's also "Bad Company" by Bad Company ... and a few others ... but you're right, not a whole lot of them. (One might think this shows a little lax in imagination??? Kinda like George Foreman naming all eight of his kids "George"?!?!? lol) kk

Kent:

Just learned of the General's passing this morning.

I am Surfside's distributor - General Johnson and the Chairmen of the Board's label.

They just released a new CD in August. I have worked with General and his label people for the last six years, and he has been a pleasure to work with - a great guy!
Here is the link for his latest cd:

http://www.amazon.com/Treasure-Chest-Chairmen-Board/dp/B003JIVFC2/ref=sr_1_10?ie=UTF8&s=music&qid=1287777328&sr=1-10

He was a fabulous guy - very sad.

Clay Pasternack
It's always sad when we hear about these losses ... but great to know that General Johnson kept doing what he loved doing best ... recording AND performing ... right up to the very end. Thanks for the link for the new CD ... I think some of our readers may be interested in purchasing a copy. Thanks, Clay! (kk)

It is availble on line through amazon.com as well as in best buy stores in the "beach music" region.

Clay

Hi Kent ...
In 1965 (???) General Johnson came to the Madara and White offices and played us a bunch of material ... he was looking for a record deal. We never did work out a deal with him but I believe he went to Swan and made "In Paradise".
I really liked this record a lot and just found a copy in my old records. If you never heard this, it's a great record for that period in music. I really liked him. The other singer in the group was Eddie Custis, who we recorded for Guyden records as the Hearts. We were friends ... great guy.
Attached is the Swan Record and a demo of Eddie Custis singing one of our songs. David and I always said he was the best male singer we ever worked with.
Your Friend,
John Madara







... and, speaking of John Madara ... and the on-going Philly Records mono / stereo issue ... here are a few more words in that area!

re: THAT PHILLY SOUND:
>>>I can see John and Allen Klein in the courtroom battling it out over the Cameo-Parkway catalog. Neither John or Allen publishes anything other than the "norm" that was available decades ago. Same with Bunny Sigler, mono, when Stereo LP was available. He should know this! Look at Elvis, look at The Beatles and other artists ... stereo, alternate takes, karaoke, etc. But when it boils down to Philly, nothing from the norm. Like old school thinking! This was brought to my attention over ancient monophonic Spokesmen CD! Let's get with it, Philly!!! (Jersey John)
Perhaps John decided to reissue the album on cd in mono because mono copies of the recordings are all he has in his possession or maybe that is the way he prefers to hear the recordings himself. After all, in 1965, when the Spokesmen were popular, mono was STILL outselling stereo in America by about 3 to 1. Even going on ebay, I see more mono copies of Bunny Sigler's Parkway LP than I do stereo copies ... so a couple of years later, perhaps they still preferred mono in Philly, too.
My own mother (a Philly native, by the way) used to tell me that she and her brothers would buy the mono versions because they were cheaper, even though they had a high end stereo system at the house since the early 60's because my grandfather was huge into buying all the latest gadgets and such. I still have my mom's mono pressing of Sgt. Pepper, too (unfortunately it's not in the best condition).
I'll throw in another plug for John's fabulous Len Barry: The Lost LP cd here:
(
http://www.cdbaby.com/cd/LenBarry1).
Yes, the cd is all mono, too, and certainly some stereo recordings could have been used (for some of the previously released tunes, anyway, I know for the unreleased songs all John had was the mono acetate LP shown on the cd cover), but there isn't one bad song on the cd, just crank it up on your cd player and go about the daily chores around your house and you won't know or care that it isn't stereo.
As for Bunny Sigler in stereo, I don't believe John was even involved with the stereo mixing, or else wouldn't he have made sure the correct take of Let The Good Times Roll / Feel So Good would've been used on the LP? Yes, it's an alternate take on the stereo lp! The stereo version of Girl Don't Make Me Wait turned up on a bootleg cd many years ago (it is rechanneled stereo on the LP) ... I would love to see that make a legitimate reissue, but that won't happen within my own lifetime and I'm more or less 50 years younger than all of the people involved in making that record.
Anyway, give ABKCO some credit, there are two previously unreleased recordings on the Collector's Choice Music cd, Remember Me Baby: Cameo Parkway Vocal Groups Volume 1.
http://www.amazon.com/1-Remember-Baby-Cameo-Parkway-Vocal-Groups/dp/B003JMP8VW
One unreleased recording by the Tymes (Did You Ever Get My Letter) which was also recorded by the Dovells under the name the Liverpools on Wyncote records (A Cameo Parkway subsidiary), as well as an unreleased Dovells recording called Short On Bread that sounds like You Can't Sit Down revisited. If you bought all of the six CCM reissues earlier this year all at once, they sent you a free promo sampler to go with the set that included yet another unreleased recording, an Italian version of So Much In Love by the Tymes, which they say will never be reissued by them anywhere else ever.
By the way, looking at the Collector's Choice Music website, I see that the new John Zacherle cd is being released in a week and next month there are two-fers by Dee Dee Sharp and the Dovells being released, as well as the previously available as a download-only Holiday Hits collection. Let them get this stuff out in mono first (or stereo, if it was indeed initially released that way), Jersey John, and then worry about them putting out stereo, alternate takes, etc later, OK??
http://www.ccmusic.com/item.cfm?itemid=CCM21532
http://www.ccmusic.com/item.cfm?itemid=CCM21522
http://www.ccmusic.com/item.cfm?itemid=CCM21512
http://www.ccmusic.com/item.cfm?itemid=CCM21662
Tom Diehl

And then this from John Madara himself on the mono / stereo issue ... and a VERY special release!!! (lol)
Kent,
Please let Jersey John know that I'm putting the STEREO version of the Spokesmen CD together along with bonus tracks. I'm doing this for Jersey John as a special release.
During the 60s we did do it in stereo, but the radio stations wanted MONO, and in the case with Cameo, all those multi track tapes have disappeared.
I agree with John that a stereo mix sounds great, if the multi track tapes are available.
Your Friend,
Philly John
A little studio talk wouldn't hurt, too!!!Tell John, if you wish, I'll buy the CD, as an act of appreciation. Wouldn't hurt if John autographed it!! I'm pushing it! :)You're tops, Kent!Thanks!Best,

Jersey John
Uhhh ... yeah, I'd say so!!! (lol) kk

>>>in the case with Cameo, all those multi track tapes have disappeared. (John Madara)

Makes me curious ... why and how? Any possibility others are holding them? Are they, without a doubt, destroyed / lost? I would LOVE to hear the Cameo / Parkway catalog with alternate versions, out-takes, studio talk, etc. ... no doubt they once existed. Just seems odd what only remains, from both John and ABKCO. Makes little sense to me.Thanks!!

p.s. I contacted John through Cristy Webb; hope for a reply with my Spokesmen CD demands :-)

p.p.s. Same with Billy Harner - where are his studio tapes!!?? He seems to care little at satisfying fans.
And, speaking of John Madara, there is now a Facebook campaign to get him a rightful star on The Philly Walk Of Fame ... you can post your comments at the link below:
Facebook (1) Give Johnny Madara a STAR on the Philadelphia Music Alliance Walk Of Fame.

... and one more from John Madara's private collection ...

re: JOEY HEATHERTON:
Hi Kent ...
Attached is an unreleased Joey Heatherton single from 1965 along with a picture from my personal collection.
John Madara

re: SHOWS WE MISSED (AND NON-REVIEWS!):
Photos: Disco Ball at The Taj Mahal « WCBS-FM 101.1
Kent ...
I want you to see what i missed, by not going to the Disco Ball. Notice the Village People are down to just one. Cowboy, Randy Jones. It must be hard to spell Y - M - C - A with one person. LOL !
Frank B.
Sorry, Frank, but I don't think I'll EVER be bored enough to look at all 48 of these pictures!!!
Then again, maybe if The Village People updated their act and sang "AARP" instead ... like THIS guy suggests:
http://dalesdesigns.net/rock-on.htm

>>>The stars of Broadway's BEATLEMANIA LIVE will perform this Saturday, October 23rd, at the historic Arcada Theatre in St. Charles, Illinois. (Ron Onesti)
Kent ...
You wrote about the stars of Broadway's "BEATLEMANIA LIVE" appearing in St. Charles, IL.
Is that what they call "Off-Broadway?" LOL!
Frank B.
Actually, I think this one might even qualify for Off Off Broadway!!! Seriously 'tho, Ron Onesti continues to bring a wide variety of entertainment to his Arcada Theatre ... always something for everybody ... and this is no exception. (Of course since "Beatlemania" first debuted a few decades ago you can't seem to go more than a couple of blocks without running into another Beatles Tribute / Sound-Alike Band ... and there are some DAMN good ones out there ... but "Beatlemania" staged as a full production is something well worth seeing. (kk)

re: MORE VIDEOS AND LINKS:
How I uncovered this, I don't know ... however, it's a 7 part documentary that is an incredible look at LA and the music scene from the Byrds to the Eagles and how things evolved. This is well worth your time to enjoy ... I have included part 1 of 7 and you can figure out the rest from there (parts 2 - 7). If you have any problems let me know and I'll guide you through it. It's the evolution of rock 'n roll as we know it. Happy weekend to all ...
Wild Bill

http://www.youtube.com/watch?v=-3FvWSvZx4U&feature=related

Last week we featured Nancy Sinatra today ... check out this vintage clip we found last week!
Click here: YouTube - Nancy Sinatra Bang Bang
i have the nancy version from kill bill on my mp3 player ... lol ... love it ...
gary

Kent -
I have been following your recent newsletters and all about the Hall of Fame ... great to see all the enthusiasm and interest ... Long Live Rock-n Roll.
As a note to you and your readers, Jumbo just created our first video for YOUTUBE featuring one of our tunes from the album we recorded for Lou Adler and his ODE 70 Label.
It features "Truckin'", a tune I wrote to compliment the dances of the 30's and the Zap comix of the late 60's along with amazing footage of legendary dancers from that era.
We never had clips of the band in concert or on stage, so this video and future musical contributions to our video library will feature our music and unusual classic footage to entertain our fans. Check out the first entry ...
Truckin'- Jumbo on youtube.
http://www.youtube.com/watch?v=81fYHUDbDCc
Thanks again...
Mike Baxter and the guys from JUMBO
Actually, this is a VERY clever and well put together video ... thanks for sharing, Mike! (kk)

And a quick stop on Doo-Wop Corner for the next two!!! (lol) kk

Kent ...
10/19/10: Today is Larry Chance, lead singer of the Earls, 70TH Birthday.
Kent, I consider you to be a music expert.
Answer me one question: If Larry is singing "A cappella with his Friends" --
why are they playing music ?
Frank B.

YouTube - The Earls "Acapella with My Friends"
I dunno ... but they're sounding pretty good doing it!!! (kk)


SUNDAY KIND OF LOVE The Teentoneshttp://xoteria.com/JUKE25.html>
Hi Kent -
Here's a note from my friend Joe McCoy of CBS-FM in NYC regarding this video by the Teen Tones.
I had mentioned in my original note that I hadn't heard of this group. As you get into the video you can see Robert klein much more clearly -- he is doing the bass parts and lead on the bridge. Check it out.
Danny
Danny -- Those Teen Tones have Robert Klein (comedian) singing in the group. He's the guy behind the lead singer. I guess there were a lot of Teen Tones back then since our group (me, Bobby Ricca, Mike Miele, Danny Galves & Alan Jeffries) had the same name. I think we were at a Ted Mack Amateur Hour tryout with them.
Joe
Quite a few artists that we came to know as comedians first got their starts as musicians ... I've had it explained to me before ... something about the "timing" that makes the whole thing work ... almost a natural progression ... plus, of course, the love of going up on stage in front of an audience and entertaining them. (We ran a vintage clip of George Carlin recently singing a GREAT doo-wop song on the old Arsenio Hall Show.) Thanks for sharing, Danny! (kk)

>>>All I can say is, sucks to be him! TeeHee ... love those double ee's (Stacee)

>>>This just SO sets me up for a "I love those Double-D's" comment, Stacee ... but I'll pass! (kk)
I am awed by your restraint.
Seriously, I do enjoy your sense of humor. I look forward to the little comments you add to the blogs.
Thanks for doing what you do.
Stacee
Well, we more than make up for it THIS week, Stacee!!! Check out the clip below! (kk)
Kent ...
She gets my vote for your next clip of the week. She's very talented. LOL !
Frank B.
They Call Her the Crusher

re: WAKING UP IS HARD TO DO:
Interesting story about the anesthesiologists. There's a local band here in Nashville composed of anesthesiologists who call themselves "The Painkillers." They don't do spoofs but they do pretty good covers of sixties and seventies pop / rock songs.
David Lewis
And just a few weeks ago John Stamos (now starring on the hit television series "Glee", where he portrays a dentist) "gassed" several of his female patients, each of whom, while under anesthesia, had their own Britney Spears fantasy! (C'mon ... do you REALLY need an anesthesiologist to fantasize about Britney Spears?!?!? See, NOTHING on that show resembles real life!!! lol) kk

re: HAPPY HALLOWEEN:
>>>In 12 years, we have never really done a Halloween tribute in Forgotten Hits ... but we've now received several requests to do so. If you have something that you'd like to contribute ... other than the usual "Monster Mash" / Bobby "Boris" Pickett stuff ... we'd love to hear from you. If we get enough material, we'll run something over the Halloween Weekend. (kk)
This coming week, I'm not sure on what day it starts, on my internet show, blogtalkradio.com, wandermag on air, I will be saluting Halloween.
I will not be playing Monster Mash or Witchy Woman. It lasts about 25 minutes and it starts about 35-40 minutes into the show. If I have time, I am going to play Ding dong The Witch Is Dead. Also a certainty is The Shaggs.
Jack
We've actually received several suggestions for Halloween-themed music ... so let's see what we can put together! (kk)

Hello Kent -
Furvus here again from The Fifth Estate.
If you are looking for some cool Halloween music you might look to The 5E's Ding Dong! The Witch Is Dead. It always gets more airplay around Halloween. I guess it's that rather obvious WITCH connection there, but there is so much more to that song than that. It was already a big tune from the "Most Watched" movie of all time The Wizard of Oz.
Ken "Furvus" Evans
Believe it or not, we heard from half a dozen jocks this weekend, ALL of whom told me that they were going to feature The Fifth Estate's recording of "Ding Dong The Witch Is Dead" as part of their Halloween programming this year!!! Now how cool is THAT?!?!? (See, we really CAN help influence what gets played on the oldies stations!!! lol) Meanwhile, look for lots more Fifth Estate / "Ding Dong The Witch Is Dead" comments later in the week. (kk)

And THIS sounds like a fun time ... if you happen to be in the area ...

Please join us for a howling good time.

As you know, seating is limited so get your tickets early




Saturday, October 30: Have your Halloween party with us!
Jerry's Wicker Park ... great bar with gourmet sandwiches
1938 W. Division Street, Chicago
Prizes for the best costume
Come as your favorite rock star or celebrity!
10 p.m. - ????
Jimy Rogers and Blue Road
ALL kinds of local Halloween parties going on ... Scott MacKay of The River-FM is also hosting a Halloween Bash ... come dressed as your favorite rock star ... all kinds of prizes and great give-aways. More details on The River web page (kk):
Click here: 95.9 The River

Hi Kent ...
How's this on the cool factor for Halloween ...
Carl Bonafede will be doing a special interview with Paul McVay, Radio Host of "Drive-In of The Damned" for his Halloween Special on October 30th ... check out Pauls Website for Time Specifics
http://www.driveinofthedamned.com/
"The "Screaming Wildman" of Chicago Radio in the 1960's, Carl Recorded the classic "Werewolf" single and we are definitely going to touch upon that subject ... but Carl has a deeper story to tell.
He's helped shape countless careers and has had a definite influence on Rock N Roll in general."
- Paul McVay
You can also visit
http://www.CarlBonafede.com
WereWolf-
http://www.youtube.com/watch?v=O2ACFKst0tI
- Michele Abrams
PS a special Thank you to Joe Pytel for his help in getting the sound file for WereWolf



By the way, Larry (The Wax Museum) Neal sent me a 4-page long list of some of the songs that he used to feature for Halloween ... quite impressive ... and LOTS of obscurities and off-the-beaten path tracks ... some of which I'm sure NOBODY has heard of before. Must have driven the programmers and engineers crazy ... especially when you consider this little note he sent me! (kk)
Kent,


This is somewhat humorous in a way. You are probably familiar with the music licensing agreements radio stations have with organizations like ASCAP and BMI. Well, when I did my show, I had to write down the records I played A lot were rare and / or obscure titles. When BMI and ASCAP received the logs in the mail as to what records I had played so that they could give whatever to whomever who wrote the songs, I can just imagine some of the looks on their faces when they saw some of the records that I played.
Larry
We'll try to work in a few of Larry's favorites during our extended Halloween coverage next week! (kk)

re: FROM HALLOWEEN TO CHRISTMAS!:
Hi Kent,
I am sending you the link to Dr. Elmo's new Time Life release, "Bluegrass Christmas".
Dr. Elmo is best known for his Christmas hit, "Grandma Got Run Over By A Reindeer," which has sold over 11 million copies. But Elmo started out playing Bluegrass, and has continued playing Bluegrass in spite of his success in the humorous genre. In fact, he helped popularize Bluegrass in the San Francisco Bay Area with his Bluegrass Radio Show on KSAY, 1969 - 1971, "The Great San Francisco Bluegrass Experience."
You can listen to the album here:
Dr. Elmo Bluegrass Christmas Press Kit - Click to play!
Grandma Got Run Over By A Reindeer iTouch / iPad app trailer (available any day!):
http://www.youtube.com/watch?v=vs7thiO-tb0
For even further information, please visit:
Dr. Elmo's Facebook page
Dr. Elmo's Bluegrass FB page
www.drelmo.com
Thank you so much ... and (an early) happy holidays!
Sincerely,
Pam Wendell for Dr. Elmo
Here's a copy of the official press release:
Dr. Elmo of "Grandma Got Run Over by a Reindeer" Infamy Releases New Bluegrass Christmas CD on Time Life

SAN FRANCISCO, CA (October 6, 2010) - Dr. Elmo, the voice and wit behind the ubiquitous Christmas classic "Grandma Got Run Over By a Reindeer," returns to his beloved bluegrass roots with a new holiday album, Bluegrass Christmas. Originally a bluegrass artist prior to selling 11 million copies of “Grandma,” the Kentucky native recorded the album with a clever reworking of his signature song; a new, instrumental and – yes – bluegrass version for the disc along other holiday fare including “Jingle Bells,” “Greensleeves” and “Deck the Halls.” Bluegrass Christmas is currently available in stores and major online retailers via Time Life.
The incredible success of “Grandma” derailed Elmo Shropshire’s bluegrass career for thirty years, taking him away from his band, and radio show, the Great San Francisco Bluegrass Experience, where he played the banjo. His secret dreams of leading the bluegrass renaissance and conducting the New York Philharmonic’s version of Camptown Races faded as quickly as “Grandma” took over the top spot on the Christmas charts (unseating Bing Crosby’s “White Christmas”). But Shropshire never stopped playing the banjo, finally recording Bluegrass Christmas as a labor of love.
One of the few living recording artists of a true holiday classic, Dr. Elmo has, become a Christmas tradition. The unstoppable strength of his novelty song has spawned an animated television show, several parodies and cover versions in heavy metal, folk and for children. His myriad live, in-studio television and radio performances are eagerly awaited seasonal highlights, and DJs phone from around the globe for on-air Christmas commentary.
More info at the Dr. Elmo website! (kk)

re: ON THE RADIO:
Kent ...
I hear Wild Wayne finally signed up ... maybe you could print this if you have the space.
Wild Wayne's Memory Machine on Sunday's 6 to 8 P M, Eastern Time.
wwuh.org Great oldies.
This week is pledge week. $50 gets you a smoke colored sweatshirt.
Go to wwuh.org for details.
Meanwhile, here's Wild Wayne's latest clip of the week ... Steve Allen & Fats Domino!
THE OFFICIAL "WILD" WAYNE WEBSITE
Thanks.
Frank B.
Yes, Wild Wayne is one of our newest list members! (We've been plugging his website for years!) Hey, we're in favor of anybody and EVERYBODY who's out there doing their part to help keep this great music alive ... and in that department, Wild Wayne's a champ! (kk)

re: DIGGIN' FORGOTTEN HITS:
Hi Kent,

It's been a while but I still am digging the work and postings you do (which is mind-boggling). The other day I was just enjoying the information and saw our promo for our San Felipe gigs. I almost fell off my chair. Thank you so much for the mention. I would never have expected it. Keep up the good work and be well, my friend. My wife, Sandi, and I always enjoy your information. Your website is a one of it's kind!

Warmest Regards,

Denny Flannigan

http://www.DennyFlannigan.com

San Felipe Baja, CA Mx.
Then you'll REALLY dig the mention of your Halloween Show above!!! (lol) Thanks for the kind words, Denny, I really do appreciate it! (kk)

Hello Kent,

I can't believe I won the Apple CD! Thank you!

Thank you again and keep up the great work on Forgotten Hits. It's a great site.

Chris Glutsch

Thanks, Chris ... the CD should go out next week! (kk)

>>>If you'd like to see a copy of this photo, simply send $5 to Forgotten Hits and we'll email you a copy! (Just kidding ... maybe! Hey, we've got to figure out SOME way to make a buck doing this after all these years!!!) kk

Kent ...
LOL!!!! No ... The Photo is free ... :)
That being said ... Forgotten Hits is Priceless!
Don't forget ... if you are in the Philly, NY area ... we are appearing in a huge show this weekend, Saturday October 23rd, with Charlie Thomas and Shirley Alston Reeves!
Mitch Schecter / The Rip Chords
Report back to us about the show, Mitch ... hope some of our readers were able to attend.

Is there something new I missed? I tried to follow the link to read the posting and I had to set up a Blogger account to do so, and the website to set up the Blogger account won't let me set one up (though I'll continue to try). By the way, really enjoy your site ... when I can get there, lol.
Anita Anderson
Yeah, I have NO idea what was up with that ... NOBODY could access the site through the link (including me!!!) But I think it was just a one-time glitch (and all is right in the world again!) Thanks! (kk)

>>>And, since we sent you a BAD link this morning ... we'll send you a GOOD Linc tonight (kk)
Very funny ... I much prefer photos of the Mod Squad, as opposed to yet ANOTHER copy of Herb Alpert's Whipped Cream and Other Delights! Hope you are well, Kent. I am still out here!
DJLady
No more link jokes please, in honor of Jimmy Dean's passing.
Alex Valdez / The Yellow Balloon

Whew! A KING-SIZED Edition after all!!! More to come next week so stay tuned!

Friday, October 22, 2010

Ding Dong The Witch Is Dead

re: DING DONG THE WITCH IS DEAD:
Here's a question for the guys in the Fifth Estate. Has anyone ever approached you to play Ding Dong The Witch Is Dead at a funeral?
Jack / Rock And Roll Never Forgets

This is no joke ... it is ABSOLUTELY the Honest to God truth ... and I think I may have told this story once before here in Forgotten Hits.
Many, many years ago I saw a movie with my ex-wife ... I'm not 100% certain, but it may have been "The Big Chill" ... and in the movie, they played a song at somebody's funeral ... (which means that if it WAS "The Big Chill", the song would have been "You Can't Always Get What You Want" by The Rolling Stones) ... anyway, my ex-wife was SO moved by the scene that she asked me "When I die, what song are you going to play at MY funeral" ... to which I responded ... without one second's hesitation ... "I dunno ... "Ding Dong The Witch Is Dead?!?!?!?" Absolutely a 100% true story!!! lol (kk)



Meanwhile, here's another '60's FLASHBACK ... several years ago we ran a piece on the interesting instrumental interlude that comes right in the middle of The Fifth Estate's biggest hit, "Ding Dong, The Witch Is Dead" ... here it is again, along with a little update from Ken "Furvus" Evans (and a few OTHER timely comments, too!)

'60's FLASHBACK:
Kent --
I was almost middle aged when I heard something on the local classical station -- and realized that it was the instrumental bridge in "Ding Dong the Witch Is Dead," which charted when I was a freshman at Lane Tech. That little flute sequence goes back to the year 1612, from the "Terpsichore Suite" by German composer Michael Praetorius. I don't recall it being included in the 1939 WIZARD OF OZ film soundtrack, so somebody somewhere must have added it to the Fifth Estate cover. Classical music steals its way into pop music from time to time; see also "Lovers' Concerto" by the Toys and "Winter's Children" by the Capes of Good Hope, as well as "Touch and Go" by ELPV2 in the mid-80s.
Thanks much and keep it coming!
-- 73 -- Jeff Duntemann
Colorado Springs, Colorado
Very cool ... to hear a short snippet, simply click on the Amazon.com link below ... it'll take you right to the melody The Fifth Estate copped for their recording!!! lol (kk)
Click here: Amazon.com: Dances from Terpsichore - 4. La Bourée: Collegium Terpsichore: MP3 Downloads

Drummer Ken "Furvus" Evans fills us in as to how this was worked into the arrangement of their take on the OZ classic below! (kk)
Thanks Kent!
Very interesting that one of your readers would be perceptive enough to even notice such a thing! Yes, Michael Praetorius it is, and here's the deal on it.
We will give that credit solely to Wayne Wadhams our singer / keyboard player.
(Sadly, Wayne passed away a couple of years ago ... and a couple of years AFTER this piece first ran in Forgotten Hits - kk)
Wayne had played classical music in theaters around the area between flicks to pick up a little spending money. He had played theaters like The Paramount in New Haven since he was 13. The band actually formed first in 1963 as The Decadents (later The D-Men) when he was about 15, and he became a lot to us as George Martin, with his classical background, was to The Beatles, except he was built into an otherwise two guitar, bass, drums and vocals band, rather than just being an external producer. But produce he did. We have about 100 recordings. Most of them have never been heard, some with good reason. But many should have been and looks like now they will. We had already had a number of good singles out with United Artists' Veep records, been on Hullabaloo co-hosted by Brian Epstein where we did our garage classic I Just Don't Care (the first real punkish style tune done on prime time national TV I am told), and we had recently changed our name to The Fifth Estate (after a magazine we saw in Chicago while doing a blues club tour). We were a solid performing band playing as much as six sets a night, six nights a week in Greenwich Village. But we were now looking for something that would go deep into the charts. That's when Don Askew, the lyricist for many of our songs, was at a party someplace in NYC and after a few drinks (maybe quite a few), he made a bet that we, The Fifth Estate, could at that point make a hit out of any song. Somebody suggested Ding Dong The Witch Is Dead and the rest is history, I guess.
Except ... it is the Michael Praetorius part in there that probably really made that all work. Our band used to get together and rehearse all day and late into the night. In the Summer it would be blisteringly hot. Some of us would go out and get (what else) pizza and bring it back for dinner and I believe this time Wayne stayed at the house while the rest of us went. He had a hammock set up way out back in the bushes and he had run a long, long wire out there for headphones so he could listen to music and rock back and forth in the hammock as he did. This day he was trying to relax so instead of listening to a recent album he put on one of his classical favorites from his organ in the theater days. And it just hit him I guess, and the rest is history (sort of) I guess!!?? After the pizza and back in our rehearsal room, he takes me over to the piano and says what kind of drums can you do with this and what do you think of it as our next single?? Hummm?? I said it gives you room in that middle part to do some harpsichord things which he was pretty good at, maybe the best around even and at such an early age. Now we were quite creative for the time and we usually just made something up that worked pretty well. But this was different enough that I didn't have any good immediate answer. So I went home took out my records and went though 20 or 30 or so before I came to Nowhere Man, obviously a Beatles tune, and I heard it all click immediately and so I just ripped off Ringo's beat from that song. It does pull and hold the other two parts together very well and the rest is HITSVILLE!!! So we, the band, put "Terpsichore Suite" into the piece. All the members of the band are playing on the recording along with a few members of the New York Pro Musica, who overdubbed a couple of horns and that piccolo line. Ricky played the piccolo line when we did it live, and even at times we did that line with fuzz guitar of all things. It actually comes out really fine but in a more garaged out rockin sort of way, which was the basic sound of the band at that time overall, with harpsichord, fuzz guitar and often even fuzz bass along with all the other. That's about it, Furv ps - I should also mention that Ding Dong The Witch Is Dead was done in FIVE languages by us; Japanese, German, French, Italian and English. In case you weren't aware of such an earth shattering fact!

Furv or Ken if you like. (I actually prefer Furvus when I'm in the music realm of things.)

Forgotten Hits Reader Jersey John recently sent in a short clip of "Ding Dong The Witch Is Dead", too ... apparently an "outtake" of some sort ... so Furvus addressed this issue for our readers, too!
Whoa!! ... Impressive sounding demo they made in basement! Clever! ...
http://www.angelfire.com/empire/abpsp/images/ding-dong.mp3
Would like to know the name (title) of LP that was used in the demo.
Thanks!
Best,
John


Here's your answer, John!
As to John who wrote FH about The Fifth Estate DEMO of Ding Dong! The Witch is Dead!!, although at this late date we don't really know for sure which LP the Praetorius Dance Music we used for the demo came from as Wayne Wadhams who actually chose that music passed away not that long ago, but I did check around and found a CD on line which could contain the same earlier recording. I found a version of Michael Praetorius' Dances from Terpsichore - La Bouree, played by Collegium Terpsichore that possibly sounds like it. I believe this Bouree was recorded in the early 60s and very importantly was an early attempt to bring back to life, AUTHENTICALLY REVIVE, this 400 year old musical form which had been lost and not heard for centuries. Sheesh? Kind of almost like us - The 5E !
John, you're truly cool for having dug that deep. That CD can be found here.
http://www.amazon.com/gp/product/B000VHQGOQ/ref=dm_mu_dp_trk4
AND our new Time Tunnel album is free to you. Just put in a request as I mention below.
There is the story of how the tune came about that day the idea popped up at -
http://www.songfacts.com/detail.php?id=8192
(Interestingly enough, you'll find that the Songfacts Article mentioned above simply references OUR interview with Ken "Furvus" Evans" from a few years back in Forgotten Hits ... it's virtually IDENTICAL to our '60's FLASHBACK shown above!!! lol) kk

AND how it was recorded is kind of interesting as well. Wayne was a great keyboardist and harpsichord player at a very early age, and when we finally recorded that tune we all played and sang our parts on it and Wayne did the Harpsichord, and a few New York Pro Musica players were added to give it a bit more of an authentic touch. BUT when we first did the DEMO John sent to FH we did that all ourselves in our basement demo recording studio. I played the tubs, as we then called them, (drums) on there and the song was recorded in sections. I first fit the beat to and recorded over the pre-recorded Bouree dance music sections. Then I had to play at exactly that same tempo (finally after I don't know how many tries) with the band for all the just band sections, so THEN these parts could all be edited seamlessly together to make up the complete song. Pretty cool home producing, especially for those days which were starting to be more anything and everything goes, but which were still very primitive by comparison with today. It had a middle part from Dance Music by Michael Praetorius! After all we are a Rock and Roll DANCE BAND. All this played over the same rhythm foundation as The Beatles then recent #1 Nowhere Man. Man how could you miss! We didn't.
(Listen closely and you'll find that the background vocals "la-la-las" are very reminiscent of The Beatles' "Nowhere Man", too!) kk
I guess a joyous dance is a joyous dance whether it happened 400 years ago, 40 years ago, or 4 days ago! - or 400 years from now I hope.
For those wanting to know more about The Fifth Estate and all our other craziness you can check the Classic Bands website.

http://www.classicbands.com/FifthEstateInterview.html

Then maybe just a word on what we are up to now.
Well, at the moment I am typing this, but other than that we are finishing our new TIME TUNNEL album with Shel Talmy of The Kinks, Who, Manfred Mann, David Bowie (I could go on) I will - The Fifth Estate! I'm going to send a demo of one of our new songs from the album called ENCHANTED, but a good demo with the 4 of us just standing there and playing the track with only a few overdubs. As I listen to this now it is probably good enough so that parts of this may actually be used for the master. This is a rough mix DEMO, without Doug's and Ricky's background singing (yet to be added ). Yep the same two doing the la la la's on Ding Dong! In fact a lot of this relates very much to that kind of thing harpsichord and all, except we wrote Enchanted. But we start it out with, what else??, that's right! of course - Tibetan Monks' Horns (in acknowledgement of their plight and the plight of all from that country) with the song giving thought and hope that maybe music, sometimes old musical forms even, can help improve the world even if it is in just some small way.
'Nough said. Here it is. Enchanted - first time anywhere.


It has been suggested to me that when the full album comes out early next year at about $14 for the 14 new songs on the album, that we should autograph the first 100 sold. Shel Talmy has agreed to sign as well. So for those interested you can contact me at:
KennethMEvans@msn.com.
No money to be sent now - but just a request for an autographed album when it is out. The first 100 requests (or so) will be signed.
Ken - Furv - whoever? or is it whomever?? Who cares - not me!


Interested? Drop Furvus a note. (And Jersey John, YOUR copy's a freebie!!! See, we don't just save the give-aways for our female readers!!! lol John joked a while back that Stacee, who won the autographed Tygers CD and LP after her email ran on The Forgotten Hits Web Page, had perhaps received some preferential treatment ... but with Ken Evans giving John a free Fifth Estate CD due to his astute observations regarding their early demo recordings, I'd have to say we've evened the score!) kk

***

Too funny ... after the ouster of radio programming legend Lee Abrams at The Tribune ... (officially, he "resigned"), it was funny to see THIS headline in "Taylor On Radio" the other day:
Former radio consultant Lee Abrams leaves Tribune. Now what?
"Ding dong, the Witch is dead" sentiments started surfacing after Friday's announcement from CEO Randy Michaels. Tribune staffers long annoyed by the iconoclastic advice and poor spelling from the company's Chief Innovation Officer were probably cheering at their desks. A list of the "Ten Dumbest Things Lee Abrams Has Ever Said" soon floated on Gawker.com (
here). Michaels and Abrams really had no choice about the decision. The damage was done by Abrams' widely-circulated memo that linked to the kinds of videos that give HR officers the night sweats - things like a parody of a TV newscast labeled "sluts." Michaels is under heightened scrutiny since the October 6 New York Times front-page attack. That David Carr piece spotlighted both the alleged frat-house atmosphere in the Tribune boardroom and the lethal effect of the 2007 Sam Zell buyout on the employees' stake in the company. Then along came the shake-up-the-troops memo from former radio consultant and XM chief programmer Lee Abrams last Monday. Radio folks aren't surprised by the talk about Michaels' free-wheeling nature. They've been hearing it for years, and have more context for it than, say, a Tribune staffer at the Baltimore Sun. But Abrams had to go, because Tribune's in the midst of finally getting a Chapter 11 bankruptcy re-organization to the court as soon as this week. CEO Michaels had no wiggle room.
Here's the Randy Michaels memo –
"As you know, earlier this week we suspended Lee Abrams from his position as Tribune Company's Chief Innovation Officer for distributing an email and video link that some employees found offensive. Today, Lee offered his resignation and I accepted it. Effective immediately, Lee will no longer be an employee of Tribune." No thanks-for-his-service flowery language, no "We appreciate Lee's contributions to the culture of the company." Where do Tribune and Michaels go from here? That's probably up to Wall Street. For what it's worth, TRI hears that one recent job applicant for a job at Tribune was told that his interviewer (a Randy Michaels-era hire) wasn't sure how long he might be there, himself. Still - Michaels says the operating results have been improving during the nearly two years of Chapter 11 bankruptcy protection. Sam Zell, the biggest lightning rod of all, is off the scene. And lenders-turned-owners are chiefly interested in performance, not style.
-- Tom Taylor / Taylor On Radio

***


We have also heard from a number of disc jockeys on the list who have told me that they're planning on featuring "Ding Dong The Witch Is Dead" as part of their special Halloween programming! (More on Halloween in The Sunday Comments Page!) kk

Excellent!!! Many thanks to Ken (and others)!!! The CD with the demo, that is out of print, containing "Ding Dong ... " is actually good for being a demo!!! Clever, too, with its content!Was one of my favorite songs!
Where I first heard it? I know this for a fact, during the initiation day at grade school summer school!!! :)

Thanks, Ken / Kent!

Best,

John

***

And, how's THIS for yet another PERFECT Forgotten Hits tie-in ... Furvus just sent us a YouTube clip of The D-Men (pre-Fifth Estate by about a year and a half) performing on "Hullabaloo" ... with Lada Edmund, Jr. dancing in one of the cages. (You won't BELIEVE who's dancing in the OTHER cage!!!) Lada's been the subject of quite a few FH postings lately, once word got out that she'll be appearing at Charles Rosenay's upcoming Beat Expo. Check it out:
Here it is on youtube, Kent. You are correct that was in 1965 when we were still The D-Men, but we are the same five guys who by early 1966 became The Fifth Estate.
Brian Epstein and Michael Landon were the co-hosts of this show. AND the dancers are Lada Edmund, Jr. and Dionne Warwick, which to me is just as cool if not cooler that she wanted to be one of the dancers on our segment as well.
http://www.youtube.com/watch?v=4rY50GBqstM

Thursday, October 21, 2010

Trying To Catch Up!

And the comments just keep on comin'!!!!


Here's what we got after our Double Dose of Weekend Comments ran ...

re: SLOW DOWN!!!:
whew ... you're on fire lately ... hard to keep up on the reading ...
slow down!
renfield
lol ... you're not kidding!!! I'm having a hard time keeping up myself!!! In fact, I had to schedule a couple days off this week just to sort through everything that's left ... and I'm STILL not done!
The volume of comments have been unreal lately ... always a good thing, but unfortunately it makes it impossible to work on NEW stuff when I spend every night sorting through the OLD stuff!!! However, I've always felt that if people take the time to write (which we ABSOLUTELY encourage you guys to do ... after all, that's what Forgotten Hits is all about!), the least we can do is run the best of the comments we receive. So we're doing the best we can (without completely overwhelming you guys, of course!) kk
yeah ...and i need time to absorb the knowledge for the finals ... so that when you hand out degrees ... i'm on the graduation line ...
renfield

re: THIS WEEKEND:
Stars of Broadway's BEATLEMANIA LIVE! to Perform Saturday, Oct. 23 in St. Charles
Event Set for 8 pm at Historic Arcada Theatre
ST. Charles, IL - October 18, 2010 - The stars of Broadway's BEATLEMANIA LIVE will perform this Saturday, October 23rd, at the historic Arcada Theatre. The show begins at 8 p.m. at
105 E. Main Street in downtown St. Charles. Tickets start at $29.
"Every era of the Beatles' career will be represented with larger than life Broadway lights and sound, bringing full orchestration to capture their greatest hits from the Ed Sullivan, Shea Stadium, Sgt. Pepper and Abbey Road eras," said Ron Onesti, president of Onesti Entertainment and owner of Arcada Theatre. "'Yesterday,' 'Sgt. Pepper's Lonely Hearts Club Band,' 'Penny Lane,' 'Let It Be,' and 'Something,' are just a few in this amazing 2-hour multimedia show."
With four complete, authentic costume changes, and four extraordinarily talented tribute artists performing with the original model guitars and drums as used by the Beatles, BEATLEMANIA LIVE blends intricate stage choreography with powerful visual effects that recreate the experience of a live Beatles concert, Onesti added.
Tickets start at $29 and are available NOW online at
www.oshows.com or by calling the Arcada Theatre ticket line at 630.962.7000. Box office hours for in-person ticket support at Arcada Theatre, 105 E. Main Street, St. Charles, are Thursdays, 2-7 pm.

And, speaking of Ron Onesti ...
Brock And Abrams is performing Friday, 10/22 at 8 pm at Onesti Italian Steakhouse & Supper Club, 18 N. 4th Street, St. Charles, IL. Call and make your Reservation Now! 630-584-1888
Thank you ; )
- Bob

Also performing this Saturday Night at The Star Plaza in Merrillville, Indiana ... Micky Dolenz and Peter Noone in what should prove to be one HELL of an oldies show!
Click here: Herman's Hermits feat. Peter Noone & Micky Dolenz of The Monkees
Janis Johnson of Chicago will be joining us at the concert ... she won tickets (courtesy of Peter Noone!) in our Forgotten Hits Give-Away ... and we can't WAIT to see the show! ALWAYS a great time ... if you're in the area (and free Saturday Night), give it a Whirl (as Peter might say!) kk


... and, speaking of Forgotten Hits Contest Winners ...

re: CONGRATULATIONS!!!:
Congratulations to our "Best Of Apple" CD Give-Away Winner, Chris Glutsch of Bluffton, South Carolina! A copy of the brand new CD (signed by Lon Van Eaton) is yours and will be on its way to you shortly! Thanks again to everybody who entered our little give-away (and special thanks, too, to Lon Van Eaton and David Salidor for donating the autographed CD!!!) kk

re: PIG LIGHT SHOW:
Thanks for mentioning the Pig Light Show - they were a big part of the late 60s at the Fillmore East. I know that Marc and the Pig Light Show really appreciate it.
Also Marc works with the Electric Prunes and Blues Magoos and has been friends with Howard Kaylan for many years.
Thanks again!
Billy

re: THE LATEST ON THE BUDDY HOLLY FOUNDATION:
Kent,

Here's an update on the "Buddy Holly" event for next year (some interesting additions):

http://www.buddyhollyguitarfoundation.org/
Davie Allan
Some VERY cool, big names are attached to this thing ... thanks for keeping us posted, Davie! (kk)


re: JUMA SULTAN:
Hey Kent ...
I had the pleasure and the honor of meeting and talking with Juma Sultan this past August when I was at The National RockCon with The Rip Chords.
He is a really amazing person.
Before we took a photo together, he said to me, "Since you are in The Rip Chords, I won't charge you for this photo".
We both got a big laugh out of it as this photo was taken.
I really felt like I was standing alongside history.
Here's the photo....
Mitch Schecter / The Rip Chords
Now that's an EXCELLENT idea! Thanks, Mitch!
If you'd like to see a copy of this photo, simply send $5 to Forgotten Hits and we'll email you a copy! (Just kidding ... maybe! Hey, we've got to figure out SOME way to make a buck doing this after all these years!!!) kk



re: BLACK COUNTRY STARS:
>>>Country music audiences have been very kind to Rucker, embracing him in a field that typically doesn't see a lot of Black break-out stars. (Name two other than Charley Pride!) kk
Saw the above passage on your comments page, and while I can't name two black country stars other than Charley Pride, I can name one: harmonica player De Ford Bailey, the first black star of the Grand Ol' Opry (Sun Records owner Sam Phillips: "Hell yes, I remember De Ford Bailey!")

His entire recorded output consists of only eleven titles recorded between 1927 and 1928 but he was amazing. Got all eleven on a Document CD entitled, appropriately enough, 'Harp Blowers: 1925-1936'.
Sorry if I took the discussion in another direction but I had to share.
Ed

OK, so I should have been more specific (lol) ... successful black country SINGERS from the past 25 years ... but you're right, if De Ford Bailey was the very first Black artist to join The Grand Ole Opry, his honor SHOULD be noted. Thanks, Ed ... you ALWAYS enlighten us with your knowledge of musical history! (kk)


re: WAKING UP IS HARD TO DO:
Kent,
Great comments package today -- and glad to see you mentioned "Waking Up Is Hard to Do" by ... The Laryngospasms. Ronnie Allen features their song on his site, too.
They're a group of Twin Cities anesthesiologists who have gained "fame" in the national medical community, of all places, by doing parodies of pop songs. They add "medical terms" and themes to a whole bunch of songs, far beyond their Neil Sedaka tribute (which has gotten an incredible 6.3 million hits on YouTube). They include: "Mr. Gasman," "The Little Old Lady With Her Fractured Femur" and "Ring of Fire" (which deals with hemorrhoids).
And they sing really well.

Here's their story of how they got started -- http://www.startribune.com/lifestyle/style/93798834.html?elr=KArksUUUoDEy3LGDiO7aiU Don Effenberger
Very cool! This was my first exposure to them and I thought it was GREAT! Made it our Pick Clip Of The Week! Now I'll have to check out some of these others. Thanks, Don! (kk)


re: STEVE GOODMAN:
Kent:
Great to see your post with the Sun-Times clip about the Steve Goodman post-office dedication that invokes his "Go, Cubs, Go." Goodman often doesn't get his due.
You might be interested in my 800-page biography, "Steve Goodman: Facing the Music." The book delves deeply into the genesis, context and effects of "A Dying Cub Fan's Last Request" and its semi-sequel, "Go, Cubs, Go."
You can find out more at my Internet site (below). Amazingly, the book's first printing sold out in just eight months, all 5,000 copies, and a second printing of 5,000 is available now.
It won a 2008 IPPY (Independent Publishers Association) silver medal for biography.
If you're not already familiar with the book, I hope you find it of interest. 'Nuff said.
Clay Eals
Seattle, WA
http://www.clayeals.com/
Wouldn't it be cool if Bob Stroud would feature Steve Goodman's "Go Cubs Go" on the next Rock And Roll Roots CD?!?!? And that's coming from a lifelong SOX fan!!! (kk)

re: REEL-TO-REEL:
>>>For those of us who recorded reel to reels and cassettes in the 60's, maybe we are the ones with the lasting product? See site:
http://www.loc.gov/today/pr/2010/10-194.html Wouldn't be a shame if all those digital rap songs went away someday. :) (WLSClark)
Kent ... You had a mention of US reel-to-reel tapers from the olden days. YEP, I WAS A TAPER MOST OF MY LIFE! I go all the way back to the 'toy' battery operated recorders that used 3 inch reels. I went thru a dozen of them over the years, moving to state of the art when I was older. Horrible quality by today's standards, but it was like magic in the 2nd grade! I got out of reels very late ... but was still able to sell off my collection for use as blanks (before they turned to oxide dust) for a pittance. AND I had the 'smarts' to pay a place to convert some 'special' tapes to high quality cassettes. These were 'talking' tapes ... me and the guys getting stoned in high school, me and the guys getting stoned in college, me and the guys getting stoned at the AXP frat house. YOU MAY NOTICE A THEME. I have tons of hilarious taped material, blackmail material? for former 'stoners' now pillars of society and industry ... (yeah, I'm a prick for salvaging and saving them) ... BUT IF I DIDN'T CONVERT THEM THEN, THEY'D PROBABLY BE LOST! Seems transistors don't age well and tapes played poorly on my old tape deck. AND the biggie? REEL-to-REEL went digital a long time ago ... I don't know where I could go now for ANALOG conversion of tapes ... IF ANYONE HAS ANYTHING TO SAVE FOR POSTERITY, DO IT QUICKLY ... You may still have time...(gary) RENFIELD
www.RIPRenfield.com


re: JIM PETERIK:
Hey Kent,
Just got back from Port Edward Restaurant in Algonquin, where Jim Peterik and Lisa McClowry performed a handful of tunes live on 87.7 radio for Rick O'Dell's Sunday Brunch show.
Drawing mainly from Lisa's album Time Signatures, which was beautifully produced by Jim, Peterik played jazzy acoustic guitar behind Lisa's expressive vocals on the Peterik-penned title track, plus single "Waiting for You," and the Ides of March's "Come Dancing" from their recent album, Still 19. The McClowry / Peterik co-write "Roses for No Reason" falls squarely in Streisand territory and Lisa acquitted herself with confidence and emotion on the Broadway-style ballad. Peterik, purple hair intact, trotted out "Vehicle" with the usual festival accoutrements, standard intro and crowd-supplied horn section, but McClowry's verses added a touch of Brasil 66 to the proceedings. Finishing up with "Eye of the Tiger," the two singers were regaled by the standing-room-only audience with a big ovation and a long line of well-wishers. This was a special opportunity to see these talented and personable singers up close and personal, and they delivered as the true professionals they are.
Guy Arnston in Algonquin


re: NEIL DIAMOND:

I was reading "Forgotten Hits" and played "Delirious" by Neil Diamond and Brian Wilson and was struck by the sheer beauty of Brian's layered backround vocals. The contrast between Diamond's rough lead and Brian's backup was striking and beautiful. Dolph

The contrast in their vocal styles actually play very well off each other ... not a hit, but a track we figured our readers would want to know about. (kk)

re: CHEESECAKE:

It's not whipped cream, but could be other delights.
Should Barbra Streisand's butt cheeks be considered cheescake?
http://barbra-archives.com/record/albums/superman_streisand.html

>>>Maybe you did run Herb Alpert's Whipped Cream album cover a bit much. But I will never stop enjoying the My Sharona picture sleeve! (The Great and Wonderful Malcolm)

>>>It IS quite titillating, isn't it??? (kk)

You bet your sweet bippy it is! ;-)

John


re: ON THE RADIO:
Hi Kent,
I'm pleased to announce my latest radio interview show. It's with Billy Vera.
For years I have been mispronouncing his last name. Being a big fan of the wonderful Dame Vera Lynn, it's probably understandable that I always pronounced it "Billy VEERA." Many other deejays pronounced it that way as well.
But it's actually pronounced "VERRA" (rhyming with "Yogi Berra"!
Billy is an incredibly talented singer, songwriter, actor and music historian. As a recording artist he has had national hits as a member of a duo, a solo singer and the leader of a group.
Billy initially achieved success by writing hits for Barbara Lewis and Rick Nelson. But it wasn't until late 1967, when he recorded a groundbreaking duet with Judy Clay (he was white and she was black) called "Storybook Children," that most of the record-buying public began knowing him by name; he co-wrote that song with Chip Taylor and it became a duet classic. The following year his recording of Bobby Goldsboro's poignant "With Pen And Hand" became the first of several pop hit versions of that song.
But it wasn't until the 80s when Billy achieved his biggest success. He was the leader of a horn-based R&B-styled group called Billy Vera and The Beaters. In 1981 he and his group had a top-40 hit with "I Can Take Care Of Myself" and followed-up with the less-successful "At This Moment" which stalled at #79. But five years later that original recording of "At This Moment" (he did NOT re-record it) amazingly zoomed to #1 on the chart. It didn't "just happen" though: there was a good reason for it, and of course we cover that during the interview.
He has many other accomplishments, including writing a #1 country hit for Dolly Parton, acting in movies and on TV and being involved in the production of over 200 CD compilations!
To say he has had quite a career is putting it mildly!
He's an amazingly versatile talent and one heckuva nice guy as well. You can check out his Facebook page and send him a personal message. (Don't be shy about telling him how much you loved this interview!) Most likely -- unless he's out-of-town -- he will quickly send you a personal reply.
Following is a list of the tracks in sequence, including the two bonus tracks.
1 Opening (looped excerpt from a recognizable recording under my introduction)

2 Mean Old World -- Rick Nelson

3 Make Me Belong To You -- Barbara Lewis

4 Make Me Belong To You (excerpt) -- Fats Domino

5 Don't Look Back -- The Remains

6 Storybook Children -- Billy Vera and Judy Clay

7 Country Girl - City Man -- Billy Vera and Judy Clay

8 With Pen In Hand -- Billy Vera

9 I Really Got The Feeling -- Dolly Parton

10 I Can Take Care Of Myself -- Billy Vera and the Beaters

11 [his minor hit follow-up] (excerpt) -- Billy Vera and the Beaters

12 At This Moment -- Billy Vera and the Beaters

------------------------------------------------------------------------

BONUS TRACKS:

The Bible Salesman -- Billy Vera

Peanut Butter -- Billy Vera and the Beaters
My Billy Vera radio interview show, recorded exclusively for the
Jersey Girls Sing website is on this page: Ronnie's Radio Page
Ronnie Allen


re: OH YEAH!!! ... JUST KIDDING!:

We wouldn't REALLY do that, would we?!?!?

Here's a picture of Mitch Schecter of The Rip Chords with Juma Sultan at RockCon ... followed by one of Michele and Bob Abrams with Juma ... and one of Bob with Vince Martell of Vanilla Fudge ... Juma has been playing a lot with Vince recently in the New York and New Jersey Area.

MITCH SCHECTER and JUMA SULTAN

(at ROCKCON 2010)


http://www.soundunwound.com/music/juma-sultan/19980625?ref=IO