Monday, July 31, 2023

Donnymania!

As promised, here is the piece we ran back in 2004 (seriously ... almost 20 years ago?!?!) submitted by Laura Levin, Mrs. Rock And Roll Never Forgets, aka Jack's Trophy Wife ... along with a few follow-up pieces on the great Donny Osmond we put together in response to this piece.

Consider it part of our tribute to the late Jack Levin, a long-time friend and frequent contributor to Forgotten Hits.  (kk)

'60's FLASHBACK:

The Osmonds, Down By The Lazy River, circa March 1972

      In his wonderful autobiography, Life Is Just What You Make It, Donny Osmond notes that while their first US hit was One Bad Apple, The Osmonds' European debut was Down By The Lazy River. He also notes that The Osmonds get a lot more respect in Europe. 

Like the Europeans, my older sister was deeply impressed by this song. Eventually it became necessary for her to give up her Close 'n' Play and switch to a record player that played albums. We used to go to sleep to this album (Phase III) every night. 

My sister's dream was finally realized, and she got to see The Osmonds at the State Fair. She and her best friend made a pact: When the group came on stage for a photo op, they would count to three and then yell out, "Donny, I Love You!"  At the crucial moment, my sister yelled as planned but her friend froze. Donny, meanwhile, turned in her general direction and yelled,"I love you, too!"  

My sister's friend was crushed at her own cowardice, and insisted my sister not tell anyone about this event, or at least not be happy when she told them. Their friendship did not survive much past that point.
-- Jack's Trophy Wife
                                                  

THE OSMONDS certainly hit close to home ... 

In fact, the very first concert that Frannie ever went to was THE OSMONDS (with BO DONALDSON AND THE HEYWOODS, no less, as the opening act! ... but that's ANOTHER story!!!) And, there is NO question that DONNY was EVERYBODY's favorite OSMOND.

DONNY was only 13 years old when ONE BAD APPLE began its climb up the charts, making him the same age as many of his older fans ... someone they could easily identify with. Unlike DAVID CASSIDY (who, by his own admission, was consumed with sex ... and looking to partake at every opportunity), DONNY was ... well ... SWEET AND INNOCENT ... and, as such, all that much more "attainable" in the minds of his growing legion of young, female pre-teen fans.

While the BROTHERS were chalking up ten Top 40 Hits between 1971 and 1975, DONNY was putting together his OWN string of solo hits ... SWEET AND INNOCENT (#5, 1971, and a #1 Hit here in Chicago), GO AWAY LITTLE GIRL (#1 on ALL the charts, 1971), HEY GIRL (#9, 1972), PUPPY LOVE (#2, 1972 ... and ALSO #1 here in Chicago), TOO YOUNG (#8, 1972), WHY (#13, 1972), THE TWELFTH OF NEVER (#5, 1973), A MILLION TO ONE (#23, 1973), YOUNG LOVE (#21, 1973), ARE YOU LONESOME TONIGHT (#14, 1974) and C'MON MARIANNE (#38, 1976) all made The National Top 40. Some of his B-Sides (most notably I KNEW YOU WHEN and LONELY BOY) "tagged along" for the chart ride. Most of these songs were remakes of previously proven hits but while that tactic worked short-term for other '70's heart-throbs like LEIF GARRETT, DONNY pretty much made a career out of it for six years! (We could probably do an entire series on DONNY remakes vs. the originals!!!)


He also hit the charts another half-dozen times teaming with his sister MARIE, with whom he co-hosted a successful variety television series for a couple of years.  

And he has managed to stay near and dear to our hearts by staging a MAJOR comeback in the late '80's with hits like SOLDIER OF LOVE, SACRED EMOTION and MY LOVE IS A FIRE ... a TV talk-show (again with sister MARIE) and, here in Chicago, a nightly sell-out for YEARS as the lead in JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. (DONNY owned this town for about four years!  I was fortunate enough to see this show four times while it played here ... and meet Donny, The Pharaoh and The Narrator at a public CD signing.)  Tom Cuddy has told me on numerous occasions that Donny is, without question, one of the nicest people you could ever meet in show business.

And who would have ever thought that he'd end up as the WINK MARTINDALE of the new millennium by hosting the game show PYRAMID!!!  (Since this piece first ran in 2004, you can also add a stint on Dancing With The Stars ...for both Donny AND Marie ... and a long-standing ... and VERY successful ... residency in Las Vegas.) 

We're going with LAURA's OSMONDS selection, DOWN BY THE LAZY RIVER (a #1 Hit here in Chicago and #3 on the National Charts) along with DONNY's first solo smash, SWEET AND INNOCENT (officially released as "DONNY OSMOND of THE OSMONDS") ... another GREAT two-fer from those hit-hot Mormons from Utah with the incredibly big teeth!!!

  

DIDJAKNOW? SWEET AND INNOCENT was first recorded by ROY ORBISON ... who's version sounds absolutely NOTHING at all like DONNY's hit version. (In fact, ORBISON's version never made the charts at all ... you really gotta wonder whose idea it was to revive this otherwise dormant record and "pop-it-up," DONNY style. Whatever the case, it worked ... the song actually topped the charts here in Chicago!)


Oh my god, Kent!!! When I read your email, I blushed!! How funny!
My big heartthrobs were Donny Osmond and Bobby Sherman. Donny was cute and I thought he had an incredible voice. He was the same age as me so that added to the attraction. I would buy "16", "Spec" and "Tiger Beat" magazines at the 7-11 on my way home from school. Then I would hide them in my book bag so I wouldn't be ridiculed by my sucky brothers. I never would put up posters because my brothers would rag on me. I read every article about Donny. When I read that he was Mormon, I had to find out what that was. I might have converted!! LOL When he would sing "Too Young", I felt like he was singing to me. ::melt::
It's a funny thing, bringing back memories of early sexual stirrings. Two songs come to mind ... Stay Awhile by the Bells and Go All The Way by the Raspberries. Boy, did those songs have me thinking thoughts! :-)

Suzanne

16 MAGAZINE CONNECTION / IDOL TALES : DONNY loves to tell the story of how his wife, DEBBIE, used to read all the teenie-bopper fan magazines ... and was madly in love with ... DAVID CASSIDY!!! (lol) It is believed that DONNY OSMOND holds the record for the most 16 MAGAZINE covers to feature his picture.

(According to FH Reader Tom Cuddy, this is closer than Donny and David EVER got on that Teen Idol Cruise Ship!!!   lol  Obviously, some photo shop work was done here ... at a time when BOTH ruled the pages of every teeny-bopper magazine in the world!)

More Donny Osmond memories from Tom Cuddy ...

Tomorrow in Forgotten Hits!

Meanwhile, here's my all-time favorite Osmonds song ...

  

And a couple of others from along the way ...

 

ORIGINAL COMMENTS:    

I found a few of the original comments that we received after our Donny Osmond piece first ran in 2004 … 

I forgot all about Donny when you asked about teen idols! I loved Donny! In fact, in my Charlie Brown book (I was 8 or 9 at the time lol) I wrote in the front of it, "I love Donny Osmond. Don't tell anyone." I used to watch the Donny and Marie show and had their record which I totally wore out. When the show would be on, I'd kiss Donny on the tv. I told my sister she had to like Jimmy because she couldn't like Donny. 

Thanks for the memories :) 

Christy/Jovi 

Whenever I think of Donny, I think of purple socks!

And I guess I always will.

Yes, I loved him ... thought for sure I was going to marry him.

It was never a sexual thing for me ... I was much too young ... I just wanted to kiss his picture on my wall ... and marry him!  That's all!
Betty

I remember it well! 

I was working for the Andy Frain Company in the personnel department. We were booked to send a crew to the Arie Crown Theater at McCormick Place for a concert for the benefit of the Republican Party. We got a panicky call from the management at McCormick Place at 2 in the afternoon asking for ushers and security to be sent as soon as possible because kids had started lining up for the concert at noon. We normally had the theater staffed at 6:45 p.m. The concert was for people who had contributed major dollars to the Republican National Committee. The main attraction was The Osmonds. The contributors had all given their tickets to their young daughters. The seating was to be first-come-first-served and there were 4,000 kids there by 5 o'clock for a 7:30 show. 

When we first opened the doors, the horde overwhelmed us, breaking down the theater's huge wooden interior doors. Kids were hurt, but not too badly. This could have pre-dated the Who in Cincinnati, but we were fortunate.

The show started at 7:30 and who walks on stage but the Vice President, Spiro T. Agnew, to say a few words. He had to leave the stage because he could not be heard over the resounding chorus of teeny boppers who wanted nothing but Donny & Co. Next on-stage was The Chairman of the Board ... that's right, the one and only Frank Sinatra. 

He was supposed to sing a song or two, but never got the chance to sing a word because he, too, was booed off of the stage. 

After a short break, The Osmonds came out to an ovation I have never heard before. I was stationed center stage, right in front of Donny and spent the show dragging teen - aged girls off of the stage apron as they tried to get their hands on their idol. What I remember most, though, was the pain I felt from the punch to the groinal area I received from an innocent looking 13-year-old girl. I saw stars. 

The Osmonds played for about thirty minutes and cut the show short when it became obvious that our efforts to protect them would end up going for naught. 

Certainly a memorable show! 

Steve Sarley 

My younger sister was a big Donny Osmond fan, despite my attempts to reason with her. 

Some of my arguments included: 

1 The Osmonds were nothing more than Jackson Five wannabes. The Jacksons had introduced the prepubescent boy singer schtick more than a year before the Osmonds copied it. The Jacksons did it better and did more original material. 

2 Donny Osmond's hits had already been done by grown-up men who could actually sing them convincingly: Nat King Cole, Paul Anka, Elvis, Frankie Avalon, Johnny Mathis etc. 

3 Go Away Little Girl making #1 on the chart was a cataclysmic event, which would put popular musical taste into a tailspin from which it would never recover (I was right about that!), and would result in the end of civilization as we know it. 

EErxleben 

The concept of a then 13-year-old DONNY OSMOND telling someone that he felt was TOO YOUNG to GO AWAY LITTLE GIRL was a little bit hard for me to swallow, too, at the time ... but as he grew, he certainly proved he could sing ... and to this day, he's got a GREAT voice. When Frannie and I saw him a couple of years ago in concert with a full orchestra, there wasn't a song or style he couldn't pull off ... really had the crowd going. If you missed him in JOSEPH during its four-year run here in Chicago, you missed the best live stage performance I've ever seen. Whereas MICHAEL JACKSON certainly evolved into quite a musician and songwriter, DONNY learned his chops, too ... on any variety of instruments ... I guess he never developed the songwriting ability and has had to rely on remakes for most of his chart success.  (kk)

Donny Osmond, David Cassidy and Bobby Sherrman were all over my bedroom walls in 1972 and 1973. 

I was 12 in '72 and I just knew that he was singing "Go Away Little Girl" to me LOL. 

My brother (5 yrs older than I) couldn't take it anymore ... by 1973, he took all my Donny Osmond albums and 45's and used them for skeet shooting practice with his BB gun. At least I still had my memories. 

Thanks for the trip back down the road to my early teen crushes. 

--Cheryl 

First I must say this is the best series you have put together. Even if Laura and I hadn't been involved, it would have been great. 

When people ask me what sells for me, one of things I mention are 70's teen idols. You would not believe the fandom that still exists for Donny, David, Shaun, The Rollers, Andy, Leif and Rick Springfield. 

Laura got $50.00 for some old clippings of Rollers articles. There's a bid right now for $30 for a Tiger Beat featuring Leif and John Travolta and it's got pages missing!! And that fact is stated in the description. You can't find those mid 70's teen mags anywhere, particularly with all the pages there. I've had a couple of emails this week alone from people wanting to know if I have more Leif Garrett covers. Who knew? 

Jack 

This was a fun one to put together ... thanks again to you and Laura ... and Brother Mark (who put together that Collectors’ Item 16 Magazine cover featuring yours truly) ... and to everyone who shared their comments and memories with the rest of the list ... obviously, a VERY special time for many of you! (kk) 

Now that you mention it, Kent, I don't recall seeing you on the cover of 16. Great series and thanks for the plug. 

Jack 

It was a long, long time ago ... and the issue only came out in Bulgaria ... but, yeah, I was quite the rage for about four minutes. (kk) 

 

This has always been one of my favorite Osmonds stories to tell.

According to Alan Osmond:

Led Zeppelin's agent/manager insisted that The Osmonds come backstage and meet the band.  As they arrived backstage, the band was playing frisbee with their kids.  After a cordial chat, one of the band members asked us if we would like to come up on stage with theme for their final song when they played "Stairway To Heaven."

A concerned manager who was worried about image whispered, "No, not The Osmonds!"

The band member then said, "Yes, The Osmonds," and asked a production member to escort us up the back stairs and to the right side of the stage.

The audience, which never stopped applauding to get Zeppelin to come back for an encore, were surprised as The Osmonds revealed themselves from the back of the stage with Zeppelin following.  We stood stage right and watched the greatest performance of their song.

Hmm ... so Led Zeppelin made headlines last week when they supposedly won their court case regarding "Who wrote 'Stairway to Heaven'" ... again.

The biggest point of contention was the opening riff, LONG said to have been originated by Spirit guitarist Randy California.

Now we have known for years how much Led Zeppelin has  "borrowed" from some of the blues greats, putting their own names on songs that had already existed for decades ... 

But seriously ... could they REALLY have stolen (oops ... I mean "borrowed") the opening of The Osmonds' song "Crazy Horses" to create their own "Immigrant Song"???

No ... of course not ... 

C'mon ... THE OSMONDS?!?!? ... 

No way ... right???

With all his years in radio, Tom Cuddy has met and mingled with most of the music stars we all count among our favorites ...

So I just knew he'd have an interesting story or two to share about Donny Osmond ...

Hi Kent:

You asked for a couple of Donny Osmond memories for your Teen Idols feature, so here you go:

This is an incredible comeback story that goes back 30 years.

For years, Donny Osmond has been struggling to shed his child star image.  After the phenomenal success he enjoyed with his brothers and as a soloist, he was out of the spotlight for a while and hadn’t had a radio hit since 1976 with “C’mon Marianne.”

So here it is the late 80s, and he had been working on some demos in England.  One of those songs was getting some traction in the U.K., when one of Donny’s fans sent the record to WPLJ / New York’s then Music Director Jessica Ettinger.

The song sounded so good that the decision was made to put the record on the air, but not in a typical way.  Knowing the pop audience would have serious hesitations about a song associated with Donny’s goody-good image and to allow the song to be evaluated without preconceived notions, the song was aired in America’s # 1 radio market  as “the Mystery Artist.”

In the days before e-mails and texts, the request lines were a valuable tool, and it was clear that listeners loved the tune, and only three or four figured out it was Donny.  Most people didn’t have a clue and Billboard Magazine, who was listening from their NYC office, couldn’t figure it out and called wanting to know.

So Donny’s manager was called in LA and told what was going on in NY with the “Mystery Artist” airplay.  Donny was invited to fly into NY and be on the morning show the day that it was revealed to the audience that the mystery artist was Donny Osmond.

At first, Donny was a little hesitant to fly-in.  He was fearful that he would fly 3,000 miles and then, when it was revealed it was him, people might not be so receptive.

This was before Scott Shannon arrived as morning man at ‘PLJ, so it was iconic NY air talent Jim Kerr who revealed it was Donny and he started to take calls from listeners.  The reaction was overwhelmingly positive.

Because all the major record labels had offices in NYC and they heard the excitement the “mystery artist” was creating, Donny Osmond went from an artist without a label, to an artist that had several offers.

Donny decided to go with Capitol Records.

After the record, “Soldier of Love” was released,  it shot up the charts and peaked on the Billboard charts in 1989, at #2.  In my book, he deserved #1!

Donny followed it immediately with “Sacred Emotion” and that gave him a # 13 hit in Billboard.

In over 40 years in radio, I have found some artists over time forget how radio helped them ... but not Donny.  

Anytime over the years that we needed Donny’s help at WPLJ, he was always there to lend a hand with a smile.

I remember one time my wife and I were getting boarding passes at JFK airport for a trip to LA.  All of a sudden, I heard someone call my name at the airport and it was Donny.  He came over to say hi, met  my wife and we caught up in the middle of the airport.  Most celebrities get escorted quickly to the VIP area so they can be hidden from the public until their flight leaves, but Donny kept talking to us, even as the crowds were forming as they recognized him.

And, Kent, I’ll leave you with A Donny Osmond exclusive ...

Something I’ve never revealed publicly before. 

When I was the Executive Producer of “American Top 40” and Casey Kasem announced he was leaving the show for a more lucrative contract with a competitor, tons of well known radio and media talent and artists auditioned for the job as the new host of AT40.  Donny Osmond was one of them and he did such a fine job, he was one of our Top 5 finalists.  

Even though he didn’t get the full-time gig, Donny did end up being one of the first recording artists to guest host American Top 40.

-- Tom Cuddy

(It sounds like Donny's Mystery Singer tactic served him well as advance training for his stint on The Masked Singer several years later!  lol)

Here are a few pictures that Tom sent us ...            

Donny Osmond and Tom Cuddy

L-R:  Tom Cuddy, Donny Osmond, Mike Preston (WPLJ Music Director)

As well as one submitted by David Salidor (courtesy of disCOMPANY) of Tom Cuddy, Donny Osmond and Micky Dolenz at Feinstein's (from 2007!)

For all his accomplishments and all his success ... worldwide fame and fortune ... a 50 year career in show business, and gracing the cover of more teen magazines than anyone else  in history, I still feel like Donny never really got his due.

He is just such an incredibly talented man ... and it often felt that the whole teen idol thing actually held him back from being taken too seriously.  (The corny tv show didn't help much either, for that matter!)

But this guy can SING ... and play DOZENS of instruments well ... and has that enduring charisma that even now, all these years later, still charms an audience to putty in his hands.

Listen to some of his latter day work and you'll be amazed by just how good it is.  (Besides the Joseph soundtrack, I also highly recommend Donny's Christmas album ... I have played this one non-stop throughout the holiday season for many years now ... impeccable.)

Jeez ... I sound like one of his teenage fans!!!  Frannie LOVES the guy and even SHE doesn't gush as much as I just did!!! (lol)  kk

******

>>>After a short break, The Osmonds came out to an ovation I have never heard before. I was stationed center stage, right in front of Donny and spent the show dragging teen - aged girls off of the stage apron as they tried to get their hands on their idol. What I remember most, though, was the pain I felt from the punch to the groinal area I received from an innocent looking 13-year-old girl. I saw stars.   (Steve Sarley)

Whenever I write about Steve's "groinal area," I always feel obligated to give him a call to be sure he's all-right ... so I did exactly that this morning.  (I mean, what's worse than a pandemic???)

Anyway, he assured me that he's fine ...

Oh my God, I forgot that story ever appeared in FH.  

It is a true honor to have my groinal area mentioned in the esteemed pages of FH again.

Reading it again certainly brings back the pain. Just like a farmer, I still have a couple of acres.
Steve

******

Joseph took a brief hiatus in Chicago ... and when it returned the demand for tickets was greater than ever.

Naturally, we had to see it again.

To help drum up additional interest (yeah, like THAT was necessary!), Joseph, The Pharaoh and The Narrator all made a personal appearance at North Riverside Mall to sign CD's, T-Shirts, Theater Programs, etc.

My two girls were DYING to see them ... they LOVED the musical and couldn't wait to see it again.  (Years later when Paige became part of the family, she starred in two productions of "Joseph" ... first as a seven year old member of the children's chorus down in Fort Worth, TX, and then again as the Narrator in her high school production ... kind of a full circle Joseph evolution!  Needless to say, SHE'S a major fan, too!)

Anyway, I figured I'd just take a long lunch, shoot on up to the mall, meet the kids there, get a couple of autographs and maybe (if we were lucky) a picture with the key members of the cast and be on my way.

I couldn't believe the number of people that were there to see them that day ... the length of the line ran through the length of the mall!  I had NEVER expected this kind of turn-out!

We waited for a little over four hours and were finally getting near the front of the line when they announced that they would be shutting things down in twenty minutes.

To help speed up the process, and allow as many people to see the actors as possible, there would be no more picture taking ... and whatever you wanted to have signed needed to be brought up in advance so that you could meet up with your merchandise when you finally hit the table.

Well, Kris, my youngest, absolutely LOVED The Pharaoh ... nobody steals the show from Donny Osmond ... but this guy came pretty damn close!!!  The ovations after his Elvis bit were phenomenal.  (And I can say, without the slightest reservation, that Chicago's Pharaoh blows away the Pharaoh that made the DVD release.  Johnny Seaton ... you was robbed!!!)

Anyway, as we finally made our way to the front of the line, Kris ran right up to the Pharaoh and I came up behind her and told him "You're her favorite!"

"Is that right?" he said ... well, then let's get a picture together right now.  (The poor guy had to be SO relieved that somebody was FINALLY paying attention to him instead of swooning over Donny!!!)

So we snapped a quick shot, got our CD signed by all three cast members, and were on our way.  (I didn't realize how long ago this really was until I looked at the picture ... Nicki, my older daughter on the right, just gave birth to our fourth grandchild a month ago ... her second ... and thanks to a remarriage to Frannie, we now have four grown children of our own ... and four GRANDchildren as well.  Man, I gotta go lie down!!!)  kk

*****

And finally, imagine my surprise when I received THIS birthday card this year!!!  (I love it!  Special thanks again to Tom Cuddy ... the nicest guy I've never met!!!) 
https://www.americangreetings.com/pickup?rr=y&m=&token=ree87f2d8-2f95-4ff6-8119-d40952233181&pn=prod3479946&utm_medium=pickup&utm_source=share&utm_campaign=receiver

MORE DONNYMANIA: 

Wow! How old was that Osmond comment of mine that you printed today? Still holds true though. Songs of the 60's and 70's, though, continue to show their timelessness. "Dreams" from Fleetwood Mac's Rumours album went to #21 on the Hot 100 this week after a video of a man on a skateboard drinking cranberry juice while lip syncing that song went viral. Also in the top forty is a remake of Frankie Valli's "Can't Take My Eyes Off You" by singer Emilee Flood, sort of. But it's only one line repeated over and over. I kept waiting for the rest of the song, but apparently one line is all that fits on TikTok, or so I'm told. It's nice to see the kids still enjoy this music, in their own bizarre way. 

Ed Erxleben 

I read about the “Dreams” thing the other day … we mentioned it a week or two ago that after this Tik Tok video went viral, sales were thru the roof. (Mick Fleewood even made his OWN skateboarding video! And Frannie said that she heard that Oceanspray gave the guy a new car for all the great press ... and free publicity ... thanks to him drinking their cranberry juice in the clip! lol) 

Incredible to think that Fleetwood Mac wind up just outside The Top 20 again after all these years with a former #1 record. (Which just goes to show you that SOMEDAY … and it just may be sooner than you think … somebody just might actually TIE Chubby Checker’s 60 year old record of hitting #1 in Billboard with the same record in two different releases! Of course, Chubby's record came over a two year span ... but a 40-50 year span?!?! Incredibly, it actually COULD happen!!!) 

That Donny Osmond comment was from 2004 when our Teen Idol Series first ran. (We did a whole week, spotlighting ‘70’s teen heartthrobs like David Cassidy, Donny Osmond, Any Gibb, Leif Garrett, Bobby Sherman, Shaun Cassidy, The Hudson Brothers and more.) There is a lot of Forgotten Hits material that did not survive our now 21 year history … but fortunately this one did … although FH reader Clark Besch takes issue with a few of the points you raised in your original comments (kk)

Kent, 

I have utmost respect for my friend Ed. He's been a great person to know. STILL, I must defend a few things on his three points below. Luckily, I was just old enough to not be totally consumed by the early 70's teen idols ... YET, I had a few faves in those musically. BTW, Kent, "Love Me For A Reason" WAS a 45 I kept in my faves … however, listening to it now, it is not as great today. 

ED said:

My younger sister was a big Donny Osmond fan, despite my attempts to reason with her. Some of my arguments included: 

1. The Osmonds were nothing more than Jackson Five wannabes. 

The Jacksons had introduced the prepubescent boy singer schtick more than a year before the Osmonds copied it. The Jacksons did it better and did more original material. 

The Osmonds had been on Andy Williams for years before the J5 hit. They were often singing old standards or barbershop type tunes and I paid no attention. Yes, the J5 did get a head start on the Osmonds pop hit factory, but they HAD been around. I agree, they jumped on what bandwagon they could, as they signed with MGM in 1963 and had tried lots of things before they hit it big seven years later. They NEEDED a hit and MGM wanted one, too. They jumped on Lou Christie's bandwagon in ‘67 with this one, but it failed. Great tune ‘tho.

https://www.youtube.com/watch?v=nV6OEHZqvv0 

Oddly enough, American Bandstand played their fall, 1970 45 "Movin' Along" on Rate-a-Record and I recorded it then and liked it a lot, altho I was surprised THAT group could have a decent pop record. It failed, but the next was paydirt and I liked "One Bad Apple," despite the kiddy image. 

As early as 1972, tho, they were doing throwaway silly ones like "Crazy Horses" … but ALSO doing some nice ballads that the J5 were not really into. From that very 1972 LP, I was listening to X-ROCK 80 in El Paso before high school one morning and on came this song. Altho, you may not think it when the chorus starts, I first thought it was a new McCartney song. Listen and you could agree! Beautiful song I would never have thought would be the Osmonds at the time. 

https://www.youtube.com/watch?v=7x1SlgEq2Lw 

One thing I also point to as an AM/FM dividing tool was the Osmonds were what people would say was AM, while Edgar Winter and such were FM sounds at the time. SO, it was funny when I heard "Goin' Home" and loved it. It was SO much like Edgar Winter's recent "River's Risin'" that it kind of showed a bit of prejudice in the AM/FM theories. The former would be AM only and the latter, AM and FM friendly. 

https://www.youtube.com/watch?v=B5ib8-E9X_U 

https://www.youtube.com/watch?v=lrg7_-bQawU 

Anyway, there were really some pop gems in these kiddie Osmond things, IMO. Chiming in here for just a sec … The song “One Bad Apple” was first offered to The Jackson Five … and they turned it down!!! So The Osmonds jumped on it … and it became a #1 tune, very much in the same vein as what The Jacksons were doing. (Truth be told, I HATED this tune when it came out … and STILL have a hard time listening to it … I think The Osmonds recorded FAR better material deserving of #1 status than this one … but this is what got the ball rolling. That being said, there were a few early Jackson Five singles that made my skin crawl, too … but I believe that BOTH bands released many more GOOD singles than bad.) kk 

2. Donny Osmond's hits had already been done by grown-up men who could actually sing them convincingly: Nat King Cole, Paul Anka, Elvis, Frankie Avalon, Johnny Mathis, etc. 

Yeah, most of those DID suck! Of course, J5 early solos were like that, too: "Little Bitty Pretty One,” “Rockin' Robin," "Daddy's Home." 

3. Go Away Little Girl making #1 on the chart was a cataclysmic event, which would put popular musical taste into a tailspin from which it would never recover (I was right about that!), and would result in the end of civilization as we know it. 

EErxleben 

I think there were many before that probably. 

OK, so Donny beat Michael to the top before Michael did "Rockin Robin" shortly thereafter. My point is that despite all the criticism, BOTH groups did some good and some bad kiddie pop in those early 70's days. 

Clark Besch 

While looking for something else, I just happened to stumble across ANOTHER piece written by Laura, Jack’s Trophy Wife, that touches on her love for all things Donny … 

This one actually won her a prize AGES ago when we were looking for the best definition of Psychedelic Music … 

FROM DONNY OSMOND TO PSYCHEDELIC MUSIC IN A FEW EASY STEPS 

Snow cones taught me about psychedelic music. 

It must have been the summer of 1973. My sister was 12 and a fan of Donny Osmond. Every 12-year-old girl was a fan of Donny Osmond that summer of 1973. They bought every issue of 16 Magazine (which always had Donny on the cover), practiced writing "Mrs. Donald Osmond" in their diaries, and -- well, you get the idea. 

It was a well-known fact that Donny's favorite color was purple. My sister's softball team was called The Purple Turtles. The whole team was made up of 12-year-old girls, and they loved their Donny. I don't know where the turtle part came from. I was almost 8 and I loved Donny a little bit, too. I did not love softball, but everyone else seemed to, so I tried to pretend like I did. 

It seemed like every night I was at the local ball diamond, watching the Purple Turtles. There wasn't much to do there in the bleachers. The Purple Turtles weren't very good, and I don't ever remember them winning a game, or even coming close to winning, so cheering seemed kind of beside the point. 

My favorite part about the games was the concession stand. A very nice married couple ran the concession stand. They sold candy and pop and snow cones. There were three or four flavors of snow cones, including a red that may have been cherry or strawberry, a purple grape, an orange orange, and maybe a green lime. To be honest, all the flavors tasted the same, so you usually ordered your favorite color. 

Some kids couldn't decide which color they wanted, so the couple that ran the concession stand started selling snow cones that had squirts of every color, all swirled around. They looked sort of like when you tie dye a t-shirt. They called their new creation psychedelic snow cones. Of course, by 1973 the word psychedelic really wasn't cool anymore. But the couple who ran the concession stand thought they were really hip with their psychedelic snow cones, and we 8-to-12-year-olds thought we were really hip eating them. 

So, this is what it comes down to: 

Because of Donny Osmond, the softball team was called The Purple Turtles. Because of The Purple Turtles, I was at the ball diamond. At the ball diamond concession stand, I learned the word psychedelic. And I learned that psychedelic music sounds like a tie dye snow cone looks. 

--Laura (Jack's Trophy Wife)  

I still think this was one of the best series we’ve ever done. The whole concept was … How do you describe the term “psychedelic” to a nine year old kid? We had our readers submit their definitions … and then had Paige (age nine at the time) read them and grade them, ultimately awarding the prizes that went along with writing the best definitions (in the language that a nine year old could understand.) I remember her "grading papers" in our hotel room in Florida each morning before heading off to Disney World! It was a whole lotta fun … And it’s STILL posted on the other Forgotten Hits Website after all these years. Check it out when you get a chance. (Even if you’ve seen it before, you probably won’t remember it ... because the whole idea of psychedelic music is … well, you get the drift!) kk 

http://forgottenhits.com/top_20_favorite_psychedelic_songs

Sunday, July 30, 2023

The Sunday Comments ( 07 - 30 - 23 )

Now how cool is this?!?!  (Keyword being “cool”!!!)

As we (like much of the country right now) are suffering thru the sweltering heat, The Rolling Stones have come up with the PERFECT solution to help beat the heat, promote their brand new vinyl release and celebrate  Mick Jagger’s 80th Birthday!!!

 

They sent an ice cream truck ‘round London, passing out free ice cream to thousands of Brits who are also making their way thru one of our hottest summers worldwide.

 

Cleverly displaying the cover of their latest compilation release (it actually dates back to 2002 … but this is the first time it has been released on vinyl), The Rolling Stones’ “Forty Licks” ice cream trucks made stops at Tower Bridge, London Eye, Leicester Square, Shoreditch, Camden Stables and Kings Cross St Pancras.

 

Perhaps even MORE cleverly, some of the flavors available included It’s Only Rocky Road and She’s A Rainbow.  (kk)

 

https://www.noise11.com/news/the-rolling-stones-hand-out-free-ice-cream-in-the-uk-20230728

 

The latest casualty to be added to the ever-growing list of musical heroes who have passed away during the first seven months of 2023 is Randy Meisner, a founding member of The Eagles who also performed with Poco and Rick Nelson’s Stone Canyon Band prior to launching one of Classic Rock’s most successful acts of all time.  (Prior to splitting off as The Eagles, Meisner, Bernie Leadon, Glenn Frey and Don Henley were performing as members of Linda Ronstadt’s back-up band.  I was fortunate enough to see them perform in concert … opening up for Blood, Sweat and Tears … in 1971 as a birthday present!  After explaining on stage that she was going to be losing a few members of her band, Linda took a break during her show to give The Eagles a chance to perform “a couple of songs from their first album” … at which time we were treated to “Take It Easy” and “Witchy Woman,” the group’s first two hit singles.)

 

Meisner wrote their #1 Hit “Take It To The Limit” (but famously had to share writing credit with Frey and Henley in what he angrily described as “change a word, claim a third" at the time.)  He left the band in 1977.

 

Randy went on to have three Top 40 solo hits of his own … “Deep Inside Myself” went to #22 in 1980, “Hearts On Fire” hit #19 in 1981 and “Never Been In Love” went to #28 in 1982.  (He also re-recorded “Take It To The Limit” on one of his own albums, restoring the lyrics to the way he had originally written them … and it literally was a difference of exactly one line!)  

 

Meisner often mentioned that writing “Take It To The Limit” became an enormous cross for him to bear, having to hit those high notes night after night in concert, causing him great anguish.  There were times when he just flat out refused to sing it, which caused a major rift within the band.  After Randy left The Eagles, Glenn Frey took over the lead vocals on this tune … and now, since Glenn's passing, they’re ably handled by Vince Gill.  When The Eagles did their “History Of The Eagles” tour several years ago, both Meisner and Leadon were invited back to perform a segment of the show … but while Bernie Leadon came out to do his bit, Randy had to decline due to health issues.

 

Former Eagles bandmate Don Felder (who was NOT invited to participate in their “History” Tour) posted this about Randy Meisner:

 

“Randy was one of the nicest, sweetest, most talented, and funniest guys I’ve ever known. It breaks my heart to hear of his passing. His voice stirred millions of souls every time he sang Take It To The Limit. The crowd would EXPLODE with cheers and applause. We had some wild and wicked fun memories together, brother. God bless you, Randy, for bringing so many people joy and happiness. RIP, my friend.”

 

The state of Randy Meisner’s mental health has been a concern over the past several years.  At one point, he was considered suicidal and placed under watch … and then a few years later was considered a primary suspect in his wife’s death.  (It was later ruled that she accidentally committed suicide.)

 

He was 77 years old when he passed away from COPD.  (kk)

 

Randy Meisner had made such an issue regarding Glenn Frey and Don Henley taking partial writing credit for The Eagles’ #1 Hit “Take It To The Limit” that I was surprised to see that he said this to our FH Buddy Harvey Kubernik when Harvey interviewed him for his Laurel Canyon / “Canyon Of Dreams” book …

 

“'Take it to the Limit' was a song where we were getting close to recording and it wasn't finished. Don [Henley] and Glenn [Frey] helped me with the lyrics. I started the song, but those guys helped me a lot. I came home from [Doug Weston's] Troubadour one night and got out my acoustic guitar and all of a sudden I had the first few lines of 'One of These Nights.' 

 

“From my perspective, I just went along with everything up until Hotel California. Glenn, Don and I were tight - we partied together. They lived together. And I couldn't squeeze in between 'em. When we recorded in the studio, I told those guys a lot of things they didn't like hearing about what they were writing. Sometimes they'd come up with a song and I was a critic. 

 

"Our live show was perfect.  It was just like the record. And Henley was a real stickler about that. In the beginning, Henley and I were real perfectionists. We went from clubs to stadiums ... Wembley Arena in England ... 120,000 people - and it's perfection. Later, right before Hotel California, I left because I hated traveling. I always have and always will. I just hate flying on planes." 

 

More from Harvey’s book “Canyon Of Dreams: The Magic And The Music Of Laurel Canyon” … all part of his 2008 interview with Randy Meisner …

 

"Glenn [Frey] knew David Geffen and that's what started the whole Eagles thing. Then I met Elliot Roberts. These managers were way beyond me. I was aware of the music business, but all I wanted to do is play. I just let things happen as they happened. 

 

"On one of our first gigs, in Boulder, Colorado, I captured it on tape. I had this little stereo tape machine and it was exam time for the college students, so I recorded this gig in front of three people. The waitresses were real nice and we played like it mattered. Glenn says, 'We'd like to thank everyone down to the management ...' so I recorded this and brought it home.

 

"At the time, the George Harrison Concert for Bangladesh had just been released.  I took the applause from Bangladesh and overdubbed it onto the gig that we played when nobody was there. It sounded like we were at a big stadium!

 

"There was magic when we played live. I recorded everything from rehearsals to shows. We had [producer] Glyn Johns up in Boulder and he didn't really want to deal with us at the time. 'You're too rock 'n' roll.' Eventually, he came back and we rehearsed at a place in Studio City and he said, 'I want [more] vocals.' And that's when we got together and did the first album in England."          

 

We’re still dealing with a death that struck a little bit closer to home …

 

What a shock ...

I am so sorry, Kent! 

You were the one who connected us because he wanted me to save money on a Sirius Radio account. He was a cream puff who wanted to come across as not needing nor wanting people. He was honest and snarky.

Shelley

 

Music Journalist / Historian / Jimi Hendrix Expert and FH Reader Ken Voss described Jack’s death as "A major music archival loss.  R.I.P. Jack Levin."

 

Kent, so sorry to hear Jack passed away.  He was a good guy who loved surveys like we do.

Clark Besch

 

I was sad to hear of the death of Jack Levin, whom I've met several times.  He was one of the first to help me when I started looking for WJJD surveys.  I also remember him being at the Maywood Record Convention, where he had the complete collection of WCFL surveys … which I quickly snapped up.

My condolences to his family.  

I hope that all of the surveys he left behind will find good homes.

Ed Erxleben

Amen to that!  (I think Laura knows there is some value to these … too many times we’ve heard stories about other collectors who, when after their passing, their family looked at it as an opportunity to “finally throw out all this junk that's been accumulating for the past forty years!!!”  (kk)

 

Sad to hear about my old buddy Jack Levin.  I hadn't seen him at the Hillside Record Con in a few years. I know he was having some physical problems. 

We were in elementary school together (up in Albany Park) back in the late 50s / early 60s. Many years ago, I sold him my WLS Silver Dollar Survey collection (November, 1960 through 1969.)  I sorta miss the two from March of 1963, which had the Beattles at #40 and then #35.
R.I.P., and my condolences to his wife.
Mike Wolstein

I’m sure today those two are the FAR most valuable in existence today!  (kk)

 

In her email, Laura reminded me of a piece she had written several years ago about Donny Osmond.

 

It was included as part of a Teen Idols feature we were running at the time … dating back to our old emailed newsletters before we started the website you are currently viewing.

 

I thought it might be fun to revisit that piece in Jack’s honor so we’re going to do exactly that tomorrow on The Forgotten Hits Website.  (Actually, Laura submitted pieces on both Donny Osmond and David Cassidy for our Teen Idols Week feature that we did back in 2004!!!  Her winning entry that she referenced was actually for our “How Do You Define Psychedelic Music To A Nine Year Old” Contest that we held a few years earlier … so we’ll be running THAT piece, too (along with some comments that it generated … and Tom Cuddy’s piece on Donny Osmond.)

 

A little more Kent and Jack history …

 

After I placed my ad in The Chicago Tribune looking for old WLS Silver Dollar Surveys (which is how Jack and I first connected back in the early ‘70’s), one of the newspaper’s journalists thought that THIS sounded like an interesting hobby … and interviewed me for the paper.  (I remember she ran the piece in the Antiques / Collectors section.)  She also published my contact information as part of the piece and as a result, I heard from a few other collectors who shared our common interest.

 

This included a couple of college boys who said they were putting together a research paper for one of their final projects at school and wanted to see my collection, thinking that I might have a few things that could help fill some gaps in what they had collected on their own.

 

They came out and picked out half a dozen surveys, which they then asked if they could borrow to complete their research.  Unlike Jack, who sometimes had as many as a hundred copies of certain surveys that he would sell on eBay and at record shows, my collection consisted of exactly one copy of each week, which I faithfully picked up every weekend at the record store to help build my collection.

 

Against my better judgment, my Dad persuaded me to lend them copies of the charts they needed, as they had promised to return them as soon as their project was complete.  Needless to say, I never saw those charts … or those two guys … ever again … and it literally took me YEARS to find replacements for those missing weeks.

 

I am proud to say that today I have a copy of EVERY single survey ever issued by WLS and WCFL radio, our two Top 40 giants at the time, as well as old WJJD charts dating back to the mid-‘50’s when rock and roll first caught on here in Chicago.

 

And by copies, I mean that in the most literal sense …

 

Probably about 90% of my collection today are xerox copies of these charts.  All I really cared about was the information they contained … I didn’t need a mint, original copy to serve my purposes. 

 

Jack, however, was the consummate collector … and dealer.  He regularly ran ads selling copies of his collectibles, often to fans who weren’t even necessarily survey collectors themselves, but just wanted to see their favorite artists in the top ten.

 

I don’t know if Laura intends to continue selling these surveys … but if anyone out there is interested in possibly purchasing copies, please let me know and I will pass the information along.  (By the same token, anyone interested in making a donation or contribution in light of her recent loss is welcome to contact me as well.  Perhaps we can get her to send along a survey or two as a means of saying thanks.)

 

Jack’s last wish was to simply come home and die there … and thanks to Hospice, Laura was able to accommodate that wish.  We heaped big praise on Hospice, too, after my brother Mark died a few years ago.  If Laura feels uncomfortable about accepting any donations, I would ask that you might consider making a donation to Hospice then in appreciation of all the selfless work they provide.  (kk)

http://forgottenhits.com/remembering_mark_kotal

 

There seems to be a lot of mixed emotions floating around out there regarding Sinead O’Connor’s recording history after her recent passing.

Billboard Magazine made her this week’s spotlight feature in their “Forever #1” series … https://www.billboard.com/music/chart-beat/sinead-oconnor-nothing-compares-2-u-number-one-only-hit-1235380274/#recipient_hashed=fa7e92da6f6e66bffcf0bcbf863670c6eb37d7159eb4d0ea1e44fecd5ec87eeb&recipient_salt=3a1d6b09af3b92ad7e38f8327cf18febeb049fd1c9a251b66957a07d9375735c


kk …

For The Last Few Weeks Dr. Bop Has Been Doing "BATTLE OF LEAD SINGERS."

ROUND 1 = Winner Johnny Maestro

ROUND 2 = Tie - Smokey Robinson & Jimmy Beaumont

ROUND 3 = Tie - Willie Winfield & Ben E. King

Finals Coming Up This Sunday.

For His Whole Three Hour Show (10 AM – 1 PM, Eastern Time) / REMEMBER THEN RADIO / He'll Only Play Above Mentioned Lead Singers.

I Say Johnny Maestro Wins.

LAST WEEK (JULY 27) THEY HELD A STREET NAMING CEREMONY FOR THE LATE, GREAT WILLIE WINFIELD (LEAD SINGER HARPTONES.)

Corner Of Bond & Wycoff Streets In Brooklyn, New York

FB

Our FH Buddy Charles Rosenay was involved with putting together a zoom interview with Bobby Mapp, original drummer for The Five Satins, last week.  (Due to work conflicts, we were unable to participate … but I believe a few of our readers may have been onboard.)

For those who may be unaware of the breadth of Bobby Mapp’s playing career….

This guy was a very in-demand drummer for many years due to his elite skill and versatility. As you know, as a very young man, he famously played with the Satins. He later made an entire career playing with many jazz artists. He is quite humble and he is a man of few words. He would never say this, but his contemporaries would tell you in our musician language - Bobby was one of the baddest dudes around. I won’t bore you with the details how this all came about. Let’s just say Charles Rosenay and I collaborated to make this happen. I cant thank Charles enough for his passion and energy, and our Australian and Boston interviewers. We really wanted to make this special for Bobby and I think we did. 

Dean Tinari

GREAT ARTICLE:

https://www.newhavenindependent.org/article/drumroll_please_its_bobby_mapp

Here's the finished, produced video of the BOBBY MAPP Appreciation Night...

https://youtu.be/lsXIXtFzv6A

Please feel free to share it. 

ENJOY!

Charles

I remember the nightclub you were referring to in the mid 70’s.  It was located at 25th and Lake in Melrose Park and was in the basement of Casa Madrid and it was called the Cellar.  I know this because I was in a local band that played there. They had entertainment all the time including a few big name acts from Chicago that went on to bigger fame, ie, Styx. I saw a local act called MS Funk one time that featured Tommy Shaw, later of Styx. I don’t think the place lasted more them a couple years. You are correct … hardly any parking.

Jacob Slowik

It was quite a popular club back in the day … and I think The Shadows Of Knight might have been the house band there for awhile.

It was an interesting time in music … when acts on the way up touring the country would come play a one-nighter at The Cellar before going on to national fame.  (kk)

Regarding ‘White Rabbit,’ had any of these people ever read 'Alice's Adventures in Wonderland'? No matter what the intent of the song, it follows the book admirably. (Kent, I was another no drug is of interest to me spectator. I could 'tune in' and 'tune out' as I pleased)

Shelley

 

>>>As far as I'm concerned, no musical track has ever captured the spirit of this era better than "White Rabbit."  Much of the other stuff was just unlistenable noise.  (kk)

Would Chuck care to specify which songs he considered to be "unlistenable noise?"

– Randy Price

That was my quote, actually, not Chuck’s … and I’m referencing the countless number of never-ending, long-winded jams that were saturating the market at the time … by any number of artists who seemed to believe amidst that their own self-indulgence, QUANTITY outweighed quality.  Some of these things went on forever and were just relentless in trying so hard to be “of the times” instead of setting the tone on their own terms.  I couldn’t listen to it then … and I still can’t listen to it now.  (One example … I am listening to all of The Rolling Stones’ albums in order during my commute to and from work … and this week happened upon “Their Satanic Majesties Request.”  I defy you to name one redeeming track on this album other than their hit single “She’s A Rainbow” / “2000 Light Years From Home,” which are both EXCELLENT tracks in my opinion.  I think The Stones were just trying much to hard to be “of the times” rather than maintain their identity and contribute TO the times.  (kk)

 

FH Reader Timmy sent us this vintage signed promotional photo of Dick Biondi on KOKX



And a look back at a piece we did a couple of years ago, too …

 

http://forgottenhits60s.blogspot.com/2021/06/dick-biondi.html

 

Tom Cuddy sent us this link to a Buckinghams concert from 2019 …

Pretty good quality, too!

 

Rock 'n Wheels® Highlights 7/25/19 - The Buckinghams-one hour

https://youtu.be/-Xoa5IqIl-M

 

He also sent another reminder about our FH Buddy Denny Tedesco’s new film, Immediate Family.  (Can’t wait to see this one!)

Don Henley, Keith Richards & more featured in new doc about 1970s session musicians
https://www.deltaplexnews.com/don-henley-keith-richards-more-featured-in-new-doc-about-1970s-session-musicians/

 

Here’s a scary headline from Billboard Magazine … 

Everything Old Can Be New Again — Thanks to AI

Boy, I sure hope this isn’t what music dissolves into.   

Let history stand as it exists …

These tracks won us over in their original state.  (I’ve noticed a few oldies outlets are updating their playlists to include newer, cleaner mixes of some of these vintage tracks WITHOUT any AI enhancement … and they already no longer sound like the originals … like the way we remember hearing them at the time.

Now I get the idea of trying to “modernize” these tracks to make them more palatable listening to a new generation of potential fans …

But for me the greatest part of their charm is some of the roughness and rawness of the recordings captured at the time based on the state of technology that existed then.

I don’t think I’ll ever embrace this new AI technology … not when it takes on the role of rewriting history.  (kk)

 

Here’s Paul McCartney’s tweet after the passing of Tony Bennett …

Very sad to hear that Tony Bennett has died. He was a special singer and a good friend. I was privileged to work with him on a few occasions and he was always a wonder to behold. Thanks, Tony, for the joy you brought to our world. Love, Paul

And, speaking of Tony Bennett, here is some funny stuff, sent in by FH Reader Mike Wolstein …

 

Tony Bennett on Saturday Night Love …

 

One of the best SNL skits I've seen yet.

The fun begins at 2:25

https://www.youtube.com/watch?v=iuowcRmc6oo

Mike

 

This is great!  (kk)